I want Goncharov 1973 back.
Can we like š³š«£ get a revival, please?
I know it has passed for like a WHILE and that maybe itās better to let a good thing ādieā because more is less, but I had a moment in which I wanted to read and write about it and wish it into existence. And I kind of hope thereās somebody else out there who would like to write more about it as well.
Goncharov never dies, I guess, not in my heart. It was a great time.
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āThereās no use in hiding now.ā M/n turns around, looking at his husband hurting. āThere is no use anymore, Bruce. Just say it.ā
Bruce canāt comprehend what is happening.
He supposes it is his fault. Itās always him, but⦠How has it gotten to this? How did they come to this point?
āSay it, damn it!ā M/n turns back to his husband with tears glistening in his eyes. His voice is strong, but Bruce recognizes the grief in his partnerās voice. M/n takes hurried steps towards him. They are in their bedroom. The lights are low. Night has fallen too long ago. They arenāt dressed for bed however. Bruce doesnāt think he can prepare for it. M/n falls to his knees in front of the man he sees as his best friend, his partner in crime, the only one. Bruce is sitting on the edge of the bed. He catches M/nās hands in his. āPlease⦠Please, just do it. Because I canāt anymoreā¦ā M/nās voice is cracked by something close to resignation.
Bruceās head falls. He looks at their hands held close together and sighs. āWhat do you want me to say, M/n?ā
M/n lets out a weak, humorless laugh, then pulls at his husbandās hands, āLook at me.ā Bruce doesnāt look. āLook at me!ā Bruceās head snaps up in delay. There is rage in usually crystal clear eyes. There is pain. There is disbelief.
āIām sorryāā
āWhat are you sorry for? What are you sorry for, Bruce? For asking me to stay? For getting me to stay? For marrying me? For giving me the family I could never dream about? Or for taking it all way?ā More ironic laughter escapes M/n. āWhat are you sorry for, darling?ā He says the last part through a sob. As if it hurts him to speak it.
Bruce canāt look into his husbandās eyes anymore.
M/n shouldāve expected it. Bruce knows he shouldāve expected it too. After all, he is Bruce self-destructive self-deprecating self-hating self-flagellating Wayne.
The divorce papers stand pristine on the bedside table. On the ground, the broken, lightless lamp of their life has shouted its last goodnight, in the warm embrace of their tainted shadows.
This is the magic lucky word count. Reblog for creativity juice. It might even work, who knows.
sokka blushes easily and very obviously sorry i donāt make the rules
Why wonāt you speak?
āAs I am standing over your dead, rotting body, I wonder: are you cold?ā
Story: between Dick and Jason, Bruce adopts another hurt boy. M/n was around before Dick left, so he really considers him his older brother. When Jason comes around, M/n canāt help but feel jealous. After all, M/n is weak. He canāt be Robin.
Warnings and additional notes: M/n is using crutches to walk because of a car accident in which he took part at the age of twelve, the car accident that killed his parents. Bruce Wayne takes him under his wing, making sure he gets all the medical support he needs, making sure he is cared for. M/n is envious of Bruceās soft spot for Jason. Major character death. Canon compliant⦠? There are things added by me, of course.
ā. ā
The large doors of the library open with a burst of uncharacteristic storm.
āWhen has Batman died and put you in charge.ā Jasonās shoes make an almost soundless approach in M/nās direction.
M/n chuckles, āOh my, arenāt you an opinionated little brat?ā
Jasonās tongue clicks. No. He aināt doing this shit. He takes a few more steps towards his tormentor.
ā I am Robin.ā He points towards his chest. āMe. Not you, M/n. I should be in charge, not you.ā He might not be in his suit, but he is Robin. And not even this bastard could take that away from him.
āYeah, yeah. Listen here, you little asshole. You need to calm down. I donāt like you getting in my face. You annoy me. ā M/n rolls his eyes, and crosses his arms, leaning on the windowsill. The library is getting too crowded for the both of them. āWell, you donāt really have a choice. Iām older, more responsible. Donāt you have to listen to me or something?ā Jason locks eyes with his fake brother, watching the words fall from his lips like boredom in the wind.
āYouāre only two years older. Donāt act superior just because youāve been here a little longer than me.ā Jason wants to scoff, instead he draws back. Only to rethink his decision and bite. āEven so, I am Robin. And youāre just sickly prickly M/n. Nothing special there.ā
There is a crack in M/nās smile. Small, but noticeably there. Almost makes Jason regret it. Almost.
M/n scoffs, hiding the hurt, āYou need to calm down, little asshole. Itās Alfred who holds the rule anyway. Donāt even know why youād think itād be useless, little me.ā M/n tilts his head tauntingly, picking up his crutches and making his way out of the library. āCongratulations though. Youāre pathetic.ā
Jason rubs his eyes in exasperation. They will never get along. Never.
āMaster M/n, is everything alright?ā M/n tries to calm himself, almost bumping into Alfred. He feels like heās gonna burst, but he canāt let the tears fall.
āOh, Alfred⦠Sorry. I didnāt see you there.ā M/n forces a smile. And he is sure it doesnāt fool Alfred. The elder man always knows.
āItās quite alright, Master M/n. My question stands, however. Is everything alright?ā
M/n averts his eyes, āOf course.ā He stumbles a bit with his crutches as he tries to pass Alfred.
āYou should try and get along with Master Jason. He is family. You two are family now, Master M/n.ā
M/n doesnāt even feel like protesting. This Jason boy came after Dick left, almost as if their father was trying to replace his oldest son. And M/n canāt bear the thought of that. Of course he doesnāt like Jason. Theyāll probably never get along.
āAlright then.ā Alfred smiles and helps M/n down the stairs. āHow about some tea?ā
M/n relaxes slightly in the comfort of Alfredās warm arms, āThat sounds great, Alfred.ā
Going down the stairs is becoming harder and harder for M/n. Itās like his legs are becoming lazier and lazier, which is normal considering the doctors already informed them about the changes waiting to happen. M/n doesnāt dwell on it most of the time. However, there are those moments of silence in which he canāt help but want to hit his head with something or accidentally drop one of those candles onto his own clothes. Jason had caught him in one of those moments in the library earlier. M/n gets nastier in terms of behavior around then, and truly he doesnāt have any interest in insulting Jason that much (just a little). The little prick just knows how to find his moments.
They get to the bottom of the stairs, but Alfred doesnāt let go. The man really knows everything.
When Bruce gets home, things haven't necessarily changed in any way. Alfred meets Bruce in the foyer, as it usually is when Bruce comes back from business. And then there is Jason who runs ahead of his brother and forcefully throws himself at Bruce with all his young years and fire thrumming in his veins, like he owns the world and Bruce, as well, with it. The man once young boy himself remembers owning the world once, it was not bare then. Behind, with struggle unfit for a child, M/n staggers forth with his ebony crutches. Jason does not let go of his hugs easily, in fact he holds on as if Bruce would disappear if he ever dared to let go earlier than he should. Thus, the man lets his son hug him tight. Moments later, Jason reluctantly lets go, making way for his older brother, who visibly stumbles on an uprise in the carpet.
M/n yelps as one crutch gets caught in the crimson material. He falls in front of everyone's eyes, but is caught by Alfred who is nearer to him. Bruce wants to reach out, he would've reached out. Yes. If, just so, he were closer to his son. Alas, distance is great in between them.
They head into the living room where Jason tells Bruce all about his exploits around the manor and how Bruceās bedroom is actually haunted when he isnāt there. That gets a smile out of the man, rare as they are. His life has become increasingly livelier since Jason became part of the family. After all, the quiet of Dickās departure was sadly difficult for one little M/n to fill, though the efforts were there. Bruce just⦠couldnāt make himself meet his son halfway.
After dinner Alfred corners him in the emptiness of Bruceās study (not his, his fatherās study). The older man wears that look on his face, the one he shows only to Bruce and especially when he ās done something bad, like stealing a cookie when he was younger, or choosing to dress up as a bat.
āYou should talk to him more.ā Alfred keeps his eyes on Bruce and the man once boy under that gaze doesnāt know if he should look away or try to dominate the stare down. Itās an automatic response, he reckons. It would never work on Alfred, either way.
āJason is fine, he talks to me now.ā That gets another smile out of Bruce. He fears these days he is getting stiffer, body hardening with the darkness and the years. Maybe he is actually growing softer?
āItās not Jason Iām worried about, sir.ā Alfred leans forward and places a tray with two cups and a teapot on it. It smells good, roses and camomile?
āM/n? Should I think thereās something wrong with him?ā Bruce raises an eyebrow.
āI donāt know, sir. Should you not?ā Alfred continues to look at him, almost as if his eyes harden. Itās hard to tell, even with the batās experience.
āIs something wrong with him?ā Bruce takes a seat on his fatherās old leather chair that was once black but now tints to brown. The chair sighs underneath him with tiredness becoming of age.
āWhy donāt you ask him yourself, sir?ā
Bruce would ask. He really would. He should⦠but itās late. The boy probably sleeps already. āItās late, Alfred. Some other time, perhaps?ā
Alfred scrutinizes him, yet ends in a half concealed sigh. He wasnāt going to tell his Bruce, the stubborn and with years worth of guild child he so much wished fulfillment to about how his son still stands at the dinner table, ashamed to ask for help and beating himself down over how he would never be good enough to help his father the way his younger brother does. No, Alfred shall deal with that himself, as he always does. Foolish master Bruce. He ends with a, āYou know best, sir.ā
Bruce doesnāt know best. Heās never felt himself as holding the power of knowing whats and ifs and what ifs. The āwhat ifā of the situation, it always arises at the time when his weakness fills him with the dread of what has been. What if heād said āletās stay for another movieā the night his parents died. What if heād spent more time trying to talk with Dick instead of arguing foolishly and towards nothing, like the boy wasnāt the son he so cared for, like he hadnāt been the only once. What if heād listened to Alfred and talked with M/n more, mended the disruption between him and Jason. What if heād protected Jason the way he shouldāve protected him, the way his soul screamed to keep the boy safe because how can you let someone else suffer when it is you who should have been? It should never have been Jason. Not his Jason. Not his boy. Not his hope and his dreams and the one he holds as if he were holding his younger self. Not the Jason who laughed so hard whenever something remotely funny came to light. Not the Jason who ran to the door to welcome Bruce, jumping into his arms with all his young years and fire thrumming in his veins, like he owns the world and Bruce, as well, with it. āWelcome home, dad.ā Not⦠Not Jason. Not Jason, God, please, not him. Donāt let it be like this, Bruceās soul screams as it trashes and shoves and splits, stabbing and scratching and killing to get out.
Jason Todd, beloved son and brother, full of fire and full of life
with all his young years and fire thrumming in his veins, like he owns the world and Bruce, as well, with it
The morning Bruce has to come home and let Alfred and M/n know that Jason wonāt be home for dinner tonight or any other night, the sun shines on a clear sky. It smiles upon the Wayne lands, over the gardens and the pond. M/n is there with the flowers, reading a book. āThe three musketeersā the title reads. Does M/n enjoy reading? Maybe he does. Bruce isnāt around enough to figure out a pattern.
M/nās eyes raise from the pages, smile a bright one, as the sun above them with a glint in his eyes and hair tussled with sleep and the ends of dreams.
Bruce must look all the wiser and the better and the all powerful because his sonās smile becomes smaller with what Bruce can only read as surprised⦠a little concern as well.
āWelcome back, dad.ā The boy speaks, voice carried by the breeze and the petals of the flowers.
Bruce says nothing. He canāt bring himself to. Because how can you ever begin. How⦠How do you tell your son his brother has died before they even had the chance to make up after an argument? How do you let your son know, he will be in a quiet house yet again? How do you tell your son youāve killed his brother?
M/nās smile falters yet again. And he must sense something because he looks around. Behind Bruce, to the gate, to the flowers and to the door where no one but Alfred stands.
āWhere is Jason?ā His smile is gone by now, replaced by something akin to curiosity. āDid he get lost?ā A small laugh bursts at that.
M/n locks eyes with Bruce again.
Bruce isnāt smiling. His lips havenāt even twitched. In fact, Bruce thinks he is getting worse by the second and it must be showing in some way because M/n forces himself to keep a smile on as he struggles to get up with the help of a crutch. He almost falls twice, but stands almost straight soon, book closed in hand, a finger inside to keep the page. The boy is pretty far into the book. Bruce doesnāt know if itās the first, the second or the third volume.
āDad⦠are you alright?ā His son asks him with those alight eyes that speak the language of the sun and the moon. He looks around again, maybe he hopes to see the brother he so is annoyed by. There is no annoyance in his eyes. āWhere is Jason, dad? I didnāt see him go inside.ā
Thereās a shake in Bruceās eyes, a tremor of the lips. M/n pushes himself forward on the crutch. It gets stuck in the grass for a second, but it does not stop the son from approaching the bat with no suit, no protection.
A shove closer, half a stumble backwards.
ā⦠dad?ā Bruce lets his son see his head fall down, down, down, looking at the grass next to his shoes. Bruce thinks he shook his head somewhere in between the burn of the sun on his neck and the thud of āThe three musketeersā by Alexandre Dumas, fallen to the earth. For a moment, Bruce imagines the volume as his own head, rolling on the too green grass, blood dried and burned by the sun.
āM/n⦠Why do you hate me?ā
āā¦ā
āHave I⦠done something that wrong? I know I can be annoying and loud and sometimes want attention, but I donāt mean what I say to you. I never do, not the bad stuff at least.ā
āI⦠I donāt hate you, Jason. How could I? Youāre everything I wish I was.ā
āWhy?ā
āAha⦠I think I say all I say and blame you all the time because, not so deep down, Iām envious of you.ā
āEnvious? How could you possibly be envious of me? Youāre older and youāre smart⦠and you donāt get into trouble with the teachers.ā
āHa, well, I suppose Iām envious because dad is close to you, the way he isnāt with me. And⦠and because you are with him the way I could never manage.ā
āBut⦠itās really not that hard. Just talk to dad, Iām sure itās gonna be alright.ā
āArenāt you wise.ā
āHa ha. Iām serious, M/n. If you want something, just do it.ā
āSee? Thatās why Iām envious of you.ā
⦠or maybe I admire you for it. Is what M/n imagines late at night, a conversation that could have been between Jason and him, especially close after the funeral, when Dick drinks in his room and their dad drinks in his study and Alfred cleans up the dinner none of them really taste any more, but only eat as unfeeling corpses coveted in a quiet house.
Part 2:
I made my last weeks Katara sketches into a collage of sortsš
current fan creation landscape is kinda like if you went to a party with a homemade cake and everyone takes a slice and silently thumbs up at you with no attempt to start a conversation except for occasionally some guy sits in the corner with a tape recorder critiquing the cake as though he was a restaurant critic and another guy is handing the cake to an uber driver like "yeah i need you to find a restaurant that makes cake like this so i can have more of it" and the only person that's talked to you in 30 minutes is a very sweet little guy who was like "hey i liked your cake" and then ran away apologizing for bothering you the moment you said thank you.
must a villain be redeemed? isn't it enough that they're bitter, evil, and most importantly, hot?
character: how was I created?
author: well, you see, when two characters love each other... the author decides love does not conquer all, thus one (or both) of those characters dies, is heavily injured or suffers greatly impacting traumatic experiences. Hence, a new character is created to fill the whole left in the hearts of the readers. This is how you came to be, dear character.Ā
can u do another bruce x male reader angst
Definitely š Iāve got a lot of angst in me.
Since you didnāt specify, I took it and ran with it. Anywayss Enjoy šš®āšØ
Soo, this is longer than I planned š§š»š„¹ And thereās gonna be a part 2, probably š«£š®āšØ
Warnings of sorts: major injury, character death, diverging from canon.
Small summary: After an attack by the Joker, the bat family is thrown into an unlikable situation, unfortunate even. M/n is stuck in the hospital, barely living. And who knows what happened to the rest? Alfred wonāt really talk about it.
āThis is your legacy. Watch careful, love, as it all falls and burns. To the ground with your house of stone.ā
They were tied together by the moon, under the stars of a clear sky, on the rooftop of the manor. A lapse in time, a glimpse of the universe. They were happy in that moment. Only them and the quiet world.
M/n recalls it being a clear sky. Yes, it had to be in order to light up Bruceās face just so. Or maybe it was the manās eyes, those who lit up the whole sky. Often times, M/n thinks about this and that, and everything is muddy, but the brightest memories still shine through.
Thatās what makes him sure theyāre real. They are too strong to be stomped down by the heaviness, too alive to dissipate.
There are days in which he feels he forgets everything, but then Alfred visits, and the memories are alive again. Painfully so.
āMaster M/n,ā Alfred would say, āHow is your morning?ā And M/n would understand it was indeed morning.
āHello, Alfred.ā Momentum, he remembers both of their names. āI see you better today.ā He tries for a smile, uncertain of the success.
āThat is great news, sir.ā M/n canāt make out the details of Alfredās face, but he hears the extension of a smile in his voice.
Later, they are drinking tea, the tension in M/nās shoulders not soothed by the liquid, āAlfred, when can I come home?ā Silence follows.
M/n sees the movement of Alfred placing down his cup, āSoon, sir. Probably next week, if things go well.ā
āYes, but youāve been saying this for a while now.ā He recalls in the haziness. āI reckon, if I stay here more, Iāll go crazy, Alfred. I wanna come home. I wanna see Bruce and the kids.ā His voice is overwhelmed with tremors. He canāt feel his face half the time, but now he feels the stinging in his eyes.
M/n is almost startled by Alfredās hand over his own. āMaster M/n⦠Iāll see what I can do. Iāve been trying, remember?ā
Right. He⦠remembers. āThank you, Alfred.ā
Later that week M/n is allowed to go home. Happiness fills him. Like fireworks on the night sky, his chest is filled with emotion.
Home.
Yes, he is finally going home.
Alfred comes to pick him up around 1 p.m. He is moved in a wheeling chair through the hospital. He canāt see all the faces around him, but the doctor and the few nurses he does see and recognize, he says goodbye to. He is happy, so he leaves them all with a smile.
In the car, Alfred tells him all about the changes around the house and the land around it. Like how the rose garden is gone āthere is a momentary pang in M/nās chest, but he doesnāt let himself be deterred by itā, or how the paintings from the hallways had been moved to a guest room now turned storage room, or how Jason moved all of his stuff back into the mansion, but he didnāt actually come around to inhabit his old room, or how Damian is now taking care of most of the affairs of the mansion and company.
āSince youāve been gone, young master Damian has been given a lot of new responsibilities.ā Alfred adds, not as an after thought, but carefully building up to it. āHe should be home, at the moment, but there is always the possibility of him being away. He is leaving two weeks from now, for a conference in Vienna.ā
āThatās wonderful. Such a nice place. I⦠Bruce took me there. Yes. A few years ago. Very nice.ā M/n is sure his smile persists. How could it not? He is finally going home. To his Bruce. To his sons. To his life, after the endless time in that horrid hospital room with white walls and shadows and the buzzing of the fluorescent light above, barely perceptible.
The car parked, Alfred helps M/n up the ramp and into the foyer.
The door opens before Alfred goes for the handle. Beyond the opening door, the tired face of one Damian Wayne comes as the most welcoming sight. As soon as the boyās āhe is still the small boy M/n used to read to sleep, or sing toā eyes landed on his parent, he visibly relaxes. His stance falls into something more fitted for his age. M/n canāt see a smile on his face, but that isnāt saying much. He canāt really see much anyway, in the light. Nonetheless, even through the sting caused by daylight, M/n canāt help the unabashed happiness slipping onto his every feature. He extends his arms, wide and welcoming. And Damian falls to his knees, into his parents arms.
āHi, dad.ā The boy whispers softly.
āHello, baby.ā M/n feels tears soak his shirt. āOh, baby. What happened, love?ā The man gives Damianās head comforting caresses.
āI just missed you.ā Damian gets out through a shudder. Oh, why is his baby crying? No, he shouldnāt be crying. M/n is here now, itās okay.
āI missed you too, honey.ā Damian lowers himself until his head rests in his fatherās lap. M/nās hand still moves through Damianās raven locks.
Damian squeezes M/nās waist, āIām sorry, dad. Iām sorry.ā His son is trembling. He must be so tired. Did he sleep well? His poor baby. M/n shouldāve been here for him.
āWhy are you sorry? You have nothing to be sorry for, love.ā M/n feels his own eyes sting harder, but not from light.
āIām sorry I didnāt come see you. Iām so sorry.ā Damianās voice is muffled by him being pressed against M/n.
āHey. Hey. Honey, itās okay. Alfred told me youāve been working so hard. My baby isnāt a baby anymore. Youāre taking care of the family. Iām so proud of you, Dami.ā M/n feels a tear falling. Alfred places his warm hand on M/nās shoulder, but he can only look at Damianās blurry form falling apart at his feet.
āNo, dad. I⦠I didnāt come because⦠I was afraid. Of what Iād see. So I used everything as an excuse to stay away. Iām sorry, dad.ā
M/nās lower lip is filled with tremors, tears glistening in his eyes, āItās okay, itās okay, Dami. Iām home now.ā
M/n holds his son for a while, caressing him, trying to reassure him with all the love he has.
āWhere are the others?ā M/n asks as Damian raises to shaky feet.
Damian visibly freezes, but forcibly relaxes himself, āWell⦠Iām not really sure what Todd is up to, but he literally moved his stuff here, then proceeded to up and go.ā The boy pauses as he moves behind M/n, wheeling him to the stairs, where there is already a built in type of elevator just for him, one you see in movies. Damian attaches the back of his wheelchair to the machine. āAnd father⦠Father doesnāt leave his room during the day, only at night, but as Batman.ā
āWhat?ā M/n stares at his son incredulously, as he is raised by the machine, Damian following closely by, walking up the stairs.
āI know Batman is doing a great job, as always. But I donāt know how father is doing. He wouldnāt talk to us.ā Damian looks into his parentās eyes pleadingly. The boy can guess that his dad doesnāt see this detail. But, still, he canāt help but want to beg for M/n to make things better, like he always did.
āIām sorry, baby, that you had to go through this. Iāll talk to Bruce myself. Only with a bit of help.ā M/n chuckles as the machine gets to the top of the stairs.
Damianās lungs and heart finally seem to realize that M/n is home, that he isnāt alone, that maybe they can do this. Call it false hope, but itās everything the boy can cling to.
Once at the door leading into the master bedroom, M/n looks at Damian with the intent to reassure. As if telling him āitās okay, you can rest, Iāll take care of things nowā. And so, he is left alone by his son, followed closely by Alfred, who also seems different all of a sudden, lighter even. He is gonna make them a nice dinner, for four, and not for one.
M/n would be lying if he says he doesnāt hesitate. Because he does hesitate. And he hates himself for that. His Bruce needs him. This is no place or time for backing away.
āBruce?ā The silence is deafening. āAre you there, honey?ā He wheels himself āhis arms are weak, so he finds it a tiny bit more difficult than he originally thought it would beā closer to the door. Where he places his open palm on the hard oaken door. There is no answer from the other side, but M/n isnāt known for giving up easily. Itās how him and Bruce got together, then married. He knows when to push and he knows when Bruce is keeping himself from his own happiness.
āBruce, Iām home now. You can open the door.ā M/n says a bit louder. And this time he is startled by the sound of hurried steps and crashing from beyond the door.
The door opens before he can say anything.
And his Bruce is there. He looks tired, and his features are clearer because in the manor there is darkness. And M/n sees how much Damian is becoming more and more like his father, for Bruce falls to his knees in front of him, hands grabbing at his face and hair, cupping his cheeks in hurried strokes. M/n believes the tears that fall from Bruceās eyes and onto his blotchy cheeks. He doesnāt know how many times heās seen Bruce cry before. It hasnāt been much, but there were plenty times to know that M/nās husband doesnāt trust people with his tears and his pain. And most of the time, he doesnāt even trust himself with it. It pains M/n to see the man he loves in pain, so he ends up placing his hands over his darlingās hands, keeping them on his cheeks.
ā⦠M/nā His husbandās voice is coarse, unused.
āBruce.ā M/n says his name, to ground Bruce with his own voice. āWhat happened to you, my Bruce?ā
Bruce doesnāt say anything at first, but after long seconds, there are those same two words that came out of his sonās mouth, āIām sorry.ā
āItās okay, love.ā He has never seen Bruce like this. This broken. Falling apart. What happened? Where are Dick and Tim? Nobody said anything about them yet. What were his memories trying to keep away from him? M/n really needs to know. āI canāt remember what happened that well. Please, tell me what happened, my Bruce.ā M/n squeezes Bruceās hands into his own and brings them to his lap.
M/n is afraid of the unknown. What is he missing? Why is everyone so down? Why was he in the hospital for weeks on end?
āWhat did you do, love? Why are you upset?ā Bruce raises to his feet, slowly and weak, and M/n has never seen him like this. Bruce goes behind him and wheels him into their bedroom.
Bruce lifts him up with care. Closer to his face, M/n can see his expression better and it hurts him to see his husband in this pain. Bruce places him on the bed, with soft movements and soft touches.
āTalk to me, Bruce.ā M/n cups Bruceās cheeks in his palms when the man sits next to him on the bed.
āNo, no, I canāt, M/n, I canāt, no.ā Bruce shakes his head. M/n canāt help but feel out of balance, out of place, out of touch. He has never seen his husband this startled. Theyāve had moments in which theyāve shared their fears and problems and what not. But M/n has never seen his Bruce this shaken up.
āCome on. Talk to me, Bruce.ā He presses on.
āI.. Oh godā¦ā Bruce whispers through a clenched jaw.
āLove, pleaseā¦ā There is desperation in M/nās voice.
āGod⦠God, how, how can I tell you? How can I possibly tell you?ā Bruce puts a distance between them as he rises from the bed. Covering his face, he blocks away M/nās view of his expression.
āBruce? Bruce⦠Bruce!ā M/n raises his voice, feeling his tongue become numb and surplus in his mouth.
āAh, I, Iā¦ā Bruce takes a deep breath looking at the ceiling, āDiā¦ā His voice fades. āDick and Tim,ā M/n fees the air become stale around him, and the constant pressure in his chest that never seems to go away increases. Breathing suddenly becomes harder and there is the faint feeling of suffocation. āThey are gone. Because of me. I ā¦killed them.ā
And that suffocating feeling is back tenfold.
The world is swimming around them and he can feel it all flowing beyond the ground, and he is falling too, into his own hell. He doesnāt know where he is anymore, but his body is too small for him and his heart is so big and so loud it breaks at his thoracic cavity. His lungs arenāt big enough, however, cowering before his beating, pumping heart, smaller and smaller by the second. There isnāt enough air. There will never be enough air. This is how he is dying. He wants to die. He wants to die now, to disappear.
He hears screaming. After long seconds it becomes obvious it is him who is screaming, clawing at his throat, eyes hurting with tears that burn him to the core. He scratches his throat like he wants to get out of his own skin. And if he were any more conscious, he would now exactly how to kill himself in that moment. The words keep repeating in his head, however, in an endless loop that wants to keep him there, caged in his disbelief.
He mustāve passed out.
Because, when he wakes up, he is in the rose garden, somehow.