When writing you’ll most likely skip time in your story. It’s very rare that you will come across a story during a short, unbroken chunk of time. So, skipping time is an important skill to learn, and I’m here to help!
With the exception of very short fiction, most stories are broken into scenes. Each scene tells the tale of a particular movement or event. In longer stories, such as novellas and novels, the scenes are grouped into chapters. Sometimes a chapter contains only one scene. It all depends on what needs to be conveyed in the certain chapter. Either way, starting a new scene or chapter is a natural way to represent the passage of time in your story. Unless stated, readers will automatically assume that time has passed between each scene. But, that doesn’t mean that you shouldn’t make the transition between each scene, because without that transition, the passage of time will seem clumped together and won’t flow properly.
The key to skipping time between scenes or chapters can be done two different ways:
Set up the time skip: At the end of the chapter, hint at what is to come.
Example: My eyes focused on the board in front of me, the words reminding me of my impending doom. Our first test of the year in a class I hadn’t paid attention to at all. My heart rate accelerated as I wondered how well I will do on the upcoming test.
Clarify time, place and -if necessary- POV at the beginning of the new scene, or chapter, playing off the set up from the previous scene or chapter.
I found myself back in school monday. As I walked into class, my eyes twitched and my hands shook. I took my seat, all the way in the back of the classroom, chewing on my pen cap, wishing I had studied.
Notice how the set up at the end of the previous scene/chapter flows seamlessly into the beginning of the new scene/chapter? Because the passage of time is expected between scenes and chapters, it’s not always necessary to be direct about how much time has passed. Especially if the amount of time is unimportant or already implied.
Direct: Early on Monday morning Margaret dragged herself out of bed, painfully aware that her ability to pass highschool hinged on the test she would be taking today. She hated the uncertainty of what was ahead, but what grinds her gears even more was the thing she did know: today was going to be a horrible day.
Two hours later, Margraet walked into her classroom, cold coffee in hand, trying to seem bubbly and happy even though she knew that her entire life depended on whether or not she failed this test.
Less Direct: Early on Monday morning Margaret dragged herself out of bed, painfully aware that her ability to pass highschool hinged on the test she would be taking today. She hated the uncertainty of what was ahead, but what grinds her gears even more was the thing she did know: today was going to be a horrible day.
With cold coffee in hand, Margaret sat down in her seat, trying to seem bubbly and happy even though she knew that her entire life depended on whether or not she failed this test.
In the second example, even though you don’t say “two hours later” it’s clear that time has passed, and so has the setting. No one is going to assume that Margaret is going to be taking her test in her bedroom. Try to save “two hours later” and “walked into the classroom” transitions for when the context would otherwise be unclear, or when those specific details (how much time or a specific location) would be important.
If no time is passing between the two scenes or two chapters, try to make that clear. For example, if one scene ends with Margaret falling asleep and then being woken up by a loud knock at her door, the next scene should continue with something like, “Heart pounding from shock, Margaret jumped out of bed to see who is at her door.” Now, it is clear no time has passed in the next scene, but since a new situation is beginning, it still warrants being its own scene.
Expository Time Skip
Sometimes you need to show a quick glimpse of something that happened but it doesn’t really warrant its own scene or chapter. In this case, you may want to illustrate the time skip using exposition within the scene. It may look something like this:
Winter Break was over in a blink, and I soon found myself back at school, dealing with all the problems I left behind during a break that felt far too short. I quickly headed to my locker, avoiding Melinda and the newly formed rift between us. She glared at me across the hallway as I spun the combination on my locker.
Later that day, during lunch, I sat at the table Micheal and I had always sat at. Despite the amount of people in the lunchroom, I could still feel Melinda’s icy glare shooting me down.
Terms such as “later that day” and “two hours later” help the readers understand that time has passed, without transitioning to a new scene or chapter. This allows you to cover smaller moments and events that don’t warrant their own space.
Whether you use a transition between scenes or chapters to show the passage of time, or whether you clarify the skip between time through exposition, just remember to pay attention to where you left the readers before the skip, and where you take them. Make sure it’s clear, flows well, and wouldn’t leave anyone confused. Do that and you’ll be in good shape! Happy writing!
I am currently writing my debut novel (while working a full-time job) so I thought I’d share my tips on writing quickly.
Writing the first draft is actually the easy and fast part! When you start editing, that takes the most time.
I work with brief outlines. Some work with strict outlines, but others use basic outlines for writing. I find that with basic outlines and a few points on what is supposed to happen helps me write faster because making the outlines basic gives me more room to keep it exciting.
If you work shifts like I do, identify what time in the day you are most productive and try to write then. For me, I won’t consider working in the afternoon because that’s when I’m in a slump. I prefer working in the morning or even late at night (even when I’ve just gotten home from work).
Block distractions – I use Forest and the screen restrictions on my phone.
I use OmmWriter (I got it when it used to be free) to block distractions and keep the music off, but turn the keyboard clicking feature on – since I love the sound so much it encourages me to write on!
NEVER go back and edit or re-write. Going back to fix anything is the worst thing you can do. Instead, write a note for yourself, a random liner in the document or outside of it, and get it on the second draft.
Research later. If I forget a word or term, I put ELEPHANT or TK and search for it later to replace. If there is something I want to research, I quickly add a comment or note so I can research later.
There are plenty of writing processors that have Talk-to-text. Use it!
Do writing sprints with friends, or by yourself. If you have friends who write or study, get on FaceTime or Zoom together and set a specific time where you all get something done. When I’m by myself, I put up “write with me” or “study with me” videos on in the background sometimes to get in the mood of wanting to do something productive. If you’re an ARMY, try this.
Keep writing notes on hand. Notes are important for names, birthdays, character descriptions, and more. You can have this digitally of course, some have use a binder, others a small booklet or note book. This saves time in finding information.
Schedules are very important. If you want to write for a living, treat it like a job! Even as my passion, I treat it like a job and strive to be consistent with it. I find it helps to keep up a schedule instead of setting a deadline! The schedule has to be made a priority. You can set a schedule with your family or your partner, where you write after or before work every day, and let them know it is important for you to do. Treat your writing like a priority and everyone around you will, too.
“Just be fucking honest about how you feel about people while you’re alive.”
— John Mayer
In Romania, we have a drawer full of shopping bags, to use later, or just a bag filled with hundreds of bags.
That's our way to recicle 😂
True
“The idea is to write it so that people hear it and it slides through the brain and goes straight to the heart.”
— Maya Angelou
HOW TO WRITE A SLOW BURN ROMANCE
//@writerthreads on Instagram
(Because these things get me slapping my pillow at 3 AM)
Slow burns are romance stories with a slower pace. They’re more realistic, because you need to build the relationship between the two people. This can either be a subplot or the main plot, and usually takes place through the whole book because time is a big factor in slow burn.
You’re showing the reader how their relationship changes from a friendship to a romantic couple, therefore you need to show the chemistry between the two people. Build the relationship stage by stage. Plan down “breakthroughs” that acsends them up the relationship ladder. Think of scenarios and reasons for them to become more close. (Ex. mutual friends, common interests) Reference real romantic relationships that you might’ve experienced for help!
Like any other relationship, consider how they met in the first place. With the method of “show, not tell”, show their initial, intermediate, and final feelings (at the end of the book) through actions or thoughts, instead of making them say it out loud all the time. If you need help with affectionate actions, scroll down on our feed!
If they’re already friends, you’re a step ahead— you don’t have to deal with formalities in introductions and such, but still, you might want to talk about initial feelings. A first person POV is much more intimate than a third person POV, which can be more casual, so it depends on what tone you want to build with the story.
Also, like any other plot, they’ll encounter difficulties. It doesn’t necessarily have to be a life-or-death scenario, but think about what makes it slow burn, what’s preventing from from making it official. A common problem is because both parties are afraid to make the first move either due to embarrassment, or inexperience. They might be scared to be rejected because they’re not sure whether or not the other person is causually flirting with them, or because the feelings are actually reciprocated. You’ll then have to find a solution to it.
Show the reader how they become more comfortable around each other and how they enjoy the other’s company. Simple ways could be long, easy conversations between them, or simply showing how they’re happy when they’re with the other person. Romantic feelings don’t just occur in two days, people don’t (usually) go saying “I love you” in a week.
In a way, you’re teasing readers with the question “will they, or will they not?”. They’ll be on the edge of their seats, waiting for the moment they finally become official. Therefore, even though slow burns are paced, you don’t want to make them too slow. Not baby steps, toddler steps. Throughout the story, you’re giving out romantic hints. If you want to speed things up, include more obvious ones where character go, “oh my god, they definitely like you!”, and if you want to slow them down, include less subtle ones, and create a small distance between the two people.
In the “talking” stage, there’ll be loads of flirting. This is basically the honeymoon phase. Other characters are going to tease them about it, but the two people will still be unsure. They’ll be texting on phones or sending letters, or talking loads in person. If you’re writing in first person, describe the character’s current feelings. If you’ve got bold characters, use pickup lines, with or without humourous intention. It’s all up to you, and as I always say, do what’s best for your story and the way you want it to go.
As an author writing a slow burn romance, you’d likely want readers to like the couple, and here’s the main way:
- show that they’re “perfect” for each other...
At least for the time being. You’re writing about the present, not the future (that’s for the end of the book where you decide whether or not they end up together). Make them “couple goals”, even though they’re not official yet, where their love is being shown, but not said (yet). This could be through heart-to-heart conversations where they deeply understand each other, or as simple as waiting for each other while the other person is tying their shoelace. All in all, make them happy together. Show that they’re happy with each other— big smiles, laughing at each other’s jokes because they have the same humour, etc.
I’m conflicted about whether or not on-and-off relationships are considered to be slow burn. If the process of it is rapid, I personally think it isn’t, but if it’s a series and there’s a long gap between each breakup and you properly build on it, it could be a slow burn.
Just remember, it’s like any other romantic relationship, except it’s being dragged out. Don’t forget about supporting/ other characters and the subplot/ main plot. You’re still writing a story, and all those aspects make your story ten times more interesting!
“I will not let anyone walk through my mind with their dirty feet.”
— Mahatma Gandhi
That's the cruel reality of our times. You can't trust anything you read until you compare it with more than 3 sources.
“If you don’t read the newspaper, you are uninformed; if you do read the newspaper, you are misinformed.”
— Mark Twain (via historical-nonfiction)
“I love it when I see old couples together, because it makes me believe that true love does exist.”
— Unknown
“God gives every bird its food, but he does not throw it into its nest.”
— J. G. Holland
I'm just a weird girl who likes to read about history, mythology and feminism.
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