A Random PSA On The Gei Of Geisha - Part 1

A Random PSA On The Gei of Geisha - Part 1

The questions surrounding what arts that maiko and geiko practice comes up regularly, and instead of just posting them onto one of the tabs I’d rather lay it out in a post here first.   The “Gei” (芸) in Geisha(芸者)/Geiko(芸妓)/Geigi(芸妓) means “Art” and there are many branches and types of art that one can master. For this part we’ll be looking at the direct performing arts that everyone knows the geisha are renowned for: music and dance. Dance - Mai (舞) All traditional Japanese dance styles have their roots in Shinto ceremonies that date back at least two millennia. There are two main styles to traditional dance practiced today: -Noh (能): Originally arrived in Japan from China in the 8th century and developed into the style we know today in the 13th century by Kan’ami (assisted by his son Zeami). Derived from the classical court style dances, it features small, precise movements to tell a story. It can be seen as “boring” or “obscure” if you’re not sure what to look for as you need to understand the movements to appreciate them to the fullest. This isn’t to say that it isn’t beautiful to behold without prior knowledge as it is quite enchanting! Gion Kobu’s Inoue school is part of the Noh tradition.  -Kabuki (歌舞伎): Derived directly from Shinto ceremonies, it was created in 1603 by Izumo No Okuni, a shrine priestess who created her own style of dance and performed it on the dry riverbed of the Kamo River. She became so famous that she was invited to perform in front of the emperor! After seeing how popular the style of dance had become rival dance groups sprung up around her and established the kabuki that we know today. The style is known for its dramatic and often “wild” movements that are meant to be appreciated by the common people. Pontocho’s Onoe, Miyagawa Cho’s Wakayagi, Kamishichiken’s Hanayagi, and Gion Higashi’s Fujima schools are part of the Kabuki tradition. Music - Raku (楽) What would dance be without music? Music, like dance, can be broken down into two types: voice/song and instruments. Singing - Uta (歌): Maiko and geiko learn traditional ballads that are performed alongside dance. There are two types: Kouta (小唄) which means “short songs/ballads” and Nagauta (長唄) which means “long songs/ballad.” They are learned by listening to an instructor and then repeating and/or transcribing the words and melody together. There’s no “set” way of reading or learning a song like there is for Western music, so it takes a large amount of practice to perform any uta properly (although there are a few methods that do exist). Instruments - Gakki (楽器) There are many instruments practiced in the karyukai, but I’ll only go over the most common ones that are seen and heard on a regular basis. -Shamisen (三味線): A three stringed instrument that is played with a plectrum. It is the most common instrument in the karyukai as it developed as an instrument that the common people used. Most uta were created to be played with a shamisen. It resembles a simplified guitar and is played in a similar fashion. -Tsuzumi (鼓): The all encompassing word for drums, but specifically dual sided drums that are roped together. There are three main types learned by maiko and geiko: -Kotsuzumi (小鼓): Literally “Small Drum,” or sometimes known as the “regular” tsuzumi, it is held onto one’s shoulder and played by striking the drum with the free hand.  -Ōtsuzumi (大鼓): Literally “Large Drum,” it is a larger size of the tsuzumi and features one end that is larger than the other. It produces a much deeper sound when struck. -Kakko (羯鼓): A wide headed tsuzumi that is played with the tsuzumi sitting on the floor and the musician striking it with rods known as bachi (桴). It is the closest equivalent to Western style drums. -Fue (笛): The all encompassing word for flute, which in traditional Japanese style is usually made from bamboo. There are two types of fue that include: -Shakuhachi (尺八): The most commonly seen and heard flute that accompanies traditional Japanese music. It features 5 holes (4 on top and 1 underneath). Its sound is often described as “haunting” as it gently pierces through silence to deliver melodies full of both happiness and sadness. -Shinobue (篠笛)/Yokobue (横笛): Flutes that are much closer to Western ones, but are still made from wood. It features 7 holes that allows it to play more notes than the shakuhachi. This type is often played with the end resting on the musician’s shoulder. -Koto (事): A 13 stringed instrument that’s considered a type of lute although it plays closer to that of a harp. Due to its size it lays flat on the floor and the musician plucks the strings individually to produce sound. Those who are new to the koto often wear metal guards on their fingers to keep the strings from slicing into their skin until their hands have developed enough to withstand the pressure.  -Kokyū (胡弓): Taught exclusively in Miyagawa Cho as it was once considered an instrument of the oiran, a kakyu is a smaller version of the shamisen that’s played upright with a bow instead of a plectrum. 

More Posts from Philosophical-amoeba and Others

9 years ago

Sasando

pic: wikipedia

Sasando

The sasando is a harp-like musical instrument from East Nusa Tenggara, Indonesia, specifically in the island of Rote. The name is derived from the Rote dialect word “sasandu” meaning “vibrating or sounded instrument.” It can have 28 or 56 strings.

There’s a folktale that explained the origins of the sasando. Once, there was a boy called Sangguana who lived in Rote. One day, he was tired and fell asleep under a palmyra tree, and dreamt that he played beautiful music with a unique instrument that made an enchanting sound. When he woke up, Sangguana was able to vividly remember the melody he played in the dream. He wanted to hear it once more, so he slept again, and dreamt of the same song and the same instrument. Sangguana had to wake up, eventually, but, not wanting to lose the instrument from his dream, he made an instrument out of palmyra leaves based on the one he saw in his dream, which became the basis for the sasando.

if you want to see how it sounds: (start 0:30)


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9 years ago
Drosophila Melanogaster (fruit Fly) Seminal Vesicle

Drosophila melanogaster (fruit fly) seminal vesicle

Dr. Barbara Laurinyecz

Szeged, Hungary

Technique: Confocal, Fluorescence (600x)


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7 years ago
Vintage Postcards Showing Women Taking Sand Baths In Hot Springs City Of Beppu Pre WW2 (seen On). Sunayu
Vintage Postcards Showing Women Taking Sand Baths In Hot Springs City Of Beppu Pre WW2 (seen On). Sunayu
Vintage Postcards Showing Women Taking Sand Baths In Hot Springs City Of Beppu Pre WW2 (seen On). Sunayu

Vintage postcards showing women taking sand baths in hot springs city of Beppu pre WW2 (seen on). Sunayu are still done today (and it’s great!)


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8 years ago
Singapore Food (in Manga/Anime) Appreciation Post!
Singapore Food (in Manga/Anime) Appreciation Post!
Singapore Food (in Manga/Anime) Appreciation Post!
Singapore Food (in Manga/Anime) Appreciation Post!
Singapore Food (in Manga/Anime) Appreciation Post!
Singapore Food (in Manga/Anime) Appreciation Post!
Singapore Food (in Manga/Anime) Appreciation Post!
Singapore Food (in Manga/Anime) Appreciation Post!
Singapore Food (in Manga/Anime) Appreciation Post!
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Singapore Food (in Manga/Anime) Appreciation Post!

(Also: Onion Chopping Ninja Reveals Her Timezone!)

It’s Singapore’s National Day today (9th Aug) and I was going to do a Singaporean-based Recipe, (like Hayama’s Curry Fish Head), but didn’t have time to, so here’s a Singapore Food in Manga/Anime Appreciation Post - from Kuragehime, Shokugeki no Souma, and Addicted to Curry!

The Singaporean food that is usually shown in manga/anime is usually either curry-based or chicken rice. And of course, I don’t usually make them at home because: 1. They’re easier to make in bulk 2. You can get them cheaper outside 3. My version would pale in comparison to the masters’ 4. It requires hours of preparation, except for some of the easier curry dishes in Addicted to Curry. (A manga cap of the recipe is above!)

Addicted to Curry lists Singapore as Curry Central, and I never realized how true that was until I went abroad for a couple of years and missed how we would just drown everything in curry, especially for mixed rice dishes like Chap Chye Png and Nasi Briyani. There was also a huge uproar when McDonald’s ran out of Curry Sauce for McNuggets (they have since started selling it in bottles), and a near-riot when a neighbour complained about the smell of another neighbour cooking curry. Also, Gordon Ramsay can’t beat our laksa, even though I think that particular store he challenged isn’t the best one.

(Not everything is curry, of course, but if there’s no curry, generally, there must be chili. And woe betide those who eat the wrong kind of chili with the wrong kind of food. And here’s a PSA for foreigners - Chili Crab is largely for tourists. Take Black Pepper Crab or Salted Egg Crab instead. It’s possible to live as a weak sauce who can’t take spicy foods here, but less exciting. )

Happy 51st Birthday, Singapore! Here’s to the spread of our food all over the world! And a birthday wish would be for more kinds of our food to be shown in manga/anime. :D - O.C.N.

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PS: By the way, Eizan Senpai, you can get Hainanese Chicken Rice for $3, and it is considered Street Food even though there are $30+ versions at hotels. Never eaten one with Jidori Chicken, though.


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8 years ago
(Image Caption: Measurement Of Brain Activity In A Patient With Phantom Limb Pain. Credit: Osaka University)

(Image caption: Measurement of brain activity in a patient with phantom limb pain. Credit: Osaka University)

Cause of phantom limb pain in amputees, and potential treatment, identified

Researchers have discovered that a ‘reorganisation’ of the wiring of the brain is the underlying cause of phantom limb pain, which occurs in the vast majority of individuals who have had limbs amputated, and a potential method of treating it which uses artificial intelligence techniques.

The researchers, led by a group from Osaka University in Japan in collaboration with the University of Cambridge, used a brain-machine interface to train a group of ten individuals to control a robotic arm with their brains. They found that if a patient tried to control the prosthetic by associating the movement with their missing arm, it increased their pain, but training them to associate the movement of the prosthetic with the unaffected hand decreased their pain.

Their results, reported in the journal Nature Communications, demonstrate that in patients with chronic pain associated with amputation or nerve injury, there are ‘crossed wires’ in the part of the brain associated with sensation and movement, and that by mending that disruption, the pain can be treated. The findings could also be applied to those with other forms of chronic pain, including pain due to arthritis.

Approximately 5,000 amputations are carried out in the UK every year, and those with type 1 or type 2 diabetes are at particular risk of needing an amputation. In most cases, individuals who have had a hand or arm amputated, or who have had severe nerve injuries which result in a loss of sensation in their hand, continue to feel the existence of the affected hand as if it were still there. Between 50 and 80 percent of these patients suffer with chronic pain in the ‘phantom’ hand, known as phantom limb pain.

“Even though the hand is gone, people with phantom limb pain still feel like there’s a hand there – it basically feels painful, like a burning or hypersensitive type of pain, and conventional painkillers are ineffective in treating it,” said study co-author Dr Ben Seymour, a neuroscientist based in Cambridge’s Department of Engineering. “We wanted to see if we could come up with an engineering-based treatment as opposed to a drug-based treatment.”

A popular theory of the cause of phantom limb pain is faulty ‘wiring’ of the sensorimotor cortex, the part of the brain that is responsible for processing sensory inputs and executing movements. In other words, there is a mismatch between a movement and the perception of that movement.

In the study, Seymour and his colleagues, led by Takufumi Yanagisawa from Osaka University, used a brain-machine interface to decode the neural activity of the mental action needed for a patient to move their ‘phantom’ hand, and then converted the decoded phantom hand movement into that of a robotic neuroprosthetic using artificial intelligence techniques.

“We found that the better their affected side of the brain got at using the robotic arm, the worse their pain got,” said Yanagisawa. “The movement part of the brain is working fine, but they are not getting sensory feedback – there’s a discrepancy there.”

The researchers then altered their technique to train the ‘wrong’ side of the brain: for example, a patient who was missing their left arm was trained to move the prosthetic arm by decoding movements associated with their right arm, or vice versa. When they were trained in this counter-intuitive technique, the patients found that their pain significantly decreased. As they learned to control the arm in this way, it takes advantage of the plasticity – the ability of the brain to restructure and learn new things – of the sensorimotor cortex, showing a clear link between plasticity and pain.

Although the results are promising, Seymour warns that the effects are temporary, and require a large, expensive piece of medical equipment to be effective. However, he believes that a treatment based on their technique could be available within five to ten years. “Ideally, we’d like to see something that people could have at home, or that they could incorporate with physio treatments,” he said. “But the results demonstrate that combining AI techniques with new technologies is a promising avenue for treating pain, and an important area for future UK-Japan research collaboration.”


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8 years ago

+heroes of nusantara: multatuli

YES, I, Multatuli, “who have suffered much,”—I take the pen. I do not make any excuses for the form of my book,—that form was thought proper to obtain my object…. I will be read! Yes, I will be read. I will be read by statesmen who are obliged to pay attention to the signs of the times; by men of letters, who must also look into the book of which so many bad things are said; by merchants, who have an interest in the coffee auctions; by lady’s-maids, who read me for a few farthings; by governors-general in retirement; by ministers who have something to do; by the lackeys of these Excellencies; by mutes, who, more majorum, will say that I attack God Almighty, when I attack only the god which they made according to their own image; by the members of the representative chambers, who must know what happens in the extensive possessions over the sea which belong to Holland….  

Ay, I shall be read!

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Eduard Douwes Dekker was born in Amsterdam, March 2nd 1820. His father was a ship’s captain and intended for his son to have a career in trade. This humdrum prospect disgusted Douwes Dekker and in 1838 he obtained a post as a civil servant on the island of Java. During the period between 1848 and 1851 Douwes Dekker eventually rose to serve as assistant resident in various regencies in the Indonesian archipelago including Natal, North Sumatra, Manado in Sulawesi and Ambon in the Moluccas. In 1857 he was transferred to Lebak, in the Bantam residency of Java (now Banten province). By this time, however, all the secrets of Dutch administration were known to him, and he had begun to openly protest about the abuses of the colonial system. Consequently, he was threatened with dismissal from his office for his openness of speech. Douwes Dekker resigned his appointment and returned to the Netherlands.

He was determined to expose in detail the scandals he had witnessed, and he began to do so in newspaper articles and pamphlets. Little notice, however, was taken of his protestations until, in 1860, he published his novel Max Havelaar under the pseudonym of Multatuli. Douwes Dekker’s new pseudonym, which is derived from Latin, means, “I have suffered much”, or, more literally “I have borne much” referring to himself, as well as, it is thought, to the victims of the injustices he saw. An attempt was made to suppress the inflammatory book, but in vain; it was read all over Europe. Apologists for colonialism accused Douwes Dekker’s horrific depictions of being exaggerated.

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[ his statue in amsterdam ]

Although it was translated into English in 1868, the text wasn’t available in the author’s home country until over a century later in 1972. Collectively, Multatuli’s Max Havelaar has been translated into 34 different languages worldwide since its initial publication. Credited as the stirring initiation of the nationalist movement responsible for the termination of Dutch colonization of Indonesia following World War II, Max Havelaar’s legacy is not confined to literary accomplishment, but can be considered a work of great political success and inspired social liberation. Max Havelaar’s influence on the national movement ultimately culminated in the passionate command to end decolonization worldwide. The story of Max Havelaar illuminates the inhumane and political injustices brutally imposed upon the native peoples of the region.

Sigmund Freud listed Multatuli as one of his favorite writers. Multatuli’s brother, Jan Douwes Dekker, was the grandfather of Ernest Douwes Dekker (also known as Danudirja Setiabudi, a National Hero of Indonesia). There is a museum for him in Amsterdam. Multatuli is also known as the person who coined the term emerald of equator, a poetic nickname of Indonesia.

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This book is an introduction….  I shall increase in strength and sharpness of weapons, according as it may be necessary.    Heaven grant that it may not be necessary!…    No, it will not be necessary! For it is to thee I dedicate my book: WILLIAM THE THIRD, King, Grand Duke, Prince,… more than Prince, Grand Duke, and King,… EMPEROR of the magnificent empire of INSULIND, which winds about the equator like a garland of emeralds!…    I ask THEE if it be thine IMPERIAL will that the Havelaars should be bespattered with the mud of Slymerings and Drystubbles; and that thy more than thirty millions of SUBJECTS far away should be ill treated and should suffer extortion in THY name!

source: wikipedia; culture trip

quotes from bartleby, excerpt of max havelaar

further reading: paper on multatuli


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7 years ago

i think the coolest thing would be to see a new color


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7 years ago

Solar System: Things to Know This Week

Add to your electronic bookshelf with these free e-books from NASA!

1. The Saturn System Through the Eyes of Cassini

Solar System: Things To Know This Week

This work features 100 images highlighting Cassini’s 13-year tour at the ringed giant.

2. Earth as Art 

Solar System: Things To Know This Week

Explore our beautiful home world as seen from space.

3. Meatballs and more 

Solar System: Things To Know This Week

Emblems of Exploration showcases the rich history of space and aeronautic logos.

4. Ready for Our Close Up

Solar System: Things To Know This Week

Hubble Focus: Our Amazing Solar System showcases the wonders of our galactic neighborhood.

5. NASA’s First A 

Solar System: Things To Know This Week

This book dives into the role aeronautics plays in our mission of engineering and exploration.

6. See More 

Solar System: Things To Know This Week

Making the Invisible Visible outlines the rich history of infrared astronomy.

7. Ready for a Deeper Dive? 

Solar System: Things To Know This Week

The NASA Systems Engineering Handbook describes how we get the job done.

8. Spoiler Alert

Solar System: Things To Know This Week

The space race really heats up in the third volume of famed Russian spacecraft designer Boris Chertok memoirs. Chertok, who worked under the legendary Sergey Korolev, continues his fascinating narrative on the early history of the Soviet space program, from 1961 to 1967 in Rockets and People III.

9. Take a Walk on the Wild Side

Solar System: Things To Know This Week

The second volume of Walking to Olympus explores the 21st century evolution of spacewalks.

10. No Library Card Needed 

Find your own great read in NASA’s free e-book library.

Make sure to follow us on Tumblr for your regular dose of space: http://nasa.tumblr.com.


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7 years ago
Back When I Was A Studying Biology, I Noticed That A Lot Of Anatomical Terms Sound Like They Come Straight

Back when I was a studying biology, I noticed that a lot of anatomical terms sound like they come straight from Middle Earth. So, to celebrate the release of the last Hobbit film, I’ve created this INCREDIBLY nerdy quiz.

Do these words and phrases refer to parts of the human body, or reference people and places from J. R. R. Tolkien’s work?

Antrum of Highmore

Crypt of Morgagni

Caves of Androth

Lobelia

Loop of Henle

Scapha

Great Vein of Galen

Halls of Mandos

Groin

Gap of Calenardhon

Macewen’s Triangle

Canal of Schlemm

Gerontius

Islets of Langerhans

Meckel’s Cave

Chamber of Mazarbul

You shall not pass.


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7 years ago
NASA’s new searchable media library is a treasure trove of space pics and video
Do you like space? Do you like looking at it, wishing you were there instead of here, perhaps? Well NASA just did something that will make your day. The U.S...

The U.S. space agency launched a new web-based search engine for much of its catalog of images, video and audio files, which you can browse by keyword and metadata, so that you never have to remember the dismal reality that you’re earthbound ever again.


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philosophical-amoeba - Lost in Space...
Lost in Space...

A reblog of nerdy and quirky stuff that pique my interest.

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