Columns Inside Medinet Habu, Ramesses III Mortuary Temple Colors Are Still Vibrant. Can You Imagine How

Palermo (Punta Raisi). Sicilia. Video credit: pillole.di.sicilia

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Nasir almolk Mosque/ Shiraz/ Iran

Photographer: reza adeli

Ancient Egyptians were African. This is a facial reconstruction of King Akhenaten.

A Ziwiyeh gold plaque fragment, 7th century BCE. The Ziwiye hoard is a treasure hoard containing gold, silver, and ivory objects, also including a few gold pieces with the shape of a human face, that was uncovered in a plot of land outside Ziwiyeh castle, near the city of Saqqez in Kurdistan province, Iran, in 1947. 

Bābur, Pādishāh of Hindustan

unknown court painter 1630

Victoria & Albert Museum

Born in 1483, Bābur was the founder of the Mughal Empire, which he ruled as Great King between 1526 and his relatively early death in 1530, after rising from the governorship of remote Fergana (present-day Uzbekistan, then part of the Timurid Empire) and conquering the lands of the Arghun (including Kabul) and the Delhi Sultanate, as well as capturing Samarkand and forcing Mewar (present-day northern India) into vassalage. He was a fifth-generation agnatic descendant of Timur and a 14th-generation cognatic descendant of Genghis Khan.

Italy 🌹 🇮🇹 Cinque Terre

Κοσμάς Μεγαλομμάτης, Ουροβόρος: Παγκόσμια Μυθολογία-1989

Κοσμάς Μεγαλομμάτης, Ουροβόρος: Παγκόσμια Μυθολογία, Ελληνική Εκπαιδευτική Εγκυκλοπαίδεια, 1989

Кузьма Мегаломматис, Уроборос (свернувшийся в кольцо змей или дракон, кусающий себя за хвост): мировая мифология, Греческая педагогическая энциклопедия, 1989

Kosmas Megalommatis, Ouroboros oder Uroboros (‘Selbstverzehrer’ oder ‘Schwanzverzehrender’ / eine zusammengerollte Schlange oder ein Drache, der sich in den Schwanz beißt): Weltmythologie, Griechische Pädagogische Enzyklopädie, 1989

Kosmas Gözübüyükoğlu, Ouroboros (kendi kuyruğunu ısıran bir yılan): Dünya Mitolojisi, Yunan Pedagoji Ansiklopedisi, 1989

قزمان ميغالوماتيس، اوروبروس (دُنب‌خوار/مار یا اژدهایی است که دم‌اش را می‌خورد): اساطیر جهانی، دایره المعارف آموزشی یونانی، 1989

Côme Megalommatis, Ouroboros (un serpent ou un dragon qui se mord la queue): Mythologie mondiale, Encyclopédie pédagogique grecque, 1989

1989 قزمان ميغالوماتيس، الأوربوروس (الثعبان أو التنين وهو يأكل ذيله.) : الأساطير العالمية، الموسوعة التربوية اليونانية،

Cosimo Megalommatis, Urobòro (chiamato anche uroburo o uroboros o ancora ouroboros / un serpente o un drago che si morde la coda, formando un cerchio senza inizio né fine): mitologia mondiale, Enciclopedia pedagogica greca, 1989

Cosimo Megalommatis, Uróboros (uróboro o ouroboro o uroboro / serpiente que se come la cola): mitología mundial, Enciclopedia pedagógica griega, 1989

Cosmas Megalommatis, Ouroboros (or Uroboros / a serpent or dragon eating its own tail): World Mythology, Greek Pedagogical Encyclopedia, 1989

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Κοσμάς Μεγαλομμάτης, Ουροβόρος: Παγκόσμια Μυθολογία - 1989

Κοσμάς Μεγαλομμάτης, Ουροβόρος: Παγκόσμια Μυθολογία, Ελληνική Εκπαιδευτική Εγκυκλοπαίδεια, 1989 Кузьма Мегаломматис, Уроборос (свернувшийся

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Κοσμάς Μεγαλομμάτης, Ουροβόρος Παγκόσμια Μυθολογία, 1989.pdf

Onoulnpvtour Ouolgr p! ro qpxiyovo owq rng geYYqpq rq oorpo, lq olweQo, ro (er|oxiq rou oveiPou)eivol ol 6io oupovro 16€0, KEoe oupovlo od,!

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Κοσμάς Μεγαλομμάτης, Ουροβόρος: Παγκόσμια Μυθολογία-1989

Κοσμάς Μεγαλομμάτης, Ουροβόρος: Παγκόσμια Μυθολογία, Ελληνική Εκπαιδευτική Εγκυκλοπαίδεια, 1989Кузьма Мегаломматис, Уроборос (свернувшийся в

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Κοσμάς Μεγαλομμάτης, Ουροβόρος: Παγκόσμια Μυθολογία-1989

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From Ferdowsi to the Seljuk Turks, Nizam al Mulk, Nizami Ganjavi, Jalal ad-Din Rumi & Haji Bektash  

By Prof. Muhammet Şemsettin Gözübüyükoğlu (Muhammad Shamsaddin Megalommatis)

Pre-publication of chapter XXIII of my forthcoming book “Turkey is Iran and Iran is Turkey – 2500 Years of indivisible Turanian – Iranian Civilization distorted and estranged by Anglo-French Orientalists”; chapter XXIII constitutes the Part Nine (Fallacies about the Golden Era of the Islamic Civilization). The book is made of 12 parts and 33 chapters.

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Read and download the chapter here:

Continental Empires

From Ferdowsi to the Seljuk Turks, Nizam al Mulk, Nizami Ganjavi, Jalal ad-Din Rumi & Haji Bektash

History, Ancient History, Silk-, Spice- Perfume Roads, Spirituality, Faith,

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From Ferdowsi to the Seljuk Turks, Nizam al Mulk, Nizami Ganjavi, Jalal ad-Din Rumi & Haji Bektash

By Prof. Muhammet Şemsettin Gözübüyükoğlu (Muhammad Shamsaddin Megalommatis)

Path at Varengeville (1882) by Claude Monet

Scythian gold belt buckle of figures resting under a tree 4th-3rd C. BCE. H. 12.3, L. 16.1 cm, Wt. 465.04g. Southern Siberia. & Wooden headdress with pigtail. Pazyryk barrow no. 5. 252-238 BCE. Wood, leather, hair, wool, felt, silk. H. c. 40, diam. 17.8 cm. See 'Scythian mummy tomb (fifth Pazyryk kurgan), Pazyryk culture 4th-3rd C. BCE' post on my blog for more info on this burial.

On the Scythian gold belt buckle: "This outstanding and very famous object has been published many many times, as its imagery contains much that is synonymous with what we know about the Scythians. This scene is often referred to in literature as 'resting under the tree', and parallels may be drawn to surviving costume, hairstyles and weaponry of the Scythians. However, it should also be examined within a mythological context, as the presence of anthropomorphic characters in the art of the ancient nomads had a high degree of semantic significance, as did the special status of their owners. This is why the female deity, associated with the earth and flora - the tree in this scene is an allusion to the 'Tree of Life' - may represent the 'Great Mother', who was a giver of life but was also associated with underworld powers. Wedding rituals went hand in hand with ideas of death and funerary rites in archaic communities. The central quiver hanging from the branches of the tree recalls Herodotus' account of the important role the quiver played in the wedding symbolism of the nomads: 'There, when a man desires a woman, he hangs his quiver before her wagon, and has intercourse with her. none hindering' []. It appears that this entire scene may refer to a mythical story where the death of the protagonist parallels his marriage to the 'Great Mother'. This sacred union was seen as a requisite for the renewal of life and the completion of the full cycle of birth, death, and rebirth of all living creatures."

...

On the Scythian wooden headdress: "The base of this female headdress is a flat-topped wooden cap. Rectangular grooves on either side originally held thin ear-like plates with a smooth edge along the bottom, of which only the right one survives. The flat top of the cap was covered with leather. Two circular holes measuring 1.5-2cm across were made in the nape and four more in the crown (one in the centre and three around the edges). On either side of these are two short hollow cylinders covered in silk and attached to the wooden base by sinew passed through small holes. A row of small holes was drilled through the back, and three of these still contain scraps of sinew. It appears that the headdress originally had a nape cover made of soft material, either cloth, felt or leather, and the entire headdress may have been covered in cloth. This headdress was attached directly to the dark blonde hair of the woman who wore it. Her hair was largely shaved off but left intact on the crown. This portion was then divided into two braids looped through circular holes in the centre of the wooden cap, and wrapped around a black horsehair cord. Wool thread with thick, light-colored felt strips secured the entire headdress to the top of her head. Another braid, about 37cm long and made from the hair of the same woman with two woolen cords, was tied to the top of the headdress with twine and knotted at the top and the bottom.

Despite some similar features, the wooden base of this mid-third-century BCE headdress-wig from burial mound 5 at Pazyryk is different from earlier wigs. It most closely resembles the female headdress depicted on the belt plaques with the 'under the tree scene' from the Siberian Collection of Peter the Great. It is possible that the woman who wore this was a foreign consort of the chieftain buried in the fifth burial mound at Pazyryk, and this is supported by the fact that her tattoos include designs which are uncommon in Pazyryk imagery, but instead resemble those found to the west."

-Scythians, warriors of ancient Siberia. Edited by St. John Simpson and Svetlana Pankova. The British Museum.