Whoa! Amazing work as always! I love this so much!! đđ
Too adorable. Thank you for sharing it!
Casual Hana
Yo, I would ship her with the girl standing at the table with that guy in the background picture of the music venue. Pink hair I believe? Tattoos? Looks like she is in the middle of attempting to explain what is going on in ES? Well unbeknownst to most, she is actually a total nerd with astronomy and pokemon tattoos who is very shy and loves to laugh and cuddle who just so happens to have a major crush on one Kaitlyn Liao. Itâs true, ask PB.
If Kaitlyn wasnât a LI, who would you ship her with?
I would ship her with either Becca or Madison. I think itâll be interesting idk lol.
for the self-conscious beginner: No one makes great things until the world intimately knows their mediocrity. Donât think of your writing as terrible; think of it as preparing to contribute something great.
for the self-conscious late bloomer: Look at old writing as how far youâve come. You canât get to where you are today without covering all that past ground. For that, be proud.
for the perfectionist: Think about how much you complain about things you loveâthe mistakes and retcons in all your favorite seriesâand how you still love them anyway. Give yourself that same space.
for the realist: There will be people who hate your story even if itâs considered a classic. But there will be people who love your story, even if it is strange and unpopular.
for the fanfic writer: Your work isnât lesser for not following canon. When you write, youâve created a new work on its own. It can be, but does not have to be, limited by the source material. Canon is not the end-all, be-all.Â
for the writerâs blocked: It doesnât need to be perfect. Sometimes you have to move on and commit a few writing sins if it means you can create better things out of it.
for the lost: You started writing for a reason; remember that reason. Itâs ok to move on. You are more than your writing. It will be here if you want to come back.
PRIDE MONTH
LOVE WHOEVER YOU WANT, BE WHOEVER YOU WANT
BE YOURSELF, LOVE YOURSELF.
Without Making Your Character Feel Too Self Aware
Showing Emotion Without Telling About It
Emotions Associated With Body Language
Telling Readers What The Character Doesnât Want To Show
Hiding Emotions
Expressing Cardinal Emotions: Masculine vs. Feminine
Writing Extreme Emotion Without Melodrama
Specific Emotions
Conveying Shock
Conveying Embarrassment
Conveying Disappointment
Conveying Love/Attraction
Conveying Annoyance
Conveying Relief
Conveying Uncertainty
Conveying Impatience
Conveying Shame
Conveying Resentment
Conveying Panic
Conveying Guilt
Conveying Desperation
Conveying Sarcasm & Verbal Disrespect
Conveying Confusion
Conveying Stubbornness
Conveying Frustration
Conveying Indifference
Conveying Indignation
Conveying Confidence & Pride
Conveying Smugness
Conveying Enthusiasm
Conveying Curiosity
Conveying Hopefulness
Conveying Unease
Conveying Reluctance
Conveying Worry
Conveying Humility & Meekness
Conveying Happiness & Joy
Conveying Amusement
Conveying Disgust
Conveying Resignation
Conveying Jealousy
Conveying Anticipation
Conveying Contentment
Conveying Defeat
Conveying Excitement
Conveying Fear
Conveying Hatred
Conveying Hurt
Conveying Being Overwhelmed
Conveying Sadness & Grief
Conveying Satisfaction
Conveying Somberness
Conveying Sympathy & Empathy
Conveying Wariness
Conveying Defensiveness
Conveying Desire
Conveying Doubt
Conveying Energy
Conveying Exhaustion
Conveying Hunger
Conveying Loneliness
Conveying Physical Pain
A Role Model Who Disappoints
A Siblingâs Betrayal
A Speech Impediment
Becoming a Caregiver at an Early Age
Being Bullied
Being Fired or Laid Off
Being Held Captive
Being Mugged
Being Publicly Humiliated
Being Raised by Neglectful Parents
Being Raised by Overprotective Parents
Being So Beautiful Itâs All People See
Being the Victim of a Vicious Rumor
Being Stalked
Being Trapped in a Collapsed Building
Being Unfairly Blamed For The Death of Another
Childhood Sexual Abuse (by a family member or known person)
Discovering Oneâs Parent is a Monster
Discovering Oneâs Sibling was Abused
Experiencing a Miscarriage or Stillbirth
Failing At School
Failing To Do The Right Thing
Financial Ruin Due To A Spouseâs Irresponsibility
Finding Out Oneâs Child Was Abused
Finding Out One Was Adopted
Getting Lost In a Natural Environment
Growing Up In A Cult
Growing Up in a Dangerous Neighborhood
Growing Up In Foster Care
Growing Up In The Public Eye
Growing Up In The Shadow of a Successful Sibling
Growing Up with a Sibling Who Has a Chronic Disability or Illness
Having Parents Who Favored One Child Over Another
Having To Kill Another Person To Survive
Infertility
Infidelity (emotional or physical)
Losing a Limb
Losing a Loved One To A Random Act of Violence
Making a Very Public Mistake
Overly Critical or Strict Parents
Physical Disfigurement
Rejection By Oneâs Peers
Telling The Truth But Not Being Believed
The Death of a Child On Oneâs Watch
Victimization via Identity Theft
Watching A Loved One Die
Wrongful Imprisonment
Spending Time In Jail
Suffering From a Learning Disability
Achieving Spiritual Enlightenment
Avoiding Certain Death
Avoiding Financial Ruin
Beating a Diagnosis or Condition
Being Acknowledged and Appreciated by Family
Being a Leader of Others
Being the Best At Something
Caring for an Aging Parent
Carrying on a Legacy
Catching The Bad Guy or Girl
Coming To Grips With Mental Illness
Discovering Oneâs True Self
Escaping a Dangerous Life one Doesnât Want
Escaping a Killer
Escaping a Widespread Disaster
Escaping Confinement
Escaping Homelessness
Escaping Invaders
Finding Friendship or Companionship
Finding a Lifelong Partner
Having a Child
Helping a Loved One See They Are Hurting Themselves and Others
Obtaining Shelter From The Elements
Overcoming Abuse and Learning To Trust
Overcoming Addiction
Protecting Oneâs Home or Property
Pursuing Justice For Oneself or Others
Realizing a Dream
Reconciling with an Estranged Family Member
Rescuing a Loved One From a Captor
Restoring A Name or Reputation
Righting a Deep Wrong
Seeking Out Oneâs Biological Roots
Stopping an Event From Happening
Trying Again When One Has Previously Failed
Request A Writing Help Post/Themed Playlist/Writing Tips!
Send Me Poetry To Feature On Our Instagram!
Receive Updates & Participate In Polls On Our Twitter!
Like us and share on Facebook!
Read More On Our Masterlist & See our Frequently Asked Questions!
Tag What You Want Me To See With #wordsnstuff!
Participate in monthly writing challenges!
Well, we already know they are among the fandom. Personally, I hope they do also write fanfic and share it. I am sure it can be frustrating to not have complete control over the characters and the story that help create.
Sent by @christopherpowelllover
POST/CONFESSIONS DO NOT REFLECT THE MODâS PERSONAL OPINIONS!
Comparisons draw attention to themselves, like a single red tulip in a sea of yellow ones. They take the reader out of the scene for a moment, while you describe something that isnât in it, like youâre pushing them out of the story. They require more thought than normal descriptions, as they ask the reader to think about the comparison, like an essay question in the middle of a multiple choice test. They make the image stand out, give it importance, a badge of honor of sorts.
Use too many comparisons and they become tedious.Â
Elevating every single description is like ending each sentence with an exclamation point. Eventually, the reader decides no one could possibly shout this much, and starts ignoring them.Â
For these reasons, you should only use metaphorical language when you really want to make an image stand out. Save them for important moments.Â
If youâre writing from the point of view of a character whoâs only ever lived in a desert, having that character say, âher look was as cold as snowâ doesnât make much sense. That character isnât likely to have experienced snow, so it wouldnât be a reference point to them. Theyâd be more likely to compare the look to a âmoonless desert nightâ or something along those lines.
Using a comparison that ties to the characterâs history or the setting of the story also do work to build the world of the story. It gives you a chance to show the reader exactly what your characterâs reference points are, and builds the storyâs world. If your reader doesnât know that desert nights can get cold, this comparison informs both the things its describing: the other characterâs look and the desert at night.Â
Hereâs a metaphor from The Hitchhikerâs Guide to the Galaxy:
If you took a couple of David Bowies and stuck one of the David Bowies on the top of the other David Bowie, then attached another David Bowie to the end of each of the arms of the upper of the first two David Bowies and wrapped the whole business up in a dirty beach robe you would then have something which didnât exactly look like John Watson, but which those who knew him would find hauntingly familiar.
He was tall and he was gangled.
This is a bizarre comparison, but itâs also a bizarre story. Whatâs more, David Bowie is known for his persona âZiggy Stardustâ and songs like âSpace Oddity.â Bringing him up in a book about a man from Earth traversing the galaxy makes sense. Whatâs more it increases both of those aspects of the story: its ties to space and its bizarre-ness. The comparison unifies the story and the language being used to tell the story.Â
Using comparisons that fit into the world ensures that everything is working to help tell the story you want to tell.
Or, match it to the way you want the thing being described to come across. It has to match what you want the reader to feel about the thing being described.Â
Hereâs an example from Mental Flossâs â18 Metaphors & Analogies Found in Actual Student Papersâ (although I think itâs actually from a bad metaphor writing contest):
She had a deep, throaty, genuine laugh, like that sound a dog makes just before it throws up.
Youâre not imagining a laugh right now, are you? Youâre imagining a dog throwing up. Whoever this girl is, youâre going to make sure never to tell a joke in front of her.
This is not getting the right point across.Â
Remember the David Bowies? Remember how the comparison was fun and bizarre, just like the tone of the book is fun and bizarre?Â
This is not David Bowies stacked on top of one another.Â
Itâs not enough for a comparison to be accurate. It has to bring about the same emotions as the thing itâs describing.Â
If this is being told from the point of view of a character who hates the laughing character and weâre supposed to hate her and her laugh. It actually does work, but from the use of the word âgenuine,â I donât think this is the case.Â
Make sure you always pay attention to the tone of the comparison.Â
Donât use a comparison that requires too much thought on the readerâs part. You never want anyone sparing even a moment on the question: âbut how is x like y?â
Hereâs another example from that Mental Floss list:Â
Long separated by cruel fate, the star-crossed lovers raced across the grassy field toward each other like two freight trains, one having left Cleveland at 6:36 p.m. traveling at 55 mph, the other from Topeka at 4:19 p.m. at a speed of 35 mph.
Again, this is a humorous example. Itâs supposed to be bad, but many writers have made mistakes like it. They choose two images that donât have enough in common for the reader to make an easy and obvious comparison between the two. Sometimes, the writer subconsciously acknowledges this, and expands the comparison to a paragraph, detailing the ways the two things are alike.Â
If you find yourself doing this, take a step back and ask yourself if this is really the best comparison to be using. The best comparisons are the simple ones. All the worldâs a stage. Conscience is a manâs compass. Books are the mirrors of the soul.Â
What about that David Bowie quote, you ask? Douglas Adams broke this rule, but he broke it purposefully to get that bizarre quality to the language. He still avoids reader confusion, the reason for this rule, by bringing the comparison back to its point at the end:Â âhe was tall and he was gangled.â
The best comparisons are fresh ones. No one wants to hear that she had âskin as white as snowâ and lips âas red as rosesâ anymore. The slight understanding it brings to the description isnât worth the readerâs groans when they realize you just made them read that again.Â
A cliche is a waste of space on the page. Itâs not going to be the memorable line you want it to be. Itâs not going to awe the reader.Â
Good similes in metaphors require some creative thinking.Â
In the vein of rosy lips and snow-colored skin, hereâs a fun example from Harry Potter and the Chamber of Secrets. Itâs the poem that Ginny wrote for Harry on Valentineâs Day:
His eyes are as green as a fresh pickled toad,
His hair is as dark as a blackboard.Â
I wish he was mine, heâs really divine,Â
The hero who conquered the Dark Lord.
These arenât comparisons youâre like to have come across before and their originality comes from rules #2 and #3. Rowling needed comparisons that fit in Ginnyâs frame of reference. She also needed comparisons that were humorously bad, as theyâre being recited by a grumpy creature dressed in a diaper, who is sitting on Harryâs ankles, forcing him to listen.Â
As a witch at school, blackboards and fresh pickled toads fit Ginnyâs frame of reference. Neither are particularly known for being nice to look at, so they fit the tone, too.Â
Using her character, setting, and tone, using, in other words, her story, Rowling was able to create similes that are unique and memorable.Â
Itâs the same thing Adams did with his Bowie analogy.Â
If you, too, use your story to inform your language, writing new and wonderful similes and metaphors should be just as simple.Â
Just like old times
Not everyone will like your fic. Write it anyway.Â
Not everyone will like your art. Keep drawing.Â
Not everyone will like your moodboards/edits/vids. Make more.Â
Pursue your craft because it makes you happy, and just know that there are people out there who adore everything you create and canât wait for more. And there are fans that havenât found you yet, but your content will change their life.Â
Keep creating, okay?Â
I love you guys. And I support you all so hard.Â
Last night I dreamed I unlocked a super secret mode in DA:I that let me play through the story as Cassandra.
Sofia. She/her. Writer, thinker, listener, trans woman, and supporter of the Oxford Comma.
172 posts