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A beat after scissors, with no word to go on.
For statistical purposes, I'm from the Rockies.
also we came to a WILD realization tonight: when playing rock, paper, scissors, people from the east coast and midwest go on SHOOT, and people from the west coast (who are insane) go on scissors. like WHY
it’s the 21st day of the 21st year of the 21st century.
you can only reblog this today.
The Right Stuff (1983, set from 1947-1963) - an epic about the test pilots who became the first astronauts (played by Ed Harris, Dennis Quaid, Scott Glenn, Lance Henrickson, Fred Ward) and Chuck Yeager (Sam Shepher), who didn't.
American Graffiti (1973, set in 1963)- George Lucas's mosaic of the last night of a group of teens before they go off to college or the military or whatnot, set in 1963.
Malcolm X (1992, set 1940s to 1960s)- Spike Lee's flamboyant, powerful masterpiece that remains the greatest biopic Hollywood ever produced.
The Godfather (1972, set 1947-1955) The Godfather Part II (1974- interleaves 1901-1920ish and 1958-1959) - classic crime dramas that transcend their pulpy origins with a vivid portrait of the experience of first and second generation immigrants, the bonds and foibles of family, and the endless yet evolving nature of the cycles of violence that define crime. (But they’re also pulpy fun.) Part III (1990, set in 1978) is also quite good; its only real flaw is not being as grand as I and II.
Forrest Gump (1994, set 1940s to 1980s) - the 1990s answer to Frank Capra, a corny, beautiful, funny, sentimental yarn. Very much an oddball nostalgia fest from Gen Xers about Boomers, and thus is a very strange point of view today, but it remains hugely entertaining.
LA Confidential (1997, set 1950s)- the ultimate modern Noir, a funny, atmospheric, violent tale of police corruption in 1950s LA, following three cops, from charming sleazbag Kevin Spacey, violent brute Russell Crowe, and seemingly incorruptible stick-up-his-butt Guy Pearce. Unsurprisingly, all three are terrific at those roles.
Carol (2015, set 1950s) - absolutely gorgeous romance about two women who fall in love and struggle to deal with what that means in that world.
Does anyone have any recommendations for colorful movies that take place in the past (preferably the ‘50s and ‘60s)? I love these kinds of movies and would love to watch some.
Can you please spread this as far as it will go?
My review of Blade, wherein I try to not just say “THIS IS THE COOLEST THING EVER” 100 times.
the default way for things to taste is good. we know this because "tasty" means something tastes good. conversely, from the words "smelly" and "noisy" we can conclude that the default way for things to smell and sound is bad. interestingly there are no corresponding adjectives for the senses of sight and touch. the inescapable conclusion is that the most ordinary object possible is invisible and intangible, produces a hideous cacophony, smells terrible, but tastes delicious. and yet this description matches no object or phenomenon known to science or human experience. so what the fuck
Man, Clara is a terrible liar.
I'm certain this is on Tumblr somewhere, but I haven't seen it around, so I'm sharing it myself
"My response to the “I am not a feminist” internet phenomenon…. First of all, it’s clear you don’t know what feminism is. But I’m not going to explain it to you. You can google it. To quote an old friend, “I’m not the feminist babysitter.” But here is what I think you should know. You’re insulting every woman who was forcibly restrained in a jail cell with a feeding tube down her throat for your right to vote, less than 100 years ago. You’re degrading every woman who has accessed a rape crisis center, which wouldn’t exist without the feminist movement. You’re undermining every woman who fought to make marital rape a crime (it was legal until 1993). You’re spitting on the legacy of every woman who fought for women to be allowed to own property (1848). For the abolition of slavery and the rise of the labor union. For the right to divorce. For women to be allowed to have access to birth control (Comstock laws). For middle and upper class women to be allowed to work outside the home (poor women have always worked outside the home). To make domestic violence a crime in the US (It is very much legal in many parts of the world). To make workplace sexual harassment a crime. In short, you know not what you speak of. You reap the rewards of these women’s sacrifices every day of your life. When you grin with your cutsey sign about how you’re not a feminist, you ignorantly spit on the sacred struggle of the past 200 years. You bite the hand that has fed you freedom, safety, and a voice. In short, kiss my ass, you ignorant little jerks.”
Libby Anne (via coachk13)
YES THIS A THOUSAND TIMES THIS.
(via spanglemaker9)