Read the rest on twitter... or below the cut:
For all that tumblr complains about the writing for female characters on this show, at least these female characters actively do something and D&D write for them
Jon Snow: His entire arc was invalidated in one episode, his parentage was there for the sole purpose of turning Dany paranoid considering Jon himself was not allowed to deal with the ramifications of it. Jon himself has no reactions to things happening around him and makes idiotic decisions to drive the plot. His entire season 1-7 arc invalidated.
Bran: Has done nothing of consequence and there was no point in watching his early season journey and him becoming the 3ER. Utterly useless character on the show.
Jaime: No redemption arc, nothing. He died as Cersei’s lackey. No meaning to his arc with Brienne
Tyrion: If he had fallen off the boat and drowned in season 5, it would have been the best thing to happen to Dany considering what a moron the show has turned him into. All he does is stand there and look sad about Dany.
Folks complaining about the female characters. At least the female characters have agency and actively drive the plot.
Dany decides this is it and takes KL with fire and blood.
Sansa actively schemes against Dany and sets this plot in motion with Varys.
Arya kills the NK and and is the hero of the long night.
Cersei holds her ground and KL till the very end.
The men on the other hand are useless lackeys. There is no development there, they actively regressed and became more dumb to prop up the female characters, they had no story other than to serve as plot devices. So if you are complaining about bad writing, at the least acknowledge that the bad writing affected all characters, not selectively one gender.
I think the book series might work better as a HBO or Showtime or Starz or Netflix mini-series able to go all out in terms of the grittiness, sex, and violence of the book.
WARNING: This post contains major spoilers for Red Sparrow (original Jason Matthews book, 2015 Eric Warren Singer screenplay draft and Francis Lawrence’s film) as well as minor story details from sequel novels Palace of Treason and The Kremlin’s Candidate. For my thoughts on the film, head to Letterboxd.
I can’t seem to muster up some sort of pretentious intro, so getting right to it:
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The independent girl is a person before whose wrath only the most rash dare stand, and, they, it must be confessed, with much fear and trembling.
Lou Henry Hoover (via infamoussayings)
*steps up to the podium and adjusts the microphone*
I…liked it.
*cue the Flynn Rider surrounded by swords gif*
Hear me out.
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They probably will in later seasons. She did NOT get on well with her youngest daughter Marguerite or her youngest son Hercule (also called Francis). Both children went on to rebel against her. So much family drama!
Sure she had to run the country while these two were growing up, but still...things got tense between them.
i wish they expanded on catherine being a deadbeat mother. this is where series bias in her favor is showing imo (or is it catherine storytelling bias? either way it's unsatisfactory.) because none of her scenes with her children explain why francis is so bitter and untrusting with her. i believe he had strong reasons to act that way and him leaning on mary who was always here for him makes complete sense. unlike his mother who i suspect secretly liked to spent time busy with court intrigues instead of wasting her lively brain energy on clueless little kids. she's like one of those fathers who prefer to only acknowledge their kid when they are old enough to hold adequate conversation not bothering to form any kind of bond with them beforehand. but i am sure catherine will fix that mistake with little charles.
The Lair of the White Worm (1988)
Inquisitor Glokta from The First Law trilogy.
I am somehow proud of this design <3