It’s important to walk There are friends yet to meet My dog says “Forget about it!” My dog says “Let’s run in the woods”
El punto de vista de un águila, casi...
In the mid-1980s, no European country provided legal recognition to gay and lesbian couples. A quarter-century later, 16 countries in the region had same-sex marriage or legal partnership laws in place. Eleven other countries, including Argentina and South Africa, have legalized same-sex marriage. In Mexico and Brazil, gay marriage is legal in at least some states. The countries with larger majorities in favor of gay marriage than in the U.S. include Uruguay, Argentina, the Netherlands, Sweden, Denmark, Belgium, Luxembourg, and Spain. All this reflects rapidly changing global attitudes toward same-sex relationships more broadly.
As the U.S. Supreme Court deliberates on repealing a law whose existence is an embarrassment to a democratic society, a look at the gay-rights revolution in more evolved countries around the world. (via explore-blog)
Colibrito!
Ruby Topaz Hummingbird by Ray
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People tend to think that creative work is an expression of a preexisting desire or passion, a feeling made manifest, and in a way it is. As if an overwhelming anger, love, pain, or longing fills the artist or composer, as it might with any of us—the difference being that the creative artist then has no choice but to express those feelings through his or her given creative medium. I proposed that more often the work is a kind of tool that discovers and brings to light that emotional muck. Singers (and possibly listeners of music too) when they write or perform a song don’t so much bring to the work already formed emotions, ideas, and feelings as much as they use the act of singing as a device that reproduces and dredges them up. The song remakes the emotion—the emotion doesn’t produce the song. Well, the emotion has to have been there at some time in one’s life for there to be something from which to draw. But it seems to me that a creative device—if a work can be considered a device—evokes that passion, melancholy, loneliness, or euphoria but is not itself an expression, an example, a fruit of that passion. Creative work is more accurately a machine that digs down and finds stuff, emotional stuff that will someday be raw material that can be used to produce more stuff, stuff like itself—clay to be available for future use.
David Byrne ‘Bicycle diaries’
Photographer Uses 130-Year-Old Camera to Capture Images of Modern England Jenny Zhang, mymodernmet.com
In the age of Photoshop, cell phone snaps, and digital photography, British photographer Jonathan Keys stands out with his passion for the collodion (or wet plate) process, an early photographic process that was invented by Frederick Scott Archer …
La nueva Inglaterra, bajo una lente analógica
Contar... ¡es hilarante!
The art of reading is in many ways opposed to the art of writing. Read- ing is a craft that enriches the text conceived by the author, deepening it and rendering it more complex, concentrating it to reflect the reader’s personal experience and expanding it to reach the farthest confines of the reader’s uni- verse and beyond. Writing, instead, is the art of resignation. The writer must accept the fact that the final text will be but a blurred reflection of the work conceived in the mind, less enlightening, less subtle, less poignant, less pre- cise. The imagination of a writer is all-powerful, and capable of dreaming up the most extraordinary creations in all their wishful perfection. Then comes the descent into language, and in the passage from thought to expres- sion much—very much—is lost. To this rule there are hardly any exceptions. To write a book is to resign oneself to failure, however honorable that failure might be.
Alberto Manguel 'Curiosity'
Piña + Maga