On second thought, I like yours better.
Pidge: Well, looks like the world is in trouble again.
Lance: Ah, yet again. What a tragedy that our evening is booked. *shoots Pidge a meaningful glare*.
Pidge: *grabs her super suit* Lance...
Lance: I know, I know, world first. *pulls on his super suit* But I’m still going to complain anyway. I mean, it took me two months to get you to agree to something romantic! Two months! I feel like the supervillains could wait a couple more hours to unleash hell on us, right?
Pidge: If supervillains planned their evil schemes around your convenience, they’d never get anything done. That’s why they don’t do it. I’m sure they’ve considered it, of course, it just didn’t fit in with their schedule.
(they run off into the distance, still bickering and bantering, their voices fading as they get further away)
Lance: Well, duh, but I think one friendly exception isn’t much to ask.
Pidge: From a supervillain?
Lance: Fair, but I’m still bitter. Two months of begging!
Pidge: Begging and blackmailing. Don’t forget blackmailing.
Lance: Of course! What’s love without a little blackmail?
I saw this, and . . .
I feel like we can all agree that Pidge would be the one trying to find her paladin armour for something, and Lance would be the one standing in the background whining "but you promised you'd have dinner with me! I had candles and music planned and everything! How could you do this to me?"
"Sometimes I wonder if, when you look at me, you wish you were seeing her."
"I see you, Pidge. And you're exactly who I want to see."
Huh.
Huh.
I can't decide whether or not Optygami lived up to my hopes.
On the one hand, we definitely saw the negative consequences of the Miracle Queen reveal. Optygami was the closest Ladybug has come to being found out, and it was a tense and frustrating episode. There were definitely at least moderately disastrous consequences.
But on the other hand, none of those disastrous consequences were permanent. Ladybug and Chat Noir were not outed, no one lost a miraculous, no one was hurt or injured. Causing lasting harm to plot or character is difficult with a show as episodic as ML, but we have seen lasting damage done in one specific area: relationships. Friendships, and romantic ships, have been injured in this show before--when you get down to it, those are our stakes. And no relationships were damaged irreparably in Optygami.
So the writers probably upped the sense of stakes with this episode. But they also gave Alya her miraculous, permanently. I'm overjoyed at this in terms of Alya and Mari's friendship, as well as both of their character arcs, but it seems like a . . . questionable decision narratively.
I don't know. We'll see. In conclusion, my thoughts on Optygami are as ambiguous as the episode was. It definitely showed some negative consequences of reveals, but showed a lot more positives and took the Alyanette reveal arc even further into risky territory.
Miraculous Ladybug set up a good stakes system in the first three seasons with this simple rule: identities must not be revealed. If they are, there will be dire consequences. Hence, while we don't really believe that our main characters are ever at risk of dying, we can accept that they might someday lose their masks, and that that would be bad. It's a risk that adds real weight to the action and plot. It also justifies the endless identity dance between Marinette and Adrien. But then Miracle Queen happened, and all the heroes except for our main two were outed. We saw no consequences in that episode. We saw no consequences in the NY special, and we've seen no consequences in season four yet, either. This makes the entire narrative feel far less convincing and lowers the tension immensely. Not to mention that it almost completely invalidates how Adrien and Marinette continue to hide their identities from each other. (It doesn't invalidate their secrets completely because we're not going to forget Chat Blanc any time soon, but it still lowers the stakes considerably.) Not only are almost all the superheroes out, but Alya still sometimes runs around as Rena Rouge, despite her identity being publicized. And she knows Ladybug's identity, which we've been told is dangerous, but we haven't seen anything that convinces us it's dangerous. The thing is, we have seen negative consequences of identity reveals. Chloe being akumatized is one instance, and another is Chat Blanc. But the show has done nothing with the biggest large-scale identity reveal so far (the one at the end of season three), which makes the "we must keep our identites a secret" spiel very hard to swallow, and makes the entire plot feel almost risk-free. I hope that Optygami shows us the negative consequences of this large-scale identity reveal, and returns strength to the narrative by doing so. TL;DR: With a few rare exceptions, we haven't seen much to back up the story's constant claim that identity reveals are dangerous. I hope that Optygami will finally show us some of the disastrous consequences of identity reveals, thus adding more weight and stakes to the narrative and justifying Marinette and Adrien's continued secrecy.
I feel a need to bring this back in the wake of the canonical representation of Adrien as a princess and Marinette as his knight in shining armor
Miraculous Ladybug is filled with excellent subversions of gender stereotypes. And no, I'm not just going to say it's feminist, because what I'm talking about is much broader than that. The show is filled with characters that refuse to fit the standard roles their gender lays out for them, both for female and male roles.
Let's start with the most obvious example, Marinette Dupain-Cheng, or Ladybug. It's pretty clear that her character and function in the story revolts against stereotypes of femininity: she is a woman—well, a girl—but she leads her team, which is a traditionally male role. She is the decision-maker, the rationalist, the realist, the one who catastrophizes before she hopes—this is stark contrast to the traditional expectation that women follow and comfort, holding the team up with optism and joy. She is the head, not the heart (that's Adrien). She is driven, strong, determined, and self-assured.
Adrien, too, subverts stereotypes—perhaps more than Marinette, although it's not something you notice immediately like Marinette's subversions. (This is because we're familiar with the patterns of feminist characters, but not the anti-sexism found in Adrien.) At heart, Adrien is arguably the most clasically "feminine" character in the show. On the surface, it's easy to see—he is a model, objectified for his beauty, something that has been done to women for all of history and is still being done today. But it runs deeper, too. He is submissive, mild, willing to bend to other's will—both his father's and Ladybug's, as well as the desires of other people in his class like Chloe and Lila (both of whom are, interestingly, women). His kindness and sensitivity, as well as his role as the heart and support when suited up, all mirror traditionally feminine traits and roles.
And yet, despite all this subversion, neither of the main characters are simply a rebellion against stereotypes. It's clear in Chat Noir's tendency to flirt and his function as a protector, but it's especially evident in Marinette, who doesn't just subvert female stereotypes—she also fulfills them.
Marinette is a leader, a thinker, a pessimist, but she's also interested in fashion and art, both of which are considered feminine. More than that, she's incredibly kind, exemplifying that women can abandon the negative feminine stereotypes of submission and obedience without sacrificing the positives like kindness and selflessness. And finally, she's clearly not a "strong independent woman who don't need no man" because she wants a man. No, she doesn't need a boyfriend, but she wants one. True feminism doesn't mean women throwing aside all romantic relationships, it means not pressuring women either way, into or away from romance. Marinette can be strong and independent while still loving someone and wanting to be loved back.
The characters in Miraculous Ladybug are not governed by stereotypes. They were written to be good, nuanced characters, not feminist characters. Marinette has both feminine and masculine traits, proving that traditional "feminine" values are just as valuable as "masculine" ones. Adrien has both, but far more feminine than masculine traits, demonstrating that masculinity is not superior, and that toxic masculinity is just as harmful as classic sexism.
Miraculous Ladybug didn't say "We need to stop forcing women to be feminine," which is a common and harmful misinterpretation of the feminist vision. It didn't say "We should let women act like men!" or "Femininity is bad! Let's leave it all behind." It said, "Stereotypes—both for men and women—are harmful, and we should let people just be people instead of defining them by their genders." It created a world where there are no traditionally feminine and masculine traits, there are just people traits, and anyone can be anyone.
Sticky lines from fics I've read:
“Adrien still thought that home meant a big, lonely bedroom with barred windows. Chat Noir knew better.”
—"tell me something i don't know" by @carpisuns
"It’s not your fault, Milady. I don’t blame you."
—"Sebben, crudele, mi fai languir (Although, cruel love, you make me languish)" by @komorebirei
“"We’ll be together tomorrow, won’t we?' he asks, moving his face closer to hers on the pillow. She does the same, their foreheads touching.
She says: 'Yes, always.'
Cut to black."
—"tomorrow" by @peachcitt
"Above him, the sky is black. It’s a void of another name, stretching beyond the horizon and swallowing the world in darkness. But it’s not empty, not in the slightest. A dazzling array of stars glitters above him, packed denser than he thought stars could be."
—"make beautiful things" by @aquaquadrant
"Her grief is not gone. Her grief will never be gone. But for now, the Castle of Lions needs a leader, and she is the only one they have. Her grief drives her. It will not be put to rest, and neither will she.
There is a war to win."
—"change of heart" by rythyme (pugglemuggle)
"Some things don’t make any more sense under a microscope. You can spend all night turning them over in your head, and the harder you look, the more they seem to shift, made inscrutable. It’s the difference between observing things and actually living them, maybe. The risk of getting too close."
—"quantum mechanics, smirks, and other complications of the universe" by @amillionsmiles
"This vexing, brilliant, beautiful boy was laughing so hard she couldn’t tell if his cheeks were wet with water or his own tears. Like everything else, he put his whole heart into it."
—"Tu Eres Mi Corazon" by 13Vivacious13
“'Real.'"
—"Real" by @carpisuns
You know when you come across A Line in a book or a fic that just makes you stop in your tracks and let it sink in because it’s so beautiful? Or one that makes you lose your mind and wheeze-laugh for five entire minutes? Or just one that’s said in such an interesting way that you’ll never forget it? I call those “sticky lines.” The ones that stick in your brain for a long, long time after you’ve finished reading, sometimes forever.
Writers, reblog this if you want people to tell you what your sticky lines are! Or feel free to make your own list of favorite sticky lines :)
some orbs before bed
please don’t tag kin or post to other websites
Visiting family over the summer be like
Since I haven't been feeling very inspired in the Plance art area lately, I decided to post my first Plance drawing, which I did back when all I could do in terms of digital art was trace screenshots. Oh, and I used fancy blending modes instead of figuring out the colors myself.
Objectively, it probably looks better than anything I drew myself, but I still don't like it because it doesn't look like MY art, it just looks likes random Plance art. Oh well, here we go.
Holy cow, this is a HUGE file, what was past me THINKING?!
This is a little old, but might as well post
I drew some angsty Adrien Agreste and couldn’t decide which version I prefered, so I’ll just post both.
You can call me Starry! I'm a fan artist and fanfiction writer. She/her, asexual. I'm a huge nerd (and by that, I mean I love math, science, and language). I am a member of the Church of Jesus Christ of Latter-Day Saints. Reblog blog is @starryarchitect-reblogs, queer mormon blog is @acemormon.
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