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You ever get like five different ideas from angst but none of them is long enough to stand on its own and so you just make Frankenangst? Yeah

Warnings: character death, description of injuries

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jedi hopscotch. jedi padawans drawing hopscotch squares on floors, using jedi knights’ shoulders to chalk hopscotch onto the walls, having their masters force lift them to put them on the ceilings. every single jedi who sets foot on a square, intentionally or not, must stop what they are doing and complete the sequence. your ridiculously billowing sleeve brushed one of the squares on the wall? hope you have good control of the force bc every padawan in the hallway will start chanting at you until you wall-run through the hopscotch. sometimes there’s just a big chalk circle at the end where everyone has to do a cool flip if they step inside. eventually there’s an official hopscotch lane in every hallway in the temple. jedi hopscotch.

If you allow me to add to your Celebrimbor post... I think something that gets underestimate in just how effective Annatar was as a disguise is the fact that in any other occasion in which we see Sauron being his manipulative lying bastard self, he is up against people who EXPECT him to be just that. Clear example is in Numenor, where he has to start from the position of "dangerous captive enemy". But as Annatar, he starts as a blank slate, only thing going against him is a general mistrust in Demigods Walking Out Of The Woods. So I imagine him just starting by being nice, and observing, and then morphing his all mask in the perfect tool to manipulate Celebrimbor. This isn't a question of being stupid, it's a very experienced manipulator making himself into the perfect disguise (probably even including enough defects not to be TOO perfect). Incidentally, i also headcanon this as the reason why everybody else (Gil-Galad, galadriel...) mistrust him immediately: the disguise is tailor made to bypass all the defences of one specific person, cannot be one size fits all. So, yeah, our Feanorian boy is everything but stupid for not managing to see what is going on, and it's actually impressive he eventually manages to catch up with enough to decide to make the three in secret...

You are totally welcome to add anon!! 

ajfsjfd anon I just love this SO much, I don’t know where to start. Especially the part about Galadriel and Gil-Galad because I think you are so right. Annatar doesn’t need to fool them in the way he has to fool Celebrimbor. They can be suspicious, it won’t ruin his plan. 

And I completely agree. I love that you bring up Númenor because it is an excellent example of Mairon being Mairon since that is who he is supposed to be as you said. 

Anon everything you said here, I agree with so much. Especially the part about Annatar’s beginnings. He has to gain Celebrimbor’s trust so of course he’s going to be tailor-made to be someone who can be friends with Celebrimbor. I also don’t believe there is an exact date for this (please correct me if there is) but I can’t help but wonder if Celebrimbor had recently (recently for an elf) lost Narvi. I see them as being incredibly good friends and I think it would seriously hurt him, leaving him in a state of vulnerability. Annatar fills that void. Not completely, he’s not Narvi, but it’s something that soothes the rough edges and makes him feel less empty inside. 

But yes, Annatar is honestly a tribute to Mairon’s genius. It’s his greatest scheme. However, Celebrimbor, like you said, was still too smart for him in the end. Or smart enough. Either way, Annatar isn’t able to get what he wants and Celebrimbor has one small victory in the end. 

I just love the way you summarize all of this since I think it hits the nail on the head for all of this. Thank you so much for sharing!

Saw this on Instagram and I couldn’t agree more.

the hobbits organizing a blindfolded taste test with the fellowship except every single food is potatoes

It's when Elrond shouted profanities in Quenya that Aragorn and the twins knew they were in deep shit.

—The Book of Very Lost Tales, pt. III

This is legitimately good advice and works for almost everyone, but I do want to add that when an author believes that reworking a piece is worth it, we end up with such treasures as The Code by @adurowrites

As someone who reads favorite fanfics over and over again, it's always a treat when an author posts a new and improved version, especially when they give the reader insight into their rewriting and editing process

You don't owe it to anyone to redo your old work simply because it isn't as skillfully written as your newer stuff, but if you yourself want to engage in the endeavor and you think that it'll be good for you, go for it! And let me know afterwards because I want to read it

I know you said at one point that towards the sun was a multi year project (or at least I’m p sure u did? ig if I’m wrong just ignore this ask fjigjgjg), and I wondered something. What if by the time you get to the end, you’ve improved your writing so much that you’re not satisfied with the beginning anymore?

That is actually a normal part of writing! If you can see places to improve your old work, then you have improved since you wrote it. So like. It's a good thing when that happens.

Little edits like typos, or things like the Towards the Sun edit to remove icky blind stereotypes, are almost always worth fixing. The former is quick and easy (and bugs me on a visceral level), the latter is basic decency.

Big edits, like large plot or character arc changes, are almost never worth doing. Especially in fanfiction, where most readers aren't going to see those edits because they read the chapter months ago and ain't coming back.

AKA: I'll be leaving older stuff alone. Everyone can see the post date, if it's not as good as my newer stuff there's a pretty self-explanatory reason.

i reread the commentary on Finrod Athrabeth and Andreth a while ago and I just “ Elves could die, and did die, by their will; as for example because of great grief  or bereavement, or because of the frustration of their dominant desires and purposes.” 

I see… so that’s why Feanor let Maglor go to music school lmao.

thinking about how the act of bringing someone back from the dead comes from a desire not just to bring back the dead person but to have things return to the way they were before they died. which is, of course, impossible. if a haunting is an open wound, then resurrection is a knife widening the cut.