THE QUOTES 😭😭😭

can i just die in your arms without you making it gay. Come on man

Y’know that one scene in A Servant of Two Masters where Merlin tells Leon he’s off to kill the king and Leon just laughs

What if Merlin realises how much power that actually has and just starts telling Leon the truth instead of coming up with excuses

Like

Leon: Hey Merlin, where are you off to?

Merlin: Just going to fight a gryphon!

Leon: ha! Have fun!

Or

Leon: Merlin, why do you have highly illegal poison?

Merlin: it’s only poison mixed with alcohol, otherwise it’s just great sidhe repellent!

Leon, chuckling fondly: Alright, as you were then.

Or

Leon: Merlin! Where were you?

Merlin: nowhere interesting, just practicing sorcery.

And Leon believes he’s just keeping the gag going every time.

Which also makes the poetry scene so much better because Leon is used to Merlin being funny, never giving proper excuses and joking about high treason crimes.

So when Merlin is so flustered that he blurts out poetry, the only possible explanation can be that something Merthur is happening and Leon wants no part in it.

It also got me thinking about post Camlan when Merlin and Arthur get back to Camelot (I’m in denial, shut up) when Leon finds out Merlin has magic.

He waits at the gates for Merlin with his arms folded looking like a disappointed mother, then Merlin stops and realises every one of his “excuses” came back to bite him in the arse.

Until Leon has to explain to Arthur that he’s known Merlin is a sorcerer for a while now, but always thought it was a joke because “it’s Merlin”

Merlin: in my defence, I never lied.

Leon: you confessed to multiple crimes!

Merlin: you let me get away with them!

Arthur: huh?

Leon: Sire, I can explain.

Merlin: can you?

Leon: can you?!

I’m tempted to turn this into a fanfic if anyone would want to read it

This is so me

Me: *enjoying any kind of Arthurian content*

Me: ugh this isn’t exactly like BBC Merlin but I guess I’ll take it

not sure what should happen next in your story?

Embarrass your protagonist. Make them seem weak and vulnerable in some way.

Shoot someone. That always takes the reader by surprise. 

In relation, kidnap someone. Or, rather, make it seem to your protagonist like someone has been kidnapped. 

Have one of your side characters disappear or become unavailable for some reason. This will frustrate your protagonist.

Have someone kiss the wrong girl, boy, or person, especially if you’ve been setting up a romance angle. It’s annoying.

If this story involves parents, have them argue. Push the threat of divorce, even if you know it won’t ever happen. It’ll make your readers nervous.

Have someone frame your protagonist for a crime they didn’t commit. This could range from a dispute to a minor crime to a full-blown felony.

If this is a fantasy story involving magic or witchcraft, create a terrible accident that’s a direct result of their spell-casting. 

Injure your protagonist in some way, or push them into a treacherous scenario where they might not make it out alive. 

Have two side characters who are both close to the protagonist get into a literal fist-fight. This creates tension for the reader, especially if these characters are well-developed, because they won’t know who to root for.

Make your protagonist get lost somewhere (at night in the middle of town, in the woods, in someone else’s house, etc.) 

Involve a murder. It can be as in-depth and as important as you want it to be. 

Introduce a new character that seems to prey on your protagonist’s flaws and bring them out to light.

If it’s in-character, have one of your characters get drunk or take drugs. Show the fallout of that decision through your protagonist. 

Spread a rumor about your protagonist. 

If your protagonist is in high-school, create drama in the school atmosphere. A death of a student, even if your protagonist didn’t know them personally, changes the vibe. 

If your story involves children, have one of them do something dangerous (touch a hot stove, run out into the road, etc.) and show how the protagonist responds to this, even if the child isn’t related to them. 

In a fantasy story, toss out the idea of a rebellion or war between clans or villages (or whatever units you are working with). 

Add a scenario where your protagonist has to make a choice. We all have watched movies where we have screamed don’t go in there! at the top of our lungs at the main character. Make them go in there. 

Have your protagonist find something, even if they don’t understand the importance of it yet. A key, a document, an old stuffed animal, etc. 

Foreshadow later events in some way. (Need help? Ask me!)

Have your protagonist get involved in some sort of verbal altercation with someone else, even if they weren’t the one who started it. 

Let your protagonist get sick. No, but really, this happens in real life all the time and it’s rarely ever talked about in literature, unless it’s at its extremes. It could range from a common cold to pneumonia. Maybe they end up in the hospital because of it. Maybe they are unable to do that one thing (whatever that may be) because of it.

Have someone unexpected knock on your protagonist’s door. 

Introduce a character that takes immediate interest in your protagonist’s past, which might trigger a flashback.

Have your protagonist try to hide something from someone else and fail.

Formulate some sort of argument or dispute between your protagonist and their love interest to push them apart. 

Have your protagonist lose something of great value in their house and show their struggle to find it. This will frustrate the reader just as much as the protagonist.

Create a situation where your protagonist needs to sneak out in the middle of the night for some reason.

Prevent your character from getting home or to an important destination in some way (a car accident, a bad storm, flat tire, running out of gas, etc.)

Resources For Plot Development

Plot Structures

All About Plot Structures

The Novel Plotting Formula

Story Structure: Plot Points

Save the Cat! 15-Beat Plotting Method

The Snowflake Method 

The Hero’s Journey

Three Act Structure

29 Plot Structures

Methods Of Plotting

NaNoWriMo Prep: Plotting Your WIP with 90 Index Cards 

Plot from the End

27 Step Tutorial How Do I Plot a Novel

How to Create a Plot Planner — Part 1

Pre-Plot the Middle and End of Your Novel

Dance between Plotting the Overall Story and Writing

Pre-Plotting Made Simple

A Writing Plan that Incorporates Research, Plotting and Writing

NaNoWriMo Plot Development Guide

Cool Resources

One Page Novel Format Spread Sheet

Worksheets For Writers

Writing Blockbuster Plots

Pros and Cons of Pre-Plotting a Novel before Writing

How to Plot 2 Protagonists in a Novel

Plot Your Story Scene-by-Scene to Emotionally Engage Your Readers

Behind the Scenes – Scene Types

Plot and Emotion

3 Common Plot Problems

Control the Pacing of Your Novel

Plot Twists: What Are They and How to Plot Them

Above the Plot Planner Line: How to Test Pacing and Tension in Stories

Beginnings Hook Readers/Audiences. Endings Create Fans

Where To Start: How To Write the Exact Right Beginning of Your Story

How to Show Character Mastery and Transformation through both the Internal and External Plots

Cause and Effect Scene by Scene

How to Create Subplots

Emotional Elements of Plot: Stories that Last Evoke Emotion

How to Plot the End of Your Novel

Plot the Climax, Write the Climax, Re-Vision the Climax and Then Re-Write the Climax of Your Story

How to Decide Which Scenes to Keep and Which Ones to Toss

Where Exactly Does the End Begin in a Novel

Benefits of Pre-Plotting

30 Scene Ideas

Plot Generators

Romance

Fantasy

Paranormal Romance

Crime

Horror

Mystery

Science Fiction

Dystopian

Even More Options Here

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Sir Gwaine (2) | BBC Merlin + Textposts/Tweets (19/?)