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First post

I usually use google docs but since I have learned the art of sharing from now on I’ll put my drafts here. I don’t want to confuse anyone this isn’t a fandom blog at all. If I reference anything that belongs to any fandom it’s simply because I happened to do research on it. So if I talk about like bananna’s and you’re with the bananna fandom don’t follow cause you think oh good bananna discussion going on here. I just want to be transparent. Honestly I am pretty ecletic in my tastes but specific. I will talk about a specific character or show or book or movie or maybe even a person but its just because it peaked my interest. I drop things very coldly without any guilt if I feel like it’s not that deep anymore or a waste of time. I’m also really blunt and honest. And looking at my history I just want to make things clear from the get go. If I say anything offensive or rude I aplogize because I’m a person and I don’t want anyone to be hurt by words. That being said I talk a lot so if I say something super rude I might not even remember I said it but I most likely meant it. I leave other people and their opinons alone most of the time when I don’t agree with them but I don’t mind a debate. So yeah that’s pretty much it so always refer back to this if I ever say anything and it’s like *gasp*. But I’m generally nice though it’s just sometimes I get a wee bit heated if it’s like a moral issue.

Movie review/recap 1.0

MIDNIGHT

The 2021 sleeper hit psychological thriller horror of my dreams.

it reminds me of that old movie with the Korean psychopath and the innocent young woman trying to avenge her sister monster.

but it feels like both an evolution and a rehash of the old Japanese dramas that purposely put disabled characters in shows to show more diversity. It works in midnight in a way I don't think many modern-day movies do.

Firstly we have a sympathetic character targeted by a ruthless predator.

in recent years, protagonists in horror films known as the final girls have purposely become the opposite of the old tropes. They are loud, bossy, annoying, and extremely modern. Which, to be honest, makes the audience less sympathetic when a terrifying sociopath is after them. In recent years, people not only don't care if characters get whacked in horror movies; they wait for it and enjoy it. Characters usually purposely embody one of the seven deadly sins in order for the audience, usually endowed with subtle Christian Judea values, to deep down believe the characters deserve to be punished. This is very apparent in modern horror films. In Midnight it takes you back to when horror movies had innocent characters you didn't want anything bad to happen to, like in the 1980s.

When villains punish evil people, the villains become more like anti-heroes. This bad becomes good trope has been popularized through movies like suicide squad

and Deadpool.

Where bad guys are not only cooler but more relatable than the goody two-shoes heroes. Yet in a world like the Avengers and Batman v Superman. The heroes aren't just saviors; they are people who cause millions of dollars of damages, cause people to be injured in the crosshairs and become a nuisance to the general public.

So a movie like this is refreshing because the bad guy is actually bad. End of story. No tragic backstory, no he-had-to-do-it, no revenge plotline. There is no reason for him to go after innocent women; he just does.

Not only does he go after innocent women, he goes after the most innocent woman he possibly can. A disabled woman who cannot hear and relies mainly on reading lips and sign language. Many people would definitely draw the line when it comes to robbing or victimizing someone who cannot properly defend himself but in this movie it becomes an afterthought to the villain, who goes after anyone who catches his eye. The easier the prey, the better.

Kyeong-mi is a nice change from the sassy, independent heroine people are used to, not because her personality is not tenacious but because she is pure, a quality the movie hammers down quite nicely.

It's an incredibly energetic movie. The chase just hits differently when a character has not got to live life yet. Kyeong-mi was not a party girl, nor did she have tons of friends or even family. She lived a nice, quiet life with her mother and she couldn't hear. It is the equivalent of a lion hunting a lamb.

This is in juxtaposition to the other women kidnapped in the movie by the stalker, who were either on their way to a date or were living their busy metropolitan life.

Thematically, it is just a more impactful story when a character who has done nothing to deserve it gets hunted. People feel bad when a gazelle is hunted but even worse when it's a baby animal. It's just necessary to pull on people's heartstrings; even animals hesitate to hunt young defenseless animals.

In this movie, Kyeong-mi is very resourceful, quick-witted and strangely athletic

though that could of been because she was running for her life

the most interesting part of the movie is when the story and the villain weaponize the fact that overemotional women are unlikely to be believed when compared to a smooth-talking, good-looking male.

Multiple times the villain simply pretended to be a regular guy trying to help the same women he was preying on. I believe it was a smart move to switch up the casting for a villain. I believe whenever movies portray all male predators as ugly, scary, or creepy, it paints a picture that men who are attractive can do no wrong and they should be who women seek out. But in reality, most predators are the nice, charming person that everyone likes. They are incredibly social, talkative, and have a great smile.

That's the most annoying part about when people have discussions about male predators: women always make sure to leave out their favorite sweet, charming, handsome guy, which is a very off thing to do. Always making sure to talk about how unattractive guys who caught abusing are and how they have to go after women because they are unattractive. This is not only completely ignorant but also incredibly wrong. The most successful predators are usually attractive, charming people because most of them are able to gaslight their victims. Most only slip up when they get sloppy due to their high ego. There are many real-life examples of very attractive men being predators; for some sad reason, women delude themselves into thinking it's only guys they do not find good looking but that couldn't be further from the truth. What women call predator behavior, any anthropologist would call natural male behavior. Males with higher testosterone, better looks, and greater pheromones get away with things lesser males cannot due to social hierarchy.

I think nature shows us the best that the more visually striking a male animal, the more testosterone they have and the more dangerous they are, but oddly enough in the media it is usually completely the opposite.

In the movies it's the dorky beta males that seek to prey on women while the alpha males are almost always portrayed as the hero.

though I guess to some degree that is displayed in this movie as well. It's definitely a hybrid of typical tropes, which I think keeps the movie interesting.

The best part of the film was definitely how the women stuck together to take down a man even though they just ran and saved only themselves.

I also appreciate the happy ending. Too many horror films feel the need to end with trauma or anguish. This ending showed strength and resilience, and I loved it.

I think it's a nice continuation of the disadvantaged woman vs. the handsome psychopath. Sadly, these are the only Korean movies I can really sit through now. I cannot stand Korean movies when they make commentary on classism when the movie is funded by a chaebol group. The cops being useless to the point of literally letting the killer walk out freely seems unrealistic unless you look up actual cases in Korea of the cops being very useless to the public and victims. So actually it is very accurate. But to be fair, they don't have that much funding, proper tools, or training, so it's a bit complex, but that's the only real issue I have with the film.

8/10

It's a nice watch alone or with a group. I somehow got my family to watch it years ago and it's fun. It has a high rewatch value as well.

yes. I love it. Its so good. I hate that not many people know it exists. Its free and easy to watch. Its like lion kings conspiracy theory animal testing epigentic commentary older brother.

do people still do recolorings?

i found an old blog months ago that used to specialize in eggso recolorings. I did it for fun for awhile. But its sad nobody does them anymore. Like this is not a sin..anyway this like disappeared and I miss these so I'll just do it for myself. Lmao when Im scrolling one day I'll see it and pretend it wasnt me and smile. I used to not have a heavy opinion but now some people genuinely don't know koreans have melanin. But its only because everything has filters now.

lmao it needs to be rebranded remelanation

people need to stop acting like Aang didnt treat Tenzin as his clear favorite and lowkey try to abandon the others. Aang is my favorite in atla and honestly it gives him layers that he was like this. Its so obvious Aang had illegitamate children its not even funny. Aang was not perfect. Aang traveled a lot and mostly with tenzin. The other two were closer with katara. I love avatar fans but sometimes yall forget the writers put subtext for a reason. To read in between the lines. People still think all those lok airbenders came out of nowhere .The characters did not stay perfect children forever. Aang was not a saint. Of course he wanted more airbenders. Those were his people. How would somebody who's people were killed off be turned off by the ideal of bringing them back?

I really do hate the idea that Aang was having kids JUST to repopulate the air nomads. The idea that Tenzin was a third time’s the charm situation, that Aang kept “trying” for an airbender and was disappointed with Kya and Bumi

I honest to god think Aang was not thinking “I hope this kid’s an airbender!” Each time. I don’t think the thought would even cross his mind until someone else suggested it. He’d be typed up thinking about how he’ll balance his new child in his life, Katara’s health, how to even be a father having no parents himself. All of those take priority in his mind

I honestly think Aang would be super appalled by the suggestion that “repopulating” was his goal with his family. What it says how about he thinks of his wife.

If anyone is going to have the thought “I hope it’s an airbender” I’d bet it was Katara. It’s still not why. But she knows and loves Aang and has seen how hard he’s struggled without the airbenders, how lonely he’s gotten, I could see Katara having the thought “For Aang’s sake I hope you’re an airbender” before Aang ever thinks “I hope you’re an airbender”

I don’t know man. This idea is just so gross to me, and I hate how it’s thrown around by the fans like it must be the case, with no room for questions, why ELSE would Aang be having kids?

Rubs me the wrong way. Really does

this was the essence of cool girl summer culture at one point

Pretty little liars ♡

Vegan Kimchi Noodle Soup

All he does is get inspired. ok katniss.

jongin shooting us with his love ♡

Redemption - [DAY_966] The End of Evangelion.