Nothing is less popular today than to say that there is no millennium, that values collide, that there is no final solution, that one can only gain one value at the expense of another, that whatever one chooses entails the sacrifice of something else—or that it is at any rate often so. This is regarded as either false or cynical or both, but the opposite belief is what, it seems to me, has cost us so much frightful suffering and blood in the past.
Isaiah Berlin http://www.nybooks.com/articles/archives/2013/dec/19/learning-lot-about-isaiah-berlin/?pagination=false
It’s important to walk There are friends yet to meet My dog says “Forget about it!” My dog says “Let’s run in the woods”
http://player.vimeo.com/video/62422161
"Balance" de Tobias Hutzler
Aldaba, en Fornalutx, Mallorca. Las bonitas mordidas del tiempo dejan su huella de herrumbre.
Fornalutx, Mallorca, Copyrights Val Moliere 2013 #Do not post on pinterest#
Photographer Uses 130-Year-Old Camera to Capture Images of Modern England Jenny Zhang, mymodernmet.com
In the age of Photoshop, cell phone snaps, and digital photography, British photographer Jonathan Keys stands out with his passion for the collodion (or wet plate) process, an early photographic process that was invented by Frederick Scott Archer …
La nueva Inglaterra, bajo una lente analógica
Místicos naturalistas ;)
After one glass of bourbon, [Michael Stocker and I] agreed that our work consisted largely of reminding moral philosophers of truths about human life which are very well known to virtually all adult human beings except moral philosophers. After further glasses of bourbon, we agreed that it was less than clear that this was the most useful way in which to spend one’s life, as a kind of flying mission to a small group isolated from humanity in the intellectual Himalaya.
Bernard Williams, “The Liberalism of Fear” (Princeton: Princeton, 2005). Damn, he’s good. (via fuckyeahbernardwilliams)
Paisajes de El Greco
View of Toledo by El Greco.
El Greco cultivated other genres more rarely…. His two landscapes, View of Toledo (c. 1610; New York, Met.) and View and Plan of Toledo (Toledo, Casa & Mus. El Greco), are also late works of c. 1610. In these El Greco is preoccupied with the means of representing what is perceived as well as an emblematic sense of the urban landscape and a zenithal projection of the city, a combination that was advanced in the representation of urban topography. It is possible that in Toledo and Madrid these works influenced interest in still-life and in landscape, genres that had, almost exclusively, been orientated towards a naturalistic type of formal structure.
From 'Greco, El [Theotokopoulos, Domenikos [Dominico; Dominikos; Menegos]]' in Grove Art Online on Oxford Art Online.
We’re examining inspiring landscapes this July on the Oxford Academic Tumblr.
Image credit: View of Toledo. El Greco. c.1599. Metropolitan Museum of Art, New York City. Public domain via WikiArt.