The Exterior Artwork On The Opera House

The Exterior Artwork on The Opera House

Jean Baptiste Carpeaux's 'La Danse' on the facade of the Paris Opera House
The Dance sculpture by Jean Baptiste Carpeaux
Lyrical Drama sculpture by Jean Joseph Perraud

The Dance by Carpeaux —&— Lyrical Drama by Perraud

More Posts from Humblegeniusinboxfive and Others

“‘and now I want to live like everybody else. I want to have a wife like everybody else and to take her out on Sundays. I have invented a mask that makes me look like anybody. People will not even turn round in the streets. You will be the happiest of women. And we will sing, all by ourselves, till we swoon away with delight. You are crying! You are afraid of me! And yet I am not really wicked. Love me and you shall see! All I wanted was to be loved for myself. If you loved me I should be as gentle as a lamb; and you could do anything with me that you pleased.’”

- The Phantom, The Phantom of the Opera, 1909

Michael Kinnucan, The Gods Show Up
Michael Kinnucan, The Gods Show Up

Michael Kinnucan, The Gods Show Up

10 months ago

Wh—….

….

ERIK?

It Would Be A Lie To Say I Understood Particularly Much Of The Plot, But This Figure From The Opening
It Would Be A Lie To Say I Understood Particularly Much Of The Plot, But This Figure From The Opening
It Would Be A Lie To Say I Understood Particularly Much Of The Plot, But This Figure From The Opening
It Would Be A Lie To Say I Understood Particularly Much Of The Plot, But This Figure From The Opening
It Would Be A Lie To Say I Understood Particularly Much Of The Plot, But This Figure From The Opening
It Would Be A Lie To Say I Understood Particularly Much Of The Plot, But This Figure From The Opening
It Would Be A Lie To Say I Understood Particularly Much Of The Plot, But This Figure From The Opening
It Would Be A Lie To Say I Understood Particularly Much Of The Plot, But This Figure From The Opening
It Would Be A Lie To Say I Understood Particularly Much Of The Plot, But This Figure From The Opening

It would be a lie to say I understood particularly much of the plot, but this figure from the opening ceremony of the Olympic Games in Paris 2024 was apparently the Phantom of the Opera.


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11 months ago

“The Phantom of the Opera really existed…”

The REAL People Behind Phantom of the Opera

I’ve always been into Phantom of the Opera and have always wondered if there was any truth behind Leroux’s story. Well, after some light research, I’ve found the real people who (possibly) inspired the characters in the story.

Christina Nilsson - Christine Daae

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Probably the most well known within the phantom community, Christine Nilsson grew up in Sweden. She was born in 1843 and died 1921 and performed from 1860 - 1885. It was said she had a beautiful voice and was known for being “rivals” with Adelina Patti.

Adelina Patti - Carlotta Giudicelli

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Adelina Patti was the first inspiration for Carlotta’s character. As stated before, she was the rival of Christina Nilsson. She was born 1843 and died 1919. Patti came from a family of musicians and performers and performed from 1869 - 1914.

Carlotta Patti - Carlotta Giudicelli

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Carlotta Patti was the older sister of Adelina Patti and the inspiration for Carlotta Giudicelli’s name. There are various sources for her birthdate, stating it was either 1835, 1840, or 1842. She died in 1889.

Cecile Sorel - Sorelli

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Cecile Sorel was born 1873 and died 1966. She began her career in 1899 and continued until 1944. She performed on stage as a comedy actress, but also appeared in a few French films during this time. In 1950 she took vows as a Third-order Franciscan.

Adelaide Valerius-Leuhusen - Mama Valerius

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Adelaide was born either 1826 or 1828 and died 1923. She was a painter and concert singer and was also the benefactor of Christina Nilsson, being the first one to introduce her to Paris. In 1870, she became a singing teacher.

Mahomed Ismael-Khan - The Persian/Daroga

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Mahomed Ismael-Khan was born somewhere around 1786 and died 1868. He settled in Paris in 1842 and was commonly noticed hanging out around the opera, where he kept the same box for himself. He was nicknamed “the Persian” by local Parisians.

Claude Ambroise Seurat - Erik

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Possibly one of the inspirations for the opera ghost himself. Claude Ambroise Seurat was born either 1797 or 1798 and died somewhere around 1833. He toured around Europe and was known as “the living skeleton” or “the anatomical man” due to his very low body weight. People noted he had a parchment-like quality to his skin. His last recorded performance was in 1833, but he may have lived longer.

The Carpentiers de Changy - The Chagnys

The Carpentiers were possible inspirations for the Chagnys. While I wasn’t able to find definitive dates and names, I know a man named Francois was the inspiration for Philippe. Francois had a younger brother named Raoul who inspired… Raoul. There was also a young man a few generations later named Philippe, which is where the name came from.

Oddly enough, there was a young man named Eric Carpentier, though he never had the “de Changy” title. Some sources call him the son of Francois, others say he was born 3 generations after Francois. Either way. Eric was possibly an inspirations for Erik’s name in the novel.

Christine Dahe - Christine Daae

While this one isn’t as clear and is much less well known, there was a woman named Christine Dahe who was born in 1895. While Christina Nilsson was definitely the main inspiration for Christine Daae, you must admit that Dahe and Daae are very similar names, and Dahe may have inspired the name for Leroux’s character. She’s at the end of this list because this may just be a coincidence.

I hope you found this interesting, it’s so cool to think these people actually existed. If anyone knows more people who inspired the characters in the book, feel free to add them!

11 months ago

Favorite.

-The Monk By The Sea-

-The Monk by the Sea-

“Perhaps, after all, romance did not come into one’s life with pomp and blare, like a gay knight riding down; perhaps it crept to one’s side like an old friend through quiet ways; perhaps it revealed itself in seeming prose, until some sudden shaft of illumination flung athwart its pages betrayed the rhythm and the music; perhaps … perhaps … love unfolded naturally out of a beautiful friendship, as a golden-hearted rose slipping from its green sheath.”

— L. M. Montgomery ~ Anne of Avonlea (via missemilymorland)

2 months ago

Probably people more coherent than I am have talked about this before, but I feel like the biggest difference between Leroux Erik and ALW Erik besides the deformity and the fact I think ALW Erik is supposed to be a little bit younger than Leroux's, is that Leroux Erik does everything he can to try appearing "normal" to Christine (the decor and fake flowers in the lair) while ALW Erik does everything he can to make Christine think of him as some supernatural force even after revealing himself as a Phantom instead of an Angel.

So while Leroux Erik desperately wants a normal life with a normal house and a normal wife he can take out on Sundays, ALW Erik wants to convince Christine that it's so much sexier and cooler to acutally hang out in the darkness with him as Hades to her Persephone. It's a contrast I appreciate.


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“Normality is a paved road: It’s comfortable to walk, but no flowers grow.”

— Vincent van Gogh

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humblegeniusinboxfive - humblegeniusinboxfive
humblegeniusinboxfive

Writer. In love with The Phantom of the Opera and classic literature. Art, aesthetic, moode. Can’t live without Beauty.

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