COMMUNICATION BREAKDOWN - LED ZEPPELIN PISS PARODY

My blog is a safe space for: women, queer people, immigrants, neurodivergent people, disabled people, people of any race, ethnicity, and color!

My blog is not a safe space for: Nazis, zionists, Trump supporters, republicans, homophobes, transphobes, misogynists, ableists, etc ….

🇧🇷🇧🇷🇧🇷🇧🇷🇧🇷🇧🇷🇧🇷AINDA ESTOU AQUI MELHOR FILME INTERNACIONAL 🇧🇷🇧🇷🇧🇷🇧🇷🇧🇷🇧🇷🇧🇷🇧🇷🇧🇷🇧🇷🇧🇷🇧🇷🇧🇷🇧🇷🇧🇷🇧🇷🇧🇷

Oooooh he says in the video what he'll do to (Shaddow the) hedgehog

what do i do with a hedgehog?

leia organa truly has one of the best bait-and-switch character introductions of all time because when you meet her she's this brave, stoic picture of elegance and justice and always knows just what to say to vader and tarkin and is clad in white like an angel and is this perfect two-dimensional archetype of pureness of heart. and then approximately half an hour later into the film she meets luke and han and she IMMEDIATELY shows her true colors as a sarcastic, bitchy control freak with a massive impulsive streak and a deep mine of hyperspecific insults. 10/10 character design i'm obsessed with her

You'll have to excuse me, I'm not an expert in the world of "Jimbert", but whilst going through some grainy-fuzzy-out of focus-but it's Zeppelin and therefore precious so I need to watch it -footage, I couldn't help but notice the somewhat suggestive position Robert took for this part of Achilles where he and Jimmy often put their heads together and sing. Jonesy and Bonzo seem to be casually looking elsewhere as if they felt bad for intruding on some one-on-one time. Or was this pose quite common? I'm constantly peering trying to see the drums, so often miss what's going on up front.

travellers tales we need to talk

(Read on our blog)

Beginning in 1933, the Nazis burned books to erase the ideas they feared—works of literature, politics, philosophy, criticism; works by Jewish and leftist authors, and research from the Institute for Sexual Science, which documented and affirmed queer and trans identities.

(Nazis collect "anti-German" books to be destroyed at a Berlin book-burning on May 10, 1933 (Source)

Stories tell truths.

These weren’t just books; they were lifelines.

Writing by, for, and about marginalized people isn’t just about representation, but survival. Writing has always been an incredibly powerful tool—perhaps the most resilient form of resistance, as fascism seeks to disconnect people from knowledge, empathy, history, and finally each other. Empathy is one of the most valuable resources we have, and in the darkest times writers armed with nothing but words have exposed injustice, changed culture, and kept their communities connected.

(A Nazi student and a member of the SA raid the Institute for Sexual Science's library in Berlin, May 6, 1933. Source)

Less than two weeks after the US presidential inauguration, the nightmare of Project 2025 is starting to unfold. What these proposals will mean for creative freedom and freedom of expression is uncertain, but the intent is clear. A chilling effect on subjects that writers engage with every day—queer narratives, racial justice, and critiques of power—is already manifest. The places where these works are published and shared may soon face increased pressure, censorship, and legal jeopardy.

And with speed-run fascism comes a rising tide of misinformation and hostility. The tech giants that facilitate writing, sharing, publishing, and communication—Google, Microsoft, Amazon, the-hellscape-formerly-known-as-Twitter, Facebook, TikTok—have folded like paper in a light breeze. OpenAI, embroiled in lawsuits for training its models on stolen works, is now positioned as the AI of choice for the administration, bolstered by a $500 billion investment. And privacy-focused companies are showing a newfound willingness to align with a polarizing administration, chilling news for writers who rely on digital privacy to protect their work and sources; even their personal safety.

Where does that leave writers?

Writing communities have always been a creative refuge, but they’re more than that now—they are a means of continuity. The information landscape is shifting rapidly, so staying informed on legal and political developments will be essential for protecting creative freedom and pushing back against censorship wherever possible. Direct your energy to the communities that need it, stay connected, check in on each other—and keep backup spaces in case platforms become unsafe.

We can’t stress this enough—support tools and platforms that prioritize creative freedom. The systems we rely on are being rewritten in real time, and the future of writing spaces depends on what we build now. We at Ellipsus will continue working to provide space for our community—one that protects and facilitates creative expression, not undermines it.

Above all—keep writing.

Keep imagining, keep documenting, keep sharing—keep connecting. Suppression thrives on silence, but words have survived every attempt at erasure.

- The Ellipsus team