It’s hard to get away from grief when it’s stained into the walls of your home, when it’s in every family photograph, when it’s in every trail you’ve ever walked.
On grief and love.
I adore this so much. The emotions of the characters can just be felt. I don't know the full context, but even so, it was clear how much they cared about each other, and they truly felt like family.
WIP; Out of Sight and Mind
Context: Ari, who has returned to his hometown following his parents death, was a teenage runaway who faked his own death to escape abusive parents. This is a conversation between him and his brother about being in love for the first time since he left, and the childhood that pushed them apart.
Neptune is Ari's childhood best friend, who he loved but dragged into some shit situations.
Edward is Ari's current love interest.
Written for @flashfictionfridayofficial
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"I loved her, and I haven't loved another person since," Ari whispered with intense soberness to the ceiling. His eyes were red in the glare of the morning sun, yet dark as if the night had never left him.
"I know," Eli sat down with surprising tenderness in his voice - a moment of peace he rarely had, given only for the expressive heartache Ari rarely showed. Not even time could truly sever a brother's love.
"It feels...wrong, somehow."
"Because you love him, or because you're loved at all?" Ari breathed in the air, and it turned into something sickening in his stomach. Nausea fell like waves upon him, his hand finding his forehead just to press down, feel less like every piece of him was falling away.
"I suppose I don't have a leg to stand on, to be upset she lied to my face...after leaving her."
"It broke her into pieces, but it pushed her to her own freedom."
"I was a chain on her."
"You were," it was solemn, truthful, "...you pulled her downwards, and letting go was the only way she'd see the sky again." Ari felt the tears burn, hearing it spoke so plainly. "But you were a teenager, forced to make decisions no teenager should have to make - it'd hardly a blame you chose the wrong one."
"You never forgave me." What if he hadn't changed, what if all these years were a mirage, and he only ended up breaking Edward the way he broke Neptune?
"I never understood." Ari pressed the heel of his hand against his eyes and begged the tears to stop. His body felt hot with the want to curl up in a ball away from Eli, from Neptune, from everyone. He'd hardly had a second of silence since he'd got to this god-forsaken place. "But I overheard you talking to Edward, and I do now."
"I never wanted you to know."
"I know," Eli's voice cracked, "...you subjected yourself to years of my anger to protect me from the truth."
"I wanted you to have good parents, and they loved you-"
"But they hurt you."
"It made me stronger."
Eli shook his head "...not stronger, traumatised, look at you Ari; a boy tells you he loves you, and you feel like it's the end of the world, that's not strength, that's pain."
"I just don't understand."
"You are so much more lovable than any of us have ever made you feel," Eli's voice shook with a deep tremble that reminded Ari of thunder rumbling through the sky. The natural order, disturbed by a tremor in the humidity. "Alicia is better at this than I," he laughed with discarded mirth, "...you are my brother, and you came here for me knowing it would tear you to pieces, and I love you."
Ari didn't know what to say, his mouth opened and closed, but the words burned and stopped in his throat. He desperately wanted to say it, to tell his little brother he would jump in front of a bullet for him, that he'd tear apart the world to keep him safe. But he didn't. He looked at Eli with something dejected and fearful, and just prayed that he understood.
to summarize: you have the moral backbone of a flatworm if your response every time harry potter comes up is to make it about your inability to give up a book
imagine a goat with a hat
what hat did you give the goat what is the instinctual hat you gave to this goat
in decent quality too!
here is the archive collection of these films so you can favorite on there/save if desired.
links below
black girl (1966) dir. ousmane sembene
the battle of algiers (1966) dir. gillo pontecorvo
paris, texas (1984) dir. wim wenders
desert hearts (1985) dir. donna deitch
harold and maude (1973) dir. hal ashby
los olvidados (1952) dir. luis bunuel
walkabout (1971) dir. nicolas roag
rope (1948) dir alfred hitchcock
freaks (1932) dir. tod browning
frankenstein (1931) dir. james whale
sunset boulevard (1950) dir billy wilder
fantastic planet (1973) dir. rené laloux
jeanne dielman (1975) dir. chantal akerman
the color of pomegranates (1969) dir. sergei parajanov
all about eve (1950) dir. joseph l. mankiewicz
gilda (1946) dir. charles vidor
the night of the hunter (1950) dir. charles laughton
the invisible man (1931) dir. james whale
COLLECTION of georges méliès shorts
rebecca (1940) dir. alfred hitchcock
brief encounter (1946) dir. david lean
to be or not to be (1942) dir. ernst lubitsch
a place in the sun (1951) dir george stevens
eyes without a face (1960) dir. georges franju
double indeminity (1944) dir. billy wilder
wild strawberries (1957) dir. ingmar bergman
shame (1968) dir. ingmar bergman
through a glass darkly (1961) dir. ingmar bergman
persona (1961) dir. ingmar bergman
winter light (1963) dir. ingmar bergman
the ascent (1977) dir. larisa shepitko
the devil, probably (1977) dir. robert bresson
cleo from 5 to 7 (1962) dir. agnes varda
alien (1979) dir. ridley scott + its sequels
after hours (1985) dir. martin scorsese
halloween (1978) dir. john carpenter
the watermelon woman (1996) dir. cheryl dune
The worst thing is that there is so much potential for exploring the horror of psych wards from the angle of medical abuse, ableism, forced treatment/drugging, loss of autonomy, power imbalance, demonization, dehumanization, etc, and YET the horror genre keeps defaulting to "insane asylums and psych wards are scary because there are mentally ill people in there"
A specter is haunting the Atlantic!
After growing up together on the luxurious SS Lark, Neeta Pandey and Emery Botwright are ready to start their lives. Emery wants to follow in his father’s footsteps and sail the Lark forever, while Neeta yearns to travel the world. But neither will have any future at all if the Lark’s new owner, Mr. Honeycutt, has his way.
Mr. Honeycutt... The first-class passengers adore him, while he makes the ship a nightmare for the crew. Twisted by unnatural appetites, the rich are actually transforming into something less than human, and their insatiable demands soon push the staff toward a—quite literal— burnout.
Something otherworldly is undeniably aboard the SS Lark, something horribly hungry. But it’s not Wick Farley: vampire, secret agent, and paranormal investigator. Alone and at sea, with only Neeta and Emery to help him, he must uncover the truth about Mr. Honeycutt. And fast—before a ravenous craving for power consumes them all.
Available in hardcover or paperback, and ebook from your favorite online retailers! Or ask your local librarian!
18+ • System • Host: Essie • Horror Mystery Writers • I curate my space and so should you • Anti AI • Read pinned for more info
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