Haven’t Posted Anything For A Very Long Time.. But I Felt Like Everyone Should Be Aware Of This Ultra-fine

JUST PAST MIDNIGHT..

Another in a series of sketchbook drawings based on panels found (and messed around with) in old 50′s-era Crime comic-books.. Again, these have been inspired by Charles Burns’ recent “LOVE NEST” book. Random noir-ish images without dialogue or sound balloons..

I’ve been busy creating new artwork for “JackTober 2022″, lately.. The Day 22 prompt, was: (you guessed it) “The HULK”!!! Added a bit of digital color to it, using Photoshop.. It’s based on one of Jack Kirby’s classic poses. But I played around with some of the character proportions and other details..

‘Doctor Strange’ illo that I did, back in 2008.. Colored it later on, using colored pencils, felt markers, and a bit of digital.. My hope was to give it a very Kevin Nowlan -esque quality. As I think his interpretation of the character has always been the best!

In exactly 20 days, the new Nickelodeon cartoon series I’ve finished working on, will make it’s TV debut. I’m very eager to see/hear the reactions to (what I can only describe as) the most extraordinary animation project I’ve had the good pleasure to work on!

Seen above, are a small handful of the Layouts I completed, for the premier episode.. The show had a stellar cast of "Yowza Animation” talent, working magic on all aspects of the show. And the production pipeline was unique and innovative, in more ways than I can accurately describe.. Suffice to say, it’s highly unusual to have all of the environments “built” as 3D models first, that were then turned into specifically “hand-drawn” 2D location backgrounds!

It was a unique experience for me especially, as I’d also worked Layout on the short digital web-series on which this show was based, back in 2014. But I think that fans of the original web shorts will be even more amazed at the amplified depth and detail of the worlds, as now presented in “Welcome To The Wayne” TV series.. Hope you’ll all enjoy watching it!

Back in August of ‘97, I was working at George Elliott’s first animation studio: 'PICTOR Entertainment'. I was likely working as either a Designer or a Layout artist, on one of the many series we did service work for. But one day George asked me if I could also pull Layout duties on a "Denny’s Restaurant” TV spot that local legend animator Chuck Gammage was working on, for ‘Colossal Pictures’? I’d never worked on a TV commercial before, but was certainly game to give it a try!

As memory serves, I got the storyboards from Chuck on a Friday,-- and completed the layouts over a long weekend. There weren’t any designs for the 30-second “Skillet Breakfasts” spot. But Chuck mentioned that he wanted the BG’s to be styled after the classic “Tom & Jerry” cartoons of the 1940′s..

Before I even got started, I got word that 2 of the 6 BG’s were being cut for time. Less work for me.. YAY!!  For the remaining 4, I tried to follw the staging that appeared in the storyboards, as closely as possible.. As you can see from the final ad,-- although many of the design elements were retained, all of my Layouts got changed at the Paint stage. Which if my memory serves, were beautifully painted by: Branislav Perkovic.

The only other initial instruction I recall getting from Chuck, was that he’d wanted the dog to chase the cat repeatedly around the Kitchen, at the start. He’d asked for a few extreme Foreground elements in silhouette, which weren’t in the board panels..  I chose to forego that idea, because I couldn’t think of way to make it work..  Chuck Gammage had worked as an animator on Richard Williams’ 1988 “Who Framed Roger Rabbit?” feature. And I think he may have wanted to try and recreate some of the crazy chase elements that appeared in that Kitchen? As you can see by the screengrabs, the pair only run thru it once, without doing any of the elaborate laps in the storyboard..

In the end,-- I think everyone’s contributions helped create a fantastic-looking classic 90′s-era animated commercial, that still holds up to repeated viewing.. You can watch it (and judge for yourself), by clicking here!

This is the other Daniel Torres artwork, that I purchased at a recent Heritage Auction.. A large mixed media illustration of “Roy Batty” from one of my favorite films: "BLADE RUNNER”! You can see in the 2 large panels across the top, that Torres illustrated: “Attack ships on fire off the shoulder of Orion..” (LEFT) As well as: “..C-beams glitter in the dark near the Tannhäuser Gate” (RIGHT)  This illustration was published in the November 2019 issue of FOTOGRAMAS Magazine, to accompany an article about Ridley Scott’s groundbreaking 1982 film!

Attended TCAF 2013 on Saturday afternoon, and felt fortunate to pick up the last copy of Basil Wolverton's 'SPACEHAWK' book from the Fantagraphics table.. Also very much enjoyed chatting with artist Jim Rugg and purchasing his 'SUPERMAG' book.. Great show!!

A friend at work is vacationing in Cape Cod, this week.. But before he left, he had asked if I might contribute artwork to his "TIKI"-themed sketchbook? I was flattered, of course. But what to draw? When in doubt,-- always go with Kirby!! So here is:   "As old as the stars, and as powerful as the sun.. He is the immortal BOMBU!!"    And yes, he IS an Oobagonian, apparently..

Happy Holidays to all my Internet friends!!  Here's what this year's version of the Christmas card ended up looking like.. It was my meager attempt to ape the stylings of Eyvind Earle.. I had plans to model more shadows onto the limbs of the foreground tree,-- but I simply ran outta creative steam before the deadline crashed down onto me..

An old Sketchbook page from 2004.. Can't remember if these were studies from a specific story, or simply an attempt to re-create some 'Golden Age' stuff? I do recall wanting the Bedouin dude to resemble a 7-foot tall "Rondo Hatton" -type, though!