Sunlight streamed into Samantha’s cavernous garage, illuminating a lone, scarlet-colored toolbox and stacks of cardboard boxes which smelled faintly of dust and old newspapers. Yet more pervasive of all was that stench of motor oil which clung to the air, a thick, greasy perfume even the strong breeze couldn’t quite shift. This emptiness came with a strange comfort, the perfect canvas for Sam and Tegan’s rehearsal space; the quiet hum of the neighborhood traffic added a low background thrum to their afternoon. Samantha’s parents’ absence, a welcoming situation, stretched out before them like a long, open road.
“Yeah, we both should sing, right? Like, If’n it makes you feel better. I can be the lead, but you got to be my back up.” Samantha offered the well-used can turned weed-bowl towards Tegan. “I can’t be singing alone, ya know?”
The metallic clang of the can against the lighter echoed as Tegan inhaled deep of the weed’s smoke, the butane’s sharp scent stinging her nostrils. She sat the can down on a rough, large cardboard box, its texture a sharp contrast to the smooth metal. “I can’t sing for shit,” she mumbled, her voice husky from the smoke. “You are the one with the beautiful voice.”
“Hah! No! I’m going to go all punk with this shit. Because this isn’t ‘bout beauty. We’re going to make music and say, ‘fuck the man,’ all at the same time.” Samantha’s passion took over as she strummed the V-shaped guitar strapped around her. “Now let’s make some music!”
With a snorting laughter, Tegan nodded. “Fuck yeah! We’ll be the next Bratmobile or Bikini Kill. But before we get to that point, co-band leader, what’cha playing?”
“I don’t know! Fuck it! Let’s jam!”
Not saying a word, Tegan moved over to Samantha, the soft brush of her cheek against Sam’s was a fleeting whisper. An almost secret smile played on their lips; they both smelled of Teen Spirit, the Romantic Rose aroma, that is. They’d tried to conceal their affections from the older generations—a hushed giggle, a furtive glance, but here they could do what they wanted. Being so far back from the road, no one could see them.
Samantha was still brand new to playing guitar but made up for it with sheer enthusiasm and a can-do attitude that most did not have with something they were so new at. No imposter syndrome for her, no self-consciousness telling her she could not do it. Just a desire to play and play she did. Not great, even by punk rock standards, but the pair played Bikini Kill, Bratmobile, and Jack Off Jill as rough and raw as they could—they played their hearts out over and over.
Sweat beaded on Tegan’s forehead, as that Carolina summer heat started early this year. Her sleeveless black tank top with that stylized heart and knife stabbed through it—a lucky purchase at the mall-soaked through and clung tight to her thin torso. Playing the bass line for the songs, eventually just playing whatever sounded good to her. It flowed with Samantha’s rather chaotic guitar-playing. She hopped around, scream-singing whatever came to mind, which was both good and hilarious.
“I’m your whore! The one you adore!” Samantha yelled into a microphone that didn’t exist, which had Tegan doing her best not to laugh.
They lost track of time, and people had driven past on their way home from a long day. That’s when Tegan noticed the sour expression on Mister Oakley’s face. A man in his mid-forties and about as conservative and closed-minded as they come. That type of Christian that followed none of the tenets of Christianity that hated everything and everyone that was not white, Christian, and straight. Anyone who did not fit into his archaic view of what Americans or America should be. Tegan was well-acquainted with this man in the past. So, as he stomped up the driveway, she knew this was going to be a bunch of bullshit.
“What in the hell are you two doing?” He stepped up, chest puffed out and hands on his hips. “This isn’t the type of neighborhood that allows such type of music. We don’t like punks here. Tegan, you have a long history of being nothing but a pain in the ass ever since your grandparents did this entire neighborhood a disservice. By bringing your inconsiderate, rule-breaking ass home.”
Which was Mister Oakley’s modus operandi, to act like he had the higher moral ground. When, in actuality, he was just a bigot.
****
In the late winter of 1993, on March 13th to be exact, brought with it a blizzard of sorts. Where temperatures dropped beyond any normal winter, and alongside that, over a foot of snow in some places within the upstate of South Carolina. Which neither the state, nor any of its citizens knew what to do, nor were they prepared for such a snowfall. The south froze over that day, and despite it all, Tegan’s life finally opened up, and in a fashion, defrosted for her. With previously unknown grandparents spending months freeing her from this prison, and everything seemed brand new and beautiful.
On the long car ride from Spartanburg to Simpsonville, her grandparents—Sadie and John Morgan—asked a hundred and one questions. Of which Tegan had no issues answering, though her right knee bounced the entire car ride. She wasn’t sure if that was from her nerves, or if it was the excitement which surged through her veins. Her new life would begin; she never thought it would at all. That there came with her life a curse, unbroken and unbothered, yet here it was broken and bothered.
“We promise to never send you back there. No matter what,” grandmother assured. “Ain’t that right, John?”
“You’re one of us. Family watches out for family,” grandfather agreed. “I just wish your mother remembered this.”
“Not now,” Grandmother admonished.
Sullivan Road winded its way through a thickly-wooded area on the outskirts of Simpsonville, SC. Several parcels of land portioned out with every house a ranch-style, every third one just the same as the third before it. Lawns neatly-manicured and maintained, covered in a layer of snow. Which gave everything a soft, sculpted veneer, as if crafted by the hands of a master. Kids in their thickest clothes ran about throwing snowballs at one another, building snowmen, and for Tegan, it was a first-time experience.
“Can I play in the snow?” Tegan asked, already wanting to jump out of the car and do snow angels. Get completely covered in the white, frozen stuff, and enjoy that sense of freedom that tasted oh-so-good right now.
Grandmother bade Tegan to wait; to let her get situated into the bedroom they had prepared for her. To eat something more hearty and bone-warming than the rather sad breakfast she ate that morning; but, more important than all of that, the five simple rules of living with them: Finish all homework on time, making sure grandfather checks its—no excuses barring sickness. Definitely no drugs or drinking whatsoever. Be back home by 9:30 pm sharp, 9 on school nights. No one can come over unless they are cleared by grandmother first. And absolutely no boyfriends over, though this was not an issue for Tegan.
All easily agreed to by Tegan, who then stuffed herself in as much warm clothing as would fit over her and rushed outside into the snow. With blustery winds and dancing snow, Tegan ran over to a group of kids who were engaged in a light-hearted game of throwing snowballs at one another. Kids who introduced themselves were kind to the new girl, and only asked surface-level questions about where she came from. It was a beautiful kind of freedom.
“Oh! So, you’re that kid that came from the orphanage? The broken one?” Asked Lisa Oakley, her black hair pinned back behind her ears.
“Father says you were unwanted, and we shouldn’t associate with someone tainted like yourself,” said her twin brother Robert.
The two teased Tegan over and over, and it caused her fists to clench, her jaw to clench. While the other children were nice enough, the twins kept pushing her throughout the whole time. To not jeopardize her new home and her place within it, Tegan just took it until it became almost too much. That after Robert asked what happened to her mother, or if she even had one. Tegan lashed out to where he took a swift punch to the nose, followed by being tackled by the smaller girl, and a rain of punches landed over and over. He did not know how to defend himself in the least.
Strong arms wrapped themselves around Tegan and pulled her off the boy, who lay in a pool of freezing blood and sobs. She wriggled around enough to elbow the man in the nose and escape his clutches. To notice that it had to be their father, for he looked just like the boy quivering on the ground.
“Stop attacking my children, you demon!” He shouted with the fury of an angered pastor. “I saw it all! You just blindsided him for no reason!”
“No reason, eh?” Grandfather trudged out through the snow. “For the things he said, he deserves even worse. You touch my granddaughter again, and we’ll have some real issues here. Understand?”
Pointing his finger at grandfather then at Tegan. “Do not even talk to my children again, you-you forgotten child! Jesus has no place for the unwanted and unwashed, like you.”
****
He’s been the same since the day Tegan moved here.
“Okay, old man, you can fuck right on off,” Samantha growled, resembling a guard dog. “This is not your house at all. If you have an issue, call the fucking cops and see how seriously they take you.”
Mister Oakley took a step forward but stopped suddenly at Samantha’s voice. “Another fucking step and I go to my dad’s gun cabinet. You have come onto my parents’ property, making two underaged girls feeling WAY unsafe. Any issues? Take it up with my father. He’ll tell you the same that I told you. Go eat a fucking dick. You are unwanted, unwelcomed here.”
As if he had just experienced the most traumatic event, Mister Oakley stood shell-shocked. Tegan took the opportunity and said, “you heard her! We’re just having fun and hurting no one. Does having fun hurt you?”
“I-it’s not good!” He sputtered out.
“No fucking shit, dude. We’re just starting out and learning,” Tegan fired back with more venom than she expected. “Why don’t you just go back home to Missus Oakley, and disappoint her in all ways, and just leave us alone?”
“Well, I’m going to tell your parents,” he threatened as he pointed at Samantha, “and tell your grandparents about this!”
Tegan shrugged, readjusted the faux leather of her bass strap before she resumed playing. With a disgruntled huff and the soft thud of his loafers on the concrete driveway marked the man’s departure. Sam’s laughter, bright and clear, filled the air as she playfully hip-checked Tegan, the impact a gentle, almost loving jolt. Followed by a quick, fleeting kiss on Tegan’s cheek. Then back to his guitar, the enthusiastic strumming a cheerful, if a bit clumsy, melody.
Eventually, the two young teens had to depart, and Tegan carried her bass in its case across the street. Her mismatched eyes turned toward the Oakleys just down the way, and an overwhelming desire to throw rocks at it almost overcame her reasonable side. Being so late in the school year, there was not much homework for her to do. So, instead, she watched MTV Live and tuned out on the pop music that played in the top hits of the week.
“So, Tegan,” Grandfather began as he cut into his steak and shoved a piece into his mouth. “Mister Oakley said you were very rude to him today. Even cussed at him.”
“Meh, he’s a holier-than-thou blowhard, grandpa,” Tegan replied as she poked her fork at the mashed potatoes on the plate. “Plus, he was saying some mean things to Sam.”
Grandmother gave a half-laugh. “He is a blowhard, honey. But I do have a concern. He said you two were playing music and smoking weed?”
Not looking up from her good, Tegan took a bite, always loving how buttery and garlicky grandmother’s mashed potatoes always ended up as. “Yeah, well, we were playing some music. She’s learning to play guitar and is getting better, after all. So, since her parents were gone, we figured why not jam out in her garage? Might even form a band. Maybe. Either way, Mister Oakley didn’t like it.”
“And the weed?” Grandfather’s tone took on the one that Tegan recognized as his not-messing-around voice.
“He said he was going to try and get me in trouble. Just making up some bullshit,” Tegan muttered.
“Language, Tegan,” Grandmother admonished, but neither said anything else about the matter.
After dinner, America’s Funniest Home videos blared on the television as Tegan was interested in everything else but that. Waiting until the house went quiet, she laid on top of her thick blanket with only the lamp on the bedside table on. A creased copy of Alanna: The First Adventure in her hands, and despite how worn-out it was, and how many times she had read it. Tegan could always get lost in the Kingdom of Tortall and Alanna’s adventures as a page in a fantasy Royal Court. Sure, Alanna had to hide her gender and pretend to be a boy, but it didn’t last the whole story. It just seemed so romantic and awesome and so much better than the boring-ass town that is Simpsonville.
Tap-tappity-tap came from outside her window, and Tegan paid it no heed at first. Just a bird far-too-close to her window, yet it happened again with more insistence and need. Crawling across her bed, Tegan peered through the blinds to see the beautiful face of her girlfriend, who gave a wide grin and a wave. “Hey, Tee! Come out here!”
Pulling open the window, Tegan giggled as she climbed through and landed barefoot on the soft soil of the flowerbed. Doing her best to not step on any of grandmother’s prized flowers. Before she could even gain her bearings, Samantha pulled her into the shadows that concealed the side of the house away from the prying eyes of the neighbors and the road. Sam was very much assertive, almost too much by some standards, but Tegan loved the dominant side. When Samantha would press their lips together with such force and passion, to be desired as such and to be loved as such, or at the very least, to be lusted after. Each teen’s hands would embolden and explore each other every time they kissed and embraced.
Samantha’s hand lingered at the edge of Tegan’s shirt, as the faint sound of their breaths mixed with the rustling of fabric. The touch of recently-calloused fingers traced a path up Tegan’s smooth stomach, sending a shiver down her spine. The air was filled with a hint of anticipation as the fingertips playfully danced just below the curve of Tegan’s breasts.
“What if someone sees us?” Tegan finally protested, but she didn’t protest strongly.
“No one’s going to see us,” Samantha’s tone carried with it something Tegan had never really heard before, a true longing, desire, and lust toward her. “I have this burning need to feel, to taste every bit of you. I want to make you quiver, squirm, and cum.” At those words, Tegan had to stop herself from moaning out with barely a touch by this point.
The warm evening air smelled ever sweeter as Samantha lifted Tegan’s shirt to expose the pale-skin beneath and kissed her belly button. Which caused a soft giggle to escape from her, who said not a word but bit her bottom lip as Sam' moved upwards at a slow, deliberate pace. Indescribable, utterly indescribable were the feelings in Tegan’s mind as her eyes closed, just as Samantha’s lips found the buds of her destination.
“Keep your beautiful eyes open,” Sam whispered her demand. “Makes it so much better.”
Yet before Samantha could really turn Tegan’s life around, the light in the house beside them turned on and forced the two teenagers apart in the blink of an eye. Tegan pulled down her shirt, face flushed, breathing deep and heavy, and Samantha’s frustration etched across her face. When the older woman peeked through the blinds at them, the two teens gave a short, sharp wave.
“Son of a bitch,” Tegan groaned.
Samantha sighed but then giggled. “I was feeling so, you know, horny for you. We can always go somewhere else.”
“Not tonight. We need to find more privacy around here.”
“Yeah. Sorry, I’ll find something. There’s got to be somewhere.”
Tegan pulled her girlfriend into a tight hug and kissed her on the nose. “Never apologize. I’m just happy Missus Auerbach over there doesn’t gossip.” With a bashful smile, she tucked a strand of reddish-blonde hair behind Samantha’s ear. “There’s still so much in front of us, you know? Though, I agree, we need a place to be together from prying eyes.”
“Blah, I’ll see you at the bus stop.” Samantha planted another long kiss on Tegan’s lips before she scampered off back home.
After she crept back into her bedroom, Tegan kept the window open, which allowed a cool night breeze to stir the curtains, whispering against Tegan’s face as she snuggled under her soft blanket. Sleep evaded her for who knows how long; Samantha’s lips, warm and lingering on her breasts, played on repeat in her mind. This memory, this vivid memory, sent shivers down her spine; a potent cocktail of longing and arousal surpassed anything she had ever known before. She ached, oh did she ache for Samantha—her touch, the taste of her skin, the lovely fresh aroma of her hair, every exquisite detail that her girlfriend brought with her. Tegan bit her lip, a sharp sting against the overwhelming heat that built within. Her hand, much like a silent intruder, slipped beneath the soft-blue cotton panties. A muffled moan followed by a breathy sigh escaped as she encountered the slick, undeniable evidence of her desires and lust she felt. It did not take her long to reach that peak she was not unfamiliar with.
She brought up two fingers slick with her own moisture; Tegan pulled them apart. A glistening strand stretched, then snapped as a wave of hot shamed washed over her—she’d never imagined herself rubbing one off to someone she actually knew and not some hot celebrity. Yet, the cool night air on her skin offered a stark contrast to the fiery blush that stained her damp, sweat-covered cheeks. The intensity of her orgasm was unlike anything she’d experienced before; Samantha had truly ignited her, and this was not quite as satisfying as she suspected being with Sam would be.
Was this just hormonal lust, a wildfire of tingling skin and racing pulse? Tegan knew she cared for Samantha; she always did her best to make Tegan feel cherished, and vice-versa. But was their intense attraction merely physical, a symphony of breathless sighs and flushed skin and stolen kisses, or something deeper? She wasn’t sure; love felt like a hazy dawn, a dream that slipped through the mind once awoken, and had no true examples of how it was supposed to be. If it meant the sun-warmed happiness of Samantha’s presence, each day brighter with her laughter, then maybe, just maybe, it was love.
“Shit,” Tegan cursed before she got out of bed to clean herself up. Changing out her sheets, tossing them into the washer and tossing herself onto the fresh set. A fresh wave of exhaustion overcame her, and this time, Tegan fell into a deep, sound sleep.
****
@fablesandfragments @seastarblue @vesanal @theink-stainedfolk @leahnardo-da-veggie
@aalinaaaaaa @an-indecisive-nerd @write-with-will @the-ellia-west @carb0n-m0n0xide
@inadequatecowboy @kitkins13 @watermeezer @shepardstales @bardic-tales
@dyrewrites
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A specter is haunting the Atlantic!
After growing up together on the luxurious SS Lark, Neeta Pandey and Emery Botwright are ready to start their lives. Emery wants to follow in his father’s footsteps and sail the Lark forever, while Neeta yearns to travel the world. But neither will have any future at all if the Lark’s new owner, Mr. Honeycutt, has his way.
Mr. Honeycutt... The first-class passengers adore him, while he makes the ship a nightmare for the crew. Twisted by unnatural appetites, the rich are actually transforming into something less than human, and their insatiable demands soon push the staff toward a—quite literal— burnout.
Something otherworldly is undeniably aboard the SS Lark, something horribly hungry. But it’s not Wick Farley: vampire, secret agent, and paranormal investigator. Alone and at sea, with only Neeta and Emery to help him, he must uncover the truth about Mr. Honeycutt. And fast—before a ravenous craving for power consumes them all.
Available in hardcover or paperback, and ebook from your favorite online retailers! Or ask your local librarian!
It's time for another writing update. Still working on Every Hero Needs a Villain, my object head project. I'm making my way through the character bios. I am trying to just get the basics down, then I'll go over them again and add more personality. Here's Spark's description, because I thought it was cute:
They have a gently yellow and ruffled lamp shade with a lighter and brighter light bulb on their head. They typically wear a skirt that matches paired with a lighter blouse or suit top. Their clothes typically having a shimmering or glittery component to them. They sometimes wear different lamp shades for different effects, having a particular fondness for colorful glass lamp shades for special events, or cloth dotted lamp shades when they're feeling cute. Sometimes they don't even wear a lamp shade for emphasis.
I definitely want to edit it for readability, but so far so good! I hope to have all the bios down by the end of the week, and will notify y'all on Sunday if this is the case.
Taglist: @aweirdshipp, @floofyboi57, @aralithmenathere
I love him already.
Hey there! 💌 Just swinging by to wish you a gentle, creative day. I hope these questions help you get back to it. :)
Here are your character-building questions, tailored to the emoji(s) you picked:
🗝️: How does your OC react when someone challenges their authority or beliefs in public?
🧠: What does your OC fear about themselves that they rarely, if ever, admit?
✨: What’s something your OC is surprisingly good at that has nothing to do with their main role in the story?
No pressure to answer quickly. Take your time and have fun with it.
Hello and thank you!
I'm gonna go with Henrik from Thief and Guard for these questions, since he's such an important character but has no pov.
🗝️Well you see he has a big glowing halberd. He will use it. He'll at least threaten to use it. ...okay most likely he'll fold his arms and look Big and Imposing until the other party is scared.
🧠He's honestly afraid he's never going to feel like he fits anywhere. He came from across the rift, got really good at fighting monsters, oh but he was too good and got reassigned so many times. Now he's aimless. He can't go home. If he did, he wouldn't fit there, either. He has no home where he is. He convinces himself that's what he wants.
✨knitting! Idk if that counts cause it does play a role in the story. He's a good cook when he has the time and ingredients
Thank you so much for the ask!
the concept and idea of “you can always start trying to be a better person” is extremely important to me both in media and irl and i continue to be deeply deeply disturbed by the trend on this site pushing that these ideas in media are bad writing or even morally reprehensible
because theyd rather someone stay terrible or just straight up die than become a better person
from a compassionate point of view it’s deeply distressing and from a pragmatic point of view it’s outright frustrating
it’s fucked up.
I've been thinking about some unhelpful critiques I have been given in the past and what made them so unhelpful, which lead me to sort of wanting to deconstruct why "no one talks like that" is such a bad critique.
So, things to consider before you give the critique "no one talks like that", which will likely reveal what you're actually trying to say:
Conversational conventions are often different in fictional worlds.
Just because something is normally "uncouth" or "strange" to say in reality, that does not mean the same can be said about fictional worlds. I personally got the "no one talks like that" critique because one of my characters was, supposedly, too blunt about their marriage proposal. This was in a fantasy world where marriage was treated in an extremely practical fashion, the same way someone would treat buying a new house. I got treated as the "person who constantly interrupts people giving critiques because they can't handle it" for simply trying to give my teacher some much needed context. This type of critique is not helpful to anyone, because it completely fails to understand or even attempt to understand author intent. "No one in real life talks like this", yes, and that is the point. To actually give helpful critiques to fantasy dialogue, you need to first understand how that fantasy culture differs from the ones you are accustomed to, and judge the dialogue based on it.
2. When you say "no one talks like that", who are you really referring to? The general population, or the people specifically within your social circle, area, or culture? Because you will likely find it is the latter.
I don't think it's necessarily bad for people to draw from their experiences when giving critiques, but I do think it's important to analyze one's biases in doing so. Before you say, "no one talks like that", always sit down to analyze why exactly you think that, and consider having a proper discussion with the writer about what experiences they are drawing from. As one examples, a straight person who is unfamiliar with queer culture may feel inclined to say "no one talks like that" about queer characters using terms or addressing topics like gender, sexuality, etc. in ways they are not accustomed to. It's not because no one truly talks like that, it's because they are completely unfamiliar with it.
3. Always, always, always consider context.
This ties into the fictional world idea, but goes beyond that. "No one talks like that" can feel extremely tone deaf as a critique if the person isn't properly engaging with the context of a scene or a character. "No one talks like that," okay, but this particular character is stressed and running on adrenaline, they're not exactly meant to be talking normally. "No one talks like that," this is a literal demon from Hell, why should they talk like we do? "No one talks like that," this character is neurodivergent, and it makes complete sense for them to talk like that. Also, keep in mind the genre and the style of the story. Not all stories are trying to have realistic dialogue. You wouldn't criticize a story set in wonderland for having unrealistic dialogue, as this is very much the point. Now, unrealistic does not mean meaningless, which is why considering the context of a story helps you give more specific and helpful critiques when it comes to dialogue.
4. Does nobody talk like that, or is it just socially unacceptable to talk like that? There is a difference.
I mentioned neurodivergent characters, so let me expand on that issue here. There's this attitude I think really needs to be squashed that characters must talk in a neurotypical fashion or else they are badly written, because neurotypical individuals find this easier to understand and see it as more "proper". And it expands to this general attitude I've seen that, if characters are not following certain social rules or etiquette, then the dialogue is badly written. This puts so many constraints on character dialogue that doesn't actually help with character writing.
Sure, not everyone is going to go out to a parking lot and scream profanities to see the shock and horror of those passing by, but this shit stain character I created absolutely would. "But characters need a good reason to break this etiquette", not everyone cares about social etiquette, and characters are absolutely the same way. So long as their character has been established as such, this is fine. Also, reactionary responses like, "no one would talk to their parents that way!", in response to a character severly breaking a social rule or greatly going against a certain social value, are not actually helpful critiques. It is an emotional reaction that reflects what you view as proper, not if the action is accurate to the character or not.
5. Is it true that nobody talks like that, or do you just not understand the dialogue?
If dialogue is confusing, you need to delve deeper into why that is, and consider whether this is intentional or not. Just because the dialogue does not personally resignate with you, that does not mean it is poorly written. Same goes for dialogue that is meant to be confusing at first, and is given further context later. Have a conversation with the writer to see if this dialogue is meant to be confusing, or if there's been a miscommunication. It's also important you reflect on whether a project is for you when critiquing. If you hate dialogue full of rhymes, then you probably shouldn't critique a story where everyone talks in rhymes.
6. Is the issue the way they are talking, or the way they are talking about something in the specific context of the story?
When analyzing why dialogue doesn't sit well with you, is it because the characters' reactions feel off or out of character? For instance, is the character that is well established to hate sweets now ranting and raving about how good milk chocolate is? The issue then isn't that "no one talks like that", the issue is, "it feels out of character for them to address (topic) like that". Yes, it could be argued no one hates sweets one second and then praises milk chocolate the next, but phrasing it as "no one talks like that" doesn't actually get to the meat of the issue. As a more serious example, is the character who hates all magic being oddly casual when actually confronted with a mage? Of course, some inconsistencies are done on purpose, and, as I said above, context matters.
Conclusion
Going through this, I think a lot of people will find "no on talks like that" is not actually what they want to say. Rather, they likely want more context, think a conversation needs better build up, believe the dialogue feels inconsistent with the characters/world, or may outright just be a bad fit for that particular project. So before you say, "no one talks like that," consider why you feel that way and find a way to word this critique that is more productive.
I'm planning to go through with this, but your answers to some survey questions will help:
Do you play dating games or have you watched others play dating games?
If so, what options did the game not have that you wanted (personality wise)? (If not, just imagine the type of options you'd want in a dating game.)
If you were satisified with the options, which types did you gravitate towards?
Finally, your favorite object?
Speaking of, tempted to make a community myself, but since I have a variety of unconnected works, I have no idea what that would be a community for. Kind of reminds me of the idea I had to try and get myself posting again, mainly making like, a sort of dating sim kind of group of characters to play around with.
Y'all want me to make object head people for you to kiss? SFUIHSFU
in decent quality too!
here is the archive collection of these films so you can favorite on there/save if desired.
links below
black girl (1966) dir. ousmane sembene
the battle of algiers (1966) dir. gillo pontecorvo
paris, texas (1984) dir. wim wenders
desert hearts (1985) dir. donna deitch
harold and maude (1973) dir. hal ashby
los olvidados (1952) dir. luis bunuel
walkabout (1971) dir. nicolas roag
rope (1948) dir alfred hitchcock
freaks (1932) dir. tod browning
frankenstein (1931) dir. james whale
sunset boulevard (1950) dir billy wilder
fantastic planet (1973) dir. rené laloux
jeanne dielman (1975) dir. chantal akerman
the color of pomegranates (1969) dir. sergei parajanov
all about eve (1950) dir. joseph l. mankiewicz
gilda (1946) dir. charles vidor
the night of the hunter (1950) dir. charles laughton
the invisible man (1931) dir. james whale
COLLECTION of georges méliès shorts
rebecca (1940) dir. alfred hitchcock
brief encounter (1946) dir. david lean
to be or not to be (1942) dir. ernst lubitsch
a place in the sun (1951) dir george stevens
eyes without a face (1960) dir. georges franju
double indeminity (1944) dir. billy wilder
wild strawberries (1957) dir. ingmar bergman
shame (1968) dir. ingmar bergman
through a glass darkly (1961) dir. ingmar bergman
persona (1961) dir. ingmar bergman
winter light (1963) dir. ingmar bergman
the ascent (1977) dir. larisa shepitko
the devil, probably (1977) dir. robert bresson
cleo from 5 to 7 (1962) dir. agnes varda
alien (1979) dir. ridley scott + its sequels
after hours (1985) dir. martin scorsese
halloween (1978) dir. john carpenter
the watermelon woman (1996) dir. cheryl dune
Hi peeps! As I work on Every Hero Needs a Villain, do y'all want me to make the community for it so you can see some funny behind the scenes stuff and potentially certain bios as I make them? You can also make suggestions for stuff there if you want. Trying to encourage myself to complete them.
Tag list: @aweirdshipp, @floofyboi57, @aralithmenathere
the more girls you add to a story the more yuri situations you're able to produce.... something to consider
It's time for another writing update. Still working on Every Hero Needs a Villain, my object head project. I'm making my way through the character bios. I am trying to just get the basics down, then I'll go over them again and add more personality. Here's Spark's description, because I thought it was cute:
They have a gently yellow and ruffled lamp shade with a lighter and brighter light bulb on their head. They typically wear a skirt that matches paired with a lighter blouse or suit top. Their clothes typically having a shimmering or glittery component to them. They sometimes wear different lamp shades for different effects, having a particular fondness for colorful glass lamp shades for special events, or cloth dotted lamp shades when they're feeling cute. Sometimes they don't even wear a lamp shade for emphasis.
I definitely want to edit it for readability, but so far so good! I hope to have all the bios down by the end of the week, and will notify y'all on Sunday if this is the case.
Taglist: @aweirdshipp, @floofyboi57, @aralithmenathere
18+ • System • Host: Essie • Horror Mystery Writers • I curate my space and so should you • Anti AI • Read pinned for more info
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