Also, it's really funny how some people gush over Rhaenyra calling her brothers 'half brothers' but Helaena 'sweet sister' and say that it's sweet. I mean, I guess it is sweet. She knows her brothers want to challenge her right to the throne, but Helaena is sweet and wouldnt want that.
Yet, when Sansa refers to Jon as 'half-brother' it's horrible and disrespectful and even abusive?
Historically, in the asoiaf universe, children of another woman have wanted to usurp and challenge the heirship of rightful heirs. Catelyn has no reason to believe that Jon wouldn't turn out the same at some point and Sansa who is closest to her mother must have absorbed some of that beliefs.
I guess it's only girlboss to put a possible usurper in their place when it's a fan favorite.
There is a castle on a cloud...made of bones.
Master of the dog house.
On my own -- until my family feeds me.
I could go on, but you get the point.
a celebrity i follow on twitter: le miz but marius is played by wishbone
me, softly but with feeling: holy shit
behold, the goodest boy at the barricade
The independent girl is a person before whose wrath only the most rash dare stand, and, they, it must be confessed, with much fear and trembling.
Lou Henry Hoover (via infamoussayings)
Could write an essay like this on Bran? I still don’t understand why GRRM chose him of all people to be king at the end. His story has almost nothing to do with being a leader and ruling. Am I missing something? I feel like Daenerys’ storyline was always (in the show and the books) much better written and plotted than Bran’s, but maybe I’ve just been overlooking something all these years.
A Dance with Dragons is the most important arc Daenerys has had since she hatched her dragons at the end of A Game of Thrones, and is a huge turning point for the trajectory of her character. And while GRRM’s books have always been incredibly detailed and focused on character, this book and A Feast for Crows is when he really mastered that style. Those two things combined make Daenerys’ ten chapters incredibly dense, and full of very important details. If I were to write it all out in one post, it would be just ridiculously long (and considering the length of my other posts, that’s really saying something…). To try and keep these posts from turning into books, I’m going to split my analysis of Dany in A Dance with Dragons into three separate posts; one dealing with the political aspects of her arc, the next a look at the outside forces that influence Dany’s decision making, and the last will center on the personal struggle that defines her arc. Here is the first, where I breakdown the political merits of Queen Daenerys Targaryen…
Holding Court
Running parallel to all of the symbolic choices and struggles Daenerys makes in A Dance with Dragons is the practical decisions she makes as Queen of Meereen. GRRM is famous for his quote about “Aragorn’s tax policy”, and it is clear that he tries to answer that question in this book. We get chapter after chapter that gives Daenerys a new political trial, and get to see and examine how she decides to move passed it. The first three books gave us small moments to look at and decide how Daenerys would rule Westeros, but A Dance with Dragons gives us definitive examples of how she would. This book asks would Daenerys be a good queen? and also gives us the answer: No.
Keep reading
Mr. Malcolm’s List is complete fluff with little weight or substance, but clearly everyone involved knew that and decided to make a sweet little film. The story is harmless, though I do wish Julia was the main protagonist--the actress playing her was clearly having the time of her life and she carried the movie on her back every step of the way.
Mr. Malcolm himself was incredibly...boring. Every time he opened his mouth I stifled a yawn. Seriously, could the casting director not have found someone more...anything. I don’t see how anyone could stay mad at this guy or have any strong emotions about him at all--he’s just way too bland. I’m not entirely sure if this is the actor’s fault, the writing, the bland character to begin with, or the directing, but all of these things come together to make a truly forgettable character.
Plus, his list is hardly unreasonable. Everything on his list is something any sensible person would want when picking out a boyfriend/girlfriend/partner/spouse. He just happens to be nerdy enough to have written his list down...and keeps it in his coat pocket, taking it with him everywhere he goes...That’s kind of dorky, but not particularly insulting.
All in all, I wish this bit of fluff had a sharper bite. Jane Austen, whose books clearly inspired this movie/book, had a far sharper and deeper bite.
Jane Austen had social commentary, this movie has...eye candy and geese.
This movie is by no means bad, but it’s not nearly as good or as clever as it wants to be and SHOULD BE. It’s just standard, like a big screen Hallmark movie, just with Jane Austen trappings instead of Christmas decorations.
I get the feeling that before this is over he and Ceresi are going to get it on, at least once. He is her type after all. Why else cast an actor this attractive? He looks like Jamie does in the books.
I can imagine Ceresi sleeping with him, thinking it’ll placate him (a callback to the Euron scene in episode one), only for him to immediately reply:
Harry: “That was all well and good, but you still need to pay the gold cloaks our salary. Our real salary.”
I can’t wait for the memes if that happens.
Don’t judge, but I ship this new character, Harry Strickland, with Sansa
I don’t usually talk about my personal life here, but I really need to vent.
I have misophonia and it’s ruined my life. I have left jobs, schools, limited contacted with family members, considered suicide, self-harm, etc. due to certain triggers, the main one being throat clearing. It might sound ridiculous to someone who doesn’t understand what misophonia is, but I want you to try a little experiment: count how many times your co-workers clear their throats in a single work day. If you work in an office, it’s a lot. In one of my jobs, it’s constant.
One of the worst parts of it is the feeling of helplessness and complete and utter rage that comes with each trigger. I’m a 10 out of 10. I feel physical and mental pain when I hear my triggers. It’s like having someone stabbing my brain and my ears over and over again, sometimes all day long.
There is no cure.
I’ve tried to get certain family members to care and understand, but many still insist on making the triggering sounds whenever I’m around over and over and over agin. If I can’t even get my own family to listen and understand, how can I possibly explain this situation to co-workers?
At this point, I’m seriously considering giving up one of my dream jobs because of my misophonia. I know quitting is a dumb decision during these uncertain times, but I physically and mentally need to get away from people.
Are there any jobs out there (besides I.T.) that involve rarely interacting with people? I’ve tried doing online jobs, but people are so demanding and rarely pay you any money, plus there are tons of scams out there.
I’m at the end of my rope here. All this pressure and pain has been building for years. I think I’d be better off living as a hermit, but even hermits have bills to pay.
The survival of Westeros is more important than the perceived race of the characters.
So I’m just sayin… they let all the Dothraki and 99% of The Unsullied die and like most of the main white people got to live.