Sielutonlampikana - Hi

I’m finally reading the Accursed Kings series by Maurice Druon, I had not realized it covered the case of Marguerite and Blanche of Burgundy and ummm….. really has forcibly put HoTD back into historical perspective for me.

For those not familiar with it, the daughters-in-law of King Philip the Fair of France, Marguerite (married to the eldest son Louis) and Blanche (married to the youngest son Charles) were both caught having an affair with a pair of brothers. Needless to say, it does not end well for any of the parties involved. The men were flayed, hanged, and beheaded, and the two princesses were imprisoned, with Marguerite being murdered a year later so that her husband could remarry. And her daughter, Jeanne, who would have been the heiress of France, may or may not be a bastard, so is forcibly removed from the line of succession by the invention of Salic law, which dictates that the crown can only pass to men through the male line. (Since Louis who may or may not have been her father died without any male heirs) Unsurprisingly, this causes problems! And partly sparks (among other things) the Hundred Years War between France and England.

Having bastards is serious business with serious consequences for married women. And YES, it is absolutely unfair and ridiculous that men can do it with far fewer consequences, but the show downplayed what those consequences can be. In GoT, the whole starting point is that Cersei has illegitimate children and passed them off as her husbands, and people are killed to keep that secret. Not to mention the humiliating punishment that she has to endure, and she was only being punished for having sex as a widow!!!

My point is that Rhaenyra having bastard children is kinda downplayed in the show, and that this IS a big deal both historically and in universe was glossed over.

au where Steve is a famous Disney kid and Eddie is a teenaged singer-songwriter. They get pushed together at events because they're close in age, but they just quietly dislike each other.

Steve's got a new show starting, a spinoff of the one that made him a household name. They hire a newcomer, Robin Buckley, to play his best friend and the two quickly become BFF in real life.

The show runs for two seasons but when it comes time to renegotiate contracts, neither star is interested. They're older now, ready to live life on their terms and not the company's, or in Steve's case, his parents.

As soon as the finale airs, Robin and Steve celebrate by going to a gay club. A few weeks later, an interview is released where Steve comes out as bi and talks about how his parents mistreated him; how they worked with the network to pressure him to be a perfect "all-American" kid even off screen.

Meanwhile, Eddie's an impossible level of famous. He's had number-one hits, won a Grammy, headlined an arena tour, achieved every dream he had for himself as a kid growing up in a trailer park in Indiana. He's not shocked by the news that Steve is leaving Hollywood, but he's flabbergasted that the guy isn't straight. When Eddie reads the interview, he gets this weird pang in his chest, almost like regret. But he never even liked Steve.

Steve isn't in the news again and Eddie doesn't think of him for a long time.

Steve goes to college. He loves it. Not because he's great in his classes, or anything, but because he's free to be himself for the first time. He makes friends and goes to parties and relaxes. He and Robin share an apartment.

After a few semesters, Steve decides to take a couple of theater classes, and is quickly cast in campus productions. In the vague anonymity of college theater he rediscovers his love of acting. No one has expectations of him, no one forces him to perform. He graduates and slowly starts appearing in small roles in Indie films, gathering critical acclaim. He feels good. Happy. Hopeful.

Eddie is blissfully unaware of Steve's career resurgence, experiencing his own musical highpoints, until the day where he's scrolling Twitter, sees a Variety headline that's getting a bunch of attention, "Steve Harrington in talks to star in Max Mayfield's first film." Eddie's livid.

"Maxine, what the fuck?" He growls when she answers his call.

They grew up together in the same Indiana trailer park. When she moved to Hollywood to start a career as a screenwriter, Eddie was by her side. And when her first script wound up on the Black List, his involvement on the soundtrack and original songs sealed her production deal.

She gives a long suffering sigh. "Munson," she grumbles. "I know you have a weird history with this guy, but I swear he's the right choice."

"He's a stuck up rich boy who's never been in trouble in his life."

"He's changed."

"Doubtful," Eddie sneers.

"Look. I'll set-up a meeting. Come hang out and you'll see what I mean." Before she hangs up she adds, "Call me Maxine again and I'll end you."

They invite Harrington to Eddie's recording studio. His hopes are not high for this meeting, so he's already a little thrown when Steve Harrington walks in, all grown up. He's in a crimson sweater, tight jeans, hair grown long so that it flops around his face in tousled waves that actually look genuine, windswept and golden. Eddie's eyes instinctively trace the scatter of moles on Harrington's face and neck, a pang of something hitting deep in his gut. Fuck, this dude is beautiful.

"Harrington," he greets, sticks out his hand. Eddie barely hears the answering, "Munson," because instead of a handshake, Harrington pulls Eddie in for a hug. Muscles bunch under the sleeves of the sweater, against Eddie's chest, and he's assaulted by the scent of cedar and sunshine and Steve. Eddie's not prepared for any of this.

They make small talk, Harrington sharing about going to college, falling in love with theater, Robin Buckley who he calls his soulmate. Eddie's head rings with how wrong he was about this guy; the pretty kid he grew up alongside who seemed to have the world in his hands. Max was right, he's perfect. Except.

"Let's get down to it, Harrington," Eddie says. Can't bring himself to call him Steve yet, feels that will somehow change everything and he's not ready. "I'll admit that Mayfield had the right idea about you, but can you sing? Play guitar? You have to perform my music, dude. That's not a small ask."

Harrington smirks, asks for a guitar. He gets it settled across his lap before he speaks. "I started taking piano lessons when I was 4. Voice and guitar at 7."

Eddie belatedly recalls that Harrington's parents were the worst kind of stage-parents, pushing their cute kid to perform even as he sobbed about wanting to play soccer with his friends instead of going to auditions. He has a moment of shame that he forgets as the other man begins to play. It's one of Eddie's biggest hits, a ballad about a teenaged broken heart from a kid whose name he can't even remember.

Harrington's hair flops in a swoop over his forehead, his fingers move across the strings with ease, skill. His voice is a rasp, close mimic to Eddie's own, but not quite deep enough. Goosebumps spread across Eddie's arms, his neck, and warmth pools low in his gut.

Steve finishes the song, looks up, cheeks glowing pink, honey eyes bright. Eddie's fucking gone for this guy. He wants so badly he might choke on it.

"Good?" Steve asks.

Eddie's embarrassed suddenly. Unsure. He tugs at his hair. "Yeah," he laughs. "Good."

He reaches out to take the guitar, the one Steve's already handing to him, and their hands brush. Eddie flushes. Their eyes meet and Steve smiles. Eddie's thoughts are consumed with the desire to kiss his plush pink mouth.

"You wanna get dinner? Just you and me?" Steve asks.

"Yeah, Steve," he laughs. "I'd love to."

🎬🎸🎬🎸

Fifteen Months Later

"Former Teen Heartthrobs Make Love Connection?"

Fans of musician Eddie Munson and former child star, Steve Harrington, were in for the surprise of their lives last night as the men arrived together for the premier of Harrington's new movie, Small Town Sins, written by up-and-coming screenwriter Max Mayfield, featuring original music by Munson. While Harrington's performance and the movie itself are garnering quite a bit of positive buzz, it's being overshadowed by gossip about Harrington and Munson's budding romance. They walked the red carpet together, pausing for photos as a duo, holding hands and flirting. When asked for confirmation of their relationship, Munson answered, 'we're bros,' before winking and pulling Harrington close.

There's a TikTok video embedded below the article, showing the men being interviewed on the red carpet. Their arms are loosely around each others' waists, and when their eyes meet they catch and hang for a beat.

"So, longtime fans of both of yours are going feral online right now because of the rumors that you two used to hate each other. Is there any truth to that?" An off-camera voice asks.

The men laugh. "We've always been great friends," Eddie answers.

"Eddie thought I was stuck up," Steve giggles.

"I did not." Eddie slaps at Steve, who gives him an affectionate smile.

"Liar," Steve answers.

Eddie leans into the camera like he's telling a secret. "Harrington here was afraid of me."

"Fuck off, I was not." They wrestle around for a couple of seconds.

Steve shrugs Eddie off, straightening his suit jacket. "Okay, maybe I was a little intimidated back then, but then this morning you found a pretty rock and cried about it."

Eddie shrieks, swatting at Steve until someone in a black suit and name tag shoos them down the red carpet.

Eddie walks off first, so he misses Steve withdrawing a hand from his pocket and saying, "Still have the rock, though." He flashes the red, grey, blue striped stone at the camera.

His gaze drifts away, landing somewhere in the distance, hazel eyes soft and heart-wrenchingly fond.

Rhaenys: Whether it's to my daughter or to someone else's, your father will remarry sooner than late. His new wife will produce new heirs, and chances are better than not that one of those will be male. And when that boy comes of age and your father has passed, the men of the realm will expect him to be heir, not you. Because that is the order of things.

Rhaenyra: When I'm Queen, I will create a new order.

Rhaenys: How I wish that could be, Rhaenyra. But the men of the realm already had their opportunity to appoint a ruling queen at the Great Council and they denied it.

Rhaenyra: They denied you, Princess Rhaenys. "The Queen Who Never Was." But they bent the knee to me and called me heir to the throne.

Rhaenys: Do you remind your father's men of that as you carry their cups? Here is the hard truth, which no one else has the heart to tell you. Men would sooner put the realm to the torch than see a woman ascend the Iron Throne. And your father is no fool.

being a jew studying preholocaust european jewish history is just *mourns over what could have been, mourns over what could have been, mourns over what could have been, mourns over what could have been, mourns-*

Every time I see a bunch of posts from Neil Gaiman on my feed I think, "Neil... you're procrastinating writing again, aren't you"

nylon beatin viimeinen ja rakastuin mä luuseriin on tyylii niinku alkuperäset horny for pathetic men teemabiisit. harmi ku tääl ei ihmiset ymmärrä suomea koska nää biisit ois niinku theee tumblr anthemit

im actually so mad merlin was a family show bc merlin would have had sworn like a fucking sailor if they had let him

Also, like, “Arya’s only nine”, she’s been in sewing classes since she was a toddler. She should be able to embroider and make a few simple things(at age seven, kids in the 19th century were expected to make a shirt, for example). If she doesn’t know how to do simple embroidery, at this point she basically doesn’t want to learn. Sorry, not sorry, these are basic skills.