Y’know That One Scene In A Servant Of Two Masters Where Merlin Tells Leon He’s Off To Kill The King

not sure what should happen next in your story?

Embarrass your protagonist. Make them seem weak and vulnerable in some way.

Shoot someone. That always takes the reader by surprise. 

In relation, kidnap someone. Or, rather, make it seem to your protagonist like someone has been kidnapped. 

Have one of your side characters disappear or become unavailable for some reason. This will frustrate your protagonist.

Have someone kiss the wrong girl, boy, or person, especially if you’ve been setting up a romance angle. It’s annoying.

If this story involves parents, have them argue. Push the threat of divorce, even if you know it won’t ever happen. It’ll make your readers nervous.

Have someone frame your protagonist for a crime they didn’t commit. This could range from a dispute to a minor crime to a full-blown felony.

If this is a fantasy story involving magic or witchcraft, create a terrible accident that’s a direct result of their spell-casting. 

Injure your protagonist in some way, or push them into a treacherous scenario where they might not make it out alive. 

Have two side characters who are both close to the protagonist get into a literal fist-fight. This creates tension for the reader, especially if these characters are well-developed, because they won’t know who to root for.

Make your protagonist get lost somewhere (at night in the middle of town, in the woods, in someone else’s house, etc.) 

Involve a murder. It can be as in-depth and as important as you want it to be. 

Introduce a new character that seems to prey on your protagonist’s flaws and bring them out to light.

If it’s in-character, have one of your characters get drunk or take drugs. Show the fallout of that decision through your protagonist. 

Spread a rumor about your protagonist. 

If your protagonist is in high-school, create drama in the school atmosphere. A death of a student, even if your protagonist didn’t know them personally, changes the vibe. 

If your story involves children, have one of them do something dangerous (touch a hot stove, run out into the road, etc.) and show how the protagonist responds to this, even if the child isn’t related to them. 

In a fantasy story, toss out the idea of a rebellion or war between clans or villages (or whatever units you are working with). 

Add a scenario where your protagonist has to make a choice. We all have watched movies where we have screamed don’t go in there! at the top of our lungs at the main character. Make them go in there. 

Have your protagonist find something, even if they don’t understand the importance of it yet. A key, a document, an old stuffed animal, etc. 

Foreshadow later events in some way. (Need help? Ask me!)

Have your protagonist get involved in some sort of verbal altercation with someone else, even if they weren’t the one who started it. 

Let your protagonist get sick. No, but really, this happens in real life all the time and it’s rarely ever talked about in literature, unless it’s at its extremes. It could range from a common cold to pneumonia. Maybe they end up in the hospital because of it. Maybe they are unable to do that one thing (whatever that may be) because of it.

Have someone unexpected knock on your protagonist’s door. 

Introduce a character that takes immediate interest in your protagonist’s past, which might trigger a flashback.

Have your protagonist try to hide something from someone else and fail.

Formulate some sort of argument or dispute between your protagonist and their love interest to push them apart. 

Have your protagonist lose something of great value in their house and show their struggle to find it. This will frustrate the reader just as much as the protagonist.

Create a situation where your protagonist needs to sneak out in the middle of the night for some reason.

Prevent your character from getting home or to an important destination in some way (a car accident, a bad storm, flat tire, running out of gas, etc.)

can i just die in your arms without you making it gay. Come on man

calling all authors!!

i have just stumbled upon the most beautiful public document i have ever laid eyes on. this also goes for anyone whose pastimes include any sort of character creation. may i present, the HOLY GRAIL:

https://www.fbiic.gov/public/2008/nov/Naming_practice_guide_UK_2006.pdf

this wonderful 88-page piece has step by step breakdowns of how names work in different cultures! i needed to know how to name a Muslim character it has already helped me SO MUCH and i’ve known about it for all of 15 minutes!! i am thoroughly amazed and i just needed to share with you guys 

oops! it seems i tripped and dropped several million free books, papers, and other resources

https://annas-archive.org

https://sci-hub.se

https://z-lib.is

https://libgen.is

https://libgen.rs

https://www.pdfdrive.com

https://library.memoryoftheworld.org

https://monoskop.org/Monoskop

https://libcom.org

https://libretexts.org

http://classics.mit.edu

https://librivox.org

https://standardebooks.org

https://www.gutenberg.org

https://core.ac.uk

Resources For Plot Development

Plot Structures

All About Plot Structures

The Novel Plotting Formula

Story Structure: Plot Points

Save the Cat! 15-Beat Plotting Method

The Snowflake Method 

The Hero’s Journey

Three Act Structure

29 Plot Structures

Methods Of Plotting

NaNoWriMo Prep: Plotting Your WIP with 90 Index Cards 

Plot from the End

27 Step Tutorial How Do I Plot a Novel

How to Create a Plot Planner — Part 1

Pre-Plot the Middle and End of Your Novel

Dance between Plotting the Overall Story and Writing

Pre-Plotting Made Simple

A Writing Plan that Incorporates Research, Plotting and Writing

NaNoWriMo Plot Development Guide

Cool Resources

One Page Novel Format Spread Sheet

Worksheets For Writers

Writing Blockbuster Plots

Pros and Cons of Pre-Plotting a Novel before Writing

How to Plot 2 Protagonists in a Novel

Plot Your Story Scene-by-Scene to Emotionally Engage Your Readers

Behind the Scenes – Scene Types

Plot and Emotion

3 Common Plot Problems

Control the Pacing of Your Novel

Plot Twists: What Are They and How to Plot Them

Above the Plot Planner Line: How to Test Pacing and Tension in Stories

Beginnings Hook Readers/Audiences. Endings Create Fans

Where To Start: How To Write the Exact Right Beginning of Your Story

How to Show Character Mastery and Transformation through both the Internal and External Plots

Cause and Effect Scene by Scene

How to Create Subplots

Emotional Elements of Plot: Stories that Last Evoke Emotion

How to Plot the End of Your Novel

Plot the Climax, Write the Climax, Re-Vision the Climax and Then Re-Write the Climax of Your Story

How to Decide Which Scenes to Keep and Which Ones to Toss

Where Exactly Does the End Begin in a Novel

Benefits of Pre-Plotting

30 Scene Ideas

Plot Generators

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Dystopian

Even More Options Here

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I made these as a way to compile all the geographical vocabulary that I thought was useful and interesting for writers. Some descriptors share categories, and some are simplified, but for the most part everything is in its proper place. Not all the words are as useable as others, and some might take tricky wording to pull off, but I hope these prove useful to all you writers out there!

(save the images to zoom in on the pics)

yet again, cardan during the exile

country bumpkin merlin not knowing anything about city life and accidentally courting arthur without knowing

merlin, watching gwen give lancelot her favor: why do you do that

gwen, heart eyes at lance and not paying that much attention to the conversation: so he knows i’m rooting for him

merlin, with an Idea: ah.

gwaine, lover of chaos, pisser offer of nobles and royals alike, ultimate wingman: merlin…you have such lonely lips. shall i introduce them to mine?

merlin, unaware of the game gwaine is playing: so you can steal my breath away? i think not, scoundrel

arthur, crushing his goblet in his hand:

merlin: arthur’s been in a bad mood recently :( i should cheer him up

merlin, remembering when arthur was put out when merlin brought morgana flowers and not him: i know just the thing

merlin, bringing a bouquet of carnations, roses, and tulips and setting them on arthur’s table while he’s eating breakfast: good morning, sire

arthur, trained on flower language in hopes that one day when he was to take a queen he could woo her easily, trying not to audibly choke on his sausage as he reads merlin’s declaration of love sitting in front of him:

arthur, already knew of merlin’s magic but catching him in the act and watching merlin panic to explain himself:

merlin, Freaking: and i swear to you arthur, i have only ever used it for you. my magic is yours. my life is yours. i am yours. i would never do anything to harm you. i have protected you for years and will continue to do so at your side if you’ll have me

arthur, already believing them to be courting, desperately trying to figure out if that was a proposal for marriage or not but tired of being confused and deciding fuck it: here.

merlin, taking it: i…uh…huh?

arthur, watching merlin with hawk eyes and trying to figure out what he’s thinking and feeling: it’s my mothers sigil

merlin, confused as FUCK but is focusing on the fact that arthur is handing him something of his mother rather than a death sentence: my…my lord?

arthur, realizing that merlin didn’t know he knew about his magic and trying to comfort him while also proposing, killing two birds with one stone: i will always keep you at my side, merlin, so long as we both shall live. if you’ll allow me.

merlin, almost collapsing with relief and tearing up, smiling at arthur as if he had parted the storm clouds to allow sun to shine down on them in that moment: of course…of course, arthur. always and forever.

merlin, watching the castle staff rush this way and that: wow. this banquet must be incredibly important

sir leon the long suffering, day one ride or die, one of the original merthur shippers: banquet? merlin, this is for your wedding

merlin, overworked and exhausted: my WHAT? to WHO??

leon, regretting everything he’s ever done in his life that led him to this moment: to…arthur?

merlin, over joyed but also absolutely befuddled: i’m getting married to ARTHUR?????

leon: you two have been courting for the past year or so, have you not?

merlin: i’ve been COURTING ARTHUR?????? FOR A YEAR?????????

i say this every year, but the sheer symbolism of arthur's death falling on christmas eve, the hero of ages dying on the eve of hope, the death of a man and a hero soliciting the birth of a legend. he went into the lake on a day of perpetual anticipation, caught in a purgatory of hope and rebirth, destined to arrive and the refine christmas day.