“We Can’t Help Everyone, But Everyone Can Help Someone.”

“I’m better than you think. I’m even better than I think I am.”

— Dave Eggers 

“Without goals and plans to reach them, you are like a ship that has set sail with no destination.”

— Fitzhugh Dodson 

Resources for Writing Injuries

Patreon || Ko-Fi || Masterlist || Work In Progress

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Head Injuries

General Information | More

Hematoma

Hemorrhage

Concussion

Edema

Skull Fracture

Diffuse Axonal Injury

Neck

General Information

Neck sprain

Herniated Disk

Pinched Nerve

Cervical Fracture

Broken Neck

Chest (Thoracic)

General Information

Aortic disruption

Blunt cardiac injury

Cardiac tamponade

Flail chest

Hemothorax

Pneumothorax (traumatic pneumothorax, open pneumothorax, and tension pneumothorax)

Pulmonary contusion

Broken Ribs

Broken Collarbone

Abdominal

General Information

Blunt trauma

Penetrating injuries (see also, gunshot wound & stab wound sections)

Broken Spine

Lung Trauma

Heart (Blunt Cardiac Injury)

Bladder Trauma

Spleen Trauma

Intestinal Trauma

Liver Trauma

Pancreas Trauma

Kidney Trauma

Arms/Hands/Legs/Feet

General Information | More

Fractures

Dislocations

Sprains

Strains

Muscle Overuse

Muscle Bruise

Bone Bruise

Carpal tunnel syndrome

Tendon pain

Bruises

Injuries to ligaments

Injuries to tendons

Crushed Hand

Crushed Foot

Broken Hand

Broken Foot

Broken Ankle

Broken Wrist

Broken Arm

Shoulder Trauma

Broken elbow

Broken Knee

Broken Finger

Broken Toe

Face

General Information

Broken Nose

Corneal Abrasion

Chemical Eye Burns

Subconjunctival Hemorrhages (Eye Bleeding)

Facial Trauma

Broken/Dislocated jaw

Fractured Cheekbone

Skin & Bleeding

General Information (Skin Injuries) | More (Arteries)

femoral artery (inner thigh)

thoracic aorta (chest & heart)

abdominal aorta (abdomen)

brachial artery (upper arm)

radial artery (hand & forearm)

common carotid artery (neck)

aorta (heart & abdomen)

axillary artery (underarm)

popliteal artery (knee & outer thigh)

anterior tibial artery (shin & ankle)

posterior tibial artery (calf & heel)

arteria dorsalis pedis (foot)

Cuts/Lacerations

Scrapes

Abrasions (Floor burns)

Bruises

Gunshot Wounds

General Information

In the Head

In the Neck

In the Shoulders

In the Chest

In the Abdomen

In the Legs/Arms

In the Hands

In The Feet

Stab Wounds

General Information

In the Head

In the Neck

In the Chest

In the Abdomen

In the Legs/Arms

General Resources

Guide to Story Researching

A Writer’s Thesaurus

Words To Describe Body Types and How They Move

Words To Describe…

Writing Intense Scenes

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Masterlist | WIP Blog

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Here’s a tip! If you want to have girl power in your series or movie, normalize women.

Girl power shouldn’t be about proving that women can do things the same or better than men even if they are women! Girl power should be about women being equal to men and not diminished for being a girl.

Avoid having the male characters get surprised that she’s a women, avoid them saying things like “She’s a woman, but she’s strong!” or “Holy shit she’s a woman!?” or “Don’t be too tough on the woman!”. Those kinds of behaviors make it seem that it is surprising for a female person to be strong and/or independant. Equality is women getting treated the same as the men, not having people be surprised that she can do all those martial arts while being a woman! Wether the character is male, female, or non-binary, they should be treated socially equal regardless of their gender!

“No matter how you feel. Get up, dress up, show up and never give up.”

— Unknown 

Slashing Your Word Count

A guide for over-writers. 

So there I was, sitting in front of my 120,000 word YA Fantasy manuscript having a breakdown. Why? you ask. Well, because I want to be traditionally published and no one will buy a YA debut that long. 

Why not? This answer would a post on its own. Or a 24 minute video. Luckily Alexa Donne has already done that work and you can watch it here. 

Now I’m going to summarise all the advice I was given that had lead to me doing a brutally cut down draft in two sections, the big cuts, macro level, and the small cuts, micro level. 

Micro Level Cuts

Reduce each description by 1 or 2 words - @coffee_loving_artist

Reduce dialogue. Single spoken words can carry more emotional weight than elongated lines. 

Cut down on dialogue and action tags. If it’s clear who is speaking, don’t use anything! - @parisandherbooks

Cut repeated sentences. It’s not as dramatic as you think it is. 

Simplify convoluted sentences - @jade_d_brown

Cut words like very, quite, sort of, kind of, it was, there was, that, now, then, suddenly and any crutch words you have - @just.a_simple_writer

Change passive language - @laurenkayzles

Macros Level Cuts

Chop off the beginning and the end of long scenes. 

Cut info dumps

Never get lost in internal monologue. Keep it to a small para at most. 

Cut fluff scenes - @teen_writing_101 & @cakeyboy 

It doesn’t take 1000 words to make a small point – condense it!!

Cut unnecessary dialogue or chit chat 

Merge scenes that feel repetitive 

Cut the prologue 

Cut the epilogue 

(Remember that those can go back in after your book has been bought) 

If you’re desperate, delete a POV - @thewritingfirebird

Ask your Beta’s which subplots/characters could go - @howwhyandsowhat 

[If reposting to instagram please credit @isabellestonebooks]

“The idea is to write it so that people hear it and it slides through the brain and goes straight to the heart.”

— Maya Angelou

Writing Tip #211

Short stories are a great way to learn writing. They’re short commitments, so if it fails, it’s ok you’ve only lost 3 days and your next attempt will be better.