Christmas Card From Just Last Year.. I Was Up So Late At Night Finishing This, That I Mistakenly Signed

I was fortunate this past weekend, to win a couple of nice items at Heritage Auctions.. Here’s one of them: a large mixed media painting, by Daniel Torres - the great Spanish illustrator/comic-book artist! This illustration was published in the December ‘89 issue of PLAYBOY Magazine, to accompany excerpts of “The Killing Man”; Mickey Spillane’s 12th MIKE HAMMER novel!

A 16 year-old pinup drawing that served as my entry into this week’s 'Illustration Friday' contest, themed around the word: “DOG”.. The initial layout sketch was provided by my good friend and fellow Layout buddy: David Pietila. “Soopermutt” was a character featured in issues of the “Animal Adventures” comic-book, published in the 1950′s by ‘Timor Publications’..

SUBWAY CREEP!!

Sketchbook composite of story panels found in an old 50′s-era Crime comic-book.. The original artist was Bill Draut. It was entitled “MASHER!”, about a sleazy creep that liked to proposition young women riding the subway. I’ve been inspired by Charles Burns’ “LOVE NEST” book. And he recontextualized parts of this same story, too..

I was up ‘til about 3am coloring an OLD pen-and-ink drawing for the upcoming “Summer Art Show”, held at the studio I work at.. Today, I’m physically wiped, as a result. I tried to use a color palette that conjures up the feeling of an old 50′s-era comic-book cover.. Perhaps a nod to the ‘MARS ATTACKS’ cards, too? It still feels rushed, but I do like the way his leather boots turned out!

Back in 2007, I had the inclination to try drawing a Don Martin -type character.. I was digging thru some old issues of MAD Magazine and found a series of 'SPIDER-MAN' spoofs he'd done. Invented a new pose and (of course) hadda add one of his signature "SHPLORT" sound effects, too!

Recently, I’ve been enjoying the nostalgia of a Facebook page dedicated to 'The Drawing Board' message board: an original Internet meeting place that is long gone. At the time, it was a great place to post your artwork, learn drawing tips, or just talk shop with like-minded creatives.. The long-running monthly “Drawing Jam” has been recreated on the FB page, though. And this was my most recent effort, working from a photo of actress: Chloe Sevigny.. Tried to work in a kind of Robert McGinnis approach to her legs and feet. Not sure how successful I was.. But it certainly was fun to try drawing it!

Today’s mail was pretty exciting for me, because I finally scored a copy of “FREE SHIT”, which I was able to purchase via eBay France! I’m a huge Charles Burns fan and have met him a number of times over the years. I’d read that he'd often produce these small 8-page ‘zines called “FREE SHIT” and give them to his fans at signings? Despite this fact, he never seemed to have any copies, whenever I’d ask.. Pretty disappointing.

The book was produced by ‘Le Dernier Cri’ as a limited-edition (1000 copies) in September 2016. So, they’re rather hard to find in North America. And often, very expensive! They’re certainly never Free!! Anyways, this small book collects the first 22 issues of his ‘zine. And is a real insight into Burns’ process and how his creative brain works. Highly recommended!

I recently bought the new book on Maurice Noble: "The Noble Approach", covering his thoughts on Animation Design & Layout.. It's an excellent read! Put me in a nostalgic mood,-- so I thought I'd post up an old 'BEETLEJUICE' Layout of mine..  Back in January of '91, I did 14 scenes for the episode entitled: "Fast Food".. Can't recall too much about it. But I'm amused that I felt the need to use a half-size Field for this specific shot!

Been a long while, but I’m finally back with an update.. I was digging thru some old work files on my HD, and thought I’d put together a brief post..

Back in 2015, I worked at Nelvana on Nick Jr.’s  “Fresh Beat Band of Spies” cartoon series. A lot of the front-end creative work was directed by ‘6 Point Harness’ in L.A., including some of the Design work; usually establishing the look and style of: characters, props, and locations. Full turnarounds and additional views of those designs though, were done at Nelvana in Toronto.

Early in the production, I spent most of my time creating rotations and additional views of Props. I didn’t have any real experience drawing directly with vector lines. So, I was allowed to draw them in Photoshop on a cintiq, using very clean bitmap lines. I'm guessing another artist may have converted my finished work, later on?..

One of my favorite episodes to work on was: “Band Of Pirates” (ep.14).. There were a lot of very nice design elements in that one. Plus, a fun storyline that featured “Captain Arrrgh” stealing half of a Treasure Map. He does so, using a flying robot and a Steampunk-inspired JetSki. For which, I drew some of the additional views..

The Fresh Beat crew makes a quick pursuit using their elaborate Tour Bus, which could conveniently transform into a kind of hydrofoil speedboat! The Bus was  based loosely on the handful of Art Deco “Futurliner” trucks that GM produced in the 40′s. And I felt like the speedboat itself, also gave off a bit of “Thunderbirds 2″ vibe? Creating the fuller rotation, was something of a drawing challenge, as I had to make hard decisions about the overall dimensionality and how each of the surfaces and corners attached to each other..

About halfway thru the production, I took over the Layout Supervision from my friend: Terry Lenko. This may be the only show that I’ve ever worked on, where my End Credit designation changes across the episodes arc?! Again, I have zero experience (or interest) in vector-based art. So thankfully, all I had to do was “direct” a very talented Layout crew, rather than contribute to the production art directly..

But there were always Layout issues with the storyboard animatics, that would require attention. And Terry taught me the valuable lesson of creating quick Layout thumbnails for each entire episode. Not only did these drawings allow me to identify where the Master and Reuse BGs existed.. But I could also spot and correct all of the continuity, cutting, and staging problems, too!

Enjoy.

A commission that I did back in 2004, for a Gordon K. (from San Diego).. He had a very unique request for a trapped Animé-style Mermaid.. Thankfully, he also provided me with a good deal of reference material..  I tried my best to incorporate everything he'd asked for.. Hopefully, he enjoyed the result?