You Can't Go Back And Change The Beginning But You Can Start Where You Are And Change The Ending.

thinking about how the act of bringing someone back from the dead comes from a desire not just to bring back the dead person but to have things return to the way they were before they died. which is, of course, impossible. if a haunting is an open wound, then resurrection is a knife widening the cut.

I think a lot about how Thingol and Finwe were great friends and what a betrayal it must have been to learn about the Kinslaying of the Teleri, of Olwe’s people, Thingol’s own brother, by Feanor, the son of his great friend. Not only is Elves killing other Elves like the biggest taboo that they have, but that it’s your BFF’s son who killed the people that followed you and your brother? The people you were responsible for?? And then along comes your BFF’s grandkids and they’re lying about why they’re really here and nobody tells you about what your BFF’s kid did?? How personal and devastating that must have been to learn about, given what a great friendship there used to be there.  That Thingol had wanted to return to Aman and the Light he saw there, as well as because that’s where his friend Finwe was.  But then he fell in love with Melian and his people settled in Middle-Earth and he wasn’t able to be there when his people were killed. Anyway, this is why I will always have Thingol feelings because, man, that shit had to have hurted.

Speaking of linguistics fics, an idea I’ve played with but never put into practice is using maximal Latin-rooted words when characters are speaking Quenya and Germanic-rooted words when they’re speaking Sindarin.

The effect being to make the language shift more meaningful than just a dialogue tag, (maybe even to the point where I don’t always have to say it outright) and it would work by playing on associations of Latinate words as more highbrow and polysyllabic and Germanic words as more common. (Think regal/kingly, dine/eat, or educate/teach.)

It might backfire, it might be impossible (sometimes the connotations run the other way!) but I think it’d be fun to try.

By the way! BBC Merlin, in its ongoing quest to achieve ren faire levels of historical accuracy, used Actual Old English as the magic spell language. They got a professor to do a lot of the translations, though they didn't spend much effort on the pronunciation.

There are two ways that this is very funny if you watch the show while knowing OE. One is that usually when they do the "wave your hands to smash your enemies around" type spells they're literally saying very simple stuff like "jump back" and "fall." The other is that whenever they have a long incantation to read, they say vaguely related stuff for a sentence or so and then just transition into reciting Beowulf.

ID: Katara and sokka in swimgear. in the first image, sokka is searching for something in the water. his hair getting wet. katara leans over to him saying "don't you think, its time for a haircut?" in the second image sokka rose form the water, a dog-shark creature in hand, swinging his hair in Katara face splashing her. smugly he says "no <3". End ID

i know its winter! i know it likley snowed by now on the northern hemilsphere! but... on the southern side is summer time right??? so... its fine.... this is fine!!!

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!!! please do not use or repost this artwork without permission!!!

Nine rings were made for men. Seven for the dwarves, three for the elves, and one for the big guy himself. One, three, seven, nine. There is but a set of five missing to complete the sequence of odd numbers. I propose that this missing set of rings of power was gifted to a mysterious someone by their true love, along with a partridge in a pear tree (among other things). In this essay I will-

people who live in areas where there are native lizards should never take that for granted. you can just go outside and see a little guy hanging out. what’s better than that?

It sure is convenient that all these songs that ostensibly weren’t written in English all rhyme when translated into English, isn’t it, Mr. Tolkien?

[ID: what looks to be a watercolor painting of Aragorn and Gollum at some point during their journey to Mirkwood. It is nighttime, and dotted white stars are visible in the black sky. The ground, patches of sparse vegetation, and low distant mountains are shaded in burnt sienna, other warm browns, and black. Gollum is crouched with his back to the viewer, grasping tensely at his head. A thin rope is tied about his neck, the other end of which is held by Aragorn, who is facing the viewer and watching his prisoner. Aragorn is clothed in a long brown tunic and a long dark green cloak with the hood up. He carries his bow and full quiver on his back; if he has a sword it is not easily visible.

End ID.]

Aragorn found and captured Gollum . The Lord of the Rings - The Fellowship of the Ring / J.R.R. Tolkien

Can I please ask for your top five theories on why the Ringwraiths become so much more powerful over the course of the LotR trilogy? By the end of the books a single Ringwraith holds an army of 6000 men in paralysing dread from a height of a mile, they're dismaying hosts of men, etc. And in the beginning, they're easily defeated by "jumping behind a tree," "pretending to be in a different room," "getting on a little boat," "man with a stick on fire," etc.

hmm ok

1) their power depends on how physically close they are to sauron/mordor

2) they consciously weren’t unleashing their full power early in Fellowship bcos it didn’t seem worth it when they were just dealing w hobbits

3) they just woke up from a REALLY long nap and it takes them a while to fully come ‘online’

4) their power just waxes & wanes sometimes

5) hobbits are their One Weakness