Lady-arcane - Lady Arcane

How the Mighty Fall :(Quietly)

Gojo Satoru met her on a day so ordinary, he almost didn’t notice her.

Almost.

She was standing by a cracked vending machine outside a jujutsu conference hall, jamming the return button like it had personally insulted her.

Her uniform was rumpled, sleeves half-rolled, phone balanced on her shoulder as she muttered into it.

When she hung up, she let the phone fall into her pocket without ceremony, kicked the vending machine once (precisely, as if she’d calculated it), and grabbed the stubborn can of coffee that tumbled out.

When their eyes met, she gave him the same look she might’ve given a mildly interesting cloud.

He wasn’t used to that.

Gojo Satoru was used to stares that held awe, fear, lust, envy.

He wasn’t used to being dismissed.

He told himself he didn’t care.

(Later, he would realize that was the first lie.)

-----

Inside, introductions were made. "Gojo Satoru," the principal said, almost with a bow. "The strongest."

He flashed his trademark smile. The room tensed the way rooms always did around him — shifting in awe, or jealousy, or terror.

Except for her.

She glanced up from her can of coffee, blinked slowly, and said, "Congratulations," in a tone so dry it might’ve been sarcasm or exhaustion or both.

Gojo actually missed a step.

It was like tripping on a stair you hadn’t noticed.

Ridiculous. Forgettable.

Except the body remembers how it fell.

And the pride remembers harder.

-----

He found out her name later — a relic name from a once-great family.

Fallen into disgrace. Neutral.

Neutral in a world where neutrality was treason.

She hadn't come here for prestige. Or power.

She hadn't come to heal the broken system or tear it down.

She had come because, somehow, life had shoved her into it, and she hadn't found a way to shove back.

There was something about her that infuriated him.

The way she didn't try.

The way she didn’t look at him like a miracle or a weapon or a god.

He tried, subtly at first, to impress her.

(The strongman tricks. The lazy jokes. The almost-accidental flashes of power.)

She sipped her bitter coffee and said things like:

"You're flashy. That’s not the same as important."

Or worse:

"Sometimes I think the world doesn't want saving. It just wants witnesses."

He laughed it off, of course.

Loudly. Carelessly.

(And hated how much he thought about it later.)

-----

One night, after a mission gone sideways, they ended up on the same train platform.

She sat two benches down, damp with rain, bleeding slightly from a cut on her forehead.

She looked small, but not fragile. Just very, very tired.

He sat beside her without asking.

After a long silence, she said, "You don't have to sit here."

"I know," he said. "But maybe I want to."

She gave a dry, almost-smile. "Your charity is overwhelming."

Gojo tilted his head back and stared up at the grey sky, feeling the ache of bruises under his jacket, the throb of exhaustion deep in his bones.

"You ever think," he said, "that saving people is worth it even if it’s selfish?"

She didn’t answer for a long time.

When she did, her voice was very soft:

"Wanting to be needed isn’t the same as being good."

The train rattled by. Neither of them moved.

He didn’t know how to answer her.

He didn’t know how to stop wanting her to believe in him.

He didn’t know when wanting her belief started to feel more important than winning.

-----

Weeks passed.

Gojo Satoru, who had outrun every emotion in his life by being faster, louder, brighter,

found himself slowing down around her.

Not because she asked him to.

But because she didn't even notice when he sped up.

Because around her, there was nothing to prove.

No war to win. No audience to perform for.

Just the terrifying idea that maybe being "The Strongest" meant nothing if nobody was watching.

And maybe that was okay.

Or maybe it wasn't.

He wasn’t sure which scared him more.

-----

The fight, when it happened, was stupid.

A cursed spirit too small for his attention, too slippery to ignore.

She fought it first, knives flashing, blood wetting her sleeves.

She fought like someone who didn’t expect to survive, but would be damned if she made it easy for death.

When he stepped in — easy, graceful, efficient — she didn’t even thank him.

Just leaned against a wall, breathing hard, looking annoyed more than anything else.

"You didn't have to," she said.

"I wanted to," he said, before he could stop himself.

She wiped blood from her mouth and smiled, thin and crooked.

"Of course you did."

As if kindness was another form of violence.

As if saving her only proved her point.

-----

They sat on the curb afterward, side by side, rain seeping into their clothes.

He pulled down his blindfold, let his eyes roam the ruined street, the broken lamplight.

Everything was grey and wet and stupidly, achingly beautiful.

"You know," she said, conversational,

"all stars burn out."

He looked at her. Really looked at her.

Not as a mission.

Not as a critic.

Not as a fantasy.

Just — a tired girl, soaked in rainwater and blood, laughing at how the universe devours everything eventually.

"Maybe," he said, "some are just slow enough to light the way for a while."

She didn't respond.

Maybe she didn’t believe him.

Maybe she didn't need to.

Maybe it was enough that he believed it for both of them, for once.

-----

He would never tell her that she ruined him a little.

That she made him gentler, angrier, sadder, more human.

That she made the invincible feel a little more mortal.

That she made the strongest sorcerer alive wonder what strength was even for.

He would never tell her.

Because she already knew.

Because she didn’t care.

And that, somehow, was the most beautiful thing about her.

-----

—The Violet Hours—

The thing about truth is—it never arrives politely.

It kicks in the door, pours wine in your mother’s good china, and asks if you’re still pretending.

—From Journal Of Elora Haventon, 1975

Memory :

When she was nine, Elora asked her father if power made people kinder.

He gave her a polished smile and said, “Power makes people busy, darling.”

That night, she wrote in her diary: 'So kindness is a hobby, I guess.'

She never stopped watching after that—quietly, precisely, like a girl measuring the world before deciding whether it deserved her.

_________________________________________

Who Is Elora Haventon?

Birth : Haventon Manor, Outer London— 12th October, 1960, 2:06 AM

Age at Hogwarts acceptance : 10 years, 11 months

Date of death : 21st July, 1979

Place : A quiet field, still dressed in flowers. (Some say it was meant to be a celebration. Others say it was the last peace before the war found her.)

Known as: "The Ghost They All Knew"

Appearance : Dark hair like spilled ink. Eyes the color of twilight before storm—too blue to be black, too violet to be safe.

Sharp in mind. Silent in grief.

_________________________________________

Notable Relationships :

Jennifer Vance : Her first real friend. A half-vampire Ravenclaw girl who laughed like she was already bored of eternity. She once gave Elora a gold locket. Elora wore it even after her heart stopped.

Remus Lupin : A quiet understanding. They spoke like people who knew how to wait. She figured out his secret long before he confessed it. A bond built on books, trust, and not needing to explain.

Sirius Black : An occasional clash of fire and ice. He thought he could make her laugh. A boy who mistook silence for mystery, and misread indifference for elegance.

Adrian Del Marlowe : The boy she was meant to marry. The only one who saw her quiet ache and didn’t ask about it. He just handed her books and soft smiles instead. They wrote each other letters.

_________________________________________

What Happened to Her?

There’s a portrait of her in Haventon Manor.

Visitors say it’s just a painting, but something about it feels too alive—like the violet of her dress might rustle if the wind blew the wrong way.

She’s smiling. But it’s the kind of smile you only wear when you’ve learned how to survive.

And yet still—

no one survived 'The Violet Hours'.

_________________________________________

Greetings, Dreamers and Readers ✨🌸

So yeah. Elora Haventon. She's been living rent-free in my head for months now—quietly, politely, the way ghosts do. at first, i thought she was just another side character. and then suddenly she had a name, a cursed locket, an entire tragic backstory, and this way of looking at the world that made me go oh. so here she is: the ghost they all knew. my third OC (yeah, we’re deep in it now lol I think I’m addicted to tragic girls with sharp minds and deadpan humor), and maybe the one closest to my chest.

she’s sharp. ironic. too observant for eleven. the kind of girl who would sit quietly at a political dinner table and memorize everything—not because she wants to be part of it, but because she’s already writing it all down in her head. her voice came to me so naturally it was a little scary. like she’d been waiting for someone to finally let her speak.

what inspired her? honestly? that song Dollhouse. you know, the whole smiling-perfect-family thing but under the surface it’s all porcelain cracks and red wine stains and quiet disappointment. that’s Elora. a girl raised in a house where truth isn’t forbidden—it’s just considered bad manners.

i’ll be posting more of her story (it’s called The Violet Hours, and yes, it gets worse), but for now, here’s a little introduction. if you’ve ever been the quiet girl in the room, the one watching more than speaking, the one trying to hold yourself together with pretty manners and sharp thoughts—i think you’ll get her.

---

feel free to scream in the tags, message me, ask questions—i literally love talking about her. just bring tea or trauma. both work.

✨ Bye and take care, Hope you all have a good day ✨

The Quiet Kind of Tired :

You meet Nanami Kento on a Tuesday,

which feels exactly right. Tuesdays are the most unremarkable days of the week. Nobody romanticizes a Tuesday. You don’t expect to fall in love on one.

You’re working overtime again, elbows deep in paperwork that means nothing, for people who care even less. He sits across from you in the break room. Neat suit. Tired eyes. He drinks his coffee black, like he’s punishing himself.

You say something cynical. He doesn’t laugh, but the corner of his mouth twitches. That’s how it starts.

No grand gestures.

Just a quiet understanding between two people too tired to pretend they’re okay.

-----

Dating Nanami is like walking into a room already cleaned.

Everything in its place. Emotion folded tightly into polite responses. He takes you out to dinner every Thursday. He walks you home. He buys you flowers—carnations, not roses. Clean, efficient, not too sentimental.

He doesn’t talk about his past. You don’t ask. You’re both adults. You both understand that talking about certain things doesn’t make them easier.

Still, some nights, when the city is too loud and you’ve had one glass of wine too many, you look at him and think—

I am loving a man who does not know what to do with softness.

And he looks back at you like you’re made of glass he’s trying not to break with his silence.

-----

You love him anyway. Not because it’s easy. But because he never lies to you. Not in words, at least.

He tells the truth in smaller ways. When he takes the side of the bed closest to the door. When he holds your wrist instead of your hand, like it’s easier to let go that way. When he texts, "I’m sorry, I’ll be late tonight,” and you don’t ask why.

Because you know the answer:

He is always late for himself.

---

You don’t realize how tired you’ve become until you stop recognizing your own voice. You speak less. Smile less. You don’t cry—you just compress.

Like your feelings are cargo in a suitcase too small.

Nanami doesn’t notice. Or maybe he does, and he thinks it’s something you need to handle alone. That’s the thing about him—he believes in self-reliance to a fault. As if needing people is something shameful. Something weak.

You once told him you wanted to take care of him.

He said, “That’s not necessary.”

You didn’t offer again.

-----

The silence grows slowly, like water under a door.

You tell your friends he’s “steady.” You tell yourself it’s enough.

But you start watching couples on the train. Not the loud, annoying kind. The quiet ones. The ones who lean their heads together. The ones who speak without speaking.

And you think—I want to be chosen without hesitation.

With Nanami, you are always chosen… responsibly.

-----

One night, you come home early from work. He’s already there, standing in the kitchen in a white dress shirt with the sleeves rolled up. He’s slicing something—methodical, perfect. His tie is loosened. His hair slightly messy.

He looks tired. Not in the dramatic, cinematic way. Just… tired in the way people look when they’ve been carrying everything alone for too long.

You drop your bag by the door and say, “You know you can talk to me, right?”

He pauses. Doesn’t turn around.

“I don’t want to burden you,” he says.

There’s no malice in it. No edge.

But God, does it hurt.

You say nothing. Walk to the bathroom. Close the door gently.

You stare at yourself in the mirror and wonder when you started mistaking restraint for kindness.

-----

You dream of him leaving. Not out of cruelty. But out of quiet, inevitable decay.

You dream of growing old beside him and never once hearing him say, “I need you.”

You wake up gasping.

And when you roll over to look at him, he’s still asleep, face turned away from you, hands folded like he’s praying.

-----

You don’t break up. Of course not. That would require a climax, and your relationship is built entirely on anti-climax. You just… let it fray.

There’s no cheating. No screaming. Just unspoken questions hanging like fog in the room.

You start eating dinner separately. You stop saying I miss you because he never said it first.

And he—he grows even quieter. Like he knows you’re drifting, and he’s letting you go in the only way he knows how: respectfully.

You wonder if he thinks that’s love.

-----

One day, he comes home to find you sitting on the floor, reading a book you’ve read before.

He looks at you like he wants to say something. You wait. He doesn’t.

So you say it for him.

“I’m tired, Kento.”

You’re not crying. You’re not shouting.

You’re just stating a fact.

And for the first time, he looks… afraid.

-----

He sits down beside you. Not too close. But not far.

“I never wanted to make you feel alone,” he says.

His voice is low. Honest.

You nod. “I know. But you did.”

There’s a long silence.

Then—

“I didn’t know how else to be.”

And you believe him.

You love him.

But you also know that love is not enough when it has nowhere to land.

-----

You don’t leave that night. You fall asleep on the couch, your back to his.

But something shifts. Not fixed. Just acknowledged.

And sometimes, that’s the beginning of something. Sometimes, it’s the end.

-----

Later—weeks later, maybe months—you’ll walk past a bakery the two of you never went into. And you’ll think about how many moments you both passed up in the name of being sensible.

How many soft things you gave up because he didn’t know what to do with them.

You’ll still love him.

But you’ll also understand: some people were taught that needing is dangerous. That showing pain is failure. That asking for help is weak.

And it is not your job to rewrite that for them.

-----

In the end, you loved a man who refused to be held.

And that is the quietest kind of heartbreak.

The kind that doesn’t end with a scream.

Just a sigh.

-----

The Art of Losing. (to Persephone)

Hades does not lose.

Not in war, not in politics, not in the quiet negotiations of death. He is the keeper of order, the final voice in all things. He does not bend. He does not yield.

And yet.

And yet.

Persephone is sitting cross-legged on his throne, wearing his robe like a victory flag, and informing him, with great authority, that the entire room is a crime against aesthetics.

"It’s all very intimidating," she says, waving a hand at the great pillars of obsidian, the cold marble floors, the jagged iron fixtures that cast long, cruel shadows across the walls. "But it's also depressing. Have you ever considered rugs?"

Hades stares at her. "Rugs?"

"Yes, you know—woven fabric, pleasant texture, ties the room together?"

"I know what a rug is, Persephone."

"Then why don't you own one?"

"Because I am not a mortal man trying to make my sitting room more inviting."

She tilts her head at him, sunlight caught in her hair. "But I live here too."

And just like that, she has won.

-----

There is a lesson in marriage that Hades learns too late: it is not a matter of victories and defeats. Not truly. It is a slow, quiet surrender. A gradual rearranging of the self.

It starts with the throne room. A rug appears. Then a new chair. The walls are no longer bare, adorned instead with soft tapestries woven in the colors of spring. The candlelight flickers warmer. The skulls—his beloved, ancient skulls, collected over centuries—are quietly moved elsewhere.

Then it spreads.

His private study is overtaken by vases of wildflowers, tucked absentmindedly between the tomes and scrolls. The war table, once strewn with maps of mortal conquests, now hosts baskets of fresh fruit. There is a bowl of honey on the dining table, though Hades has never had a taste for sweets.

And the worst part—the strangest, most alarming part—is that he does not object.

He does not even notice until one evening, when he catches sight of his own reflection in the polished glass of a window and realizes that there is a small, white petal caught in his hair.

He plucks it free, turning it between his fingers, and exhales.

-----

Some changes are subtle. Others arrive all at once, like an earthquake splitting the ground beneath his feet.

One night, he finds Persephone sitting on the floor of their chambers, sorting through a stack of pillows and blankets she has dragged in from who-knows-where.

He watches her for a moment before speaking. "Am I to assume we are replacing all of our perfectly functional bedding?"

She looks up at him, smiling. "No, I just thought we could use more."

Hades raises an eyebrow. "How many does a person need?"

"As many as bring comfort," she replies easily, fluffing a pillow before tossing it onto the bed. "You sleep like a man waiting for disaster, Hades."

He blinks. "I am a man waiting for disaster."

"Exactly," she says, and pats the space beside her.

He hesitates. Then, against his better judgment, he sits.

She picks up a blanket, drapes it over both of their shoulders, and leans into him. "You're always bracing for something," she murmurs. "Even now, when there's nothing to brace against."

Hades is silent.

Because she is right.

He has spent eternity on guard. Watching. Waiting. Holding his kingdom steady beneath his hands, because he knows that all things—even gods—can break.

But Persephone is not afraid of breaking.

She arrives at the edges of his life like spring at the edges of winter, unafraid of melting the ice, unafraid of sinking her roots into the hardened ground. She does not fight him for space; she simply grows into the empty places he never knew were empty at all.

"You don’t have to hold everything so tightly," she whispers.

And Hades, the king of the dead, the god of shadow and silence, lets himself close his eyes.

-----

The throne room changes. The palace changes. The entire Underworld changes.

But the most terrifying change—the one he cannot stop, the one he does not want to stop—is the one happening within him.

One evening, as he sits at his desk, he reaches for a scroll and finds a small cup of tea waiting beside it. He lifts it, still warm, and frowns. "Did I ask for this?"

Persephone glances up from across the room. "No."

"Then why—"

"Because you always forget to have something warm before you start working," she says simply, as if it is the most obvious thing in the world.

He holds the cup in his hands for a long moment.

It is such a small thing.

And yet.

And yet.

He drinks the tea.

He does not ask why it makes his chest ache.

-----

One night, much later, Persephone rolls onto his side of the bed, buries her face against his shoulder, and murmurs sleepily, "Did you ever imagine it would be like this?"

Hades runs a hand absentmindedly through her hair. "Like what?"

"Like this," she sighs, pressing closer. "Not just the throne and the realm and the duty. But this. Us."

He considers it.

For a long time, he thought marriage would be a political act. A binding contract, a necessary tether. He thought love, if it came at all, would be something distant, something mild. A fondness, perhaps. A steady companionship.

But this—this ridiculous, irritating, impossible, wonderful thing—was never part of the plan.

And yet.

And yet.

Hades presses a kiss to the crown of her head and closes his eyes.

"I never imagined it," he admits. "But I would not have it any other way."

-----

Greetings, Dreamers and Readers 🌸✨

Yeah, yeah, I know mythology is full of complexities, and the actual Hades and Persephone myth has about ten different interpretations, depending on who you ask and probably more complicated than this

But listen—at the end of the day, if I want Persephone to be a cottagecore goddess turning the Underworld into an aesthetic paradise while Hades is her mildly depressed, utterly whipped husband who just lets it happen, then that’s exactly what I’m going to write.

Historical accuracy? Scholarly discourse? Sounds fake. Delulu is the solulu, and in this house, we fully embrace it.

anyways—✨hope you all have a good day, bye and take care ✨

—The Strongest Sweet Tooth—

Gojo Satoru believes in a lot of things.

He believes in power—his own, mostly, because there’s no one else on his level.

He believes in choices—the ones that shape people, the ones he never really got to make.

He believes in change—though he’s never quite sure if he’s the one causing it or just watching from the sidelines.

And above all, he believes in sweets.

Not just as food, but as a philosophy. A worldview. A moral compass.

"Everything you need to know about a person," he tells you one afternoon, legs stretched across your lap, "can be determined by how they rank their desserts."

You raise an eyebrow. "You have an actual ranking system, don’t you?"

"Of course I do!" He looks almost offended that you’d doubt it. "Do you think I just eat sweets randomly, like some kind of amateur?"

You do think that. Because Gojo has never exactly struck you as the kind of man who puts deep thought into anything besides fighting and annoying people.

But the way he says it—the sheer conviction—makes you pause.

Because he isn’t joking.

Not even a little.

Satoru’s Official, Undisputed, Completely Scientific Ranking of Sweets is as follows:

S-Tier (Divine, Transcendent, Life-Changing):

Anything made with yuzu. "The perfect balance of tart and sweet," he sighs, as if discussing fine art.

Hokkaido milk soft-serve. "The texture, the purity—it’s poetry in frozen form."

Mochi. But only when it’s fresh, hand-made, and "the exact right level of squishy."

A-Tier (Excellent, but Not Godly):

Dark chocolate. "Because I have class, obviously."

Honey-drizzled pancakes. "Good enough to die for, but I’d prefer to live and eat more."

Dorayaki. "Childhood nostalgia and deliciousness? Unbeatable combo."

B-Tier (Enjoyable, But Flawed):

Pocky. "Overrated, but respectable."

Strawberry shortcake. "Soft, fluffy, sweet—but lacks the complexity of superior desserts."

Dango. "A little too dense sometimes, but still solid."

C-Tier (Edible, But Only If There’s Nothing Else):

Cotton candy. "Pure sugar, no depth."

White chocolate. "A coward’s chocolate."

Anything overly artificial. "If it doesn’t melt on my tongue like a love confession, I don’t want it."

F-Tier (Crimes Against Humanity):

Licorice. "If you like this, I don’t trust you."

That one brand of cheap convenience store cakes that always taste vaguely of regret.

"Diet" versions of anything. "Why even bother?"

-----

"You thought about this," you say, stunned.

Satoru nods sagely, like a monk revealing the secrets of the universe. "Of course. You can tell everything about a society by its desserts."

You snort. "Enlighten me, then, Oh wise one."

"Gladly," he grins.

And then he launches into a full-blown dissertation on the philosophy of sweets.

How dark chocolate is for people who like complexity, who appreciate depth, who understand that sweetness is best when paired with bitterness.

How mochi is the ultimate symbol of comfort—soft, nostalgic, always better when shared.

How artificial sweets are like artificial people, all flash and no substance, messing into nothing the moment you try to hold onto them.

He talks, and talks, and talks—gesturing wildly, hands moving as if he’s sculpting his thoughts into the air.

And you watch.

Because for all his ridiculousness, there’s something fascinating about him when he’s like this.

So alive.

So present.

So real.

People forget, sometimes, that Gojo Satoru isn’t just a force of nature, isn’t just a god wrapped in human skin.

He’s a person.

A person who finds meaning in small, silly things.

A person who cares—even if it’s about something as absurd as a ranking system for sweets.

And isn’t that what makes him human?

-----

Of course, the problem with having such a strong opinion on sweets is that Satoru will fight to the death over it.

Metaphorically. (Mostly.)

The first time you mention liking white chocolate, he gasps so dramatically you think he might actually pass out.

"Are you saying," he demands, "that you willingly consume LIES?"

"It’s not that bad—"

"It’s sugar pretending to be chocolate! A fraud! A scam!"

You roll your eyes. "Oh please, mister ‘pocky is respectable.’"

"Pocky is respectable," he says solemnly. "It is an experience. A ritual. A sacred bond between snackers."

You don’t even know what that means.

And yet, an hour later, you find yourself in a heated debate over whether yuzu or matcha is the superior flavor.

(For the record, you argue for matcha. He calls you a heretic. You tell him to go to hell. He tells you they don’t serve sweets there, so he’s not interested.)

-----

It’s stupid.

It’s so stupid.

But it’s also… something else.

Something warm.

Something easy.

Something that makes your chest ache in a way you don’t fully understand.

Because for all his strength, for all his burdens, Gojo Satoru is still this.

Still a man who will fight over desserts like it’s a matter of national importance.

Still a man who will wax poetic about the spiritual significance of mochi.

Still a man who will argue for hours, just to make you smile, just to keep the conversation going, just to have something—anything—that isn’t war, or loss, or the weight of being him.

And somehow, impossibly, you are the one he’s chosen to do this with.

Not the world.

Not the students.

Not the endless cycle of duty and expectation.

Just you.

Over something as ridiculous as sweets.

And isn’t that, in its own strange way, the most intimate thing of all?

-----

At the end of the day, it’s not really about the ranking system.

(Not really.)

It’s about the fact that Satoru chooses to care about something so small, so human, so pointless and beautiful.

Because if he can care about this, if he can make room in his world for something as silly as a favorite flavor, then maybe—just maybe—he can make room for other things, too.

For laughter.

For lightness.

For the quiet, simple joy of being here, being alive, being with you.

And that—more than any ranking, more than any argument, more than any philosophy—

is what really matters.

-----

I fully support it 😭👍

Reblog if you want the indian government to change the coin design

ngl I'm in love with this— 😔🖐

Rockstar Girlfriend 🎸

You were probably his first real listener. First fan, even. His account had no followers. No clout. No tags. He wasn’t even looking for one. He just posted banger songs—heavy and haunting. You were high out of your mind one night, scrolling through underground tracks, trying to find something that hadn’t been overplayed into dust.

Then you hit the bottom. Clicked on his album.

And it changed everything. The voice was deep, like smoke and rage. The beat was grimy and sharp. It wasn’t just rap. Or rock. Or alt. It was all of it. And none of it. It sounded like a demon crying through broken speakers.

You thought for sure he’d be famous. But he wasn’t. So you DMed him. Didn’t even think he’d see it.But that same night, he replied. You talked for hours. He asked for your number. You FaceTimed until the sky turned grey.

The next day, he invited you to his spot. To listen. To smoke. To just... be.

Honestly it could have ended badly and it would have been the worst decision you ever made. But the vibe—the intensity— You didn’t have to speak. Just your eyes did all the talking.

It wasn’t lust. Not really. It was that aching, desperate something that clutches your ribs and won’t let go. You didn’t know if he felt the same, so you played it casual.

Casual as in… Basically living together. Unspoken everything. No sex. No labels. Just you and him.

He’d send you unreleased tracks. Half-finished verses. You started running his page, organizing stuff, posting updates. You weren’t official. But you kind of became his manager. His shadow. His safe place. His favorite ear.

He never said thank you. Not in words, anyway. But every song had pieces of you in it. A line that sounded like something you once whispered. A beat that matched the rhythm of your laugh. A song titled with your birthday, but flipped backward so no one else would know.

And then it happened. One day, everything changed. Some random TikTok kid found one of the old tracks and used it for an edit. A week later—millions. Plays, likes, followers. He hated it. You watched him pace around the apartment, wild-eyed, muttering, “They don’t even get it.” “They’re just biting now.” “Where were they before?”

But you were still there. Sitting on his kitchen counter. Hoodie that wasn’t yours. Eyes tired but soft.

You handled it. Emails. DMs. Interview requests. Labels circling like vultures. You told him which ones to ignore. Which ones to play with. He let you do it. Trusted you. Only you.

He didn’t post selfies. Didn’t talk in interviews. He just kept making music. And every time, you were the first to hear it. Headphones passed between you. Knees touching. Eyes closed.

One night, he paused a track halfway through. You looked up at him. He didn’t say anything for a while.

Then “You think I’d be doing any of this if it weren’t for you?”

You didn’t know what to say. So you didn’t. You just reached for the play button.But he stopped you. Caught your hand in his. Held it for a second too long. Then another.

Your chest felt like it would crack open. Still, nothing happened. Still, it was... casual.

A year into the fame, you were all the way in. No more crashing at his place—you lived there. The two of you had upgraded to a bigger apartment, one that felt more like a bunker than a home. Dark walls. Concrete floors. Unfinished ceiling that looked like it belonged in a warehouse.

But it was warm. It smelled like weed and sage and your shampoo. Music always humming from a speaker somewhere. Sometimes his guitar was just lying on the couch. Sometimes your books were. You shared space like you shared silence—easily.

You were still juggling school, barely hanging on some days, but you made time to manage his account, answer emails, line up deals. He made music and money. A lot of both. Labels wanted him. Brands begged. Venues called. You handled most of it. He hated everyone except you.

And the relationship is still undefined. Still everything.

He’d hold your hand in public. Pull you close when crossing the street. His arm would always be around your shoulders like it belonged there. To anyone watching, you were together. Like… together together. And maybe you were, just not officially. No titles. No pressure.

He kept his mystery locked up tight. Still no face. No selfies. No stories. That was about to change though. His first concert was coming, a real one. Not an underground event or livestream, but a sold-out, packed venue with screaming fans.

You asked him, quietly one night, “Are you nervous?” He just looked at you, exhaled smoke, and said, “Not about them. Just about you seeing me like that.”

You didn’t ask what he meant. Didn’t need to. Just reached over, took his hand, and held it like you always did—like it was normal. Like he was yours.

---

The city was buzzing like a live wire. You could feel it in your teeth. The venue was packed, lines curling around the block. People had signs. Painted their faces. Screamed lyrics. It was insane.

You watched from backstage, heart beating a little too fast, wearing his leather jacket and tight short black dress.

He was pacing a little, fingers twitching, jaw tight. But he looked good. Too good. Tall, jacked, inked up— black tank clinging to him, tattoos peeking from his neck to his fingers. Hair messy like always, like he rolled out of bed and still looked like a god.

No mask tonight. No hood. This time, they’d see him.

You caught his eye just before he walked out. Just looked at you like you were the only thing grounding him. You nodded once. That was enough.

Then he stepped out.

And the place. Exploded.

Screams. Like actual shrieking. Phones shot up so fast the light almost blinded you. Someone in the front fainted. A girl sobbed. The crowd was feral.

He didn’t flinch. Just walked to the mic like he owned the world. When he finally spoke— “Yeah. It’s me.” —people LOST it.

A whole different war broke out online . “WHY IS HE HOT??” “I THOUGHT HE WAS UGLY???” “HE LOOKS LIKE HE KILLS PEOPLE AND WRITES POETRY ABOUT IT.” “Someone said he was faceless—why is he the face of my future now???”

His name trended within an hour. Clips went viral before the second song ended. People were pausing videos just to zoom in on his hands, his tattoos, his jawline. New fan accounts popped up in real-time.

But he only looked at you. Once. Halfway through the set, spotlight behind him, crowd screaming his name, he glanced toward the side of the stage. Found you. Smirked like the devil. Then tore into the next song like his soul was catching fire.

When it was over, and the venue started to empty out, he came offstage drenched in sweat, hair sticking to his forehead, chest rising and falling. Still high off the energy, off the chaos. You handed him water. He took it, but didn’t drink. Just stared at you.

“They love me now,” he muttered. Then, quieter, “But I still only care what you think.”

Your throat closed up. You didn’t answer, didn’t need to.

He tossed the bottle. Stepped closer. Close enough to feel the heat rolling off him. His hand found your face like he’d been meaning to do it for years. Fingers on your cheek, thumb brushing your lip. His forehead rested against yours, and he whispered, “Say something. Anything.”

You looked up at him, breath caught.

“You’re mine,” you said.

And this time, he kissed you.

---

The concert was over, but the night wasn’t.

You two didn’t even go back home. He tugged you into the car, adrenaline still buzzing in his veins, saying nothing but “Let’s go out.” You didn’t ask where.

The club was already dark and pulsing by the time you got there. Lights flickering red, music loud enough to feel in your ribs. People turned when you walked in, like they knew. He hadn’t even been unmasked for four hours, but already, the city recognized him.

He didn’t care. Just grab your hand and pull you to the middle of the floor. Bodies everywhere, sweat, bass, smoke. And still, it felt like it was just you two.

He was behind you, hands on your waist. Not even grinding, not all sexual—just close. Like he wanted to keep you tethered to the ground. His face buried in your neck every now and then, lips ghosting skin. You leaned into it. Eyes closed. Smiling.

Someone recorded it. Of course they did.

Posted it within minutes.

On Twitter (or X whatever that cursed app is):

@.cryboutitgrl: this man just revealed his face and already pulled up to the club with the baddest girl i’ve ever seen????

@.undergroundangel666: bro was faceless yesterday now he’s 6'4 tatted and got a mysterious girlfriend. i’m sick. 😭

@.smokysylvia: wait wait wait. is she the one from the side stage?? the one he kept looking at????

@.hotguyshateus: yeah i zoomed in. it’s her. same leather jacket. same girl. he’s in love i’m sorry.

@.helooksinlove: she whispered something to him before the encore and he kissed her after the show. we lost. I fear the album’s gonna be sad and horny now 😩

The internet was spiraling. Fan edits were already in motion. Clips of him touching your face, that blurry club video, someone even managed to catch a shot of the two of you leaving the venue— his arm around your shoulders, your head tucked into his chest.

You checked his account the next morning. A million new followers. Inbox was flooded. Everyone wanted to know: Who was she? Who was the girl?

And all he did was post a blurry photo of the two of you sitting on the floor that night, you leaning against him, laughing into your cup, and him looking at you like you were the only thing he’d ever believe in.

Caption: “She been here since zero followers. Don’t ask again.”

--------

bonus::: the first text and meet up...

It was around 2:37 AM when you messaged him.

“idk why no one knows abt you yet. this is actually insane.”

You didn’t expect a reply. Didn’t even think he’d see it.

But twenty minutes later— “yo.” One dot. No emojis.

You blinked at the screen.

“that was you?” “the message?” “yeah. thanks.”

Simple. Dry. But then he asked: “wanna hear some unreleased?”

Your breath caught. “yeah.”

He sent a file. No title. Just noise at first. Then the beat dropped— low, almost crawling. His voice— raspy, like smoke and teeth. You could barely breathe.

Before you could even process, your phone lit up again.

“what’s your number” Not a question. Not begging.

You gave it.

Thirty seconds later: FaceTime.

Your heart slammed. You almost didn’t pick up. But your thumb moved on its own.

Click.

It was dark.

No light but the red glow of a monitor on his side. Backlit tattoos. Shadows across his jawline. Hair messy. Shirtless. Sitting back in a desk chair like he owned time.

You didn’t speak. He didn’t either.

He looked at you. Eyes flickering across your face through the screen like he was studying something rare. A small smirk tugged at his lips.

“damn.”

One word. But it cracked something open.

You laughed, too soft. Told him he looked like a villain.

“good.” Then: “you real?”

You didn’t answer. Just tilted your head. Let him stare.

And then, just like that— you both started talking. Not loud. Not excited. Just low. Whispers like secrets in a church.

He showed you the corner of his room. Posters. Wires. A mic stand leaning. Unfinished lyrics on the wall in sharpie.

“i stay up all night,” he said. “no one to talk to.”

“you do now,” you whispered.

His lips twitched. He leaned forward like he was trying to see more of you through the screen.

“can i call you again?”

You bit your lip.

“i’m not hanging up.”

And you didn’t. Not until the sun started bleeding through your windows. Not until your eyelids got too heavy. He didn’t say goodbye. Just watched you drift off to sleep. And whispered, so quiet you almost didn’t catch it:

“don’t leave.”

You woke up with your phone in your hand, battery barely alive. Your screen still had his name on it. Still connected. He never hung up.

You sat up slow, blinking through sleep. Heart pounding when you remember everything. The music. The call. His voice. The way he watched you fall asleep like he meant to remember it forever.

And then—your phone buzzed.

him: “u still down to pull up?”

No address. No time.

Just that.

And still… you replied: “drop the pin.”

You didn’t tell anyone. Didn’t even think it through. He could’ve been a killer. Could’ve chopped you up, turned you into a beat.

But your chest was quiet. Calm.

It was cold when you stepped out. Your hoodie swallowed your frame. Headphones in, but no music playing— just replaying his voice in your head like a loop. When you reached his spot, it looked like nothing. Gray building. No buzzers. Just a metal door and the pin.

You texted him once.

No reply.

Then the door creaked open. And there he was. Tall. Sleeves rolled up. Tattoos crawling up his arms. Hood half on. Eyes heavy like he hadn’t slept.

He looked at you for two full seconds before stepping back.

“come in.”

You did.

It was dark. Not scary dark—just dim. Curtains closed. Cigarette smoke faint in the air. There was a speaker set up on the floor and wires running like veins all over the place. A mic stand crooked in the corner. A mattress on the ground, black sheets. And his scent—something between weed, laundry, and the ghost of cologne.

You stood there like you were in a museum.

He didn’t touch you. Just nodded toward the couch.

“u want tea? or... water? i got like 4 capri suns too.”

You laughed. He smiled for real that time.

You stayed for hours. Then one day.

Then two.

The playlist never stopped. He let you read his notebooks. You found one where your name was scribbled on the top corner of a page.

He didn’t explain.

At night, he didn’t try anything. Just let you lay next to him, in his clothes, backs turned but feet tangled.

You remember the first time he turned to you in the dark and whispered: “i don’t like being alone anymore.”

And you said, without thinking:

“me neither.”

------

any band recommendations??

The Strongest Man and His War with Sleep :

Sleep is a mercy he cannot afford.

Gojo Satoru has never been good at resting.

It’s not just about the nightmares—the ones that creep in like thieves, whispering names of the dead in his ears. It’s not just about the fear—that if he lets go, if he closes his eyes for too long, the world will crumble without him watching.

No, it’s deeper than that.

Sleep is vulnerability. And vulnerability is something the strongest man alive is not allowed.

So he doesn’t sleep. Not properly. Not often.

Instead, he runs himself ragged, burns his energy down to the wick, pretends exhaustion is something that only happens to other people. He hides behind laughter, behind endless motion, behind the overwhelming force of his own presence.

Because to stop—to be still—means to listen to his own thoughts.

And there is nothing more terrifying than that.

-----

You notice it, of course.

The way he’s always moving, always talking, always shifting from one thing to the next like silence might swallow him whole. The way he rubs at his temples when he thinks no one is looking. The way he leans against doorframes just a little too long, like standing upright is a battle he’s barely winning.

"You don’t sleep, do you?" you ask one night, watching him sprawl out on your couch like he owns it.

He grins, too wide, too easy. "Who needs sleep when you’ve got these?" He gestures vaguely at his eyes, like the sheer force of his existence makes him immune to basic human needs.

You roll your eyes. "That’s not how bodies work, Satoru."

He shrugs, lazy, dramatic. "Maybe yours."

You don’t press the issue. Not yet.

But you see the way his hands still for a fraction of a second. The way his smile flickers, just briefly, like a neon sign struggling to stay lit.

And you know.

You know that beneath all that brightness, beneath the godlike arrogance and the infuriating charm, there is a man running on borrowed time.

A man who is tired.

-----

When Gojo does sleep, it’s not gentle.

It’s not peaceful, like in movies, where lovers rest entangled in soft sheets and morning light. It’s not slow and dreamy, where sleep comes like a lover’s touch, warm and welcome.

No.

When Gojo Satoru sleeps, it’s like something in him collapses.

Like a puppet with cut strings. Like a body giving out after carrying too much for too long.

It doesn’t happen often—not really. But when it does, it’s as if his body is making up for years of neglect in one go. He sleeps like the dead.

No amount of shaking, nudging, or even yelling will wake him. You’ve tried. Once, you even held a mirror under his nose to make sure he was still breathing.

(He was. But it was unnerving, seeing him so still.)

-----

"You should go to bed," you tell him one night, watching as he leans against the counter, eyes half-lidded.

He smirks. "What, you worried about me?"

You don’t bother answering. Instead, you grab his wrist, tugging him toward the bedroom.

"I don’t need—"

"Shut up, Satoru."

Surprisingly, he does.

He lets you drag him, lets you push him onto the bed, lets you pull the covers over him like he’s something fragile, something worth protecting.

And when you card your fingers through his hair—slow, soothing, like a lullaby made of touch—he doesn’t protest.

His breath evens out. His body melts against the mattress. And before you can even make a joke about it, he’s gone.

Fast asleep.

Completely, utterly, unmovable.

-----

Gojo Satoru, the strongest man alive, is impossible to wake up.

You learn this the hard way.

You try shaking him—nothing.

You try calling his name—still nothing.

You even flick his forehead, the way he does to others—but he doesn’t so much as twitch.

It’s honestly a little terrifying.

It’s like he trusts you enough to completely let go.

Like, in this moment, in this space, he believes—just for a little while—that he is safe.

And that realization sits heavy in your chest.

Because Gojo Satoru is not a man who allows himself to feel safe.

Not with the weight of the world on his shoulders.

Not with the ghosts of the past clawing at his heels.

Not with the knowledge that the moment he closes his eyes, something else might be taken from him.

But here, now, with you—he sleeps.

And that means something.

-----

In the morning, when he finally stirs, stretching like a cat in the sun, he blinks at you blearily.

"You let me sleep," he murmurs, voice thick with something you don’t quite recognize.

You hum, tracing lazy patterns on his wrist. "You needed it."

A pause.

Then, a quiet chuckle. "You didn’t try to wake me, did you?"

You don’t answer.

Because if you admit how hard you tried—how impossible it was—you might have to admit what that means.

Might have to admit that Gojo Satoru, for all his power, is still just a person.

A person who gets tired.

A person who needs rest.

A person who, in the end, just wants to lay down his burdens—if only for a little while.

And somehow, impossibly, he’s chosen to do that with you.

So instead, you smirk, flicking his forehead in revenge.

"Don’t get used to it, Satoru."

His laughter is bright, easy, filling the room like morning light.

But when he pulls you close again, burying his face in your shoulder, you think—maybe, just maybe—he already has.

-----

Ahh, come on, man. I already had my JJK OC half-built in my drafts, all planned out and everything—but I guess that’s how it is.

But hey, I’m glad so many of you voted and actually enjoy my JJK one-shots! I’ll keep posting them, then.

---

Feel free to comment and throw your ideas at me—I’d love to hear what you guys want to read next.

So, do I keep emotionally devastating you with JJK one-shots, or do I create an OC and ruin their life instead?

: The Language Of Flowers :

"People trust what is beautiful, what is soft. But flowers can poison, too." – Lily Calloway

---

"When I was little, my mother told me that good girls are loved, and bad girls are left behind. But I watched the world, and I learned—good girls get nothing. Smart girls take everything."

-----

Tucked away in the heart of Birmingham, Calloway’s Garden is a charming little shop where the air is thick with the scent of lilies, violets, and roses. People walk in for fresh-cut flowers, never questioning why some bouquets come wrapped in whispers and secrets. A flower shop is a good place for business—the real kind. The kind no one talks about.

---

"She’s a liar, but a useful one." – Thomas Shelby

---

Lily Calloway is not the woman people think she is. A social butterfly, warm and disarming, she knows exactly what to say to make people lean in, listen, trust. But beneath the charm is a mind that sees, calculates, and survives. She’s not cruel—cruelty is too messy, too blunt. She prefers subtlety, making people think they’re in control when she’s already three steps ahead.

-----

Theo Carter : He was her brother’s best friend. Now he’s hers. He came back from the war when Charles didn’t, and she doesn’t know if she keeps him close out of loyalty or something heavier.

Janifer Smith : Her partner-in-crime, her best friend, and sometimes the devil on her shoulder. They are two sides of the same coin—one soft-spoken, the other bold, but both dangerous in their own way.

---

Tommy Shelby?— She respects him, and he sees potential in her. But she knows what men like him do to people who get too close. And Lily Calloway? She wasn’t made to be anyone’s pawn.

-----

Writer’s Note:

So, this is my first-ever OC, and honestly? I have no idea what I’m doing, but we’re rolling with it. Lily Calloway has been living in my head rent-free for weeks, so it’s about time I let her loose into the world. She’s manipulative but not cruel, charming but not harmless, and definitely not the kind of woman you want to underestimate.

I’ll probably be dropping the first chapter in 2-3 days (if I don’t get distracted by life ). I have the whole story outlined—25 chapters, slow-burn, morally grey choices, and a whole lot of drama. So, if you’re into that, stick around.

--

Also, I’d love to hear your thoughts on Lily! Is she giving femme fatale or just a girl trying to survive in a man’s world? Maybe both. We’ll see.

✨ Bye and take care, Hope you all have a good day ✨