I Feel Like Putrice And Rancilda Are Really Clumsy In Human Form, And Because Of That They Both Fell

it really frustrates me to think about how people are inevitably going to take Remmick’s one (1) singular statement about how much he resents the way the Irish were colonized and forcibly converted to Christianity and use it as fuel for “actually he had a point” and “he was right actually” and “he’s not really the villain here” posts, when the whole point is that Remmick is, through the vampiric hive mind he’s creating, forcibly assimilating people into yet another manipulative and parasitical system. he doesn't value the cultures of the people he assimilates—notice how all the vampires he turns dance to his culture's music using his culture's dances, and how he only uses the languages or knowledge other vampires have to offer when he needs to manipulate someone. Remmick is extremely transparent about the way he sees the people he turns as resources to exploit.

he’s perpetuating a cycle that he claims to hate and resent, and I think the movie is pretty damn clear about the fact that he doesn’t see anybody as valuable or useful to him except as prey and as pawns—otherwise he would just, you know, focus solely on people who actually consent to being turned. but he looked sad in that one scene and he’s an apparently attractive white cis man so people are gonna bend over backwards justifying all the harm he did.

"why we build the wall" from hadestown is really gonna trip up future media analysis students. they'll be like "ah a piece of media from the 2010s referencing building a wall to keep out the poor, clearly this is a reference to the president of the united states from 2016-2020", and then their professor will have to be like "actually the concept album for this musical came out in 2010"

saw a theory that the SmokeStack twins were posing as one man in Chicago, which helped them get away with stealing from both sides. i'm poised to believe that because visually their clothing was very clearly of the two mobs. smoke was full irish— tweed, bowler hat. while stack had the full mafia look. yk italian leather shoes, fedora etc etc . like the details!!

Everytime I struggle to find the effort to keep learning irish a little demon in the back of my head goes "DO IT OR YOU LOVE COLONIALISM"

It is surprisingly helpful

ok no one told me this, so just so everyone else knows:

Cinderella’s Castle has hella puppets. it has incredible puppets. holy fuck does this show have puppets.

i love puppets so much and these puppets are so good. like, these are some phenomenal puppets i dont know how to cope. I’m going to be drawing these characters until i die, this is it for me.

I actually adore the ending of Cinderella's Castle. Like some people wish there was more to it (which is valid ofc!) but IT'S literally so perfect to me. Ella showing up in the audience? Always love when that happens in theatre. The reveal of how she's back through the shoes technically being on her feet again? Gotta love a suprise loophole. Her standing on the block like the Fairy Queen was to indicate the power she now has? Wonderful parallel. Her throwing the Step-Mother's words back at her? Especially the 'allow me to reacquaint you with your fear' ? Absolutely DELICIOUS eating it up. And of course the cherry onto is the Ash to Ash reprise with Bryce's angelic vocals. It's absolutely perfect.

That's it. That's the post.

Spoiler warning for Cinderella's Castle under the cut.

While I will say (even this early in her time with the company) that this show was Bryce's finest hour, we need to draw attention to Ella's death scene.

Every time I watch it, I have such a visceral reaction, but I still pay attention to it because of her acting in this scene.

How Ella cries out to her parents as Putrice and Rancilda restrain her. It brings to mind soldiers fatally wounded in combat, calling out for a loved one that they wish to see one last time.

Her attempt to pray to the Nine Good Gods; even after the Fairy Queen disproved her faith, it's still the only faith that she knows. It was probably one of the only things that she had left after her father's death.

She truly sounds like she's in pain when the Stepmother makes the first cut to her leg, only reduced to sobs because she's in too much agony to speak.

But she still has enough defiance left in her to curse the trolls.

Even if the way the sequence is written and acted out makes it seem as if Ella dies pretty soon after her leg is severed, I can easily imagine her drifting in and out of consciousness as she continues to bleed out onto the table.

Maybe she's ready to give up.

Maybe she's afraid that, if there are no Nine Good Gods, there's no greener field beyond. And that means that she'll never see her parents, or Justine and Lucy again.

So death isn't even a comfort anymore.

If Hadestown has a moral, she says, then it’s “you have to try, you have to have hope, not because success is a given – it’s not. Orpheus fails. We heroicise” – here she breaks off to apologise that jet lag has led to her making up words – “we heroicise Orpheus not because he succeeds but because he tries, and that endeavour alone is worthwhile. How to live, and not merely survive, is to believe things could change.”

Anaïs Mitchell on her musical Hadestown: 'I worked on it so long I was afraid I'd never make another record'

There needs to be more irish (language) representation in media - even just a fáilte sign or something.

Irish was outlawed in ireland by colonists until it gained independence, and people taught their kids english because it was necessary for work or immigration. So Irish has taken a beating - but it's making a comeback!

Either way, if there was irish in song lyrics or short moments that don't need to be translated to understand what's being conveyed, that would be amazing and wonderful and awesome and brilliant and epic.

To any creators who do - go raibh maith agat :)