Some Resources For Those Writing Medieval-type Stories:

Where to start as a beginner writer

Are you new to the world of writing? Here are some pointers to consider when starting out your journey!

Define your purpose

A super important first step for any writer is to ask themselves why they are actually writing. What sort of message do you want to put out into the world, what types of stories are you going to tell? Do you want to make people cry, laugh, do you want to inspire them, do you want to shine a torch on important issues, do you want to thrill them or make them feel good?

Familiarize yourself with character arcs

Before plot, there is character! Character arcs are a great way to get yourself started on your writing journey. Learn about internal conflict, misbelief, positive and negative arcs, backstories... Once you know this, the plotting side of things clicks into place much easier.

Understand the basics of story structure

You do not need to be a plot-genius to write a good book. As long as you have a good grasp on your character arcs, and a basic understand of how a story is structured, you’re good to go! It’s great to read about 3-act, 5-act, hero’s journey, and other structures on examples of books you’ve read or films you’ve seen.

Read in your genre

Cannot stress this enough! Every writer should be a reader. It’s so important to read within and outside of your genre, because reading is the best way to learn and grow and improve.

Don’t be afraid to write whatever comes to mind

All writers get stuck into certain parts of their writing, and we all become victims of perfectionism or procrastination one way or another. Don’t let this be a thing to discourage you. What’s important to know about writing is that the more you do it, the more you will improve. So even if you’re writing something for fun, or you’re not entirely happy with the quality, know that actually writing it will help you more than avoiding it.

Did you know I have a free novel plan to get you started on your writing journey?

You can grab it through the [link here] or below!

the-plottery.com

The Plottery Links

The Plottery offers writing services such as book coaching, book editing, novel plotting digital courses, and theory books on the craft of w

On Love Languages

Reference: https://5lovelanguages.com/learn

For me, og!Cale’s love language is Acts of Service. The website defines this as: For these people, actions speak louder than words. I think it fits Og!cale very well since we all know he pretended to be trash without even saying anything to anyone. He also hid his hurts and isolated himself because he foolishly thinks it was for the best while swallowing his issues thinking that he was being selfish.   Of course, he also swallowed his further hurts when the Molan duo decided to follow Choi Han. I think for people like og!Cale (and like me) with this type of love language, what was needed the most is Quality Time (def: This language is all about giving the other person your undivided attention.) and Words of Affirmation (def: this language uses words to affirm other people.) from people who claim to care and love him. I think Quality Time with Deruth suffered ever since his mom died because Deruth and og!Cale was in two different places. Deruth was having a new leash of happiness and og!Cale (I’m assuming) is still grieving and also has to contend with the fact that Deruth has a new family. Plus, Deruth has to blend his family and I’m not sure he did a good job at that.

Anyway. Words of Affirmation are a bit tricky since (for me) that would be like enabling his ‘trash’ person but I would have expected some one-on-one talks with his father (and initiated by Deruth like yo, be a parent) would not be too much to ask/expect. (I don’t know if that happened in canon so let me know if I'm talking out of my rear). I definitely won't mind an intervention because I’m a believer in either solving the problem or they all go no contact since everyone isn’t on the same page. Either stop the misunderstanding right there or suffer the effects of misunderstanding together. Misery does love company even in families.

I am sure that Deruth and Violan have tried, but the only thing that gives me a good picture of that effort is to support Og!cale while he is being purposely self-destructive (I don’t know if this is a good idea) and throw money at him (something that I am way too much familiar with). Again, if there is any info I missed, I would love to be corrected.

So, what do think of og!Cale's love language? Do you think he would have been better if he has a different one aside from Acts of Service?  

I think the reason Ralsei doesn't turn to stone in other dark worlds might not be because he's created by the Grand Fountain. I think...

...It's because belonging is at the very core of who he is. Kris wants more than almost anything else to belong, to fit in and not be an outcast. But to do that, they would have to discard everything that makes them themself. Ralsei is what Kris wants to be, but not in the way you might think. Kris wants to belong, and Ralsei is who they would have to be in order to belong.

He's a goat, like the rest of Kris's family. He's smart, polite, helpful, does whatever you ask him, and lets you walk all over him. He doesn't treat himself like a person. Everyone's always asking, why can't you be more like your brother? And now you are. And that's what Ralsei is.

The people in the light world would take him for granted, just assume he's happy, and not wonder how he really feels. Fortunately, however, Ralsei's friends are Kris and Susie. They're not like the rest of hometown. They just want him to be himself and learn and grow with them. They just want to be his friends.

Let me be clear: Ralsei is his own person. He's only just starting to figure out who he is, beyond what I've described above.

I just hope we can be friends with everyone some day.

If your plot feels flat, STUDY it! Your story might be lacking...

Stakes - What would happen if the protagonist failed? Would it really be such a bad thing if it happened?

Thematic relevance - Do the events of the story speak to a greater emotional or moral message? Is the conflict resolved in a way that befits the theme?

Urgency - How much time does the protagonist have to complete their goal? Are there multiple factors complicating the situation?

Drive - What motivates the protagonist? Are they an active player in the story, or are they repeatedly getting pushed around by external forces? Could you swap them out for a different character with no impact on the plot? On the flip side, do the other characters have sensible motivations of their own?

Yield - Is there foreshadowing? Do the protagonist's choices have unforeseen consequences down the road? Do they use knowledge or clues from the beginning, to help them in the end? Do they learn things about the other characters that weren't immediately obvious?

Just realised that Cale was the only "regular" human to ever notice Raon when he was invisible. Even back when Raon was first following him around.

Like, quite a few characters have noticed him throughout the novel, but Cale was able to figure out where Raon was located only using the skills he picked up as Kim Rok Soo.

Its pretty impressive and looking back on it, it could almost be considered foreshadowing.

A concept in my head that been rolling around a lot:

Hanahaki, but instead of it being triggered by unrequited love, it's triggered because all the love you have for a person turns inwards because you're too afraid to show it.

So it kills you, not because someone doesn't love you back, but because you don't let it out and all that love you have stored, that could grow into something beautiful, turns on you and turns your insides beautiful.

Love is growth, and without any place for it to grow outside, it grows in. If you confess, reciprocated or not, the disease goes away because it's no longer trapped. It gives self-destruction a new meaning.

Is it actually possible for people to respect the idea that I’m just not personally impressed with Berdly as a person right now?

I’m not a fan of how he interrupts Noelle constantly, how he spent most of chapter 2 putting Kris and Susie down and call them stupid to their faces, just to turn around and relationship-zone Susie after she turns out to be cool, trying to get her alone constantly and then trick her into giving him a kiss.

He’s going to have to treat Kris, Noelle, and Susie with some actual, non-crush-related respect, as people, before I’m going to consider liking him. That doesn’t mean I want him dead or don’t acknowledge that he values Noelle.

This is not a character everyone has to like or it’s immoral somehow or you get to call them stupid for not liking him. Stop sending me fanboy asks trying to covert me Green Eggs and Ham style.

What part of “there’s nothing wrong with him, he’s just annoying” makes people think harassing them into liking him is okay?

HEELLPPPP LMAAOOO WHAT THE HELL IS THIS ABOMINATION

Show him the fruits

There will BE no friendship. (And yes I'm still not dead and still have intents on coming back here)

Don't lose your wallet in the forest, young hero.