Everyone's Songs That Were Requested Got Played Yesterday!

Whoa this is seriously cool! Thank you for sharing your fish of the day! That's so funny that even fish have doppelgangers lol

(for anyone reading this who also received a freebie ask from me and was confused on how to answer, THIS is a perfect example!)

Freebie!

Tell me something you've been dying for someone to ask you about

i see youve asked about my current favorite fish, im always itchin to tell people about the fish of the day

Mola Tecta!!! aka the hoodwinker sunfish

this is thee most recently discovered ocean sunfish (2015!!!), and not because they are particularly elusive or shy, but because they look.

almost exactly the same as Mola Mola

donate to black trans groups

the following organizations accept donations via Venmo, PayPal or Cashapp:

Homeless Black Trans Women Fund: supports Black Trans women that live in Atlanta and are sex workers and/or homeless

Trans Justice Funding Project: supports grassroots trans justice groups run by and for trans people, focusing on organizing around racism, economic injustice, transmisogyny, ableism, immigration, and incarceration

Trans(forming): membership-based organization led by trans men, intersex, gender non-conforming people of color, to provide resources and all around transitional support

Black Trans Men Inc.: the first national nonprofit social advocacy organization with a specific focus on empowering Black Transgender men by addressing multi-layered issues of injustice faced at the intersections of racial, sexual orientation, and gender identities

Kween Culture: provides programming towards social and cultural empowerment of transgender women of color

Heaux History Project: a documentary series and archival project exploring Black and Brown erotic labor history and the fight for sex workers’ rights

Tournament Haus Fund: mutual aid fund for protesters and trans/non binary BIPOC in the ballroom scene in Portland/Tacoma/Seattle

Black Excellence Collective Transport for Black NYC LGBTQ+ Protesters: raising funds to provide safe transport for Black LGBTQ+ protesters (NYC)

F2L Relief Fund: provides commissary support (and legal representation & financial assistance) for incarcerated LGBTQ+ and Two-Spirit POC in NY state

Trans Sistas of Color Project Detroit: uplifts, impacts and influences the lives and welfare of transgender women of color in Detroit

Black Trans Protesters Emergency Fund organized by Black Trans Femme in the Arts Collective: supports Black trans protesters with resources like bail and medical care

Black Trans Travel Fund: a mutual aid project developed to provide Black transgender women with the financial resources to self-determine safer alternatives to travel, so they feel less likely to experience verbal harassment or physical harm

Reproductive Justice Access Collective (ReJAC): a New Orleans network that aims to share information, resources, ideas, and human power to create and implement projects in the community that operate within the reproductive justice framework

the following organizations can be donated to individually or all-together via this split donation form that will split your donation amount to equal parts:

Okra Project/Tony McDade and Nina Pop Mental Health Fund: provides Black Trans people with quality mental health & therapy and addresses food security in Black trans communities

For The Gworls: provides assistance to Black trans folks with travel to and from medical facilities, and co-pay assistance for prescriptions and (virtual) office visits ⁣

Third Wave Fund: an activist fund led by and for women of color, intersex, queer, and trans people under 35 years of age to resource the political power, well-being, and self determination of communities of color and low-income communities; rapid response grantmaking, multi-year unrestricted grants, and the Sex Worker Giving Circle

Unique Womens Coalition (Los Angeles, CA): supportive organization for and by transgender people of color, committed to fostering the next generation of black trans leadership through mentorship, scholarship, and community care engagement work

Black Trans Women Inc.: a national nonprofit organization committed to providing the trans-feminine community with programs and resources 

SisTers/Brothers PGH (Pittsburgh, PA): A transgender drop-in space, resource provider and shelter transitioning program

Love Me Unlimited for Life: helps transgender community members reach their goals and fulfill their potential through advocacy and outreach activities

My Sistah’s House Memphis (Memphis, TN): designed to bring about social change within the Trans Community in Memphis by providing a safe meeting space and living spaces for those who are most vulnerable in the LGBTQ+ community

Black LGBTQIA Migrant Project: builds and centers the power of Black LGBTQIA+ migrants through community-building, political education, direct services, and organizing across borders; provides cash assistance to Black LGBTQ+ migrants and first generation people dealing with the impact of COVID-19

Taja’s Coalition at St. James Infirmary (San Francisco/Bay Area): navigating housing, medical services, legal services, and the workplace, as well as regularly training agencies

Marsha P. Johnson Institute: helps employ black trans people, build more strategic campaigns, launch winning initiatives, and interrupt the people who are standing in the way of more being possible in the world for black Trans people

Black & Pink Bail Fund: national prison abolitionist organization dedicated to dismantling the criminal punishment system and the harms caused to LGBTQ+ people and people living with HIV/AIDS who are affected by the system 

Black Visions Collective (MN): healing and transformative justice principles and develops Minnesota’s emerging Black leadership, creating the conditions for long term success and transformation

Middle Tennessee Black and Indigenous Support Fund (Middle, TN): a community fund for Black and Indigenous queer and trans folks to foster wealth redistribution in its larger community, direct the funds to Black and Indigenous community members, and build the leadership of Black and Indigenous community members

SNaPCo (Atlanta, GA): a Black, trans-led collaborative to restore an Atlanta where every person has the opportunity to grow and thrive without facing unfair barriers, especially from the criminal legal system

Brave Space Alliance (Chicago, IL): created to fill a gap in the organizing of and services to trans and gender-nonconforming people on the South and West Sides of Chicago

House of GG: a nonprofit, founded trans activist Miss Major Griffin-Gracy, that is raising money to build a permanent home for Transgender people  and be part of a growing network of Southern trans people who are working for social justice

TGI Justice Project: a group of transgender, gender variant and intersex people inside and outside of prisons, jails and detention centers challenging and ending human rights abuses committed against TGI people in California prisons, jails, detention centers

Trans Women of Color Collective: creates revolutionary change by uplifting the narratives, leadership, and lived experience of trans people of color

Youth Breakout (New Orleans, LA): seeks to end the criminalization LGBTQ youth to build a safer and more just New Orleans, organizing with youth ages 13-25 who are directly impacted by the criminal justice system

Translash: a trans-led project uses the power of individual stories to help save trans lives, shifting the cultural understanding of what it means to be transgender, especially during a time of social backlash, to foster inclusion and decrease anti-trans hostility

TRANScending Barriers:  empowers the transgender and gender non-conforming community in Georgia through community organizing with leadership building, advocacy, and direct services

My Sistah’s House: a trans-led nonprofit providing first hand experience and field research to create a one-stop shop for finding doctors, social groups and safe spaces for the trans community, providing emergency shelter, access to sexual health services, and social services

TAKE Birmingham: focuses on discrimination in the workplace, housing advocacy, support for sex workers, providing trans-friendly services, and working to alleviate the many other barriers that TWOC face

Dem Bois: provides charitable economical aid for female to male, FTM, trans-masculine identified person(s) of color ages 21 years old and older for them to obtain chest reconstruction surgery, and or genital reassignment surgery

G.L.I.T.S: approaches the health and rights crises faced by transgender sex workers

Emergency Release Fund (NYC): aims to ensure that no trans person at risk in New York City jails remains in detention before trial; pays cash bails

HEARD: Helping Educate to Advance the Rights of Deaf Communities: supports deaf, hard of hearing, deafblind, deafdisabled, and disabled people at every stage of the criminal legal system process, up to and including during and after incarceration

Black Trans Advocacy Coalition COVID-19 Community Response Grant: works daily to end discrimination and inequities faced in health, employment, housing and education to improve the lived experience of transgender people

Princess Janae Place: provides referrals to housing for chronically homeless LGBTQ adults in the New York Tri-state area, with direct emphasis on Trans/GNC people of color

The Transgender District: aims to stabilize and economically empower the transgender community through ownership of homes, businesses, historic and cultural sites, and safe community spaces

Assata’s Daughters (Chicago, IL): Black woman-led; organizes young Black people in Chicago by providing them with political education, leadership development, mentorship, and revolutionary services

Collective Action for Safe Spaces: A grassroots organization that uses comprehensive, community-based solutions through an intersectional lens to eliminate public gendered harassment and assault in the DC area.

The Knights and Orchids Society (TKO) work for justice and equality through group economics, education, leadership development, and organizing cultural work throughout rural areas in Alabama

The Outlaw Project (Phoenix, AZ): prioritizes the leadership of people of color, transgender women, gender non-binary and migrants for sex worker rights

WeCare TN (Memphis, TN): Supports trans women of color 

Community Ele'te (Richmond, VA): provides safe sex awareness and education, linkage to resources, emergency housing assistance

TAJA’s Coalition (San Francisco, CA): ending violence against Black Trans women and Trans women of color 

Black Trans Task Force: intersectional, multi-generational project of community building, research, and political action addressing the crisis of violence against Black Trans people in the Seattle-Tacoma area

The Transgender District: stabilize and economically empower the transgender community through ownership of homes, businesses, historic and cultural sites, and safe community spaces

Black Trans Media (Brooklyn, NY): #blacktranseverything storytellers, organizers, poets, healers, filmmakers, facilitators that confront racism and transphobia

Garden of Peace, Inc. (Pittsburgh, PA): for black trans & queer youth, elevates and empowers the narratives and lived experiences of black youth and their caretakers, guides revolutionary spaces of healing and truth through art, education, and mentorship

House of Pentacles (Durham, NC): Film Training Program and Production House designed to launch Black trans youth into the film industry and tell stories woven at the intersection of being Black and Trans

Minnesota Transgender Health Coalition (Minneapolis, MN): committed to improving health care access and the quality of health care received by trans and gender non-conforming people through education, resources, and advocacy

RARE Productions (Minneapolis, MN): arts and entertainment media production company for LGBTQ people of color that promotes, produces, and co-creates opportunities and events utilizing innovative artistic methods and strategies

Baltimore Safe Haven (Baltimore, MD): providing opportunities for a higher quality of life for transgender people in Baltimore

Transgender Emergency Fund of Massachusetts: recently helped organize a Trans Resistance Vigil and March through Boston, in place of the Boston Pride Parade that was cancelled due to COVID-19

Semillas: in Puerto Rico, the trans, gender non-conforming and queer communities are facing many obstacles to survival

Street Youth Rise Up: change the way Chicago sees and treats its homeless and street based youth who do what they have to do to survive

(Ewan) Character Ask Game

This character ask game is from @epickiya722

Rules: Send a Ewan character + one of these questions for me to answer in my ask box. In turn, I will send YOU a Ewan character + question in your ask box.

1. Why do you like or dislike this character?

2. Favorite canon thing about this character?

3. Least favorite canon thing about this character?

4. If you could put this character in any other media, be it a book, a movie, anything, what would you put them in?

5. What's the first song that comes to mind when you think about them?

6. What's something you have in common with this character?

7. What's something the fandom does when it comes to this character that you like?

8. What's something the fandom does when it comes to this character that you despise?

9. Could you be roommates with this character?

10. Could you be best friends with this character?

11. Would you date this character?

12. What's a headcanon you have for this character?

13. What's an emoji, an emoticon and/or any symbol that reminds you of this character or you think the character would use a lot?

14. Assign a fashion aesthetic to this character.

15. What's your favorite ship for this character? (Doesn't matter if it's canon or not.)

16. What's your least favorite ship for this character?

17. What's a ship for this character you don't hate but it's not your favorite that you're fine with?

18. How about a relationship they have in canon with another character that you admire?

19. How about a relationship they have in canon that you don't like?

20. Which other character is the ideal best friend for this character, the amount of screentime they share doesn't matter?

21. If you're a fic writer and have written for this character, what's your favorite thing to do when you're writing for this character? What's something you don't like?

22. If you're a fic reader, what's something you like in fics when it comes to this character? Something you don't like?

23. Favorite picture of this character?

24. What other character from another fandom of yours that reminds you of them?

25. What was your first impression of this character? How about now?

26. FREEBIE QUESTION!!

Second attempt at the bracelet

Adding more pink was definitely an improvement!

I was inspired by the awesome bracelets MCR fans have shared on here and wanted to make one myself. So here's my Party Poison bracelet. It's the first one I've made and honestly I'm not happy with it. I was really excited to use this kit cuz it all these different colors but it took me FOREVER to figure out what colors (if any) to use for the letters. I also like things to be symmetrical. To follow a pattern. So I felt really unsatisfied that I couldn't do that with the letters. At the very least, I wanted it to look like something Poison would wear but the end result is just garbage. I think I'll take it apart and just do black and white letters but I feel strongly that there NEEDS to be color! Ugh! Anyway, fingers crossed I improve 🤞

Hello handsomest!! I saw it is (was/will be) your birthday ^^ and I wanted to come and wish you a joyful one, hope the love you give in this platform is given back to you in your daily, I've read some sporadic messages through and through and I wholeheartedly wish you are having a better time because I genuinely think you deserve the happiest of seasons in this life, sorry if my message doesn't come through or feels too flat, english is not my first language, but I mean to say I hope you're having a great happy birthday today and any other birthday, any other day in general actually, please take care<333

oh my gosh, thank you so much friend! 😭 You don't realize how much this meant to me. I greatly appreciate the well wishes. I've been feeling very down and invisible lately and your message brightened my spirit. All the love to you! ❤️

I got honey, sunshine, and warmth! I can't think of a better way I'd want my kiss described 🤗

people in fanfiction are so good at identifying v specific smells. I literally struggle to identify vanilla when I’m sniffing a candle labelled “VANILLA” how are these kids getting woodsmoke, rain, mint, and a whiff of byronic despair from a fuckin tshirt

refseek.com

www.worldcat.org/

link.springer.com

http://bioline.org.br/

repec.org

science.gov

pdfdrive.com

So This is Love

Movie: Beginners (2010)

Characters: Oliver Fields x Fem!Reader

Oneshot / Ficlet

Word Count: 531

Synopsis: Oliver reflects on the moment that he realized he loves you.

//This is my girlfriend. The love of my life. This is her when she’s happy.//

“Oliver, this better not be a prank.” You chuckled hesitantly. You had just got off from work when your boyfriend, Oliver, called you. He said that he had something to show you and it couldn't wait. When you got to his house, you were greeted by him and his dog Arthur waiting at the door for you. He had both hands behind his back and a cheeky grin on his face. Now, you found yourself blindfolded and being led by his hand. Although your boyfriend tended to be quiet and reserved, he still surprised you with bursts of spontaneity.

“Don't worry, I promise this isn't a prank…this time.” He jokingly reassured you. As he led you up the stairs and down the hallway, he smiled from ear to ear at the knowledge of what lay behind his bedroom door. He couldn't remember the last time he felt this giddy. He loved that you brought out this childish joy in him. “Here we are.” He said as he opened the door and gently pulled you inside.

You felt Oliver move behind you and untie your blindfold. When it came off, you blinked a couple times to adjust to the light. You were standing in front of the bed and your eyes were immediately drawn to the tiny ball of fluff on the covers. It was the most adorable calico kitten wearing a tiny red bow.

“Ta-da!” Oliver whispered in your ear as he placed a small peck on your cheek.

Your mind couldn't conjure any words. It was only a week ago that you told Oliver about your childhood cat and how you had to leave her behind when your family moved states. You shared how it broke your heart to give her away and you never forgot her. Now, you walked towards the bed and scooped up the kitty who began nuzzling into your neck.

“Told you it wasn't a prank.” Oliver said while smiling proudly.

Finally, your mouth caught up to your brain but as you turned to your boyfriend all you could utter was, “How?”

“My boss’s cat had a litter and this little one was the only one left without a home.” He explained. “It was such perfect timing that I felt it had to be a sign...do you like her?”

With tears in your eyes you exclaimed, “Oh, Oliver, I love her!” You couldn't believe you’d won the boyfriend lottery. How lucky and loved you felt to have such a thoughtful partner. You turned your attention back to the kitten and gently kissed her little head. The kitty replied with a soft chirp and started trying to climb up your shirt. You cooed at the rambunctious little rascal and closed your eyes in laughter.

Leaning on the doorframe, Oliver soaked in your happiness. Your laughter was the most beautiful sound to his ears. Your smile warmed his heart like the sun. It was at that moment, he knew that he would move heaven and earth if it meant you could stay like this. At that moment, he knew that he loved you.

EVERYONE STOP SCROLLING AND READ THIS NOW!

Bestie, this is everything I could've ever wanted. You mind! You're beautiful mind! I don't know what to say. This was food for my soul. You've inspired me to study film analysis. This breakdown blew me away! 🤯 I'm just rambling cuz I'm genuinely floored. Wow!

Queer Text/Subtext in Shallow Grave (1994)

CW: BLOOD, STABBING, MURDER, NON-SEXUAL NUDITY, DRUG USE

I guess I wrote a rough essay... about the queer subtext in Shallow Grave... Here... have the rough draft if you'd like...

Overt references to queerness:

When we look at contemporary movies, we often have a knee-jerk reaction to dismiss any “funny” references to queerness or sexuality to be taken as jokes and nothing further than that.  Unfortunately, this has become all too common, and does a disservice to the films we watch. So I will be taking every moment of referenced or implied queerness as serious, even if it is delivered in a humorous way. Especially because this movie is not meant to be a comedy (despite some humorous moments).

Furthermore, references to queerness in movies should be taken seriously because they establish not only the existence of queerness (in universe, as one might say), but can also demonstrate the character’s attitudes towards queerness.  Its important to notice that at no point in this movie are any references to queerness played for a laugh – they might be humorous, but we are not meant to laugh at the character for being queer, which indicates that queerness is taken seriously within the universe of the movie (or at least between the characters).

The first overt reference to queerness is when Juliet asks an interviewee if he is having an affair with a man or a woman and the man is not given screen time to answer. This same man bursts into tears after Alex, a man, says, “When did anyone last say to you these exact words, ‘you are the sunshine of my life’?” (this is a reference to the Stevie Wonder song of the same name). While it is technically (according to the script) said by Alex to a different interviewee, the arrangement of the shots does not indicate that, as it cuts directly from Alex asking the question to the man crying. This could imply a number of things.

The second overt reference to queerness comes at the charity ball, where a Scotsman says, “ladies and gentlemen, and those of you who are neither or both,” which is then met with a drumroll. Alex immediately responds, offended, “where did they dig him up?” implying that Alex finds the joke to be outdated and, perhaps, distasteful.

The third overt reference is when Alex dresses in drag. He also appears in the same scene, on the tape recording wearing some rather flamboyant costumes.  The fact that Alex is in drag is not addressed by any of the other characters, nor by Alex, indicates that this is either a usual occurrence, or, for some reason, entirely unremarkable to the characters.  Specifically, it is interesting that David does not comment on it, as he walks into the scene unsuspecting.

The fourth, and final, overt reference to queerness is when, upon being told of Juliet and David’s relationship, Alex says to Juliet, “I’d do exactly the same thing except I don’t think I’m his type.” If the line is interpreted sarcastically (which I think most viewers will) then we can assume that he is jealous of David for being with Juliet. If it is interpreted as earnest, then we can assume that he is jealous of Juliet for being with David. It also could be an ambiguous combination of both.

Queer Subtext:

Now let us dig into the subtext, which I actually find to be much juicier....

The Squash Scene and the Car

Directly after the interviews have concluded, we are given a scene which helps frame the relationship between the three characters as one built on dynamics of domination and submission and gives us a baseline to understand each of the character’s roles within this dynamic. This scene takes place on the Squash court.

There is a deviation here between the script and the film, as several lines have been cut, but I will include them as they add some context to the scene.

In the above text, Alex indicates that he sees this game of squash as a struggle for dominance. In this case, the game between Alex and David is won by Alex, who then, despite having called David a “bad loser,” demonstrates that he is a sore winner when he gloats over David by saying, “defeat, defeat, defeat – sporting, personal, financial, professional, sexual, and everything.”

David is clearly annoyed by this and storms off. This scene sets up the ongoing power dynamic between Alex and David in which Alex is the dominant one in the relationship. It also is the first time that we see David being emasculated by Alex, which will continue occurring for the first half of the movie.

Immediately after David leaves the court, Juliet takes his place to play a match against Alex.  In this scene she is wearing a rather masculine outfit which is similar to that of the two male characters. She also sports short hair throughout the movie, but this is the scene in which she appears the most “boyish.”  When she enters the court to play, Alex begins to make the same statement (“Did you know squash is-”) that he made (in the script) earlier, to David. Thus he is using this exercise as a way to exert dominance, not only over David, his male sexual rival, but also over Juliet, thus implying that she is on equal footing – therefore also a sexual rival. However, Juliet cuts him off and tells him, “Alex, just serve.”

The action of cutting off Alex denies him domination in that moment, thus establishing that the two of them are on much more equal footing, or possibly that Juliet is in fact the dominant one between the two of them.  This scene serves to establish that typical gendered dynamics are somewhat blurred between these three individuals, and that David, instead of Juliet, takes on the most feminine/passive role in the group.

The next scene once again highlights the complicated gender and power dynamics within the group.  Juliet drives the car (masculine) while Alex and David bicker with one another from the back seat and passenger seat, respectively.

In this scene, addressing Alex’s win, David says, “Victory is the same as defeat – it’s giving into destructive competitive urges,” which distances him from competition, and could be interpreted as him rejecting the masculine urge to dominate.  Alex, in return, emasculates him by belittling his reliance on a “discussion group,” (implied to be therapy). During this scene, Alex and David are looking at one another, however, the rear-view mirror blocks both of their eyes. This symbolizes their unwillingness to see “eye-to-eye and perhaps a certain level of repression between the two of them.  Also in this scene, Juliet physically dominates Alex by elbowing him in the chest, and attempts to emasculate him verbally by implying that a woman that he is interested in hates him. She does this specifically in response to Alex’s emasculation of David, thus establishing that while Alex might be dominant over David, she is dominant over him.  During this exchange, however, in her attempt to protect David from Alex, David is further emasculated because he relies on someone else to defend him.

Discovering the Body / Three Friends, Three Bodies

When the trio discovers Hugo’s body we see some more of this interesting dynamic.

David stands by shocked while Alex ransacks the room searching for paraphernalia, while Juliet (the doctor among them) attends to the body.

Hugo’s nude corpse in this scene represents male vulnerability. He is prone and exposed on the bed, having overdosed on heroin, and can do nothing while his privacy is violated (by the dominant, Alex).  The injection of drugs into the body, in this case, could also be said to symbolize emasculation - the breaking of the body barrier through penetration of a syringe (phallus). This exemplifies a significant cultural fear at the time – death of the male body via penetration, which had become a major concern due to the HIV/AIDS epidemic. (If I was writing this essay for real, this is where I would insert articles that demonstrate horror’s preoccupation with AIDS and gay stuff during the 80s and 90s, but this is just for fun)

David, of course, is enamored by this display of the fragility of the male body. I would suggest that he identifies with Hugo’s vulnerability in death, and that the treatment of Hugo’s body by Alex and Juliet mirrors the way that they treat David. While Alex takes advantage of Hugo’s vulnerability in death by violating his privacy (thus dominating it), Juliet emasculates Hugo’s corpse by tending to it.  In one shot, we also see Juliet’s fingers dangerously close to penetrating Hugo’s mouth.

We can also expand upon this by recognizing that the two male characters that are pursuing Hugo and the trio in search of the money, are parallels to Juliet and David.  The two men are able to dominate Juliet and Alex through violence, only then to be killed by David. Thus, the three bodies that the trio end up burying are parallels to the trio themselves.

David Overcomes Emasculation, Alex Becomes Emasculated.

Alex’s emasculation of David continues throughout the first half of the movie, culminating in David being forced to dismember Hugo’s body (the very body that he identifies with).  When this occurs, he becomes the violator/aggressor/dominator.

This occurrence proceeds the change in the group dynamic. Around the midpoint of the movie (during the charity ball) we see David transition into a dominant role in the trio, while Alex becomes submissive.

This is demonstrated first by Juliet dominating Alex while they dance. Alex falls to the floor, drunk, and Juliet takes that moment to step on Alex’s mouth, forcing him to lick the bottom of her shoe.  He then willingly kisses her ankle, meeting her eye contact submissively. It is made clear through his facial expressions and laughter, that he finds joy in this act, thus embracing the emasculation (whereas David had always responded poorly, rejecting it).

Alex then attempts to re-exert control over David by forcing him to toast when he doesn’t want to. David eventually concedes after Alex yells at him, demanding that he toast to “love and happiness forever.”  (Alex also humiliates and emasculates Cameron in this scene).

David finally exerts control when Brian McKenly (a man keen on pursuing Juliet) interrupts their conversation. David responds by standing on level with Brian and stating, “If you want to talk to my girlfriend, you talk to me first. If you want to dance with her, you apply in writing three weeks in advance or you end up inside of a fucking bin bag. You didn’t apply – so you don’t dance!”

While David shrinks a bit afterwards, admitting that he found the interaction stressful, both Juliet and Alex embrace him, in high spirits (one might say… aroused…). Alex exclaims, “He [David] was really good – fucking bin bag – I really liked that. You really explored your maleness to the full there! You were magnificent.” This statement indicates that Alex, who has rarely had an encouraging word for David over the course of the movie, is invigorated upon seeing that David has stepped into a dominant role, exerting his masculinity onto others. Immediately following this, Alex is assaulted in the bathroom by Cameron (who he had emasculated twice prior) and two other men, who beat him quite badly, thus emasculating Alex.

The following day, Alex’s emasculation is made complete when he dresses in drag and spends the day in debauchery with Juliet. The framing of his and Juliet’s bodies during this scene is also worth noting, as they are often visually indistinguishable from one another – with Alex being noticeably more feminine than Juliet in several shots due to his makeup, jewelry, dress, and rather delicate shoulders.

(Notably, during the entirety of the ball scene and much of the drag/video scene, Alex is often pictured smoking a cigar instead of his usual cigarette, which could be said to stand in for a phallus.)

From this point on, David is almost always dominant over Alex. (One notable exception is one moment where Alex leans in close to David during dinner and orders, “now swallow,” while making very intense eye contact. David regains control by reminding Alex that David was the one who dismembered Hugo’s body.)

After this point it is clear that David is undergoing some extreme psychological stress, and has become paranoid and aggressive.  His shift in demeanor is most clearly symbolized by this shot, where he calls out of work so that he can begin making plans to protect the cash.

The Wickerman

During one scene, an injured Alex lays on the couch and watches the final scene of The Wickerman (1973). 

The Wickerman tells the tale of a conservative Christian police officer who goes to a Scottish isle to investigate the disappearance of a girl, only to discover that the locals are practicing a form of paganism that involves human sacrifice. The police officer discovers that he is in fact the sacrifice.  It is implied that he is the sacrifice because he is a virgin and a heterosexual, and he is unwilling to have sex with Christopher Lee’s character.  Christopher Lee was most well known at the time for playing the lead in Dracula (1958) – another movie with extremely well documented queer subtext. The audience of The Wickerman would have been aware of this.

During this scene, the drumbeats of the pagan ritual, where the police officer is being marched to his execution/sacrifice, synchronizes with David’s steps overhead, a sound that the characters and the audience come to associate with surveillance and dread.

Honestly this scene has me a bit stumped. Who does Alex identify with in this situation? The heterosexual victim? – is the ending subverted because his submission culminates in… the penetration of Alex's body… thus making him queer? Idk it's been a long day.

Surveillance

During the second half of the movie, David moves into the Attic and rarely comes down when his housemates are home.  He is protecting the money, both from his housemates and from the men who eventually come looking for it. While Alex and Juliet are brutalized by the men, David is the one who has set a trap for them, and is able to kill them. He also leads the trio to dispose of the bodies, and drives the van (whereas Alex had driven the van the first time they disposed of the bodies, when he had been the dominant one in the relationship).

During his time in the attic, David drills holes in the ceiling so that he can spy on his housemates. He is literally in a dominant position over them, looking down on them while they go about their daily tasks. In one scene, he spies on Alex and Juliet while they are sleeping. In this scene, he is shown first to be watching Alex. David is also in a state of undress that we have not seen before, implying a certain sensuality to the observation. We do not get to see Alex in a state of undress, but the scene finishes with Alex putting his shoes on, the camera looking down from above, implying David’s Point of view, and that he had watched the whole time. After Alex leaves, David moves to watch Juliet, in a scene that is much longer and more explicitly inappropriate and sexualized, especially because we come to understand that David’s temporary attic bed is located directly over her bed. However, before she begins undressing, he looks away and holds his head in his hands.

This scene simultaneously offers us a leveling effect between the two objects of David’s gaze (Alex and Juliet), while simultaneously prioritizing the heterosexual coupling. However, the implication that there is shame associated with the heterosexual gaze, complicates the situation.

Penetration with the Drill (Phallus)

When Alex goes into the attic to look for the money (and finds it in the water tank), he climbs back down the ladder only to be confronted by David, who is holding a drill (phallus) as a weapon.  Alex’s hands are wet from the water, and he frantically wipes them on the seat of his pants, behind his back, visually placing his hands as a barrier to his anus. The Drill makes contact with Alex's head and breaks the skin in an act of penetration (the body barrier is broken). This is the first scene in which David directly engages in domination (and penetration) of Alex.

David’s Glasses and Alex’s Photo

Lenses, mirrors, and portals/doorways are deeply significant visual aids in this movie, but I want to highlight the one that stood out to me the most. When Juliet and David have (implied) sex, at which point they solidify their status as a couple, David removes his glasses, and places them on Juliet’s bedside table.  Underneath the glasses is a photo of Alex in costume, a cigar in his mouth, framed through the lens of the glasses.  The photo was taken on the day in which we see Alex at his most feminine, at a point where he had been thoroughly emasculated (beaten in a bathroom by a man that he had emasculated multiple times). The framing of the photo, through the lens of David’s glasses implies that this is how David sees Alex – costumed, emasculated, and with a phallus in his mouth.

This photo is also shown once more in the film; David holds the photo of Alex as he lies in his attic bed, and he pins it above his head so he can look at it. The scene cuts to Alex, also in bed, who then gets up. It once again cuts back to David, who also gets up, and we see that Juliet lies asleep next to him. This follows a pattern of shots that we’ve seen before in the film (see the Surveillance section), where we see David watching Alex in what could be interpreted as a sexual or romantic way, before the camera reveals Juliet and lingers significantly. The implication is that whatever there is between David and Alex always gives way to the relationship between David and Juliet.

Returning to the glasses - the final time that we see them is during the climax of the movie. The three characters are struggling against one another, and David’s head is forced into the refrigerator so that Alex can try and smash him with the door.  He manages to throw Alex off, but not before his glasses are caught on the shelf of the refrigerator, thus knocking them off his face.  Having David’s glasses be knocked off would not typically be significant in a fight scene such as this, however the camera goes out of its way to linger on this shot, indicating that the symbolism here is important.  The other time that we have seen David remove his glasses has been before he has (implied) sex with Juliet. In this case, the removal of the glasses occurs just before David pins Alex in his final act of domination, which then culminates in the ultimate symbolic act of sexual penetration – David stabbing Alex with a knife (phallus).

NOTE: David is also pictured without glasses at the beginning of the film, where he is lying on his back, and halfway through the film, after he has dismembered Hugo in a symbolic act of violence against his own vulnerability.  In the first scene we hear his monologue; “I’m not ashamed, I’ve known love, I’ve known rejection. I’m not afraid to declare my feelings. Take trust for instance, or friendship. These are the important things in life. These are the things that matter, that help you on your way. If you can’t trust your friends well, then what then? What then? This could have been any city, but all the same.” It is unclear until the end, but it seems that the first time that we see David, right at the beginning, we are actually seeing him postmortem in the morgue. Meaning that the monologue is a lament on his life... (You're not ashamed of what, David? Being a bit gay, perhaps?)

Penetration with the Knife (Phallus)

At the climax of the movie, after David’s glasses have been removed, we arrive at David’s final act of domination over Alex.  David pins Alex to the floor by sitting on his stomach, with Alex’s legs pinned underneath his knees in a position that could be interpreted as sexual.  He then holds Alex by the throat, and stabs him in the shoulder, slicing clean through and penetrating the floor.  The act of stabbing (penetrating) a victim with a knife (phallus) is one often noted in analysis of horror films, as having sexual implications (again – I’d find some article about it here if I was a serious writer lol).

Before David can stab Alex again with a second knife, David is stabbed with a knife through the throat from behind by Juliet.  Thus Juliet, who has been a dominant character throughout the movie, is symbolically penetrating David with a phallus. Furthermore, the location of the stabbing in the throat and from behind, implies that David has now suffered, once again, an emasculation, just as he had just preformed on Alex.

David collapses and dies, just as Hugo did, from emasculation through the body barrier being broken from penetration. Thus, David’s identification with Hugo’s corpse and the vulnerability that it represented, is complete in this moment.

Juliet then kneels over Alex, taking up the same position that David had just occupied, and places her hand on the knife in Alex’s shoulder, pressing on it, thus taking David’s place as the one to dominate Alex.  She then removes her shoe, and in an act that mirrors the scene from the charity ball in which she dominated Alex by having him lick her shoe/foot, she uses her shoe to hit the knife three times, driving it deeper into his shoulder, further penetrating him.  Thus, in her final interaction with both David, and Alex, she has penetrated them.

As she puts her shoe back on, we can see inside of the refrigerator, where we once again see David’s glasses, recalling once again that this scene is coded as sexual in nature through the movie's visual language.

As the movie closes, we discover that Alex is alive (probably), and that he has hidden the money underneath the floorboard. In the ultimate irony of the movie, the character that spent the second half of the movie being coded as the submissive (homosexual receiving) partner, has come out on top, despite the other two character’s attempt to dominate (and kill) him.

Uhhh the credits roll, and they're all shown as they were in the first scene of the movie, smiling, laughing, and the love song "Happy Heart" plays...

I GOT THEM!!!! And y'all, by the time I got off work there was not just one, not two, but THREE Ewan movies available and I got them all! You know what's crazy? The movies for sale were the next three movies in line for review in order! Moulin Rouge, Black Hawk Down, and Attack of the Clones! Isn't that cool? That brings my Ewan movie collection to five! I also got the movies Red and Red 2. Red 2 was available this morning and I considered getting it but I like the first one better so I didn't want to only buy the sequel. When I got off work, the first movie was available for sale so I went ahead and got them both! I don't think anything can dull my shine today! I shouldn't have bought so much. I'm sure I'll regret it later. Right now, I'm on cloud nine 😁🥰🥳

ALERT! ALERT!

Try to stay calm but THE "MOULIN ROUGE" DVD IS FOR SALE AT MY JOB!!!! I literally said "oh my fucking god" when I saw it. But I can't buy it because I'm on the clock and I still have 4 hours until I clock out 😫😫 I'm so scared that it's going to get bought in that time! It's brand new, still in the plastic, and only 2 DOLLARS! Oh my god, I want it sooooo bad!

Edit: I just got a chance to actually pick it up and take a look and it's not new in the plastic. Doesn't change anything for me of course. Also, another Ewan movie "Black Hawk Down" is available too! There's a good selection of general movies we have today and I'm tempted to buy an armful lol