Cig Break After Being Bullied By Taka And Blackquill

Thinking about the implications of EP 8, Jerry, a little too much. The idea that death without life is meaningless and life without death is terrifying. The concept of technology and ai surviving far beyond our mortal human existence, and the loneliness and confusion that stems from not being confined to time.

The idea of a bloodthirsty being, such as the Lich, getting absolutely everything he could dream of: all life eradicated in an instant, only to realize that he has nothing left to do for the rest of eternity. The idea of being the only other being in existence, made of metal and wire, and being forced to grapple with why YOU survived. Out of everything in the universe, the trees, the grass, the animals, the people, YOU are all that's left. You and Jerry.

To be in the room with the being that killed all life, and the one being you can't kill. Sure, maybe it'd be easy. You just need to hit them hard enough, and they'd be gone. Forever.

But then what's left?

You. Alone. You'd be the only tree left to fall in the forest, unable to make a sound. You can cut yourself down, but what, then? What. Then.

You see this creature made of electricity and love, talk about the world like it's still there. And for a moment, it makes you believe that you still have a purpose. To have one last person walking around in the fossilized forest is enough, because maybe, if they're lucky, they'd find an axe and cut you down. Maybe you wouldn't know if you could make a sound...

But they would.

"I’m thinking of moving."

Did some doodles

MAJOR SPOILERS BELOW

SUPER IMPORTANT

Him baby

I'm so tired of hearing that Phoenix saved Miles without hearing about any of its implications.

Because Phoenix's savior complex is a major problem not a solution. Because Wrightworth is not about Phoenix saving Miles, it's about them saving each other. Because in Farewell My Turnabout, Miles Edgeworth said "We aren't some sort of heroes. We're only human." and he was right.

WHOOOO GYAXAPOSTING

Kodaka April Fools tweets 2024

Lying just because it's April Fools' is so dull. Honestly painful to watch. Lying in general doesn't do you any good. In my younger days, I told every lie I could, saying some genuinely insane stuff about being a supreme leader of evil and whatnot, and thanks to that, now that I'm in my thirties, I got famous for all the wrong reasons and can't find a stable job because people think I'm associated with the yakuza... Sigh, I wanna deck my cringe younger self's face. Quit lying for fun while you can.

My classmates aren't doing great either. Thinking you're hot shit during your school days always comes back to bite you... My advice to my past self: slow and steady effort is worth more than any talent. Also, the part of life you spent larping with that silly horse laugh is not going to be one you'll want to remember later. I wish I could make that clear to him. White lies aren't a thing. Talent is never enough. My class is proof of that. Wanna know what my classmates are like now that we're in our thirties?

Akamatsu became a piano teacher. Her player skills capped off in her teens, it seems. But she's not that good at teaching so she's considered kinda mid at her job. And now she's struggling with the father of a student incessantly hitting on her. Tough world to live in.

Toujou opened a housekeeping company but she was too strict with her employees so everyone quit. And now she's doing everything on her own. Sucks to be in your thirties without any successors or employees. She's a prime example of how being so much better than anyone else doesn't do you any good. Well, she's always working for celebrities, so she's doing well financially, but I heard about some major court fight about a missing item under suspicion of theft from one of her clients. That can't be nice.

Yumeno got to her thirties still saying magic is real, so she's past the point of no return. She agrees that's an unhinged way to live, but she's too old to suddenly change gimmicks. Work takes her all over the country, but her gimmick doesn't allow her to publicly drink, so she has to get plastered alone in her hotel room after shows. I wish she could fix her life with real magic.

Harukawa? ...Haven't heard that name in a long time. Now she was a living edgy fantasy. The past tense was because I hadn't heard of her in a long time. I don't know the details, but apparently, she went to some war zone outside of Japan because her first love didn't want to date her. Takes some real edgelord to react to a broken heart like that, but if she's still alive, I have no idea how her thirties are treating her. My personal guess is that she's a mother of many.

Chabashira opened her Aikido school but is having a hard time attracting students. So she had the idea of starting an anti-sexual-harassment campaign that could double as advertisement, but thanks to her cluelessness when it comes to romance, she got canceled for mistakenly tossing men in regular couples. She's still doing the "degenerate males" bit in her thirties. Girl really needs to get on with the times. Rumor goes that she still downs huge packs of tequila bottles with Yumeno every now and then. Really don't think there's any salvaging her reputation.

Shirogane is an office lady still continuing her cosplay hobby on the side. She could be doing well if she knew how to keep her mouth shut but frequently rambles about cosplay history and etiquette, so no one likes having her around. Stay emotionally dependent on a single hobby long enough and your passion starts to close you off to others. That's her problem.

Angie was the most successful in the class! She made big money both on the art and the religion fronts. However, there were some controversies about her devotees selling counterfeits of her paintings at exorbitant prices and one magazine made a huge news coverage of it, which resulted in her catching the police's attention. She's been recently untraceable, with the rumors saying that she'll never be back to Japan.

Oh, and Iruma... Up until some point, she had the best life of all of us. She made big money off of her inventions' patents. So far so good. Things only started going off-rails after she married an ex-stripper. The two started a YouTube channel together. And later, her husband ran in last year's elections and lost big time. They got an awful debt from his election campaign and she had to get into side jobs to pay it off. And her husband? Disappeared. No word from Iruma herself about what happened. Tough world to live in.

No further updates from Kodaka in the past 3 hours, so I assume he went to sleep and will come back to tweet about the 7 remaining boys in the morning.

Obscure Danganronpa facts, part 1:

I've recently realized just how much bs I know about this series, so I've decided to try and shed light on the more unknown aspects that I've never seen people talk about. Might as well put this knowledge to good use, eh?

So, traveler, if you'd like to accompany me on this journey, buckle in, and let's have some fun! First off on our trek is....

THIS FREAKING CG IN CHAPTER 6 OF SDR2

Looks normal, right? RIGHT?

ZOOM IN ON THE WORDS.

At first, I thought it was just some kind of stock text. Think, lorem lipsum. But nah, I'm almost completely sure that they had used a real-life newspaper, likely from Sydney, Australia.

If you piece the text together, you can basically gather its about economic tensions between North Korea, South Korea and the United States, or something along those lines. With all the missing letters and difficult font, it's hard to fully grasp what it came from; which was obviously intentional. Maybe it's a few different articles, but I doubt that partially due to how often it repeats.

I tried my best to see if I could find the real article, but from my ten minute search, I came up empty-handed. I don't have time or the motivation to continue that investigation, but either way, it's an interesting detail. I just can't help but wonder why they chose THAT out of all the things they could've, instead of like... something medical related.

Bill & Ford & A Book, Oh My!

DISCLAIMER: The Book of Bill has Bill Cipher serving as an unreliable narrator. If we go out trying to say something is "definitively a truth" or "definitively a lie", we're going to keep arguing about it until the heat death of the universe. This is just my own personal interpretation of the source material. If you don't agree, that's fine! Also TBOB spoilers abound.

So it's no secret that interest in the dynamic Bill & Ford have (enemies, platonic, romantic, formerly romantic, whichever way) has really skyrocketed since TBOB's release. Of course, there are the 'easy' culprits to point towards, with Mabel referring to Bill as 'being like a needy ex', and the whole O'Sadley's fiasco (Him literally crying over losing Ford and going "one Sixer, please"? Messy. Messy behavior. Still, I think it goes so much deeper than that.

Bill, being the unpredictable chaos entity that he is, also serves as the main antagonist for a show about family and having close bonds with each other. We don't really need to look into his inner psyche that much, because that's just not what he needed to be doing at that point in the cartoon. He's meant to be a way to divide the Pines, really. And a silly little guy. A silly little obstacle. So, naturally, when it came to Bill's arguably "closest" relationship to someone in the show (Ford), it was very easy to interpret it as Ford being tricked by a completely apathetic Bill, who was just using him as a rung on the ladder. And I do want to stress that Ford and Bill's physical actions remain fairly consistent throughout interpretations, and focusing on the fact that Bill badly hurt Ford is important, so if that's how you still see it, then fine by me! No harm no foul!

But I think the relationship, their story, their tragedy just becomes so much more interesting with the lens The Book of Bill has presented. Again, Bill is lying to the character of "the reader", so we can't trust it as a completely unbiased source. But we can speculate on where the "truth" is between these lies.

First of all, Bill's backstory was that he destroyed his home dimension- we knew that already. But now, with the extra content we have about it, we see something interesting- that Bill's backstory mirrors Ford's to an uncanny degree.

Both of them champion their intelligence, although they highlight how it set them apart from others, as well as highlighting their own 'rare mutation/birth defect'.

Again, with this self-isolation already spurred on from their "weirdness", but also as a little aside, I would also like to highlight that Bill being 'ready to be one', looking up at the stars, striving to 'reach' them, is a shared motif he has with Ford, who is also associated with space, the stars, and reaching them.

Bill's 'trying-really-quick-to-convince-Ford' fantasy sequence even has him in a field of stars as a sort of "ultimate wish fulfilment". Remember, this is Bill showing Ford something he thinks would win Ford over, at least a little.

(And I'll take a quick time out for this train of thought to point out- hey! Bill admits he sought out most of his other victims, but Ford summoned him, and it took him by surprise! That adds a fun little layer of complexity to everything, don't you think? Another little layer of humanity for this whole mess- Bill didn't expertly seek out the 'perfect victim' or anything, it was just... luck. Some twist of fate.)

Anyways.

Obviously, the intro page to the 'Sixer' section has a ton of red flags galore (I mean, poor guy's literally depicted as a hapless puppet. C'mon, Bill. Not to mention the "OH BOY HE'S ALREADY SO ISOLATED, IT'S PERFECT" thing.). The game we're playing here is not "How quickly can we woobify and excuse Bill"? No, this guy is kind of a terrible companion no matter how you slice it. He's terrible to everyone close to him, because he's a deeply traumatized character who refuses to heal. BUT, the wording here is kinda deliciously intriguing to me. All of humanity is Bill's puppets, his future victims, but to me, it's clear that he holds a fondness for Ford. From "This is what a partner looks like", to "Me and Sixer could be the perfect team", to "He had what I always wanted- fingers" (drawn to his strangeness, maybe?), "He was destined for so much more", "I looked at his futures and giggled", and most stand-out to me, "Society calls these people freaks, I call them Henchmaniacs!"

Going back to the pre-Book of Bill era I was talking about, Bill's offers for Ford to join him were always in a sort of murky territory for interpretation. The first offer could definitely be read as mocking, with the line "WITH THAT SIX-FINGERED HAND, YOU'D FIT RIGHT IN WITH MY FREAKS!" in particular making it seem like Bill was only saying that to rub Ford's strangeness in his face, and the second offer to join Bill being under a new circumstance- that now Bill is desperate and believes Ford is the only one who can help him. But the Book of Bill mentions the idea of Ford becoming a Henchmaniac more than once, and also has Bill upset at losing Ford and claiming "he'll be back", as well as Bill seeming to use "freak" more like a badge of honour, and having previously complimented Ford's six fingers (In the Sixer intro page, he highlights Ford's fingers as a quality he likes, and in the pages about bodies, he states that "humans should have more fingers". To me, that first offer reads more now like Bill being genuine about finding Ford a place among his misfits. ...Although, the moment Ford says no, he does zap him into a statue. So. Y'know. He's still got issues.

(Yeah, again, red flag city. "Just hazing"? Bill, none of what you were doing over there was okay! You might have suppressed everything traumatic that happened to you, but that doesn't mean you can go around traumatizing everyone! Good lord.)

Bill has already been imply to like other characters because they remind him of himself. Pointing towards a connection with a character Bill DOESN'T have a weird undefinable ex-partner thing with... Mabel! Alex has says in multiple official media and interviews that Bill sees a lot of himself in Mabel, and essentially, that he thought Mabeland was the perfect prison because if HE liked all that awesome, uncontrolled chaos over any family or friends, why wouldn't SHE? And we see that again in TBOB. So basically, what I'm saying is that we have two characters to back up the fact that Bill seems gravitated towards humans or other living beings that he views as being 'like him'- beings he can relate to! So, y'know, what does that say about Bill and Ford?

There's also Bill's plans for the reader and "Weirdmageddon 2.0", where he portrays the reader as getting to, like, perch on his arm like a little bird and get their own little crown? And specifically calls out Ford for not going through with things?? Okay, Bill??

AND Ford not only being the only human mentioned on the list of people he "definitely doesn't miss so stop asking", but also having his own category? Alright, man.

Of course, another point to the 'Hey, maybe Bill can actually feel emotions towards humans besides complete and total apathy' club is this page here, which has ALSO been hotly debated! Certainly, we know he's telling the truth about his home dimension being destroyed, and we know that he's lying about the 'monster', but some interpret this scene as Bill not being remorseful at all and playing his reaction up to earn Ford's sympathy. And me, personally, I dunno if I agree. I feel like the specific inclusion of Bill "looking distant, more distant than I'd ever seen him" (Mirroring the fact that he keeps blacking out when thinking about all his large-scale massacres) and him "laughing joylessly", I think this sequence is meant to tell us that Bill actually is being vulnerable with Ford here, it's just hidden under layers and layers of deceit, whether towards himself or Ford or both.

And finally for my Book of Bill collection stuff, there's the stuff that could be read as more romantic in nature. In the 'love' section, Bill claims he doesn't love anyone, but, like-

Come on. You can disagree with me that it's Ford, but he does have exes. And he's clearly not over them. Shrimpy little liar. And then there's the fact that a lot of his hokey 'advice' is stuff he ends up directly doing to Ford.

These rats.

The Love Cage.

The Book of Bill really outlined all that in bold, but in my opinion, it was never an entirely new revelation! Bill seems to hold a preference for Ford over other humans in the show. He shows up in Ford's dreams just to say hi, tease him, and gloat (Mabelcorn) unlike the other two dream appearances he's made (Dreamscaperers, Sock Opera) which were exclusively for business purposes. Unlike every other character that gets exclusively one nickname for their zodiac sign, Ford gets multiple (Fordsy, IQ, Sixer, smart guy, brainiac, the list goes on). Bill asks Ford to join him TWICE, whereas anyone else who tries gets their face rearranged, put in a cage and made to dance, frozen in stone, etc etc. And finally, I think, the most emblematic of Bill's weird, specific relationship with Ford, is that whereas everybody else gets turned into stone, Ford got turned into gold.

Which kinda sums up their whole thing up pretty well? Bill gave him special treatment by turning him into a golden statue (similar to yellow ha ha), always holding him close, but, like... Dude. You still kidnapped a man and turned him into a statue and then threatened to kill his niece and nephew. I don't think it will change his opinion on you if he's the Most Pampered Hostage, Actually. And, of course, I can't emphasize enough that Bill was still incredibly abusive to Ford! It's an unhealthy dynamic! I just don't think that we need to explore the relationships between characters as simply "Well, this character abused the other one, so we shouldn't really think about why or what they feel personally, because what they did was bad, so there". But the fact is, none of my analysis of Bill here changes the fact that the torture happened!

Bill & Ford interest me because they're a tragedy in motion. We can see that Bill and Ford mirror each other in a multitude of ways, and we can see that they both do have positive feelings towards each other at the time they meet, and we see that Bill very desperately wants Ford to be just like him in the unhealthy ways; the ways that make Bill destroy entire universes and compartmentalize it all, because maybe then, he can finally have the companionship he so deeply aches for. Bill and Ford both had tough, lonely upbringings, but Ford moved on from that "I don't need you" mentality. That's what saved him. Bill didn't, and that's what got him where he was in the end. I feel like that's just so much more interesting than Bill just being a flat entity that makes abuse Happen to Ford, just as another Event in his life. I mean, isn't it just SO much more interesting that Ford humanizes Bill, in a way? That Ford makes him- in Bill's own words- "sentimental"? That a chaotic dream demon has regrets and loves and favourites and connections? It's the same thing with Fiddleford & Ford, although, obviously, to a MUCH lesser extent than Bill & Ford. But you get what I mean, right? You know that Fiddleford and Ford are going to undo each other in the end, and the path to that downfall is... it's telling a story! I like the story of it all! I think that's what I've been invested in and intrigued by all these years- the story, the tragedy of Bill and Ford. No matter what form it takes.

(Plus, as tumblr user fordtato pointed out in their own essay (not tagging because this post is messy enough as is oh god), hey, Ford now has two incredibly queer-coded narratives, with one of them being about how he recovered and was able to heal from an abusive relationship. And, well, I think that's just neat.)

Anyways, that's the end of the post. Thanks for reading this long!

D:BH - 28 Stab Wounds Explained

It's 28th so it's the best day to share Bryan's explanation of the famous "Twenty-Eight stab wounds!" scene.

Bryan confirms there is 'a lot of little moments like this in the scenes' but personally I know only about very few of them. "Got it!" / Slamming the table / Pushing away by arm / Angrily gesticulating frustration from boss / More humane movements and expressions Did you guys noticed some other subtle things Connor repeats from Hank? Let's find them :D