LIKE A STICKAAAAAAA

i have a new fav blorbo to announce

New IKEA AFTONSPARV plush line

A Palestinian resistance fighter during the Israeli invasion of Lebanon. 1982, Nabatieh. 

hey hey hey 你因该往北往北

is this ok to upload???? bc i really like it too much,,,

never posted this in here i just realized

Shin noodles I made in phone,,,

Heba Zagout (Palestinian), 1984–2023

killed in an Israeli air strike in Gaza.

well i need to show some art in here since i have a lot from months ago, heres some kind of old sketches of motorcity

i love motorcity

The Same People (1/5)

Part 1 - Part 2 - Part 3 - Part 4 - Part 5

Drive folder - AO3

In which Mob asks Tsubomi out and then some other things happen. Four of sixteen twenty total pages. Click to make the images bigger/more legible. ID in description.

i haint even fucking seen the finale, i wanted to finish this bit first. sortof tryna emulate ONE's busted no-taper fixed-width inking style. id follows

ID: Four black and white comics pages about characters from Mob Psycho 100.

Page 1:

A park bench sits along a trail in front of a wall of trees with black trunks and white, vague foliage. Tsubomi pushes herself off of it, smiling, and says "Oh--you made it!"

Mob approaches her along a trail. The same black trunks surround him, but a few are broken--one lies across the trail in front of him. He steps over it and says, "Hey, Tsubomi."

Tsubomi and Mob stand across from each other, maintaining eye contact across a blank gap. Tall vertical trees stand behind Tsubomi while those behind Mob are broken and bent. Tsubomi's expression is vaguely demure, her hands folded in front of her, while Mob is smiling and leans forward. He carries the sunflower in his right hand.

Page 2:

Tsubomi's face is large in this empty panel. She has an odd expression on. There is a smirk; her eyebrows are slightly folded and one is raised higher than the other. One eye squints a little. She says, "I guess the, uh. The storm has passed."

Mob looks down, makes himself anonymous, two eyes and some black shapes. "Yes."

Then he looks up, and there he is in full detail. One side of his collar is damaged and torn. He smiles widely, his upper lip curled. "Yeah. It has."

Tsubomi points with two fingers and takes a step along the trail, looking back at him. "Great. Let's take a walk, I'm tired of sitting here." She's smiling widely, clearly relaxed. Mob, staying where he is, gently holds out a hand and says, "Oh, yeah, but, uh, if I could--" His shoulders hunch. The sunflower is visible in his grip.

Mob is in an empty panel in exaggerated perspective so the top of his head is huge and his feet are tiny, far below him. Only his wobbly eyes are visible, looking down at the sunflower that he's holding diagonally across his chest now. He says "--ask you to stay here one more minute. So I can..." Tsubomi interrupts across a panel border, "Right."

Now Tsubomi's head and shoulders are in the empty square, and this time we're looking up at her from below. "You wanted to tell me something." She again looks mildly concerned in her eyebrows; there is a dimple in her cheek but otherwise her mouth betrays no happiness.

Off-panel Mob says, "Yes." Tsubomi, in close-up, squints and looks down.

Page 3:

In a tiny little panel Tsubomi is just her hair, a black oval, facing Mob, who looks up from his head tilted down.

Mob faces the reader, the otherwise empty panel framing his head, shoulders, and upper torso. He looks straight at the reader and says, a calm smile on his face, "Tsubomi, I like you. A lot."

This view is maintained as Mob looks away and shrugs one shoulder, still smiling. "Always have. Ever since we were little. You never treated me any different because of..."

A smaller panel just shows his head and shoulders as Mob looks back at the reader and traces a small circle by his head with his finger, to indicate him, his brain, something.

Another smaller panel just shows his shoulders and upper torso as Mob once again holds the sunflower diagonally across his chest. He fidgets with the head of the flower. "So if you would--uh, I was wondering..."

The same view of Mob returns, now with a few of the bent trees half-visible, highlighting his form. He holds the sunflower out in front of him. The flower is large and has its own little highlight. He has one of those smiles that's so strong that the front of it gets pushed down by your upper lip. He says, "Would you like to go out. With me."

Page 4:

Tsubomi stands, head, shoulders, and upper torso highlighted by the vertical trees behind her, looking right at the reader. She has a mild smile on and leans to the right.

The same views but the trees are gone, so it's just her as she leans farther, her shoulders slump, her mouth flattens out of the smile, her eyebrows crinkle together. She stares right at the reader.

The same view of her in an empty panel now twice as wide as the others, so she looks smaller though her size doesn't change. One arm has goes up to hold her hip. She drops her head down so her partially-visible face is a silhouette surrounded by the black shape of her hair and collar, just a nose, an ear, and a closed eye.

End ID.

yall already know what it is. sad tsubomi hour. this comic will answer two questions: one, what did the rejection actually look like?? two, how did mob get tsubomis number later???