WHOOOO GYAXAPOSTING

Book of Bill

I think this is a really valuable take, and it definitely did feel a little strange for that to be the final test. There's definitely a little underlying misogyny there, and whether it was intentionally written to show Lumons values or incidental on the show-writers part, I think it should be analyzed. I really hope next season they're able to develop all of the female characters more- especially Gemma. But, with the direction the story is going into, I really do think the female characters will carry the next season. I see a lot of Checkovs guns being loaded, so I can only hope.

However, I think the reason why the (disassembled) cradle was her final test was because her miscarriage had been the reason she came to Lumon in the first place. And, if I remember correctly, wasn't her fight with Mark over the broken cradle what caused her to seek help from Lumon? Having her take apart something that had meant enough to her to take part in Lumon's experiments (until it no longer was a choice) was the final way of destroying her will to leave. This was something that had been a source of so much of Gemma's pain, anger, fear, and, well, hope- all four tempers- yet it was something else that caused her to fail the test. Maybe, too, her taking it apart could be framed as a form of empowerment? No longer is her greatest worry or concern tied to motherhood - she has something else to fight for. Her own freedom and happiness.

And hell, if my theories are right, I think girlie is gonna take down Lumon with Cobel or Devon. Like, stick her in the birthing cabin, get all the details from each separate Gemma, reintergrate that girl, and she'll destroy that whole company. Do I know how that'll work? A different Gemma per room??? Who knows. Tldr- I think we've only seen a fraction (haha) of Gemma so far, and that season 3 will focus a lot more on who she really is.

Cause it's not like you can't do a story involving miscarriage without it being sexist. That's a real and traumatic experience that many people go through that can and should be thoughtfully explored in fiction.

The thing that makes it feel sexist with Gemma is that it's the only new thing we learn about her as a person in Chikhai Bardo. There's all the plot stuff happening to modern Gemma of course, but that's stuff happening to her, it's not who she is. Everything we see about her outside of Lumon in that episode is either stuff that Mark has already told us about her and the miscarriage, which was also already alluded to. Which makes it feel like prior to Lumon kidnapping her, she didn't exist as her own person but rather as Mark's Wife who wanted to be The Mother of Mark's Children. Which, would suck as a way to write any woman, but feels like a particularly egregious way to write an Asian woman given the whole submissive China Doll stereotype (I know she's not Chinese, that's just what the trope is called).

And it's reinforced in Cold Harbor with the revelation that what Cold Harbor is is a test to see if her strongest, most fundamental memories can break through severance. And what Lumon has determined to be her core self that they're so worried about whether or not they can separate her from it, is maternity. And yes, you can argue that that is Lumon's perspective of her, not the show's, and that Lumon viewing her that way is meant to be viewed critically as more of the Eagan's patriarchal, white supremacist bullshit. But if it's just Lumon's view of her and not the show itself, then why didn't we learn anything else about her in the episode ostensibly about her?

blackquill decides that a little bit of possible jail time is worth it to break out the katana at work

Obscure Danganronpa facts, part 1:

I've recently realized just how much bs I know about this series, so I've decided to try and shed light on the more unknown aspects that I've never seen people talk about. Might as well put this knowledge to good use, eh?

So, traveler, if you'd like to accompany me on this journey, buckle in, and let's have some fun! First off on our trek is....

THIS FREAKING CG IN CHAPTER 6 OF SDR2

Looks normal, right? RIGHT?

ZOOM IN ON THE WORDS.

At first, I thought it was just some kind of stock text. Think, lorem lipsum. But nah, I'm almost completely sure that they had used a real-life newspaper, likely from Sydney, Australia.

If you piece the text together, you can basically gather its about economic tensions between North Korea, South Korea and the United States, or something along those lines. With all the missing letters and difficult font, it's hard to fully grasp what it came from; which was obviously intentional. Maybe it's a few different articles, but I doubt that partially due to how often it repeats.

I tried my best to see if I could find the real article, but from my ten minute search, I came up empty-handed. I don't have time or the motivation to continue that investigation, but either way, it's an interesting detail. I just can't help but wonder why they chose THAT out of all the things they could've, instead of like... something medical related.

I think this is a really valid criticism, OP! Though, maybe I'm just optimistic, but I actually took the ending in a different way. I do agree with you that a lot of these mutliverse shows and movies lately have had that pattern of, "lmao get good loser", in response to valid issues, which is absolutely infurating to see. It feels demeaning, handwavy, and just overall frustrating!

But to me, I think the story of FC was about stagnation vs. growth; and about how wish fufillment isn't quite the way to achieve life of your dreams. Both Simon's and Fiona's stories are about acceptance about the shitty aspects of their lives, but more specifically, they're about how that acceptance begins to pave the way towards joy. At first it seems like it's the same message, but when you look a little deeper, it takes on a different form. Especially once you take in GolBetty and the Lich into account.

Fiona wants nothing more than to live in a magical world, one where she doesn't have to deal with the infurating nature of modern life. But once she goes on her big ol' magical, life changing adventure, she realizes that the world she holds dear is special in its own right. Her joy doesn't come immediately. She definitely seems happier after seeing Gary and Marshall together and not trying to kill eachother- but I think her true development comes from her being able to finally fulfill her dreams; and then being given a purpose: to rebuild their world and town. Sure, it's a lot of responsibility, but she's Fiona!!! I don't think this girl will ever go back to a traditional 9-5 ever again. She's their world's hero now.

Simon, on the other hand, is a bit slower to change. Yet again, though, his story is less about acceptance and more about ingenuity. As much as I hate to say it, because Finn is in no way a "mental health king", I think he was on the right path when tried to take Simon on an adventure to make him feel better. What Simon needed more than anything was to know that he was still needed. That he still mattered. Even though he felt alienated, like an artifact in a museum, he still had a point to be on that shelf. What Finn screwed up, though, was how he went about it. Simon could've gotten through this period by just talking to Marcy and being honest, but he's far too scared of letting her see him that unstable again. But once he's able to talk to Fiona about it, and see for a fact, that his actions mattered: that the simple act of caring for Marcline kept the Vampires from taking over Ooo- he begins to develop.

Again, although his final development wasn't shown until the montage, I think that's simply because we haven't seen the last of Simon. Or Fiona, for that matter. They aren't being told to accept the fact that they have nothing to live for, but to find it.

It's a story about how wish fulfillment doesn't always work out for the best and that sometimes, the true slice of heaven that you've been craving was just a world where you felt like you had a place. It's one where even a god who can make all your wishes come true can end up depriving you of a purpose once it's achieved. It's one about how dreams come true in stranger ways, like Scarab becoming Prismo's apprentice and being given the chance to make his own worlds, too. It's one where even when given the chance to imagine a new reality with your lover, you know it's time to accept the one you have for what it is.

Still, absolutely valid analysis, this was just my take! :D

Wasn’t crazy about the Fionna and Cake ending

A lot of things were fine. Good even. this isn’t about something as simple as “Simon didn’t end up with Betty 😡” because frankly I didn’t ever see that happening. No, it’s about this wishy-washy message I keep seeing in all this multiverse media. Tell me if this one sounds familiar: our heroes are unhappy with some aspect of their lives, like maybe they’re struggling to get by due to bad finances. then they go on some zany, multiverse-spanning adventure where they eventually learn that their universe is just fine!!! and that they’ve got to make the most of it!! (Also usually the big problem is cheaply resolved, like it never even mattered.)

and frankly, this style of story, which we keep fucking seeing, is starting to sound a hell of a lot like “suck it up, buttercup! if you wanted a good life you should have tried harder. have you ever considered getting out of your own way?”

you see this in EEAAO of course. “oh is the world too financially cruel? is your mom homophobic? well have you ever considered just asking nicely about both of those things, you dummy?” And honestly in a lot of ways the ending of Fionna and Cake is even worse. Why should Simon be happy with his shitty job at the fucking human zoo? Why should Fionna be happy with working a shitty job her entire life?

and then you think about who’s actually writing and directing our oh-so-uplifting multiverse stories and it’s like. oh yeah. millionaires. successful people. who actually got what they wanted out of life. they’re not saying *they* should be happy with nothing, no no no. they’re part of the *special people* who get to dream. *you’re* the one who should be satisfied with nothing. and let’s take it even further why not. how many of these successful types even deserve it? how many of them even make beautiful things? not a lot!!

personally, being told by someone who’s living their dream that I should just be happy being a little scrap of nothing makes me want to burn down the whole world. and I would have at least preferred at least a drop of that catharsis in the ending of Fionna and Cake

[ Original Article | Live Example of Skin | My AO3 Skins ]

After posting my other work skins, rotrude requested one for creating newspaper articles/clippings, and after banging my head against a wall repeatedly a lot of trial and error, I came up with this. Now, this is more intensive than the other skins, but I promise to guide you through the whole thing and will try to help if you have any questions.

Keep reading

bro i LOVE indigenous fusion music i love it when indigenous people take traditional practices and language and apply them in new cool ways i love the slow decay and decolonisation of the modern music industry

The votes are in!

The main story of the fangame rpg will be focused on rebuilding the Isles, but little tidbits of the second storyline will be interspersed! @jumpyrope brought up the fact that it'd probably be a massive undertaking to try and combine all of the storylines, so I'll focus more on the other two ideas as side-quests/side plots.

Demo release date TBD. Considering I'm a college student and will be working as a camp counselor this summer, the time I have to work is limited. In the best case scenario, the demo will drop by the end of August 2023. (But I'm not that hopeful.)

This will be a sort of development blog? I'll periodically post updates here, just to have someone to share my accomplishments with.

I'm currently working on Sprite sheets for the hexsquad. So far, I only have Luz and Hunter's animations finished up and King's expression sheet- but i see that as monumental progress so far! I'm still very new to RPG Maker and game development in general, so if anyone has any advice, let me know!

I'll post some progress shots tomorrow, once I have the basic walking animations set up! I fear for the day I will have to work on custom tilesets...