Forgot to share tjos yesterday Spider-Man Final Homemade Suit v2 . #spiderman #spiderman #fanart #marvel #photoshop #photoshopartist #digitalart (på/i Marvel Universe) https://www.instagram.com/p/CpXibEFMMzB/?igshid=NGJjMDIxMWI=
Spider-Man WIP
Hi!
Feels like ages since I did a superhero. I don’t really read many comics these days, not that many that managed to keep my interest. So I haven't gotten that many new ideas either. Kinda feels like I’m losing touch with a big part of my childhood, wondering a little what will take its place.
But I have started on a Spider-Man/Captain America Team-Up and felt I wanted to share my step-by-step drawing ol’ Webhead!
First of all, open up your friendly neighbourhood JustSketchMe. Really helpful when you can’t really see the full canvas when you draw. And start with lineart. Spidey’s suit is tight and thin to allow him to use his powers and to hide under his clothes. So, abs, ribcage, toes should even be slightly visible while adding wringage or stretching in groin, elbows and knees. If I make a younger Ditko-era Spidey, the mask would have more wrinkles and the ears more prominent but for an adult Spidey, the head is smoother and the neck tighter.
Spider-Man’s eyes are one-way-glass and in my render, not that flexible so I imagine them being this round shape and the mask form around that and are held by two shiny plastic frames, them being separate from the thin fabric as well.
Most times I have to adjust the ratio of red/blue in the torso to make space for the webbing but managed to pull it off this time without any major readjustments. Webs are drawn on an individual layer.
As the lineart is done, the next step is the coloring. I actually make Spidey’s eyes quite dark here as a dark base will make it easier for me to make it shine afterwards as I try to catch a glass-effect. I always make sure to keep an extra layer for each color in a hidden folder so I can mark the specific colors when needed.
Next step is my highlighter. Simply strengthen the lineart and first step to add a little depth in it. Where I chose to highlight and not has changed over the years, like the space between the head and the further arm lacks highlight as it’s further away, same with the closer arm and the torso as well as left leg/thigh. Areas where one piece of clothing goes to another gets a subtle highlight like shirt, gloves and boots.
Next step is a 3-parter where I depthen the figure more. First layer’s functions the same as the last step but in a larger area and wider brush. Second layer goes more along the edges of the line art and makes the body rounder. Last is just focusing on areas with more depth like collarbone, ribs, some wrinkles, maybe if I missed a spot on the wrist.
So now is the basic “pillar” of the character done, the steps I undergo for all my figures, so now are the personal details like eye colors or hair coloring. This is where the spare layers are mostly welcomed. I give my Spider-Man a halftone effect on the red areas, making the suit look more breathable and giving the thing a comic-effect while the blue parts get darkened. I then eliminate the already shadowed areas, kinda reversing the work so wrinkles get lighter and smoother parts get darker. Inspired by how the suit can be portrayed black with blue detailing in classic comics as well as the fabric in Tom Holland’s second homemade suit.
Speaking of films, I also brighten some spots. I add a light grey spot on the eyes and I brighten the webs, inspired by Tobey Maguire’s suit but more subtle.
Last steps are brightening the black areas like the frames and logo. A lesser layer along the edges to showcase the shape and bulge of things and a brighter one that can be splashed across, reflecting light. I add more black and white on the eyes for that glass-effect.
AND… That’s basically it! Things might change and get added when I put in a real light source but for a basic 3-Dimensional Spider-Man in a pure white world, the process is done!
The idea started as an interest 3 years ago to an Alex Ross-inspired piece, all these characters posing for the camera in front of a blank background. And it was something I worked on on and off again and rebooted as many times til I learned the lack of motivation was lack of originality. So I redrew the idea. 85 years of history, 85 characters, in one piece. Comic book-events and milestones. The literal birth of the universe till today. Starting of meta with a mix of Celestials and Galactus, present at the birth of the current universe, alongside the World War II-veterans starting the company. Paying respect to all parts of the evolution; Nick Fury’s war-stories, Hellcat’s romantic adventures, Groot’s Sci-Fi-Horror, Fantastic Four’s rebirth of the Superhero-comic. In the centre, we have what I consider the big three of Marvel’s early days. The man out of time, Captain America connecting the past to the modern day. The first family, Fantastic Four showing a new kind of storytelling and the first solo teenage-superhero and poster-boy Spider-Man leading the future. And around them, everything. The wasteness of the Marvel Universe has space for multiple religions, Asgardian, Greece, Jewish and Egyptian. All kinds of superheroes, from the self-made suits of armors, spies and soldiers, to the science-experiments gone wrong and the naturally gifted children of the atom. We have representatives of the mechanical as well as the mystic arts, the Kree-Skrull-wars, the Inhumans, the afterlives.
And references. The tears of an android, Spidey’s strength to fight when there seems to be no chance, Days of Future Past that would forever haunt them thereafter, the Death of Captain Marvel and Night Gwen Stacy Died changing comics forever. The Infinity Gauntlet inspiring the cinematic universe, House of M increasing the mutant-population and lastly Secret Wars bringing a new generation of young heroes forth and centre.
A link to the drawing in its full glory and true size: https://drive.google.com/file/d/1VHVlvQRKp3Y83xgOgjfrJBG_FviXpgmV/view?usp=sharing
You know what I found satisfying?
These random character-focused... card thingies... poster stuffies...
They're not creativly satisfying, they don't apply to the "a picture speaks a 1000 words"-thing. They are far from deep. But I just like to look at them. And I like to just shut off my brain and draw them.
And I think they're cool. They allow me to try something new. I found a vibe for my Star Wars-stuff ever since. I found a color I try to use for Life is Strange ever since. I managed to actually draw faces in Miraculous I'm satisfied with.
If I ever would fullfill my dream and sell stuff at like... Scifiworld or something, I would have a pile of these
Sorry for inactivity, needed to shitpost not to get forgotten by my 3 followers
Oof, that purse, those shoes.
Should become a fashion designer
Btw, I love to photograph but rarely does it anymore. Found these in an old USB.
OMG! NEVER SEEN MY NAME AS A HASHTAG BEFORE! THAT'S SO COOL! Want anything from the gas station?
Truly made my day! Adding that to the bucket list and crossing it
Another thing I have wanting to do for ages and finally got the time was to redraw this a little bit.
Max’s and Chloe’s pose felt awkward and poorly drawn and didn’t match the vibe of the game I realised so kind tried to just draw them hanging out. Less action-game, more life-game.
Not that this is 10/10, there’s a giant gap in the picture but a step in the right direction