Have You Heard About Crom Dubh Na Nollaig? In Ireland, He Is Far More Different Than He Is In Scotland.

The…Other Children of Lir

Lost princes || A family dynasty || Judgment 

Continuing my (very very slooow and overly specific) journey through Irish tradition, I wanted to talk about some of the more mysterious personages.  Tw for two (brief) mentions of assault/dubious consent, without detail. Manannan mac Lir is probably one of the better known figures (which is why he’s the jumping off point for so much of my writing) alongside his foster son Lugh and his pupil Aengus - but he’s also given an extensive family of children, including Mongan, Eachdond Mor, and Gaidiar. None are quite as well-known or have stories so well-preserved (apart from possibly Niamh of the Golden Hair) but what we do know about them is interesting. Niamh could probably do with her own post so I’ll respectfully leave her out of this one. Aine is also given as Manannan’s daughter in certain sources but I couldn’t verify this and she would also need her own feature.

Mongan is interesting in that in most stories of his birth he’s half human, half tuatha de - if such a division can be considered clear cut. In The Voyage of Bran, Manannan stops Bran (another appearance of Lough Foyle) at sea to tell him that he’s going to concieve a son who’ll be a great hero. Stories vary but generally, Mongan’s father Fiachna (meaning crow) is fighting in Scotland. He’s losing, until Manannan shows up and says he’ll help, for a price. Fiachna makes the old mistake - “I’ll give anything” - and Manannan asks for his wife. In other (nicer) versions, Fiachna’s wife is well aware and the all three people involved consent. Mongan is raised in the Otherworld until his late teens, when he returns to start his job as King. Interestingly, he doesn’t seem that interested in ruling and spends his time drinking wine and playing games. He has to be prompted into making decisions by his father, and even then he retains a sense of ennui and longing to return to the Otherworld. He shapeshifts into children, a washerwoman, a priest - he has as many faces and is as fluid as you’d expect.

Eachdond Mor, Mongan’s older brother, is pictured sitting as Manannan’s left hand, accompanied by his ally Abartach, a trickster who shares a name with a character from the story of the Gilla Decair and a “wizard”/sidhe lord/creature from Garvagh in Ulster, and may be connected with Midir.

Gaidiar is Eachdond’s brother, and commits “adultery” with Becuma, a “woman of the sidhe” (in some tellings he assaults her, in others it is consensual) while they are both in prior relationships, for which she is expelled from Tir na Nog beginning a saga involving a king falling in love with her and accidentally cursing Ireland. Becuma, as the woman, is treated as solely responsible while Gaidiar - and the king - seemingly avoid repercussions. 

Both brothers in their very brief appearances are portrayed as powerful lords or kings in their own right, rubbing shoulders with Aengus, the Dagda, Finbhara and Bodb Derg. 

((I’ll probably come back and edit this since I know there’s a story I’m forgetting, but I’m too tired to remember it properly now, but hopefully somebody finds it interesting!))

Lughnasadh (sometimes written Lughnasa or Lúnasa) is a festival originating from Ireland that celebrates the start of the harvest season.

It is traditionally celebrated on August 1st (in the northern hemisphere) or halfway between the summer solstice and the fall equinox.

The festival is named for the Irish God Lugh and it is said that the festival started as a funeral feast and athletic competition to honor his mother or foster-mother Tailtiu who had died of exhaustion after clearing the plains of Ireland for agriculture.

Seeking advice…

I don’t post about my personal life but, I feel that my current situation is relevant to my blog.

Paganism/ witchcraft has been apart of my life for a long while now, but recently I feel like my heart hasn’t really been in it. I enjoy Celtic mythology and the worship of their gods but it feels like I’ve been losing faith.

Ive taken breaks from practicing before but this feels different. It’s like I’m detached from it.

I don’t know what to do as I have not been motivated for the past week, but I decided to come on here as I was wondering if anyone else experiences this?? And if there’s anything I can to do or if I should leave it as it is.

If anyone has any suggestions or just relates feel free to share

Protection from Fairies: Juniper

Just like rowan, juniper is sometimes mentioned as being lucky and a ward to keep away the evil eye. Where Juniper is truly useful, though, is for saining. Saining is essentially purifying a person or area, and juniper was one of several tools that could be used to do this.

Juniper, or the mountain yew, was burned by the Highlanders both in the house and in the byre as a purification rite on New Year’s morning. Like all magical plants, it had to be pulled in a particular manner. The Silver Bough: Volume 1  by F. Marian McNeill (1957-1968)

“This plant is a protection by sea and land, and no house in which it is will take fire. It must be pulled by the roots, with its branches made into four bunches, and taken between the five fingers…” The History of Witchcraft in Europe by Various Authors

Drawing of a branch of Juniperus communis with fruit cross-section and catkin. Encyclopædia Britannica (11th ed.), v. 15, 1911, p. 557

🌞LITHA LOOSE INCENSE🌞

Dry ingredients:

Sunflower petals (Sun, growth, warmth, joy, vitality)

Lavender (peace, love, healing)

Raspberry leaf (love, protection, kindness, patience)

Hibiscus flowers (Sun, harmony, joy, balance)

Dragon's Blood incense cones x2 (love, protection, spell boost)

Oils:

Benzoin (prosperity, purification, warmth)

Orange (Sun, cleansing, happiness)

Ylang-ylang (harmony, dispels fear, relaxation, healing)

Geranium (happiness, prosperity, cleansing)

Enjoy, my pagan, witchy babes! 🖤

Healing Wells and Fairy Trees

Healing wells, which are springs or small pools of water thought to be magical, have a long history of tradition that dates back to pagan times.

“In pagan times, wells and springs were believed to be inhabited by a spirit or divinity, who caused the waters to have healing properties to those who drank of them or bathed in them, at the same time propitiating the divinity with an offering.” “The misty isle of Skye : Its scenery, It’s people, Its story” by Eneas Mackay, Stirling, (1927)

I am going to try to cover the basics of them as quick as possible, so please bear with me if I skip bits as I try to keep this post a reasonable length. If I miss a fact you love, please share it for everyone to read.

“Wherever there was a spring, there was life; where-ever there was life, there was a spirit; and each river and loch, each burn and tarn, each bubbling spring had its own deity. In some instances, this primitive guardian deity is found in animal form. Martin mentions a well at Kilbride, in Skye, with only one trout in it. ‘The natives are very tender of it,’ he says, ‘and though they may catch it in their wooden pails, they are careful to prevent it from being destroyed.’ In the well at Kilmore, in Lome, there used to be two fishes that were revered by the folk as lasg sianta, holy fishes.” The Silver Bough: Volume 1  by F. Marian McNeill (1957-1968)

It could be gathered that each holy well in Scotland once had a known spirit or fairy living there, but even the water itself was said to hold power. Jumping over running water was said to be protection from some unseelie fairies, and streams were often were the sites of important events.

“A bargain made over running water was indissoluble. It is the old calling of water as a witness. Lovers who desired to plight their vows with peculiar solemnity repaired to a burn, stood on opposite banks, dipped their fingers into the water, clasped hands across the stream, and so exchanged their vows. It was thus that Burns plighted his troth with Highland Mary.” The Silver Bough: Volume 1  by F. Marian McNeill (1957-1968)

Today, most the wells now go by the name of a Saint. As well as that, while they were mostly referred to as healing wells in the past, their function now is often described as “wishing wells.” There are exceptions to this, though, such as the Fairy Well in one of the islands of the Shetland that was said to often be visited by fairies who would occasionally switch it from water into wine,get drunk, and cause mischief.

As well as that, the trees or bushes which once held the offerings — most commonly a rag from your own clothes — are now sometimes known as wishing trees or fairy trees.

“When trees beside wells had rags hung on them as offerings, they would naturally be reverenced, as the living altars for the reception of the gifts.” Folklore of Scottish Lochs and Springs by James M. Mackinlay (1893)

(Tony Atkin / Strips of Cloth on the Cloutie Tree / CC BY-SA 2.0)

However, other wells had other traditions as well. There might not be a tree or bush at all, and could instead be a stone to place offerings on. Even the types of traditional offerings can change drastically.

“The Cheese Well, on Minchmoor, in Peeblesshire, was so called from the pieces of cheese thrown into it by passers-by as offerings to the fairies.” Folklore of Scottish Lochs and Springs by James M. Mackinlay (1893)

Historically, if possible, you would try to visit a well on a quarter day before the sun was up. Then, there would be a strict set of customs. Some common themes include

Walking three times around the well.

Silvering the water (throwing in a silver coin).

Thinking of your wish while drinking from the well.

Dipping your offering in the water.

Placing your offering at the designated place.

Leave before the sun comes up.

I would not recommend drinking out of a well today, as some have signs saying the water is no longer safe. Instead, there are fairy trees or clootie trees that still have the tradition of leaving a strip of cloth, but do not have a well attached to them. The most popular of these is likely the Doon Hill and Fairy Knowe.

NOTE

If you do visit one of these sites:

For Clootie Wells: Do not bring modern synthetic fabric, since it is hard on wildlife and can kill the trees over time. There are also regular cleanups at many sites dedicated to removing such harmful fabrics. Instead, bring a biodegradable fabric. Instead, bring biodegradable fabrics, such as 100% wool or cotton.

Coin Trees: Do not hammer hammer coins into trees. The original “wishing” tree on Isle Maree died from this, so people have moved on to other trees unrelated to the tradition. It might seem harmless, but the bark is the trees immune system, that people are hammering open. As well as that, most people us copper coins, which cause copper poisoning to the tree.

Coin Wells: Some wells do ask for a coin offering, but specifically a silver coin. Copper coins can cause copper poisoning to the fish.

Finally, please research the history of the area. Not all the healing wells ask for the same offerings, and yet many people ignore that; for example, tying offerings to random trees at a well that only has the traditions of coins. As I have said above, a well even has the tradition of cheese offerings, so not all wells are the same.

Despite this, some people have started leaving plastic toys, shoes, and more. If it’s not biodegradable, its not respecting the tradition, and can kill the site.

Historical Hogmanay (Scottish New Year)

Hogmanay is the name for the Scottish New Year Eve, and was once thought to be a time when the veil was thin, allowing all sorts of creatures from the Otherworld into ours. Some theorize that this supernatural aspect is even where the name came from.

 “We know that on this night it was considered necessary to propitiate the dwellers in fairy-land, who, with the Phynnodderees, Witches, and Spirits of all kinds, were abroad and especially powerful. We may, therefore, perhaps translate Hog-man-aye into Hanga-man-ey–“mound-men (for) ever,” the Fairies being considered as dwellers in the hows (or tumuli, or green mounds)…-“ The Folk-Lore of the Isle of Man by A. W. Moore[1891]

The pagan roots of the festival were once clear, and some locations held onto those traditions longer than others. For example, the Isle of Man once had a person puppet a horses head made of wood that was called White Mare.

“He went round the table snapping the horse’s mouth at the guests who finally chased him from the room, after much rough play.” The Folk-Lore of the Isle of Man by A. W. Moore[1891]

Similarly, some places in Scotland had a person in a cows hide who would be chased around the house by people with sticks.

“Each then pulled off a piece of the hide, and burnt it for the purpose of driving away disease.” The Folk-Lore of the Isle of Man by A. W. Moore[1891]

Many of the traditions have died out, while others might still seem familiar.

Fires

For some on the last day of the year, the fire was to be smothered and made smooth. First thing in the morning, you would look for prints in the ash.

“The first thing on New Year’s morning was to examine if there was in the ashes any mark like the shape of a human foot with the toes pointing towards the door. If there was such a mark, one was to be removed from the family before the year was run. Some climbed to the roof of the house and looked down the “lum” for the dreaded mark.” Notes on Folk-Lore of the North-East of Scotland by Walter Gregor, M.A. (1881)

For others, the fire was not allowed to go out all night.

"It was a practice not to be neglected to keep the fire alive in the house all night. No one was to come near it but a friend, and, as an additional security against its going out, candles were kept burning. Hence, the other name given to the night, Oidhche Choinnle, i.e. candle night." Witchcraft & Second Sight in the Highlands & Islands of Scotland by John Gregorson Campbell (1902)

If the fire did go out, you would be on your own. It was considered unlucky to give out fire on the first day of the year, so your neighbors would be unlikely to assist.

“It gave the means to witches and evilly-disposed people to do irreparable mischief to the cattle and their produce. The dying out of the fire was, therefore, a serious inconvenience in days when lucifer matches were unknown.” Witchcraft & Second Sight in the Highlands & Islands of Scotland by John Gregorson Campbell (1902)

Juniper Saining

“On New Year’s day the Highlanders burned juniper before their cattle.” Old Scottish Customs, Local and General by Ellen Emma Guthrie 1885

Saining is a set of practices to cleanse or ward off evil, and juniper smoke is one example of it. Saining could be done at any time of year, but it was though to be stronger during times when the veil was thin.

Every room was cleansed with the smoke, and so were humans and cattle.

“Stewart in his “Popular Superstitions of the Highlands of Scotland” tells how on the last night of the year the Strathdown Highlanders used to bring home great loads of juniper, which on New Year’s Day was kindled in the different rooms, all apertures being closed so that the smoke might produce a thorough fumigation. Not only human beings had to stand this, but horses and other animals were treated in the same way to preserve them from harm throughout the year. Moreover, first thing on New Year’s morning, everybody, while still in bed, was asperged with a large brush.” Christmas in Ritual and Tradition, by Clement A. Miles, [1912]

Mumming

Mumming or guising is something people tend to associate with Halloween (trick-or-treating), but it also happened on Christmas and Hogmanay. Mummers (commonly poor folk) would entertain in exchange for food and drink.

Here is an example of just one rhyme:

“Get up, goodwife, and shake your feathers, And dinna think that we are beggars; For we are bairns come out to play, Get up and gie’s our hogmanay!” Christmas in Ritual and Tradition, by Clement A. Miles, [1912]

Drinking

This is something people will recognize; drinking. People would get together with food and drinks (typically het pint).

“On the approach of twelve o’clock, a hot pint was prepared—that is, a kettle or flagon full of warm, spiced, and sweetened ale, with an infusion of spirits. When the clock had struck the knell of the departed year, each member of the family drank of this mixture ‘A good health and a happy New Year and many of them’ to all the rest, with a general hand-shaking.” Christmas in Ritual and Tradition, by Clement A. Miles, [1912]

When midnight hit, you would share with neighbors.

"Even the poorest in Scotland exchange sips of hot spiced ale, and make offerings of cakes, buns, and shortbread to their neighbours when ushering in the New Year on the stroke of midnight." Manners, Customs, and Observances: Their Origin and Significance by Leopold Wagner[1894]

First Footing

Who was first to enter your home on the new year could alter your luck for the year.

“The first-footers are off and away, flying in every direction through the city, singing, cheering, and shaking hands with all and sundry.” Christmas in Ritual and Tradition, by Clement A. Miles, [1912]

For many places, you would hope it to be a dark-haired man.

Scottish Folklore Songs (Historic Recordings)

The site Tobar An Dualchais is a collection of historic audio recordings in Scotland, and that includes songs. I collected just some of the folklore related ones into a list for you all.

I have no talent in singing, so I will have to leave that up to the rest of you. Some are in English, and other are in Gaelic.

Kelpies and Each-Uisge 🐎🌊

(link) A MHÒR, A MHÒR, TILL RID MHACAN. "This song, which was used as a cradle song, was said to have been a lament composed by a water-horse(each-uisge) whose mortal lover had gone, taking their child with her. He is pleading with her to return. " (Recorded in 1956)

(link) A GHAOIL LEIG DHACHAIGH GU MO MHÀTHAIR MI "This song takes the form of a conversation between a girl and a water-horse. The girl is asking him to let her return home to her mother. The water-horse has other ideas. It is clear from the last verse that the girl escaped. " (Recorded in 1954)

(link) 'ILLE BHIG, 'ILLE BHIG SHUNNDAICH Ò "This is a fairy song. It was said to have been composed by a girl who was in love with a water-horse. As the song describes, he was killed by her brothers. The song lists some of the gifts he had promised to give the girl. " (Recorded in 1963)

Mermaids 🧜‍♀️

(link) ÒRAN NA MAIGHDINN-MHARA "In this song a mermaid says that she was deceived. She fell in love with a man even though he was human and she was a mermaid. Her sleep is unsettled when there is bad weather. " (Recorded in 1963)

Selkies:

(link) THE GREAT SELKIE OF SULE SKERRY "Supernatural ballad in which a woman bears a son to a selkie." (Recorded in 1973)

(link) THE SELKIE "The woman is speculating on who her baby's father is, when he appears and tells her he is Gunhaemilar and he is a selkie [seal man]. She is distraught and turns down his proposal of marriage. He tells her to nurse the baby for seven years, then he will return and pay her. He comes back and she asks him to marry her, but he rejects her in the same words she used to turn him down. He says he will put a gold chain round his son's neck so she will know him. She marries a gunner who shoots both the selkie and his son and she dies of a broken heart. " (Recorded in 1971)

(link) UNKNOWN "A Shetland song mentioning the selkies." (Recorded in 1985)

Other:

(link) MORAG'S FAIRY GLEN "Song of a man telling the beauty of Morag's Fairy Glen, and bidding his love to meet him there. " (Recorded in 1952)

(link) FAIRY DANCE "This is the reel 'Fairy Dance' played on the fiddle. " (Recorded in 1970)

(link) CRODH CHAILEIN "This song belongs to the fairy songs tradition and was used as a milking song or lullaby. Colin's cattle referred to in the song are the deer. " (Recorded in 1955)

(link) TÀLADH NA MNATHA SÌDHE "This song is a fairy cradle song in which the speaker says she would wander in the night with her beloved child. Sections of the song contain vocables which belong to the piping tradition." (Recorded in 1970)

(link) HORO 'ILLE DHUINN SHUNNDAICH "A song in which a woman tells of the murder of her fairy lover who promised her the kertch of a married woman." (Recorded in 1994) (link) HÈ O HÒ A RAGHNAILL UD THALL "In this fairy song, a fairy woman is trying to get a herdsman called Ronald to come across a river to her. Fairies cannot cross water." (In some stories, certain types of fairies can't cross running water) (Recorded in 1953)

(link) HÓRO 'ILLE DHUINN SHUNNDAICH "Song about a woman with a fairy lover." (Recorded in 1962)

(link) ÒRAN AN LEANNAIN-SÌTH "In this song the bard tells of being visited by a fairy lover. She asks him to make her a song, which will win an award at the Mod. He describes her beautiful appearance and sweet voice. She promises to give him a magic wand. She tells him about some of her deeds, and reminds him to make the song as she requested." (Recorded in 1960)