“The Idea Is To Write It So That People Hear It And It Slides Through The Brain And Goes Straight To

“I have given away my whole soul to someone who treats it as if it were a flower to put in his coat.”

— Oscar Wilde (via quotemadness)

“I can’t stand it to think my life is going so fast and I’m not really living it.”

— Ernest Hemingway

“Maybe it won’t work out. But maybe seeing if it does will be the best adventure ever.”

— Unknown 

Writing Theory: Controlling the Pace

Pacing is basically the speed of which the action in your story unfolds. Pacing keeps the reader hooked, helps to regulate the flow of the story and sets the tone of the entire book. So how can we write it?

Genre & Tone

Really in any novel the reader has an expectation that the book will be fast paced or slow. Readers will go into an action novel, expecting it to be fast paced. Readers will pick up a romance novel and expect it to follow a steadying climb of pace as the story goes on.

Pace is a good indicator of how the story is going to feel. If you want your readers to feel as if they are in a calm environment, you don't place the events immediately one after the other. If you want your readers to feel some adrenaline, you keep the curveball coming.

How to utilise Pacing successfully

1. Give your readers time to recover

When readers are reading a fast-paced novel, they need a breather and so do you and your characters. By peppering in a few moments between peaks of fast pace, you are allowing your readers to swallow down what they've just read and allows you to explore it further. Consider this like the bottle of water after a run. You need it or you'll collapse.

2. Track Events Carefully

When planning your book's outline or at least having a vague idea of it, you have a fair idea when things are going to happen. Usually books have an arc where pace gets faster and faster until you get to the climax where it generally slows down. If you're writing a larger book, you have to space out your pacing properly or else your reader will fall into a valley of boredom or find the book a bumpy ride. The climax should have the fastest pace - even if you start off at a high pace. Your story always should peak at the climax.

3. Localising Pace

If you want to put your reader into a certain state of mind throughout a chapter or even a paragraph, pay close attention to your sentence bulk. Long flowy sentences but the reader at ease, slowing the pace for them. Short, jabby sentences speed things up. An argument or a scene with action should be quick. A stroll through a meadow on a lazy summer's noon should be slow.

4. Information is Key

When writing pace in your overall novel, the reader should be given more information as you go through the story. You begin any story estentially with the who, what, where of everything. But peppering in all the whys, you broaden the story and keep the reader feeling more able to keep up with everything. For example, in any murder mystery your reader is given the body. As the story goes on, your reader should be given more and more information such as the weapon, the where until you get to the climax.

5. Off/On Stage

All events of the story do not need to be shown on stage. When you want to slow things down, allow things to happen away from the readers view. If you show event after event at your readers, everything is at a faster pace.

“Forgive yourself for accepting less than you deserved - but don’t do it again.”

— Unknown 

“It takes two to make an accident.”

— F. Scott Fitzgerald

“Speak when you are angry and you will make the best speech you will ever regret.”

— Ambrose Bierce (via quotemadness)

Writing Character Appearance

~tstrangeauthor on Instagram~

Oh, to dramatically look in a mirror and discover an increasingly relevant truth about myself. If only I were the main character, but that role is taken by you. But yes! Character descriptions are needed to, well, imagine the character, and they can be very difficult especially in first person, so here are some ways to introduce descriptions and some ideas for what to include!

Mirrors. They’re valid, and they can be done right. However, they’re easy and as a reader, I can find it boring when a character is just staring at themselves in the mirror, admiring their features often in great detail because it’s usually not how people do it. 

Ok, it’s first person and don’t want to just start listing hair colors. Here are some other ways that are more exciting then a mirror but do the same thing!

Storefront’s windows

Puddles/Bodies of water

Glass orbs/ornaments

Polished things (floors, boots)

Makeup mirror (still a mirror, but good for focusing on more up-close facial features like if they’re important)

Other people’s eyes ( “I imagined how he must see me, just another red-scaled draconian with a fondness for gold”)

Screens (black phone/TV/computer screens)

Facetime/zoom (cue Google Meets flashbacks)

Photographs

These aren’t the only options obviously, just ideas :)

You can also bring it up just casually. Like “She struggled to tie her short-hair back” or “I could feel my skin burning from the sun through my shirt.” 

What to describe?

The most important thing as a reader (imo) is skin color/texture, size, and hair color/texture/length. These give me a very basic visual of a character, and tbh, most other stuff I just make up in my own head cuz I forget it and lets be honest, you don’t notice eye color on a first meeting.

*Remember to remind your readers throughout your book of your character’s physical traits

Some more unique/rememberable things to bring up in your characters appearance for a vibe

Nail polish/other makeup

Acne! (please give your characters acne or acne scars!)

Literally anything other than Smooth Baby Skin 0 People Have, and If They Do Then Lucky Them!

Clothing! Basic, but important! (Clothing helps with setting too! And character dev)

Piercings/Tattoos

Jewelry

Face structure

Smile/teeth

Body hair

Again, list is limited! Anything I missed/you wanna see, add it to the comments! Hope this helped some of you and catch you on the flip side

Here’s a tip! If you want to have girl power in your series or movie, normalize women.

Girl power shouldn’t be about proving that women can do things the same or better than men even if they are women! Girl power should be about women being equal to men and not diminished for being a girl.

Avoid having the male characters get surprised that she’s a women, avoid them saying things like “She’s a woman, but she’s strong!” or “Holy shit she’s a woman!?” or “Don’t be too tough on the woman!”. Those kinds of behaviors make it seem that it is surprising for a female person to be strong and/or independant. Equality is women getting treated the same as the men, not having people be surprised that she can do all those martial arts while being a woman! Wether the character is male, female, or non-binary, they should be treated socially equal regardless of their gender!

“To burn with desire and keep quiet about it is the greatest punishment we can bring on ourselves.”

— Federico García Lorca, (via quotemadness)