yall I just checked his skins and...
like that's just a woman in a suit
that's a lesbian marriage without the lesbians
and that's a woman in a suit cosplaying Draco malfoy like cmonnn
i see this for pretty much all his skins lmao
Ezreal seems like the type of character I would just love!
Except for just one small thing
am i the only one who sees this??
like I'm like 50% sure it's the haircut
all i do is sit in my college courses and think about Cats. earth science class is like “this is a rock” and i’m like “oh haha. that rock is grey. like. like munkustrap. from. from cats.” and then they euthanize me in the parking lot
This is the first time I'm going serious, but I feel like I need to do this.
In a world where acceptance should reign supreme, the stories of Nex Benedict, Brianna Ghey, and Jacob Williamson are a powerful reminder of the grim reality faced by many who dare to live as their true selves. Their lives, though cut short, carry a deep message that speaks to the fundamental right of every individual to be recognized, respected, and loved for who they are.
Nex Benedict, Brianna Ghey, and Jacob Williamson, like countless others, bravely embraced their true selves despite the societal pressures and prejudices that sought to constrain them. They stood tall in the face of adversity and defiantly challenged the narrow-mindedness and bigotry that infects our communities. Tragically, their journeys were cut short by transphobia - a force that continues to claim lives and shatter dreams.
Their stories are a powerful reminder that the fight for equality and acceptance is far from over. Transphobia, in all its forms, is a plague that not only threatens the lives of transgender, non-binary, and gender-nonconforming people, but also undermines the very foundation of our society. It fuels fear, division and injustice, creating barriers to understanding and compassion where empathy and solidarity should flourish.
We live in a world where celebrating authenticity in theory is often condemned in practice - a world where the mere act of being oneself can be met with hostility and violence. It's a sobering reality that demands our collective attention and action. We cannot afford to remain passive bystanders in the face of such injustice. The deaths of Nex Benedict, Brianna Ghey, and Jacob Williamson serve as a call to action - a call to dismantle the systemic inequalities and prejudices that continue to plague our society. It is up to each of us to challenge the status quo, to confront discrimination and hate wherever it manifests, and to create a world in which every individual can live freely and fully without fear of oppression or persecution.
Most importantly, we must never forget the lives and legacies of those lost to transphobia. We must honor their memory by continuing the work they started - by standing up for justice, equality and human rights for all. Nex Benedict, Brianna Ghey, and Jacob Williamson may no longer be with us, but their spirit lives on in the struggle for a more just and equitable world.
Transphobia kills, and that's not okay. But together, through our collective action and unwavering solidarity, we can strive to create a world where love prevails over hate, and where all people are free to live authentically, without fear or prejudice. This is the legacy we must honor. This is the future we must build.
What do you call a french lawyer who's also a hot tub?
a j'accuzzi
One thing that I haven't seen many people talk about is just how great og pekes and pollicles is???
like not to be a hater but I kinda don't like the 2016 version of it (where it's moved to after gus) cuz while it makes sense the execution is kinda meh??
like why did you take the funniest part out of a COMEDIC NUMBER
The whole point of it is to show these "perfect cats" messing everything up!!!
and you take that out???? (not to mention the lack of bagpipes tugger is so sad rip)
and gus singing it isn't bad (he does a pretty good job) but like....
it was basically munkustrap's song. Without the cats messing it up and munk getting mad at them, munk is just "perfect protector guy" and frankly, that's less interesting than having him tired theater dad-ing :( it's like seeing another side of him and I love that!
the number has so much personality that just gets taken away :(((
I get why they moved it, to replace growltiger (obvs) and it was kinda in an awkward spot, sandwiched in between old deuteronomy and jellicle ball, but it never feels jarring in that spot (maybe cuz the whole musical is jarring lmao)
it really scares you with the macavity scare cuz you just had this really silly number and then BANG
(I get why some productions (rccl lol) cut it tho, the whole needing extra costume pieces + not introducing any new characters makes it a really easy number to cut)
What makes me sad is that you can still put it after gus the theater cat and still make it just as charming!!
like what if munk was trying to hide the fact that they're messing it up from gus or smth?that would be adorable T-T
but instead they just perform it perfectly like all the other numbers and it makes it really forgettable :((
anyways I have too many thoughts about this musical
so I've been playing kh1 right? and in the first jafar fight there's this one point where he goes into this glinda looking bubble and I can't for the life of me find a picture of it ANYWHERE
I mean, I didn't try very hard to find it but still
Why is it always “ily” and never “dilyileayilybil yeilysilymnptmwtfatgd”
did you do your chores today (also look up the ASL alphabet for me pls and thank you)
I don't do chores every day lol (ok I'll look it up)