At least Jinshi tried his best... I think
The ongoing "Jason Todd is a cop" debate has reminded me of a brilliant brief image essay by Joey deVilla. So here it is, images first and the full essay text below:
"A common leftist critique of superhero comics is that they are inherently anti-collectivist, being about small groups of individuals who hold all the power, and the wisdom to wield that power. I don’t disagree with this reading. I don’t think it’s inaccurate. Superheroes are their own ruling class, the concept of the übermensch writ large. But it’s a sterile reading. It examines superhero comics as a cold text, and ignores something that I believe in fundamental, especially to superhero storytelling: the way people engage with text. Not what it says, but how it is read. The average comic reader doesn’t fantasize about being a civilian in a world of superheroes, they fantasize about being a superhero. One could charitably chalk this up to a lust for power, except for one fact… The fantasy is almost always the act of helping people. Helping the vulnerable, with no reward promised in return. Being a century into the genre, we’ve seen countless subversions and deconstructions of the story. But at its core, the superhero myth is about using the gifts you’ve been given to enrich the people around you, never asking for payment, never advancing an ulterior motive. We should (and do) spend time nitpicking these fantasies, examining their unintended consequences, their hypocrisies. But it’s worth acknowledging that the most eduring childhood fantasy of the last hundred years hasn’t been to become rich. Superheroes come from every class (don’t let the MCU fool you). The most enduring fantasy is to become powerful enough to take the weak under your own wing. To give, without needing to take. So yes, the superhero myth, as a text, isn’t collectivist. But that’s not why we keep coming back to it. That’s not why children read it. We keep coming back to it to learn one simple lesson… The best thing we can do with power IS GIVE IT AWAY." - Joey deVilla, 2021 https://www.joeydevilla.com/2021/07/04/happy-independence-day-superhero-style/
this is almost certainly a post ive made before but when a character's grief is so strong it fully alters the form of the narrative itself... moby dick being so much longer than strictly necessary because ishmael's grief made him stall for time in the telling of the tragedy... harrow the ninth being in second person because harrow was so grief-stricken that she herself was not capable of making narrative sense of the events of the novel and so someone else had to do it.... do u know what i mean
"he is half of my soul, as the poets say. " - song of achilles
"write me a letter telling me how to live the rest of my life without you." - how to make friends with the dark
"they were my birthday presents." - shatter me
"she had realized that she had forgotten the precise blue of his eyes and the depth of his laugh." - clockwork princess
"my name is sam cortland... and i will not be afraid." - assassin's blade
"you chose me four years ago. would you choose me still?" - these violent delights
"we were all supposed to make it." - crooked kingdom
"i remember everything." - the invisible life of addie larue
"come home and shout at me. come home and fight with me. come home and break my heart, if you must. just come home." - cruel prince
"i wasted all those yesterdays and am completely out of tomorrows." - they both die at the end
"you hated the idea of me." - the final gambit
"bob says hello." - house of hades
"abuse can feel like love. starving people will eat anything." - nightfall
"i missed you only with an ocean between us. but if death was separating us... i would find you." - queen of shadows
"i loved him. i love him. as best i could." - we were liars
"i'm the villain, even in my own story. but you were supposed to play a different role." - finale
"i will find you again in the next world—the next life. and we will have that time. i promise." - a court of wings and ruin
"i spent half of my time loving her and the other half hiding how much i loved her." - the seven husbands of evelyn hugo
I got this comment on a story from my Other AO3 Account this morning.
(Info redacted because I prefer keeping these accounts separate but no one follows me on the side blog I have for that account.)
The story was posted almost a year ago and is relatively “popular” by my average statistics even though it has tropes and themes that are big turnoffs for a lot of people (hence separate accounts). This popularity is undoubtedly because it’s a Marvel Loki story and that fandom is massive.
So there is obviously an algorithm or a bot scrubbing ao3 statistics and leaving this comment on fics that meet a certain metric with the main character of the fic inserted into the comment.
I had a little time to kill this morning so I decided to investigate further. And y’all this is so predatory. Come on this journey with me. It made me mad. It may make you mad.
First, if you go to Webnovel’s website, you HAVE to choose between male lead or female lead stories before you can go any further. WTF?
And that’s weird, but this gets so much worse. This is basically a pay-to-read site that has different subscription models. Which… okay BUT! The authors don’t get paid! Look at that comment again. They’re promising a supportive and nurturing community, but zero monetary compensation. It’s basically, “post your stuff here so we can get paid and you can get… nice vibes?” I mean look at this Orwellian writing:
Using the phrase “pay-to-read model” in the same sentence as “qualitative changes in lifestyles for authors” deliberately makes you think that you can get paid and maybe even make a living on this website. But that’s not actually what it says and authors will not receive one red cent.
Oh but wait, the worst is still to come. In case this breaks containment (which I kind of hope it does) this is where I mention that I’m a lawyer in the US.
I don’t do intellectual property or copyright law but I do read and write contracts for a living. So I went to look at their terms of service. It was fun!
Highlights the first, in which Webnovel gets a license to do basically whatever they want with content you post on their site. This is how they get to be paid for people reading authors’ writing without paying them anything.
Highlights the second, in which Webnovel takes no responsibility for illegally profiting off of fan fic. This all says that the writer is 100% responsible for everything the writer posts (even though only Webnovel is making money from it).
Highlights the third which say that by posting, the author is representing that they have the legal right to use and to let Webnovel use the content according to these terms. So if a writer posts fan fiction and Webnovel makes money from people reading the fan fiction, and the House of the Mouse catches wise, these sections say that that’s ALL on the writer.
So that’s a little skeevy to start off with but the thing that is seriously shitty and made me make this post was that these assholes are coming to ao3. They are actively recruiting people in comments on their fan fiction. And they are saying they are big fans of the character you’re writing about and that they share your interests.
They are recruiting fan fiction writers and giving every impression that you can make money from posting fan fiction on their site and hiding the fact that you absolutely cannot but they can make money off of you while you try, deep in their terms of service which no one but a lawyer who writes fan fic and has some time to kill will read.
I see posts on here regularly from people who don’t understand how this stuff works, don’t understand that they (and others) can not legally make a financial profit from fan fiction. And there are tons of people who will not take the time to dig into the details.
Don’t deal with these bastards. Fuck Webnovel.
where's the love for the sansa pomegranate moment we used to love the sansa pomegranate moment on this site
My adaptation of the God of Arepo short story, which was originally up at ShortBox Comics Fair for charity. You can get a copy of the DRM-free ebook here for free - and I'd encourage you to donate to Mighty Writers or The Ministry of Stories in exchange.
Again it's an honour to be drawing one of my favourite short stories ever. Thank you so much for the original authors for creating this story; and for everyone who bought a copy and donated to the above non-profits.
“She wanted to fly away, and never look back.
The urge became a wish, became a need, and she-
She became a bird.
All the thoughts in her head went quiet. Her wings reached out to touch the sky, and the sky was the only thing that mattered. Forward was the only direction left.”
The Futile Facade, chapter 13.