My Review Of Deep Breath, And Why Madame Vastra Is The Best.

This unquestionably belongs on any list of the 10 greatest Batman stories.

tim drake’s snapchat is 90% him making bruce wayne do normal middle-class american things and filming the results. popular youtube compilations include the one where they’re at denny’s at two in the morning and tim keeps trying to get bruce to order a moon over my hammy just so he’ll have to say it, the one where they’re at disneyworld and bruce gets increasingly frazzled culminating in him actually physically picking up gaston for reasons no one can entirely recall, and everyone’s favorite series “bruce wayne doesn’t understand walmart”

Oscar Nomination Predictions

Once I get around to finishing up a few of the high-praised films I haven't gotten to (Selma, American Sniper, Mr. Turner, a few others), I'll do a best films list, but I don't think viewing those will change my predictions here too much.

On the other hand, finally seeing Whiplash (which is amazing) convinced me that it has a better chance than I thought, so who knows?

Best Picture The last three years have had nine nominees, so I'll put that many, more or less in order of likelihood. I'll be genuinely shocked if one of the top four doesn't show up. Boyhood Birdman The Imitation Game Selma The Grand Budapest Hotel Theory of Everything Whiplash Gone Girl American Sniper And if there's a tenth nominee, I think it'll be one of these, in this order of likelihood: Foxcatcher - [The enthusiasm for this one seems very limited, but then again, Miller's other two movies (Capote & Moneyball) were more of the "respect" than "love" kinda movies, and they got nominated anyway. He definitely has his fans in the academy. Nightcrawler -A solid Dark Horse here. Unbroken - Opinions are very mixed, and even the positive reactions seem to be in the "good, not great" category. It might get in on sheer "heroic WWII flick" factor, though. Mr. Turner - Unknown enough that it might get lost in the mix, but it's certainly universally praised. Interstellar - Probably wishful thinking to even put it as the "least likely nominee", but I imagine it'll get enough support to have a very, very distant chance. After all, it's been hanging on in the lower parts of the charts to make a good $25 million more than expected. Also, I'd love to see this get an Oscar bump at the box office, which should be enough to get it over $200 million and maybe even in the top 10 of the year. Not that box office or awards matter that much at the end of the day, but it would make this kind of crazy ambitious sci-fi - and original films in general - easier to get through the system. Also, it was awesome. Director

These three seem pretty well locked: Richard Linklater (Boyhood) Alejandro González Iñárritu (Birdman) Ava DuVernay, (Selma) But the last two I'm not sure about at all. I guess this is the order of likelihood to my mind: Wes Anderson - Grand Budapest was fantastic, and dazzlingly made. I imagine Anderson will finally get a directing nod on the "It's his time" vote, but it still might be too quirky to get broad support. Morten Tyldum - The Imitation Game is certainly an excellent film and is going to get a lot of nominations, but the directing seems fairly straightforward. Or maybe it's just a shock that something that middle-of-the-road feeling came from the guy who did [i]Headhunters[/i]. Anyway, it wouldn't surprise me if something flashier got in instead. Clint Eastwood - apparently American Sniper is the usual "rough around the edges but highly effective" thing late-period Eastwood does, which has a way of splitting opinions. Plus, he already has two directing Oscars, so there's not exactly an overwhelming sense of him being under appreciated. Still, he'll probably get a number of votes from older members.

Damien Chazelle - Whiplash is absolutely incredible, and it might pull off the final slot on sheer quality.

David Fincher - This probably depends on how much the Academy actually liked Gone Girl. I have a feeling it's just lowbrow enough that Fincher will miss the shortlist.

Actor Michael Keaton (Birdman) Eddie Redmayne (Theory of Everything) David Oyelowo (Selma) Benedict Cumberbatch (Imitation Game) The top four there are probably locks; certain the top two are. The last slot seems like a battle between Steve Carell (Foxcatcher), Jake Gyllanhaal (Nightcrawler), Ralph Fiennes (Grand Budapest), Bradley Cooper (American Sniper), and Timothy Spall (Mr. Turner). I guess I'll bet on Fiennes, but none of the others would surprise me. I'd really love to see Miles Teller get it for Whiplash, unlikely as that may be.

Actress

Since Hollywood doesn't give enough great leading parts to women, this category is a lot more likely to go to more obscure performances. Julianne Moore (Still Alice) Reese Witherspoon (Wild) Rosamund Pike (Gone Girl) Jennifer Aniston (Cake) Felicity Jones (Theory of Everything) Longshots: Marion Cotillard (Two Days, One Night), Gugu Mbatha-Raw (Beyond The Lights), Shailene Woodley (The Fault In Our Stars), Jenny Slate (Obvious Child)

Supporting Actor JK Simmons (Whiplash) Edward Norton (Birdman) Ethan Hawke (Boyhood) Robert Duvall (The Judge) Chris Pine (Into the Woods) Pine is probably a risky prediction; Mark Ruffalo in Foxcatcher might be a safer bet. I would love Tyler Perry to pull a surprise nomination for Gone Girl, and that's not entirely out of the question.

Supporting Actress

Patricia Arquette (Boyhood) Emma Stone (Birdman) Jessica Chastain (A Most Violent Year) Tilda Swinton (Snowpiercer) Rene Russo (Nightcrawler) Meryl Streep is probably a wiser bet, but I think that would be 100% an "It's Meryl Streep" vote. Then again, she got nominated last year for exactly that. Keira Knightley might get swept in if The Imitation Game has any coattails. (she's very good, but not in a particularly flashy way) Carmen Ejogo (Selma) and Carrie Coon (Gone Girl) are longshots. I've also heard Kristen Stewart is outstanding in Still Alice, and I would love for her to get nominated the same way I want to see Tyler Perry get one.

Original Screenplay

Birdman - Alejandro González Iñárritu, Nicolás Giacobone, Alexander Dinelaris, Armando Bo Boyhood - Richard Linklater The Grand Budapest Hotel - Wes Anderson & Hugo Guinness Dan Gilroy - Nightcrawler Paul Webb - Selma

Mike Leigh might take Nightcrawler's spot for Mr. Turner. The LEGO Movie (Phil Lord & Christopher Miller) and Top Five (Chris Rock) wouldn't shock me. Justin Simien (Dear White People) would be a surprise.

Adapted Screenplay

Gone Girl - Gillian Flynn The Imitation Game - Graham Moore The Theory of Everything -  Anthony McCarten Whiplash - Damien Chazelle Snowpiercer - Joon-ho Bong, Kelly Masterson

I doubt Guardians of the Galaxy will get in (if The Dark Knight couldn't nominated), but it'd be a gas if it did.

While $7.25 is low, at least part of the issue is that in a lot of small towns or rural areas, it actually can be a livable wage. It’s easy, living in big cities, to forget how small towns work.

That’s, at least theoretically, why the national minimum wage tends to be pretty conservative; it’s trying to come up with a number that wouldn’t screw over small businesses in small towns. That’s not to say the number can’t be higher, but the necessary minimum wage to survive is substantially different in a metropolitan city than it is elsewhere. (and differs from city-to-city) So individual states and cities, in theory, should set their own minimums where they need to be for the area.

Theoretically.

I intensely disagree. I think that's actually part of what set your blog apart. While there are other sites that review the books and such (though it takes some digging to find good ones), the way you showed both how they fit in their eras, and how they could never have fit in the eras, and considered what they said about the show both when they were set and when the books themselves were written, gave tremendous clarity on your themes and ideas.

I mean, I started reading your blog when you were only up to Marco Polo, but I think The Time Travelers was when it first started to really evolve from an interesting, quirky take to a fascinating and arguably definitive take on the show. Showing the contrast between what was, what might have been, and what maybe should have been couldn't really have been done in another way.

And there are a number of those that the blog would be far poorer without - The Time Travelers, the Two Doctors [Troughton version], Interference [Pertwee Version], The Well-Mannered War, Spare Parts, The Song of Megaptera, and The Nightmare Fair in particular are all absolutely crucial pieces of your arguments about the eras. I can't imagine the blog without them.

I mean, sure, you could maybe have saved a few here and there for the book versions without a major problem (Campaign, maybe), but, on the whole, they're an essential piece of the texture and meaning of Eruditorum.

I suspect it may also have (marginally, at least) helped sales and the Kickstarter; saying you're going to review the spin-off books means a lot more when we can see how good and important your reviews of those are. The book versions clearly weren't just going to be longer; they would be richer.

Finally, the reviews of the books spaced around helped prime us for the onslaught of book reviews in the Wilderness Years. I was finishing up viewing the entire series around the time you started the blog, but the books were completely new to me. I mean, I was aware they existed, but figured they were typical tie-in media: enjoyable but inessential. Because of your approach to the books, they were clearly shown to be an important and worthwhile part of what the show really was and is. (I actually bought The Time Travelers right after reading your blog entry on it.) It also created some preparation for reading about large swaths of stories I had never experienced. Without those, it's entirely likely I would have dropped out after Survival and other than The TV Movie, would have just waited around for Rose to pick back up. And while I imagine there may have been a bit of drop-off there anyway, I'm convinced it was far smaller than it would have been otherwise.

http://philsandifer.tumblr.com/post/104783235786/i-also-might-not-have-done-any-time-can-be

I also might not have done any Time Can Be Rewritten entries. I’m not sure there’s any era that wouldn’t have been improved by saving those for the book, both on blog and in book. Actually, I think that’s probably it. Now that I know there were book versions, I’d have conceived of the non-episode...

poll time because something my mother said pissed me off lmao

and in the tags tell me your gender and age?

Yeah, "routines" suddenly make way more sense to me, and I totally see what my routine needs have always been.

i think a lot of neurotypicals misunderstand what “routine” means in the context of autistic ppl needing routine. they seem very fixated on the idea that routine means doing the same thing at the same time every day (eg always eating at 12, always showering at 7, idk, stuff like that) and they don’t seem to get that while yes, those are a kind of routine that some autistic ppl need/like, it’s not the only thing. 

like for me, for example, it is way more important that the songs i listen to play in the right order and that the right kind of audio is on in the background when i do different tasks than it is that i do said tasks at a specific time of day. the routines that are important to me are about how i do things, not when. but nt ppl don’t understand this. 

why is this important? bc i have had So. Many. neurotypicals tell me that the reason i’m depressed/anxious/not feeling well is that i don’t have enough of those when routines in my life. that obviously if i made sure to always shower at the exact same time of day i wouldn’t be depressed. that obviously if i made sure to always get up at exactly the same time, no wiggle room of even a minute, then i wouldn’t be anxious. “because you’re autistic!” they say, “and routines are important for you! you’ve even said so yourself!”

and then they proceed to not take the actual reasons why i’m feeling unwell seriously, because obviously if an autistic person isn’t living minute by minute according to a schedule that dictates their every move then that has to be the cause of all their problems. 

Everything about this is amazing.

In your mind, how is Wayne Industries structured?

wow this took like six months and ended up a lot longer than i intended and i’m not even sure if i answered the question you were asking

i am ignoring literally everything from canon because canon says that every single company owned by wayne enterprises is called Wayne Insert-Industry-Name-Here and that’s dumb as all hell and i hate it. also i made the company founding contemporary with famous olde rich people like the rockefellers and whatnot because Old Money. i’ll put dates on some of these but on some of them (like when we’re getting real granular) i just cannot be fucked to bother. let’s also agree that there are a bunch of things that are technically subsidiaries but which are actually the exact same goddamn thing just slightly altered because it’s in a different state or something, which i don’t need to list.

i am assuming for these purposes that wayne enterprises is a privately held conglomerate with control having been ceded to a board of directors during thomas wayne’s tenure as ceo-in-name-mostly as well as while the company was in a trust; the board was subsequently dissolved once bruce was old enough to make that decision. privately held companies aren’t obligated to disclose financials or maintain a board, which is great if you’re planning to be batman and also make a lot of theoretically financially unwise decisions like setting a minimum wage of $15 throughout the organization and implementing a cash profit sharing plan.

anti-trust and monopoly laws aren’t an issue because they’re way too diversified and none of their business units dominate their chosen industry. there are probably conspiracy theories that the reason for the immense diversity of interests is actually to keep different markets competitive and protect other businesses from anti-trust suits, which would be pretty compelling if every wayne from the start weren’t fueled by spite and pettiness.

anyone who wants to has blanket permission to use this for whatever because canon is for suckers but so is figuring out corporate structures yourself

tumblr is probably going to completely fuck the formatting so you might want to read this on my other blog instead

Keep reading

Red Sparrow

Jennifer Lawrence is perhaps the most American actress alive - which is to say, entirely intuitive, impassion, and non-theatrical. It's ...

My review of Red Sparrow -- a great showcase for Jennifer Lawrence, but a deeply unpleasant film otherwise.

it’s the 21st day of the 21st year of the 21st century.

you can only reblog this today.