Jpx0999 - Sem Título

Frisk centric aus!

(or characters based on them)

UT mob - cute smol human Frisk is a puppy kept by papyrus and sans

Understeam- Frisk is an android

Outertale- Frisk is an astronaut

Underfell- Frisk is having a bad time

Soulfell- Frisk is still having a bad time

Underfell- yep, still bad time

Echotale- Frisk is a grown up in a twisted underground

Zombietale- Frisk is a zombie

Undersail- Frisk is a swimmer

Fantasytale- Frisk is a necromancer

Dancetale- Frisk is a Ballet dancer

Underphase- Frisk is an Otaku

UT storyshift- Frisk is the same, but not the underground

Predatortale- Frisk is in danger

Core!Frisk- Frisk fell into the core and now has ungodly powers

Undernovela- Frisk is spanish

Underkeep- Frisk is slaying 💅💅

Joseontake- Frisk is korean

Dogs of future past- Frisk won't give up on gaster

Archertale- Frisk is an archer

Fairytale- Frisk is red hiding hood

Underlust- Frisk is ace

Mergetale- Frisk and Sans are one

Cattale- Frisk is a cat caretaker

Undernovela- Frisk is running for their life in a monstrous underground

Café Frisk- Frisk is a chef!

Hacker! Frisk - Frisk is a naughty hacker

Pillowtale- Frisk is a plushie

Inverted fate- FRISK IS THE SAME BUT THE WHOLE UNDERGROUND IS DIFFERENT! LOVE THIS AU, LOVE THEM READ IT READ IT READ IT

Undertop - Frisk is a mimic!

Ut- circus- Still a mimic

Stand in- Frans au basically

Angeltale- Frisk dosent have wings as all the other monsters :(

Endertale- Frisk just wants to chill, so come on Chara! >:0

Wondertale- Frisk is Alice in wonderland!

Dreamtale- Frisk is in a coma

Systematic restore-Frisk is a bit early

Oceantale- Frisk is a swimmer

Overtale- Frisk is a monster

DeltaExperiment- Frisk is in Deltarune

Trainertale- Frisk is a pokemon trainer

Poketale- Frisk is a pokemon

Slumbertale - Frisk is in a Dream

Feraltale- Frisk is trying to survive Feral monsters

Feral!Frisk- Frisk is Feral

Detale- Frisk is a bored hacker

Quantumtale- Frisk turned back time!

Charatale- Frisk is in a Chara world

Revolutiontale- Frisk meets the monsters on the surface

Datatale- Frisk has a brother called Data

Chromatale- Frisk is a grown up and discovers a secret

Exiletale- Frisk gains a new power after a fight

Kingdom of Crystal Sky- Frisk is a runaway princess

Moontale- Frisk REALLY wants to kill sans

Undergate- Frisk discovers a mysterious key

Soulwarstale- Frisk is on the land of the dead

Ragnartale- Frisk is a princess tangled with a romance triangle

Songfell- Frisk is a priestess

Lockfell- Frisk is a prisioner

Undercrystal - Frisk makes a wish

Grimmstale- Frisk's story is being told with YOUR help

Heavenfell- Frisk ends up in a violent underground

Reversed context- Frisk is a bitch

Over the void- Frisk wants to uncover secrets

Turmoitale- Frisk is in a turmoil

Tartarosstale- Frisk is being judged

Namelesstale- Frisk can't win against undyne!

Eepytale- Frisk is happy

Summontale- Frisk has to trap de monsters

Spitetale- Frisk is good. Out of spite

Grouptale- Frisk and all the other 6 souls are together

Woundtale- Frisk won't forget sans

I was thinking a lot about the “Gohan was out-of-character during the Cell Games” thing.

Quite a few people on the Kanzenshuu community seem to think it’s the case, and they’re generally the people who understand this show the best. Because they don’t watch the dub or something even like DBZA and get misconceptions about the franchise because of it. 

(Not that I’m saying you shouldn’t watch the dub or DBZA. But remember they’re not the original story. They’re adaptations.)

And despite everything…I still don’t agree. And sometimes I feel like I have to agree at some point. That it’s just the objective truth. But so far, I can’t.

I think the big deal people point to is having Gohan try to end the battle with Cell peacefully. It’s a nice idea, but the inconsistency is that normally, Gohan had no issues with fighting someone even with the intent to kill. He did that with Nappa, with Vegeta, with the Ginyu Force and with Freeza. He never stopped and tried to end those battles peacefully, to reach a compromise, because he knew or at least assumed that they were all terrible monsters beyond the reach of common sense.

So the issue is, why would Gohan suddenly decide Cell was worth saving? Why would he explain they should stop fighting unless he wants to get killed? Like he wanted to spare Cell’s life?

Cell was presented like every other villain up until that point. He was ruthless. He killed without mercy. He massacred entire cities, absorbed the Androids without a second thought, and nearly killed Piccolo, if Goku hadn’t managed to save him. And when someone kills Piccolo, you’d think Gohan would know Cell was an irredeemable monster.

And with the Cell Games, Cell explains that if he wins, he’ll destroy every human being on the planet. That’s adequate motivation to decide “OK, Cell needs to die. And he needs to die NOW.”

But during their fight, Gohan then says he doesn’t have that motivation. He doesn’t want to hurt him. And the question is why? (Besides Toriyama trying to create a character arc for the final battle.)

I think the common fandom explanation is that Gohan believes that maybe Cell isn’t that evil. Once he becomes Perfect, he lets Vegeta and Trunks live, as well as Krillin and 16, even though he could have easily destroyed them. He gives the heroes time to train and recuperate. He tries to be fair. And, importantly, Gohan never sees the terrible things Cell does first-hand. He doesn’t witness his massacres, is training during most of his fights, and even when Cell seemingly kills Piccolo, the fact that Goku saves him almost immediately can make you believe it never happened. I know a lot of people actually forget it happens. Why wouldn’t it be the same for Gohan?

And the other explanation I can think of is the fact that, against Cell, Gohan is older. He’s more mature. Against the Saiyans and Freeza, he was 5 years old. He fights the Saiyans and Freeza because people tell him they’re evil, and because he witnesses them first-hand hurting the people he cares about. He doesn’t have much agency, and when given a chance to think for himself, he sees Nappa ripping off Tenshinhan’s arm and Oozaru Vegeta torturing Goku’s injured body and Freeza impaling Krillin by his horns, and then his 5-year-old’s logic clearly goes to “Alright. I have to fight this guy, because he’s clearly evil. Like other people told me.”

Against Cell, Gohan is 9-11 (depending on what canon you believe), and spent a year training, completely isolated from what was going on. He’s looking at Cell from an entirely different perspective, with a more developed brain and more time to think about the repercussions of his actions (that is, if he has to fight and even kill Cell). He’s the one who wants to be a scholar, so he’s the one you’d expect to be more willing to use his brain. And maybe overthink things.

When he fights Cell, for one of the first times in his life, he has agency. He looks at the problem, and realises he has a choice. He doesn’t have to do what his father says, or what Piccolo says, or what his mother says, or even what Cell says. And he does something no one was expecting. He looks at Cell, thinks that “even if he’s evil, he might not want to keep fighting for no reason”, and tries to stop their battle before it fully begins.

It’s just so interesting to me. Some people say it’s out-of-character, but for me, this is the first time Gohan starts truly becoming a character. Not a plot device, not “the kid with the hidden power”, not the audience surrogate, but a fully-realised character. One who, when given a choice, would rather not resort to violence. One who actually feels appropriate to his dream of being a scholar and his more polite manner of speaking.

If you keep looking at this in terms of whether it’s an inconsistency or not, you miss out on such unique moments. You miss out on opportunities for the franchise to grow.

It was why I tried to defend Goku’s character, inconsistencies and all. I used the “in real life, people aren’t consistent” excuse in one of my videos, which I know is a bit of a reach, but it’s a nice idea. I actually don’t mind if things aren’t 100% consistent, as long as it doesn’t harm the character itself. And as long as it doesn’t make other parts of the series retroactively painful to watch.

(Like, you know. Everything where Gohan is written as the main character.)

this would work much better with a third naissancee-ultrakill axis but that's beyond my graphing capabilities

Otto wtf Man,his mask managed to affect even us,entities of a literal HIGHER REALITY who seems downtigth omnicient in comparision

Wtf otto

why the emilia camp thinks otto is their most threatening member 👍

i see some people being confused on why the emilia camp collectively seems to agree that otto is the biggest threat there for some reason and like. yeah. i get it.

but let me explain real quick why i think it makes sense for the emilia camp to think that :O !!

otto though is disarming because. well okay look at him he doesnt look threatening at all. he has the looks and personality of a wet cat. hes whiny. hes cringe fail. he gets stressed out with paperwork. he looks like you could just smack him around like a bug. he HAS been smacked around like a bug. but that makes him unpredictable because apart from roswaal, he is the Most Amoral one there. you can expect roswaal to be trying some shit, but youd never know when to expect otto is planning something. his moral compass is just “does this benefit me or my loved ones in some way? if not, then its gonna be gone 🥺”.

sure, he does nice things sometimes out of the goodness of his heart. he genuinely means well a lot of the time.

but also then you read the shit hes thinking in his internal dialogue and its like.

“should i go save some girl i dont even know from bandits??? hmm lemme think for a couple minutes. im the only one that can help rn… some guy claiming to be her dad is begging me to help his daughter, but also hes kind of annoying… but i dont even live in this city so why should i help… or Care. actually. but i feel kinda bad about this girl… but also this is gonna put me and my profits in danger… but if i reject helping then im forever gonna be known as the guy who abandoned them and then i wont be able to make any sales in this city anymore :<<<< ……anyway im gonna help them then lol im so smart.” and then he gets captured by the exact same bandits anyway so hes like “well okay now me and this girl might be sold into slavery so i might as well save both of us or ill feel bad ☝️☝️”

(yes. yes this is genuinely ottos thought process if you read through the Otto's Bittersweet Peddling Log side story.)

except all the back and forth Calculation he does in his head Stays In His Head and doesnt match up with his outward appearance most of the time. which means that sometimes his words dont match up with his actions. “dont be surprised if i leave at the first sign of danger,” he says, right after risking his life and writing a suicide note over a dude hes known for like four days. “ahah thanks for giving me a vacation to see my family…” he says, damn well knowing he cant go back home yet otherwise he’ll get sniped by assassins. “im gonna give you some of my own money bounty money to help you BUT BUT BUT DONT THINK THAT IM NICE OR ANYTHING I NEED MOST OF THE MONEY FOR REPAIRS OK YOU CAN ONLY HAVE A BIT :<<<“

this also means that whenever otto says or does something Particularly Questionable, all his friends are still kinda blindsided by it because otherwise otto seems Mostly Fine in comparison to whatever the hell everyone else has going on. hes just a wet pathetic cat of a guy ahah. theres nothing more going on with h—

“if everyone in vollachia dies but rem and natsuki-san live, then we’ve won. if everyone in vollachia lives but rem and natsuki-san die, then we’ve lost.”

um otto can you repeat that. what the fuck did you just say.

otto looks Mostly Normal, Just Stressed Out or Somewhat Chilling the vast majority of the time, and then he whacks you over the head with a steel chair. like can you imagine being garfiel and learning that this pathetic rag of a man is actually pretty brave when it counts. youre like “oh cool lol we kinda beat each others asses and i was Annoyed but now that thats all over i got some newfound respect for you!!” and then you read through his diary and hes got a suicide note in there, which is like. okay fine whatever hes kind of a clown just like my New Captain lol but hes dedicated to his friends, ill give him that. and then a year later you find your now brother figure (whos also lowkey highkey an alcoholic) with a broken hand after punching a wall because he couldnt do his Lets Abandon 50 Million People Plan and youre just sitting there going

and okay dont get me wrong—subaru is Batshit Crazy. in Multiple Incomprehensible Ways. if the emilia camp (or Anyone. At All.) knew about all the shit hes done and been through with rbd, subaru would INSTANTLY be skyrocketing up the Most Threatening People list. but at the same time subarus less threatening than otto in the sense that subarus Always going to want to do good. hes Always going to want to save everyone. hes Extremely forgiving, on top of that. he goes along picking up friends everywhere he goes in his own Incomprehensible Unhinged Way and hes fond of All of them.

otto? yeah his opinion of you could shift on a dime and you could end up in his personal shit list unless youre one of the *checks list* *clears throat* maybe like ten people he cares about. and even if youre on the I Care About You! :) list, he could still get pissed enough at you to, i dont know, punch a wall over you? and spiral into obsession? and even if hes not upset at you hes still gonna mansplain manipulate malewife his way to his goals <33

and yeah of course subaru is also Mansplain Manipulate and Gaslight Gatekeep but at least he has way more good intentions AND his attitude about it is gonna be like "sorry :<<< i just gotta do this for your sake :<<<<<< :((( haha dont worry about it". subaru would never ever want to do anything big to hurt his loved ones (except for rbd). while otto doesnt even bat an eye. everyone can be manipulated if he has to. he goes down his list of Things I Need To Do and goes "yeah that had to be done. oh well. anyway i got more shit to do (like maybe kill a toddler lol)"

also lets talk about roswaal's perspective really quick. post-arc 4 hes like "well subaru-kun is always gonna want to save everyone and hes doing a pretty good job of things in general so whatever lol. i can still keep him in check by killing everyone if even one of his friends dies :)". so its like. YEAH subarus an Unhinged Wildcard. roswaal knows that. but right now subaru is more predictable and also again, roswaal knows he can keep subaru in check by making subaru have to reset if roswaal really needs to.

but otto? yeah ottos second in line for being an Unhinged Wildcard. but whats even worse is that otto is Basically Subaru but More Calculating and with a moral backbone thats Near Nonexistent. roswaal was genuinely concerned for otto in arc 8 for once and there was still Literally No Stopping Otto from being a stubborn little shit whos hell bent on all the maladjusted insane mentalities hes got floating around in his head, half of which he doesnt even say out loud, and all of which he thinks is Completely Right and that theres Nothing Wrong with what hes doing.

and also otto being underestimated and Not In The Tome was a big help as to how subaru got the win over roswaal in arc 4 👍and then otto Continues to try keeping an eye on roswaal after arc 4, to the point of getting roswaal's tome and actively trying to investigate roswaal's actions, so roswaal is Very Aware that otto is. a bit of a threat. roswaal of course is smarter and more powerful than otto though, but that still doesnt change the fact that otto is still capable of being a threat if roswaal doesnt Also kind of keep an eye on otto back. because roswaal kind of lost to otto already in arc 4!!

but okay, on top of all of this, no one knows the full extent of whats going on with otto, not even roswaal (though he has his Suspicions), and most definitely not subaru yet (whos Still a bit of an otto apologist anyway), and otto is already a bit menacing even without knowing All of that. and the rest of the emilia camp are already a bit more lenient with roswaal (as hes seemingly chilled out after arc 4 + they all need him still). that, and you can easily Expect roswaal post-arc 4 to be suspicious and Probably up to something. you wont know what it is, but you wont Exactly be surprised when it happens.

and also roswaal isnt publicly batshit crazy like otto is. otto of course isnt as Openly Weird as subaru, but otto is still Openly Unhinged and Pathetic. just look at him declaring julius and anastasia, HIS CAMP'S ALLIES, as enemies right to their faces alsdfjlsdjfl.

and with subaru, there is Zero doubt in the emilia camp's minds that subaru wants the best for them and everyone around them.

otto though? yeah he also wants whats best for the camp. he Cares about them, he really does. but hes so obviously Questionable by the time you get to arc 8 to the point where the entire rest of the camp starts eyeing him like this:

theres also the fact that ottos dp allows him to have eyes and ears Everywhere so long as he doesnt overuse it. that paired with his Intelligence, Stubbornness, and Lack of Morals or self-awareness/sometimes guilt/regret over his actions is dangerous. theres a reason why gluttony if subaru decided to flood The Entire Surrounding Area Around Otto. the flood took away the potential army otto couldve made out of the animals and allies otto had in the city, and once you do that, whats otto going to do against someone like shaula? all of ottos power regarding his People Skills and Animal DP was stripped away.

but if that Isnt stripped away... well honestly otto can do whatever the hell he wants the moment he figures out a solid plan to try and get what he wants. his biggest ability at the core of what makes him dangerous is his ability to quite Literally be in the background. so long as hes underestimated, so long as he still has secrets, no ones gonna know the full extent of his bullshit!! you cant stop him if you dont even realize what hes going to do, and hes Good at doing that!!

and if gluttonybaru hadnt taken out otto, subaru would be skyrocketing right to the top of ottos shit list after subaru literally just killed All of ottos (and previously subarus.) loved ones. otto wouldnt stop until he figured out how to destroy subaru. its to the point where im pretty sure if otto had to choose between destroying half the world vs kill gluttonybaru once and for all, otto would certainly choose one of those options in a Heartbeat.

anyway. if youre an emilia camp member, and you see the dude whos in charge of the Vast Majority of the factions political affairs, the guy who you Know is very intelligent and competent and determined when it counts, say shit like "if everyone dies in this entire country i wouldnt even give a single flying fuck as long as our friends get back safe and sound :) it would be such a loss if the entire country lived but our friends didnt :<<<" OF COURSE I WOULD BE LIKE YEAH THAT GUY IS THE MOST DANGEROUS ONE HERE. HE HAS THE SKILLS AND THE MOTIVATION TO BACK UP THAT STATEMENT AND I WONT EVEN KNOW WHEN ITD HAPPEN. he also has the Mental Instability to back that up too, given the amount of times he spends drinking and Raging and Being Terribly Anxious over Every Little Thing.

youll be sweating buckets being wary of otto while ottos casually standing there with his wet cat looks and a knife in your back.

and otto has, for the most part, some of the most normal trauma compared to a bunch of people in this cast (not to discount ottos trauma and pain or anything but its true lajdsfls sorry otto. but also im not sorry because arc 5 was partially on you T^T). he doesnt have rbd, he doesnt have some weird family drama bullshit going on like the astreas or emilias family or the segmunts, he hasnt been erased by gluttony, etc etc. but hes still like this. if you put him in subarus position and gave him rbd, he would get even worse than he already is.

yeah so anyway thats my quick rambley psa about why i think it makes sense that the emilia camp's voted otto as the most threatening one there 👍

but the fact that we (the audience) (or at least some of us!!) keep questioning why the hell the emilia camp thinks otto is the biggest threat there is means that otto's funny silly guy image is. Kind of Working??? just a little bit.

because. granted. of course i think subaru is easily the most threatening person there with both His Flavor of Insanity and rbd. subaru is an eldritch horror in every single way. but at the same time - hes an eldritch horror who thinks friendship is the best magic of all T^TT !!! he FORGIVES PEOPLE WHO'VE KILLED AND TORTURED HIM. hes not threatening in this sense - the fact that hes kind of just way too nice in this sense!!! granted yes, he IS abusing rbd and Terrifying and Threatening in a multitude of ways, but i'd rather take my chances with mainbaru over main otto right now HAH T^TT at least subaru will apologize and start bawling his eyes out if he stabs some random innocent civilian and stranger in the gut for Some Necessary Reason!! otto would feel a bit bad and then completely Eradicate that feeling of guilt with "i had to do it. it was them or me so no regrets <3".

because otto..................... yeah otto is the Worlds Most Pathetic Yandere to his whole camp.

This is the standard winged nightjar and it has one singular stupidly big feather on each wing... if you even care.

The concept of rezero modern AUs that are "the same but different" (meaning all the fantasy elements are replaced by realistic equivalents) is so funny. Like what do you make of arc 2? Does Subaru get bitten by a normal puppy and get normal rabies? Does the Milwaukee Protocol work on him? Does he later learn a little girl intentionally got a rabid dog to bite him? And his clown boss asked her to because his horoscope said so? You have to understand his life actually gets way more insane if you try to make it normal

Also naruto's Canon birthday

No shade to the stuff that’s currently trending at this very moment or the people posting the things. But. Today is an anniversary of a variety of major world events and NONE of them are trending.

For those who are unaware:

It’s literally autism day in every way yet it’s not trending

Gonna need to re-read this later for when i write a Zelda fic

I will now yell about Fi and Ghirahim as symbols of their respective creators, please stand by:

So, the biggest slap addition the lore that Skyward Sword gave us was (Her Grace) Hylia and (the Bringer of) Demise. Entities who, regardless of confusing localisation choices, exist as two sides of the same coin and are locked into a mutual karmic cycle.

They reflect each other like a mirror, and also represent an antithesis of each other, seemingly existing as consequence to one other. They were presented as the penultimate deities of the physical and metaphysical realms of their world since the advent of its creation by the departed Golden Goddesses; twinned yet opposite, and each both inevitable and necessary.

Shadow; Light. Chaos; Order. Indulgence; Restraint. Upheaval; Stability. Primordial; Designed. Spite; Grace. Hidden; Seen.

Ghirahim; Fi.

It goes right down to the blades that Demise and Hylia would level at one another. The spirits of each are a representative of the principles and philosophy championed by their creators.

Now, the closer you get to the works and relics of the Gods/Gods Tribe in Zelda, the more you see divine constructs that blur the line of spiritual magic and advanced technology, and are ostensibly both. This was a direction that really bloomed in Skyward Sword, taking a running start on it that games hereafter have followed. The caveat is that only certain special people chosen by Gods or otherwise given permission to use this kind of Magitech can interact with it or produce things like it (either at all, or without punishment).

Even the Sheikah, who have closely served the intentions of the Gods/Spirits of Light (Hylia and her aligned) all throughout history, make the mistake of getting too comfortable in their inspiration and cross the line into imitations. Despite the successful utilisation of, and later recovery of, certain Sheikah Tech such as the Divine Beasts to positive effect, the tragedy of both the Sheikah's Divide and the Calamity's hijacking of Hyrulean defence systems is still played as a cautionary tale of hubris and knowing one's place in the natural order of things.

The Sheikah were effectively making unauthorised knockoffs of Divine Magitech and it bit them on the arse.

Can't have shit in Hyrule.

Pretty much every significantly advanced tribe in Zelda has a stated closeness to 'the Gods'. Either by being adjacent to or descended from deities and spirits collectively known as the Gods (specifically the Gods Tribe in JP), they are still distinctly subordinate to and separated from entities such as Hylia and the three Golden Goddesses.

Confirmed to be included in this special grouping are the Zonai and the Oocca, for instance. Speculatively, the Wind Tribe are an example of people who ascended (with permission or worthiness) from the surface-- they are an arguably Gerudo adjacent tribe who may even be precursors to the Zonai or related to the Twili.

The Picori, at the very least those in their native realm, also certainly count as part of this grouping. Though it could be argued whether those descent Minish living on the surface still do.

The Sheikah, it should be noted, have never gained entry to this Gods club. Despite their proximity in worship and service to Hylia, historically, they've also done some pretty shady things-- like the Shadow Temple and the general murder and espionage stuff -- that may have otherwise excluded them from ascending like the Wind Tribe did. They walk a grey line, and they have a duty in the eyes of the Powers That Be that apparently prefer they stay put.

Not Turtle-y enough for the Turtle Club.

Another example of this Icarus flying too close to the Sun type cautionary tale, and a far more egregious offender in the eyes of the Gods Tribe, are the 'Interlopers' who would eventually become the Twili. They were a tribe of people that, while squabbling with others, tried to take dominion of Hyrule (referred to itself as the Sacred Realm/Holy Land in TP) with powerful magic that more or less gave them a winning advantage. Specifically, the Crystal Stone of Shadow (the Fused Shadow) which greatly amplified their magical power.

Banished by the Spirits of the Light whole cloth into an underworld (lit. A Realm of the Dead) that we also know as the Twilight Realm, they have been shunned from the land they tried to conquer and transformed by shadow so much, they're now allergic to the light (without sufficient mystical power to bolster themselves).

Basically, the intended message is this: any earthly people who have advanced themselves without approval by the Gods Tribe-- especially by using Divine Constructs as inspiration or means-- have therefore disrupted the order of things, and stacked the deck too much in their own favour. Even if the intent was primarily a fixation on preserving Hylia's bloodline, and by extension her sacred land, it is still possible to elevate oneself above your contemporaries (especially the capacities of the Royal Family line in Hyrule) in such a way that you impose too much independent influence upon the the natural world.

No longer following 'the way of the Gods' (the Gods Tribe law) or respecting the order of things (ala Shintoist inspiration), you are labelled a disruption to harmony and peace, and therefore seen as corrupted and pollutive, and generally negative in your impact. You will then be chased off, at the very least, unless you renege-- for fear that you will bring in demonic influences or be used by them. This has canonically happened to both the Gerudo and the Sheikah, now.

But you know who Magic Constructs on par with the Gods Tribe, except it's more eldritch and organic-looking and primordial in form? It's the other club, the one that the disenfranchised Sheikah went and banged on the door of, hoping to be let in if they started wearing cool red and black outfits and changed their name and stopped worshipping Hylia.

Yeah. It's the Demon Tribe-- who are pretty much just the inverse reflection of the Gods Tribe and its set up. Their Magitech equivalents, and what they can do, only serve to further cement this.

Specifically, if you could suggest that the Gods Tribe's main objective is maintaining a status quo of shared prosperity that provides an ordered and peaceful existence through conformity and tradition, the Demon tribe is an ever churning well of opportunity where winner takes all. It is a hierarchy built on brutal meritocracy, honed by constant challenges and hard won continuation-- survival and status fought for and maintained by individualistic influence and innovation.

Many various little bastards exist in the Demon Tribe. Bosses in charge of sub-tribes of monsters are commonly seen, but they have their minor Deities ad Spirits, too. The head honchos are called Demon Kings (plural, because it doesn't describe a single position, but rather just very powerful Demons who have clout). Demise is both a Demon King, namely the most powerful one, and also the 'Chief' of the Demon Tribe; just as, in this case, Hylia could be considered the 'Chief' of the Gods Tribe. So, Demon God-King, really.

While Demise is incapacitated by Hylia's seal, his role as the Chief of the Demon Tribe is actually the position that Ghirahim fills in for as his (literal) right hand man-- the very extension of his arm, as his blade.

Both the Master Sword (Fi) and Ghirahim himself are, perhaps, some of the most advanced forms of this sort of Magitech we've actually ever seen.

Ghirahim goes above and beyond in his role, even going so far as to cultivate his full persona as a Demon in his own right in order to maintain his authority as the effective Regent while the big boy is incapacitated. He disguises his true form and nature, and with a surprising level of autonomy and self-transformation for what he is, sets about attending his duties with great devotion.

He seems to have an incredibly intuitive and flexible mode of operation. His sentience is full of creativity, emotionality, and genuine potential that he has the capacity to explore and shape with great freedom, for the construct that he is.

He is flamboyant and attention grabbing, highly expressive. He entertains great personal indulgence, even going so far as to toy with Link in a manner that borders on vicious training for a while. Though in part due to his undeniable sadism, Ghirahim almost can't help himself but to continue to test and push against the potential as a swordsman that the Hero has, inadvertently cultivating its growth.

This depth of identity and adaption he's capable of was either an intentional part of his design, or specifically not prevented by it-- both of which stand to represent something of Demise and Demonkind. The lengths to which Ghirahim is allowed to wield himself when not in his creator's hand is remarkable and, though he is shown to be unable to override actual commands from his master, it stands in an interesting contrast to Fi.

Where Ghirahim is able to radically redefine his own presentation and function to best suit his Master's needs in a way that mimics the organic, Fi's evolution is far more linear and streamlined, never really deviating from systematic updates. Though the sword itself is subject to physical restorations, Fi's personal appearance is unchanged and reflective of her true shape, indicating that her tempering in the Sacred Flames is either a slow return to previous form or a pre-programmed and permanent upgrade set into motion by Hylia. It is also an evolution that is entirely dependant upon the actions of others, largely lacking the individual agency and flexibility that Ghirahim possesses.

Not to suggest that Fi is any less devoted to her purpose, however.

She is, quite unlike Ghirahim's aspect of individual advancement, wholly geared toward a model of mutual enhancement with a partner. She is built with a singular and clear objective in mind, perfectly designed to suit the needs of the one wielding her as a supplement to their ability, rather than an autonomous servant. She defers entirely to her Master's decisions at all times, though does make informed suggestions, and does not appear to be able to relocate the physical sword on her own. Many of her abilities are things that must be directly requested of her.

Even when she is given to performance, such as her singing or her ballet, these are seemingly dispassionate affairs that are precisely executed, preprogramed displays for Link's benefit. Absolutely nothing, not even particular inflections of emotionality, must risk the distortion of her relayed messages and guidance to Link-- these displays may also be something analogous to morale boosting rewards or a really weird form of reverence to the musically inclined Hylia. Either way, Fi is highly logical and presents herself foremost as an instrument and a tool. She does not indulge in a persona or otherwise engage in anything not directly tied to her assigned mission-- she does not get distracted or indulge personal whims as Ghirahim does. But critically, a large part of her design is geared towards an awareness of her surroundings. Fi has a visible consciousness for the living things around her at all times, contrasting to Ghirahim's seeming negligence of them and open disdain.

Fi's orderly efficiency and lack of cultivated personality to detract from her purpose make the fact of her construction obvious. Unlike Ghirahim, her true nature and her task is almost painfully undisguised. She exists in a simple sincerity, almost austere, seemingly unwilling or unable to seek function beyond her designation without being updated by another. However, her concentrated application seems to achieve concentrated results, strengthening both herself and her wielder in a near impenetrable mutual reinforcement.

It is perhaps of no coincidence that, despite Fi's seeming inflexibility and clinical pragmatism, she also expresses something of a fondness for Link at the end-- in many ways, mirroring her Divine creator. She does this very robotically, by correlating her collected data time spent together and their completed task with what she's observed of human happiness.

Skyward Sword seems to argue that Ghirahim's main flaw is spreading himself too thin, or trying to be so many other things, that he falls short as a sword in the end. It suggests that his sin, like others in the franchise, is getting too big for his boots scabbard and letting his pride become his downfall. His individualism gets presented with a great cost, as he has only enhanced himself in ways that seemingly do not apply when he returns to his primary function as a sword. The emotionality he has, such as the frustration and cockiness and bloodlust he indulges, are also shown to lower his successes-- reducing the sense of his efficiency and precision beside the ever level, measured Fi.

When he returns to Demise's hand, Ghirahim is already weakened and spent. Despite all he's done for his Master's revival, Demise is left to fight with a paling version of the blade that once fatally wounded Hylia-- not unlike a Master Sword in need of restoration to its full power.

There's a legend regarding Gorō Nyūdō Masamune, widely regarded as the greatest swordsmith in Japanese history, and Sengo Muramasa, who is famously known for creating unique and terrifically sharp blades that are considered cursed.

It starts when Muramasa challenges Masamune to see who can make a finer sword. When the work is done, they go down to a river, and place the blades in the water with the cutting edge towards the current.

Muramasa's sword, which he named Ten Thousand Winter Nights, cuts everything that floats its way-- leaves, fish, even the wind that happened across it. It is so sharp that nothing escapes unscathed.

Masamune's sword, named Tender Hands, is placed in the river and cuts the leaves that go by so seamlessly, they reform on the other side. Fish swim up to it and seem to be repelled by its aura, avoiding death. The wind kisses the blade gently with a pleasant whistle.

Muramasa isn't impressed by this. He thinks the blade is useless, barely cutting anything at all, and starts to remark on the lack of skill. Masamune smiles at the criticism, but merely compliments that Muramasa's sword is indeed quite sharp.

A monk who had watched all this from nearby approaches at that point, bows, and interjects with his own observations.

Though he too observes that Muramasa's sword is technically very finely made, he notes that it's a bloodthirsty, wicked blade. It cuts anything in its path indiscriminately, he says, and would just as soon cut a butterfly in half as remove somebody's head.

Masamune's sword, however, was the clear winner in the monk's opinion-- a gentle blade that did not needlessly cut that which was innocent or undeserving, tempered by grace. It is a benevolent sword, and so far finer made.

In popular culture, Muramasa's blades have held onto their violent reputation. There's a superstition that they can compel their wielder to murder. It has even been said that, once drawn, they can't be sheathed again until their thirst for blood is sated-- even if it has to drink from its own wielder.

They also had a weirdly consistent habit of maiming or killing members of the Tokugawa Shogunate, and so became an anti-Tokugawa symbol synonymous with the rebellion. So that's fun.

But Masamune was considered to be a very calm man, who was controlled and reserved and quite spiritual. Muramasa, though, was depicted as an aggressive man, who was a bit wild and kinda unpredictable. As far as the folk stories go, Muramasa is depicted as having been quite envious of Masamune. Unlike Masamune, who approached his craft as the art of achieving clean death, they say Muramasa needed to transfer his unhinged energy into his blades to keep from being overwhelmed by it himself.

Because their natures bled into the swords they created, it was believed that Masamune and Muramasa imbued them with purifying and demonic power, respectively.

Just as with Demise and Hylia and the swords that they created-- as inspired by such a legend-- the spirits inside of them represent their natures, as well.

The Gaang's hands (with Team Azula and Yue) + headcanons

This series was inspired by @thyinum's Avatar's Hands series!