So yeah, this is why I was thinking so much about daemons. I wasn't actually planning to write anything in this 'verse, I just wanted to think about what everyone's daemons would be, but then I started thinking abbout how and when they settled, and I thought about Sanji and all his trauma and I thought 'huh, okay, how would having a daemon make it worse?' And then I wrote this.
Ever since Sanji can remember, he’s always been weaker than his brothers. At this point, it’s not a surprise, but it never stops hurting. He can’t run as far or as fast as they do, he can’t take a hit like they do, he can’t fight as well or for as long as they do. He can’t send his daemon as far away as they can.
Every day, Father makes them practice. Every day, Ichiju, Niju, and Yonju diseappear over the horizon as birds or fish or flying insects. Every day, Sanji throws himself into the ocean after Sanju before she’s even reached the next snail-ship.
And every day, he lasts a few seconds less before the pain becomes unbearable.
He cries to Mama about it often. She clucks her tongue at him and wipes his tears from his cheeks with her thumbs, and then pinches his cheeks with a smile. “There’s nothing wrong with you,” she tells him firmly.
“But,” Sanji sniffles, “everyone else can do it. Even you.” He knows this because Voltaire often comes to sit with him when he’s hiding in his room, and maybe it’s not over-the-horizon far from Mama’s room in the infirmary, but it’s still all the way on the other side of the flagship, and Sanji and Sanju can’t manage even a fraction of that.
For a moment, Mama’s smile takes on a strangely sharp edge. “I didn’t used to,” she tells him softly.
“Besides,” Voltaire adds, voice gone wicked as he eels up Sora’s arm so he can stage-whisper into Sanji’s ear, “have you ever seen Legata go all that far from Judge’s side?” Sanji twists his head around to stare at him, utterly agog at the notion that Judge might be anything less than terrifyingly capable at anything and everything. Voltaire just cocks his head in challenge, mottled dark brown skin glistening under the harsh lights of the infirmary.
“Of course Father can do it!” Sanju protests, daring to uncurl from the little ball of pale pink shell she’s made of herself in Sanji’s lap.
“Whether he can or not,” Mama says, reaching up to smooth Sanji’s hair down and trying to tuck his fringe behind his ear, “doesn’t mean you have to. You’re perfect just as you are, baby.” His hair falls back in front of his eye, and he puffs a little laugh that makes Mama grin at him.
Sanji’s smile falls, though, the moment of humour not enough to distract him from his worries. “We keep getting worse, though,” he complains.
Mama closes her eyes, takes a breath, and then leans in and kisses Sanji on the top of his head, before bundling him up and onto her lap. Sanju squeaks and turns into a squirrel to scramble up Sanji’s shirt and onto his shoulder, to avoid any risk of getting squashed between them. “There’s nothing wrong with wanting to keep your heart close,” she tells him, cuddling him aggressively, “all snug and safe, like this!”
Sanji laughs outright, and hugs her back as best he can.
---
He remembers her words, later, when he’s on that godforsaken rock. He and Sanju try again, to get more than a handful of feet away from each other, to reach the ocean, to find food. They don’t manage. He lies there on the barren rock with Sanju a quivering bundle of fur in his arms, sobbing with a desperation that still hasn’t managed to overcome the vice that clamps down around his chest any time she gets too far away from him.
His mother was wrong. She was wrong, he’s weak, and he’s going to die because he’s too needy and pathetic, just like Father said. “I don’t want to,” Sanju cries into his chest, butting her head up against his chin and whimpering. “Don’t make me, I don’t want to-!”
“We won’t,” Sanji says, determinedly. “There’s somewhere else we can get food around here.”
Except there isn’t. All he finds on the other side of the island is a bag of things he can’t eat and an old man who ate his own leg because he’d already given Sanji all the food. Sanji, who’d been willing to take even more food from him, just to feed himself.
The horror is almost entirely self-directed.
He goes back to his side of the island and thinks. His father was wrong. It isn’t just that Sanji isn’t capable of being what his father wanted, but he doesn’t want to be the sort of person who would hurt other people and take what they have just because he wants it. He doesn’t like the person hunger turns him into.
But that doesn’t mean Mama was right. Being weak and needy and depending on other’s kindness without giving anything back is just as selfish as taking things they didn’t offer. Sometimes, there is something wrong with keeping your heart close, when tearing off a piece of yourself can save someone else.
He looks at Sanju, and Sanju looks back, long ears twitching. “Okay,” she says quietly, and turns to the edge of the island again. She bounds off the edge, shifting into a mottled black and grey bird with a hooked beak as she goes.
It twinges in his chest almost immediately after she drops out of sight. Lurches, clenches, aches. He grits his teeth, screws his eyes shut, clenches his fists against the rock, and holds himself tense and still as it strains and hurts and tears. They can do this. They can.
It’s not as hard as cutting his own leg off.
A whimper slips out of his throat despite his best efforts.
Then a sob.
A cry.
A scream.
He thinks, if he’d had anything at all in his stomach, he’d have thrown up. His throat is convulsing like it’s thinking about trying anyway. There are hands on him, grabbing him roughly, shaking him, and Sanji’s in too much pain to think rationally. He cries and begs and apologises again and again. He’ll do better next time, he will, he promises! It hurts but he can put up with it, he can be strong, he can.
The hands turn gentle.
The pain fades.
The person holding him gasps.
Sanji picks up his head from a very bony shoulder, and sees Sanju perched awkwardly on one of the strange lumpy rocks that litter this island, a thin little silver fish clasped in her beak. She hops closer, and drops it on the stone beside the old man’s severed leg, where it wiggles uselessly in its death throes.
“Fucking hell, kid,” the old man grumbles, but he takes the fish.
And then tears it in half and offers one half to Sanji!
Sanji is too hungry to refuse, but it steels his resolve – their resolve – and Sanju takes flight again, diving back down to the ocean. It hurts just as bad as the first time, and Sanji only avoids throwing the fish right back up again by sheer desperation. And maybe, a little bit, because the old man holds him tucked against his bony ribcage and lets him sob into his shoulder without a word of complaint
In fact, his daemon leans over his shoulder and huffs at Sanji’s head with enough force that it ruffles his hair and almost feels like a caress. She’s so big, and even as worn thin as she is, with her person so close to death, she still radiates warmth. Sanji doesn’t know if it’s real warmth or soul-warmth, but either way, it doesn’t matter. Especially not when she’s crooning comforting nonsense and unfamiliar lullabies at him in her low, rich voice. It sounds nothing like Mama, but it reminds him of her a little bit anyway.
---
They find their feet at the Baratie. They find a purpose that fits them, that they can achieve, and while he’s a demanding teacher, Zeff never asks more of them than they can give. It’s freeing in a way Sanji has never known before, and Sanju takes to trying bigger and bigger shapes with bright-eyed mischief. Or sometimes, with teeth-bared snarling, when the customers decide to be assholes. Sanji is well past the days that he’d take that kind of shit lying down. No, these days he snarls back, and kicks heads in when the snarling doesn’t warn the bastards off, just like Zeff taught him.
These days, though, most daemons will cower in front of Sanju’s bared teeth, whether she’s a wolf or a lioness or a bear, and their people will back away from a teenager with a daemon that big. Sanji almost mourns those opportunities to start a fight, but he supposes Zeff must appreciate the lack of repair bills.
When they head back into the kitchen, Sanju usually turns back into something small, just to keep out of the way of the bustling and busy cooks. Or, at least, smaller. Neither of them are all that comfortable making themselves too small anymore; it leaves an unpleasant taste on the back of their tongue. Lately she’s been draping herself over his shoulders as some kind of rosetted cat.
So when she doesn’t leap up onto his back as they shove through the doors into the kitchen, a napkin pressed to the gash a customer managed to open up across his cheek, Sanji notices. When she dodges out of the way of a hollering Carne instead of changing to something smaller, she notices, too. They pause to stare at each other.
She’s still a cat, large and lithe and elegant, covered in spots, with a dark mantle over her neck and shoulders that turns into three dark stripes down along her spine. There are two dark tear-trails either side of her muzzle, too, and she blinks large amber eyes up at him. Sanji can’t help but smile, because she’s beautiful. A purr rumbles up in her throat, and she head-butts him in the stomach, letting him card his fingers into the lengthening fur at the back of her neck.
It feels… oddly vindicating, that she’s settled into such a fierce daemon, even if a part of him wishes he didn’t care about that anymore. All his childhood, everyone except his mother had mocked and scorned the way Sanju prefered smaller forms, and now look at her.
Not everyone else is as happy as they are at her settled form, however. It only takes a few days for it to become an issue.
“Get your fucking daemon out of the way!” Patty shrieks, sprawled out across a counter in his efforts to save the tray he was carrying when he stumbled trying not to trip directly over Sanju. She’s pressed flat against the back of Sanji’s legs, hissing back at Patty.
“She was out of the way!” Sanji snaps back, hands not pausing in their work chopping up a whole pile of vegetables. “Don’t blame her because you weren’t looking where you were fucking going!”
“I shouldn’t have to be keeping an eye out for rogue daemons! She should be in the cubby with all the other large daemons!” Patty scolds, shaking a fist at Sanji, who recoils, knife stilling.
He’s not wrong, is the thing. The kitchen would be utterly unfunctional if everyone with a large daemon let them dog their heels the way Sanju does Sanji’s. So Zeff – admittedly one of the worst cases, Sulia is huge– had a side room built just off the kitchen to allow the daemons to stay near enough to their people without getting underfoot in the kitchen.
Sanji looks over at the open archway, where he can see Sulia’s tail fwaping irritably at the floor. It’s a good twenty feet away from the far side of the kitchen, and that’s… too far. Sanji can feel all his muscles winding tight just at the thought. Sanju presses even more firmly into his legs, and he looks down at her, swallowing. They should-
“Patty! If that soup goes cold because you were lollygagging, I’ll kick you overbaord!” Zeff roars, and Patty yelps and hurries off. Sanji goes back to his own chopping, not sure how he’s feeling, because he’s pretty sure the fact that Patty got scolded but he didn’t was Zeff’s way of coming down on Sanji’s side of that little argument, but he still feels like he shouldn’t be getting away with breaking the rules of the kitchen like that, when he could-
A peg-leg connects solidly with his hip, and he yelps out a startled curse. “Don’t even think about it, Li’l Eggplant,” Zeff growls as he stomps past, directing a glower down at Sanju, too. “I’ll have Sulia chase you out if you set one paw in that cubby, and she’s still bigger than you are.”
“Fine,” Sanji grouses, feigning irritation as if they both can’t hear Sanju purring up a storm.
For those who're interested, the daemons are: Sanji - King Cheetah Sora - Great Crested Newt Zeff - Pacific Walrus
Do you guys think that when Zoro's sleeping next to Sanji, that Sanji would play with his earings a little? :)
Regulus (whispering to Remus): Good job on the test today.
Remus (whispering back): Thanks shorty. Why are we whispering?
Regulus (still whispering): I want Sirius to think we're conspiring against him. Please look at him when you reply.
Remus (looking at Sirius): Messing with my boyfriend? Fun .
Regulus (also looking at Sirius): I'm glad you agree.
Sirius, sweating in fear: What are they talking about?
James, who overheard them but doesn't want to ruin their fun: Stabbing
Here we go with AlienMomo AU!
It's been a few months since their lives have changed for Momo and Okarun, especially for Okarun, who had been cursed by a Yokai and could now transform into a long limed ghoul.
Momo on the other hand had awoken her physic powers and after many adventures was still 100% human...at least she though she was..
Suddenly she starts getting really bad headaches, ones that make her powers go haywire, levitating objects around her without her control. She even starts to feel the emotions and thoughts from the people around her, sometimes to the point its overwhelming.
Even worse, is that she starts seeing tall grey men watching her in the distance, seemingly appearing and disappearing without a sound or trace after she turns around. She doesn't know who they are, or what they are, but every time she sees them, she is filled with pure terror.
Then one day during a nasty fight with an evil Yokai, she transforms. Her body morphing into an Alien as her powers lash out, sending the monster attacking Okarun into orbit.
-They don't know it yet, but Momo is actually half alien. Her mother went on at trip to America, where she was abducted by grey aliens. Her mother fell in lover with a grey alien and they had a baby, but the two disappeared, leaving behind Momo.
-Momo, as a baby, was then brought back to her grandmother in Japan by a man dressed in a black suit and sunglasses. He told Seiko that this girl was her grandaughter Momo, and that no matter what, she must be protected at all costs.
-As soon as Seiko turned away from the man with Momo bundled in her arms, he was gone.
-With her Alien DNA awakened, Momo experiences a scary side effect if she uses her powers too much, or of she gets overwhelmed by her empathic powers; she will simply stop feeling.
She will become emotionless and her attacks are more ruthless and deadly. Her skin will also turn grey and her eyes will become pitch black as her radiant soul becomes a void.
-She will regain her emotions later the next day, but more often than not, it's Okarun who manages to snap her out of this state, either though soft touches or kind words.
-Momo is always scared after these episodes, worried that one day, she won't snap out of it.
I got bored and decided to draw all my head cannons for their body types and faces
Random ramblings under the cut
- Soft features, makes him look a bit baby faced
- dark skin, many scars
- lots of creases in his brow from frowning, and dimples
- if his hair was long, it would be slick and straight
- wide nose with a slight hook to it
- wide and strong body, little to no hair
- sharp eyes that always look tired
- angular, heavy upper eyelids and sad looking eyes
- sometimes his sharp cheek bones can make him look malnourished--kind of stayed that way after his childhood
- very few scars, all small and faded
- tattooed number 3 on his right shoulder blade
- wavy hair and strong, thin nose
- many small freckles and moles from the sun
- lean and slender body, lots of hair
- trans scars (depends)
- Sanji's skin hardly ever scars due to his Germa genes. When he does scar, it's usually from a severe injury of some kind.
- There's a tiny scar on the small of his back from where he broke his back on Drum island, small scars on his wrists from a combination of his childhood and Whole Cake Island, faint burn scars on his feet from using Diable Jambe, and a well hidden scar on his forehead that hides in his hairline from the iron mask he wore when he was young. Sanji hasn't ever really spoken about his scars to anyone, and he isn't sure he'll be able to for some of them. If asked though, he might offer a little bit of insight.
- Zoro has plenty of scars. Whether it be significant like his chest scar or eye scar, or as insignificant as faint scars on his hands from training, Zoro views each one as a promise to get stronger.
- There's obviously the scar on his chest from his duel with Mihawk, though that one isn't the only one of its kind. Zoro gained a few more from that specific duel on his chest, though they weren't nearly as bad as the big one. The scar over his eye is something he will never elaborate on, though if you ask Perona she will say he fell down the stairs and his sword caught him in the eye. He has plenty of scars on his arms and hands from training, and two rather nasty ones on his shins from where he tried to cut his legs off to escape Mr.3's wax trap.
LuSan Headcanon
After a quick snack, Luffy is rendered harmless to the kitchen for a small time.
It's pretty easy to see when Luffy wants attention. But, Sanji can't let his boyfriend's need for attention pull him away from his work. To accomodate both his jobs as chef and boyfriend, he prepares a special snack plate that's specifically for these moments.
Luffy will climb onto one of the barstools that sit in front of the counter Sanji preps food on. The plate will be set in front of him and he'll happily beginning to munch. Once the snack plate becomes a regular, expected experience, Luffy begins to eat from it slower. He'll actually take his time. Using smaller bites to make the treats last longer.
While Luffy is eating, one of two things will usually happen.
Sanji will start to explain what he's doing with the food he is currently preparing. Going into detail about what kind of ingredients and cooking methods he'll be using. Or his complaints with the recipe he'd found and is currently fixing. A lot of it doesn't make a lot of sense, but Luffy loves the cadence of Sanji's voice. It's passionate and just a bit rough from smoking. Just the joy that seeps into the words as Sanji talks about cooking has Luffy stopping mid-chew to watch him in awe.
Alternatively, it can be Luffy talking while he eats. He always starts with the dumplings on the plate. it's easy to talk between bites. Sanji having trained him to at least not talk with his mouth full if they're going to make this work. It's difficult for the captain's unruly, impulsive mind, but he tries his best for Sanji. Luffy loves to tell Sanji stories while eating the snack plate. He'll tell stories about his childhood with his brothers, showing Sanji a window of what actual siblings are like. He'll tell stories about what he and other crewmates did the previous day. He'll even tell stories about all the battles he's done that Sanji wasn't around for. Oftentimes, the desire to be close to the chef will have Luffy rambling long past the snacks have finished.
Luffy will usually cross his arms on the counter and rest his chin on top, just watching his boyfriend lost in his passion. Sanji will look up periodically and smile at him. Sometimes, he even presses a treat to Luffy's lips.
Maybe kid asl with shank
this was supposed to be a simple doodle but i got ahead of myself. here :)