How To Romanticize Life

How to romanticize life

Perhaps that has been talked about before (it certainly has been talked about before, but I’ve never seen it implemented towards a romanticization of life specifically). 

This thought started once upon a time, when I was seeing many of those posts talking about how to romanticize life, especially when it was not romantic at all to begin with. The thing with these posts that I’ve seen (not a problem, just an observation) is that all of them talk about specific images of romance, rather than talk about how to achieve these. For example, one would talk about “strolling down a wooden area” or “wearing a specific ensemble”, but from my own experience, these actions alone are not enough to properly romanticize one’s life. 

And then, after I enjoyed a particularly romantic moment myself (doing the dishes, of all things!), I sat down and wrote about it, wondering why this specific activity (which I usually find myself indifferent to) brought upon me those feelings. And then, it dawned on me.

To romanticize one’s life, it is not about a specific activity, but about the grace, the elegance, we put in any activity we do. 

It is about being mindful of the action itself. About deliberate movements we do to achieve that elegance. And, at the root of it all, it is about being in the present. 

Elegance is rarely achieved naturally. It is true, some people might appear to us elegant by nature, because of how they talk, how they walk, how they hold themselves, but mostly, elegance is a choice. And it comes in two easy steps.

1. Posture.

When someone brings about the image of a long commute on the bus and how wretched that makes one feels (I know, this is a time of pandemic, we avoid the bus when we can, but for the sake of the experiment, let us imagine). It requires a simple shift in posture, to elongate one’s body against the back of the seat, to bring the head a little higher, and to hold onto a phone or a book with care, as if the item is precious (as it should be). And suddenly, the ride becomes romantic. Because, at that moment, your brain shifts from your thoughts (about the ride) to your body. Take a moment to appreciate the fact that your body is now talking to you in places you usually ignore it and look out the window. You are now in a period drama. 

2. Slowing down.

One particular movement I can think of that brings about either indifference or complete hatred is this one: putting on a mask before going out/going in a closed space. Well, even that singular moment can become elegant, therefore romantic, with this simple step: when one slows down their movement to put it on. It takes just a couple of seconds, no more than usual, but it demands an attention turned towards the body rather than the mind. Feeling each fingers stretching with the elastic going around the ears, softly pulling the fabric above the nose and under the chin, making those last adjustments before going in. The whole thing takes around 3 seconds. But your brain, in those 3 seconds, is able to override any thoughts you might have had then, and focused on those movements. Take a moment to appreciate hearing your body where you thought it was once quiet. The period drama you are in has multiple episodes. 

There are plenty of other small ways to bring more elegance (and romanticism) in one’s life. Taking the time to pronounce our words better, reading a book and clearly hearing all the words in our head, carefully selecting which clothes to wear and feeling their material on the tips of our fingers, choosing a style of writing that is more polished than usual, no matter the language (which I did at the beginning of this post, to prove a point - writing a post on Tumblr is far from romantic, but I made it happen for me anyway and then I got bored because I’m only human and I can romanticize things only up to a point). It does not matter where you are, how much you have, the style you prefer to walk around. It is all about taking the time to feel those actions in our bodies.

Romanticizing life is akin to a meditation. For people who do not like meditating. Think about those period dramas you like (c-dramas count, they’re just as aesthetically pleasing!), think about those youtube video you can’t stop watching (thinking of Bernadette Banner here, as well as Liziqi). They all have that in common. They show us deliberate, carefully chosen images, and those images have a proper posture (no shaky cam) and every movement look somewhat slower so we can properly see what is happening on the screen. 

Of course, it is entirely possible to romanticize our lives in retrospect. To think about our week and see all those times life has been romantic, despite us not trying. But true romanticism is lived in the moment. So enjoy it as it lasts.

TL;DR To romanticize something is not about doing certain activities. It is about being present in any actions we take. It is about mindfulness. It is a form of meditation for those who do not like meditating. Being in the body rather than in the mind. As romantic and pleasing as images and ideas are, it really is through the body that we experience the feeling of romanticism. 

Now, go forth, and feel the romanticism of your life as it is. 

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Me too. It would be amazing ! 🥰

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YOUNG ADULT CONTEMPORARY:

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keeping you a secret by julie anne peters

grl2grl by julie anne peters

lies my girlfriend told me by julie anne peters

far from xanadu by julie anne peters

rubyfruit jungle by rita mae brown

annie on my mind by nancy garden

kissing kate by lauren myracle

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dare truth or promise by paula boock

gravel queen by tea benduhn

her name in the sky by kelly quindlen

tell me again how a crush should feel by sara farizan

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my best friend, maybe by caela carter

dirty london by kelley york

ask the passengers by a.s. king

empress of the world by sara ryan

pages for you by sylvia brownrigg

waiting in the wings by melissa brayden

breathing underwater by lu vickers

hood by emma donoghue

between you & me by marisa calin

starting from here by lisa jenn bigelow

about a girl by sarah mccarry

the flywheel by erin gough

the necessary hunger by nina revoyr

the house you pass on the way by jacqueline woodson

about a girl by joanne horniman

gravity by leanne lieberman

another life altogether by elaine beale

great by sara benincasa

the gravity between us by kristen zimmer

taking flight by siera maley

the road to her by k.e. payne

the summer i wasn’t me by jessica verdi

unspeakabe by abbie rushton

beauty of the broken by tawni waters

read me like a book by liz kessler

starring kitty by keris stainton

holding back by mila kerr

cam girl by leah raeder

not otherwise specified by hannah moskowitz

an unstill life by kate larkindale

look both ways by alison cherry

a story of now by emily o’beirne

my summer of love by helen cross

marionette by t.b. markinson

the difference between you and me by madeleine george

the bermudez triangle by maureen johnson

girl walking backwards by bett williams

FANTASY/PARANORMAL/SCIENCE FICTION:

the dark wife by sarah diemer

twixt by sarah diemer

the witch sea by sarah diemer

sugar moon by sarah diemer

far by sarah diemer

carmilla by joseph sheridan le fanu

ash by malinda lo

huntress by malinda lo

adaption by malinda lo

the traitor baru cormorant by seth dickinson

karen memory by elizabeth bear

bleeding earth by kaitlin ward

lady knight by l.j. baker

the second sister by rae d. magdon

wild by meghan o’brien

santa olivia by jacqueline carey

everafter by nell stark

iron & velvet by alexis hall

silver kiss by naomi clark

with her body by nicola griffith

ammonite by nicole griffith

the windup girl by paolo bacigalupi

a harvest of ripe figs by shira glassman

seven by jennifer diemer

braided by elora bishop

crumbs by elora bishop

labyrinth by pearl north

the drowning girl by caitlin r. kiernan

the red tree by caitlin r. kiernan

the big lie by julie mayhew

the first twenty by jennifer lavoie

the girl in the road by monica byrne

every dark desire by fiona zedde

CRIME/MYSTERY/THRILLER:

black iris by leah raeder

dangerous girls by abigail haas

far from you by tess sharpe

slow river by nicola griffith

the blue place by nicola griffith

stay by nicola griffith

vanished by e.e. cooper

keepers of the cave by gerri hill

hunter’s way by gerri hill

child of doors by j.s. little

scars by cheryl rainfield

trust me, i’m trouble by mary elizabeth summer

out of order by casey lawrence

reconstructing amelia by kimberly mccreight

vicious little darlings by katherine easer

HISTORICAL:

the paying guests by sarah waters

tipping the velvet by sarah waters

affinity by sarah waters

the night watch by sarah waters

fingersmith by sarah waters

the price of salt by patricia highsmith (also known as carol)

wildthorn by jane eagland

silhouette of a sparrow by molly beth griffin

lies we tell ourselves by robin talley

patience & sarah by isabel miller

the hours by michael cunningham

the well of loneliness by radclyffe hall

mrs dalloway by virginia woolf

the world unseen by shamam sarif

map of ireland by stephanie grant

hild by nicole griffith

honey girl by lisa freeman

letters never sent by sandra moran

fall on your knees by ann-marie macdonald

the last nude by ellis avery

the teahouse fire by ellis avery

olivia by dorothy strachey

the friendly young ladies by mary renault

moon at nine by deborah ellis

the marriage recital by katharine grant

the crimson ribbon by katherine clements

the other typist by suzanne rindell

days of grace by catherine hall

desert of the heart by jane rule

ADULT FICTION:

sing you home by jodi picoult

and playing the role of herself by k.e. lane

i can’t think straight by shamim sarif

stone butch blues by leslie feinberg

curious wine by katherine v. forrest

the color purple by alice walker

jericho by ann mcman

oranges are not the only fruit by jeanette winterson

gut symmetries by jeanette winterson

why be happy when you could be normal? by jeanette winterson

written on the body by jeanette winterson

where we belong by catherine ryan hyde

at the water’s edge by harper bliss

behind the green curtain by riley lashea

96 hours by georgia beers

all that matters by susan x. meagher

give me a reason by lyn gardner

ice by lyn gardner

my last season with you by s.v.c. ricketts

taking the long way by lily r. mason

nightwood by djuna barnes

living at night by mariana romo-carmona

choices by nancy toder

cassandra at the wedding by dorothy baker

landing by emma donoghue

stir-fry by emma donoghue

pitifully ugly by robin alexander

COMICS BOOKS/GRAPHIC NOVELS:

blue is the warmest colour by julie maroh

fun home by alison bechdel

dykes to watch out for by alison bechdel

honor girl by maggie trash

skim by mariko tamaki

potential by ariel shrag

strangers in paradise by terry moore

NON-FICTION:

odd girls and twilight lovers by lillian faderman

surpassing the love of men by lillian faderman

chloe plus olivia by lillian faderman

to believe in women by lillian faderman

sapphistries by leila j. rupp

inseparable by emma donoghue

passions between women by emma donoghue

dear john, i love jane by candace walsh

a woman like that by joan larkin

aimee & jaguar by erica fischer

the femme mystique by leslea newman

boots of leather, slippers of gold by elizabeth lapovsky kennedy

different daughters by marcia m. gallo

between women by sharon marcus

charity and sylvia by rachel hope cleves

lesbian culture: an anthology by julia penelope

alice + freda forever by alexis coe

behind the mask by matthew dennison


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