I Need The Ao3 Tag Wranglers To Tag Wrangle So It's Easier To Find The United Healthcare Shooter Fic

Pitching Leverage to a socialist friend: "The heist team gets hired by people who have been victimized by these corporate baddies, so there is always a scene at the beginning where some lady is telling the team 'my dad died because he couldn't afford his diabetes medication after the new factory owner Joshua Dirtbag the Third cut his hours' and the team is like 'say no more. we will put on elaborate disguises and convince him to bet on a fake racehorse, and somehow at the end of it you will have all his money and he will go to jail'."

Since birth you could see a counter above people’s heads. It doesn’t count down to their death. It goes up and down randomly. You’re desperate to find out what it means.

hi excuse me kristin cashore is working on FOUR books rn ??

what do we think they are 👀

200 Word RPGs 2024

Each November, some people try to write a novel. Others would prefer to do as little writing as possible. For those who wish to challenge their ability to not write, we offer this alternative: producing a complete, playable roleplaying game in two hundred words or fewer.

This is the submission thread for the 2024 event, running from November 1st, 2024 through November 30th, 2024. Submission guidelines can be found in this blog's pinned post, here.

okay no but now I'm really thinking about it, right

it's canon that Maggie had no idea IYS denied Sam's cancer treatment, that's the only reason she stayed friendly with Blackpoole. So au where instead of letting his life fall apart, putting together the team, and then taking down Blackpoole, Nate decides to echo current events and just. Fucking shoots his boss.

and Maggie has no clue why.

maybe he succeeds, maybe he doesn't, either way he goes to jail for this (he was not planning to get away with it). And Maggie's just lost her son, now her husband's an (attempted) murderer and in prison, she's on her own and has no answers for any of this.

So she goes looking.

she might not directly have Nate's contacts and experience, but he had to have talked about these cases, she knows who a few of these people are through him. But she also has her own connections through the art world - like, Parker and Sophie at least have to be talked about by appraisers, collectors, people who work with the things they steal. And she has Sterling, who while still probably not helpful for breaking the law at least likes her more than he likes Nate and might be able to get her some more information. Like why the fuck Nate did what he did.

And she's not a mastermind, she's not Nate's level of manipulative and three steps ahead of everyone else, but she doesn't need to be. She's smart and charismatic and quick to put pieces together (the fucking button camera scene). So. She figures it out.

And then she has to decide what to do about it.

She's not going to be able to exonerate Nate - he shot a man in broad daylight and fully admitted it. She might be able to break him out of prison if he's up for being on the run, but that's a matter of hot debate between the two of them right now. (She could totally do it, especially with the team, she and Sophie are just waiting for him to stop being overprotective.)

(side note: nate's face when he finds out his ex wife and international criminal not-technically-an-ex are running a team together while he's stuck in prison? priceless)

but what she can do is protect other kids like Sam. Seek out corruption, find the people being hurt, and with her team, stop the people responsible from ever doing it again.

she just needs to create a little bit of leverage.

Beth Riesgraf as Parker in Leverage and Leverage: Redemption

24 page comic adaptation final: COMPLETE! Now I just have to print it tomorrow and everything will be peachyy

Edit: forgot to say this but this is an adaptation of a few chapters of the book Seasparrow by Kristin Cashore.

Second edit: I’m not actually going to continue drawing this… it’s a whole ass novel 😭

Nathan "who did you just call baby right then" Ford and Alec "no, i'm with him" Hardison and Eliot "somebody kiss this man so I don't have to" Spencer and Parker "She's hot. Warm? Cold? Why is everyone staring?" Parker

What are some of your favourite Parker and Eliot moments from the og series?

i have the same favourites as everyone else, i'm sorry to say! top three have to be ice cave (duh), parking lot (duh x2) and then my wildcard bonus pick is spy truck.

ice cave is... it's the ice cave. it's THE parker and eliot scene, it's the one everyone keeps calling back to, it's the one that defines parker's arc for a whole two seasons and begins to properly wrap up eliot's. there's a lot you can say about how it affects parker, how eliot kindly guides her away from straying off-track. but it affects eliot, too, or at least reveals stuff; it's so raw for him in large part because it takes place not four weeks after the warehouse. he's still reeling and eliot's whole arc in s4 is basically Processing™️what happened, which starts here. so it's rough and it's raw and it's powerful, plus absolutely INCREDIBLE acting from both beth and christian. everyone's said their peice on this one, and for good reason.

parking lot is obviously an eliot and team scene rather than eliot and parker specifically. she's only got one line during the eliot part of it all, but it prompts the most important exchange of the whole scene.

P: "What did you d-" E: "Don't ask me that, Parker. Because if you ask me, I'm going to tell you. So please... don't ask me."

and yeah yeah yeah everyone's analysed this part in regards to eliot but what we don't talk about enough is how important it is that it's parker who asked and parker who he said that to. because there will always be an innocence about her - yes she's the one who's the most like him, yes she's the other one who'll do the things the rest of them won't, but there will always be an innocence about her. the woman who says she never hurt anyone but is proveably a crack shot with a pistol, the girl who loves christmas and still believes in santa, the thief who thinks jimmy choos refers to a person instead of shoes. she's not a child and the show does an excellent job of not infantilising her, but there's a vunerability to parker that's unique to her. eliot's not begging to not tell her. he's begging for her not to ask. as we see later in the ice cave scene, the two of them are all too often mirrors of one another's pain, and that's seen really clearly here. he doesn't even look at her until telling her to not ask, and then that explanation has him almost breaking down. he'd tell her. he trusts her, and the team, enough to tell. and that's why he can't bear them asking, can't bear her asking. because he cannot let parker of all people see the rivers of blood on his hands.

bonus pick! there's a lot i could have taken as a third option, especially given as you haven't restricted me to three and i've already gotten the two heavy hitters out of the way. but i'm going to say parker convincing eliot to stay in the spy truck in rundown.

P: We agreed we all change. Better or worse, we change together.

it's pretty much the only moment in the original show where eliot and parker's power dynamic is, however breify, reversed. for the most part she's very much someone who he strives to protect, and unlike eliot and hardison you rarely get the sense that they're equals in the relationship (one of the things i really love about redemption is that it remembers to change this about a lot more, and you get parker supporting eliot as a more common occurence). but here, parker's voice is clear and commanding - she knows the right thing to say and for a minute she's the one with the power here, she's the one with the wisdom that he needs to hear. i just love it as both a self-contained moment and a harbinger of what's to come.