it really frustrates me to think about how people are inevitably going to take Remmick’s one (1) singular statement about how much he resents the way the Irish were colonized and forcibly converted to Christianity and use it as fuel for “actually he had a point” and “he was right actually” and “he’s not really the villain here” posts, when the whole point is that Remmick is, through the vampiric hive mind he’s creating, forcibly assimilating people into yet another manipulative and parasitical system. he doesn't value the cultures of the people he assimilates—notice how all the vampires he turns dance to his culture's music using his culture's dances, and how he only uses the languages or knowledge other vampires have to offer when he needs to manipulate someone. Remmick is extremely transparent about the way he sees the people he turns as resources to exploit.
he’s perpetuating a cycle that he claims to hate and resent, and I think the movie is pretty damn clear about the fact that he doesn’t see anybody as valuable or useful to him except as prey and as pawns—otherwise he would just, you know, focus solely on people who actually consent to being turned. but he looked sad in that one scene and he’s an apparently attractive white cis man so people are gonna bend over backwards justifying all the harm he did.
Alright, I know it’s out there and I need it.
Who has the Great Gatsby Slime Tutorial. Cough it up please and thank you.
(Genuinely I, like a lot of people, Really want to see it, and if I see one more clip of it on my TikTok and can’t watch the full thing I’m going to scream)
if sinners (2025) taught me anything, it's that it IS actually always about race.
you can be oppressed, and still promote and maintain the very same systems of oppression onto other marginalized people. being oppressed in one dimension doesn't allow you to be exempt from oppressing in other dimensions. the "villain" of the movie, remmick, being from the time period of the english colonization of ireland, all the while wanting to take a piece of sammie's own culture from him, use him for it. and this plot point coming after remmick witnesses the significance of sammie's playing within his culture, for his ancestors and how it would shape Black culture in the future.
even in today's society, ive noticed that people treat Black people like a commodity. our worth is only as much as other people decide it to be, and that's usually dependent on how much the oppressor can take from us. for example, the controversy of"internet slang" and how it is blatantly just AAVE with a bad disguise on
do you listen to Black musicians? do you watch Black movies? do you engage with Black creators? do you defend the racist tendencies you notice in your friends, in your family, or do you stay silent? do you listen when Black people tell you you've said or done something racist? do you actually care about not being racist, or do you just not want to look like you're racist?
i just think people have a very specific take on what racism is, and that if they're not committing KKK-levels of violence on people, then they're not racist. or if you've experienced oppression in one form, you cannot possibly be engaging with oppression in another form. but the ways in which we interact with other people and the world will always be through the lens of race, because that is simply what it means for oppression to be systemic, especially in the US and our current political climate
anyway 10/10 movie. highly recommend
Two Irish words I find interesting, found out about them in the book Thirty Two Words For Field by Manchán Magan :
"Iarmhaireacht - the loneliness you feel at cockcrow, when you are the only person awake and experience that existential pang of disconnection, of not belonging" "Díláthair - (...)the abscense felt when something or somewhere has been depopulated or destroyed by other human beings."
I often think about how loneliness is a more powerful emotion in theatre because you’re in a room full of people who all powerless to do anything but watch and I saw Eva Noblaza as Eurydice in Hadestown the other day and I cannot get her guttural “is anybody listening” out of my mind, she was screaming for someone to listen and you’re sat there mere metres away unable to let her know that you are, that her story is being told and she matters, so many people are listening but she doesn’t know that
was scrolling through the "the mechanisms was Jon Archivist's college band" tags on ao3 and misread "martin finds out Jon is the lead singer of his favorite band" as Melanie, and i honestly think that would be a hundred times funnier. imagine your eldritch boss who you fucking hate but sounds vaguely familiar asks what you're listening to one day out of awkward obligation to make British Small Talk and you roll your eyes and tell him he probably doesn't know them and then you drop their name and he goes very still and flushes and suddenly Jonny D'Ville is speaking in your airpods and you're looking at your boss (who again, you fucking hate) and your world crashes and burns
tbh I can't stop thinking about how i went into Hadestown being like "this is a tragic love story based on a greek myth I enjoy :)" and I came out the other side covered in blood being like "this is a thesis about how capitalism inevitably leads to both personal and global ruin, and so we are duty bound to resist it even as we lose, again and again and again. no matter how impossible it feels or how many times we fail and hit a wall and fall, we try again"
Chant I in a nutshell (click for higher image quality)
(OG meme under the cut!)
“We sing it once a day, not twice”
Love the new lore that the trolls cannonicly sing facade once a day every day.
She/They/It ○ Proof that can Classic Lovers Stupid ○ TMA Brainrot ○ "We Irish are too Poeticial to be Poets, A Nation of Failures but the best Talkers since the Greeks" - Oscer Wilde ○ The Autism is Strong with Me ○ Of Course I'm Queer Aswell○
135 posts