i've been writing a book and the feedback i've gotten from family members is that i have been using a lot of description, that the plot is moving along pretty slowly, and "something" needs to happen. do you have any tips or advice on moving plots along quicker in order to keep the reader's attention? thanks so much!!
When your character is just milling about in their world describing what they see, what they’re doing, and what’s happening to them, that’s not really a plot. It’s just a random string of events happening to your character, and typically it doesn’t make for very interesting reading. This kind of story moves slowly because nothing’s actually happening. Imagine following an average person through their average day versus following Katniss Everdeen through day three of The Hunger Games. It’s a big difference. And that’s not to say every plot has to be as exciting or dramatic as The Hunger Games, but there does need to be a conflict.
So, the first thing you have to do is sit down and figure out what your story is really about. What is going on in this person’s life that is worth writing about? Is there some sort of inner conflict they’re struggling with? Or is there an external conflict of some kind? Usually there are both with the focus being more on one than the other.
Most stories start when a character’s life is still normal but just about to change. Katniss was getting ready to go hunting with Gale. Bella was settling in at her new high school after moving in with her dad, and Harry Potter was just living life as the boy in the cupboard.
And then something happens. This is called the “inciting incident” because it “incites” the conflict and brings on the important events of the story. Katniss volunteers as tribute when her sister is drafted into The Hunger Games. Bella meets Edward Cullen and an instant attraction develops between them. Harry Potter receives his letter to Hogwarts.
The character’s normal life has been turned upside down. Now what? For Katniss, the most important thing in the world to her was the safety and well being of her sister and mother, and since she is the one who keeps them safe and fed, her survival of The Hunger Games is vital. That’s her motivation, and her goal is to win the game. Bella becomes obsessed with learning more about Edward and who, or what, he is, and she falls for him and the magic his world brings into her otherwise boring life. Being part of that world is her motivation, staying alive in the process is her goal. Harry finally has a ticket out of his life of being abused and unloved, and he has a chance to connect with the legacy his parents left behind. Leaving his old life behind and embracing this new one is is motivation. Surviving his first year at Hogwarts is his goal.
If the character can just sail smoothly right up to their goal, mission accomplished, that makes for a pretty boring story. You never hear people say, “WOW! THAT WAS AN INCREDIBLE GAME!” when the score was 20 to nothing. What makes the game exciting is when the teams are neck and neck, one getting ahead for a little while, then the other one being ahead for a little while. It’s the trying, and often failing, to get over obstacles that makes the conflict more interesting. In a lot of ways, that struggle actually is the conflict. What obstacles stand in the way of your character and their goal, and who (or what) put them there? For Katinss, the obstacles were the other tributes and all the frightening things added to the game by the gamemakers. For Bella, it was the nomad vampires who caused trouble at first for fun, and then later for revenge. The obstacles Harry faces are partly due to conflict with other students and teachers, and partly due to the first “shots fired” in what would become the overarching battle against Voldemort.
And it’s important that you show some wins along with the failures. Sometimes the character tries to overcome an obstacle, fails, tries again and succeeds. Sometimes they fail and have to come up with a work around. Either way, the fails add to the tension and drama while the wins add excitement and interest in what happens next.
Eventually you get to the big showdown, aka “the climax.” This is when your character faces down the biggest challenge that stands in the way of reaching their goal. This could be an epic battle between your character and the villain. It could be the moment where your character realizes they’re in love with their best friend and they chase them to the airport to admit their undying love for them before they move away. Or it could be surviving one last night of a terrible storm before crawling out of hiding to assess the damage. Whatever it is, the culmination of that moment is achieving or failing to achieve their goal.
Whatever crazy chain of events was set off by the inciting incident, they’ve come to an end now thanks to the actions of your protagonist and their friends. Or, if they haven’t come to an end, they’ve at least been waylaid for now, or things are at least moving in a better direction. Now your characters can clean up, rebuild, mend wounds, tie up loose threads, and get back to life as normal. Or, in the case of a series, they can re-group and figure out what happens next. And that’s the end.
Some stories are more about people and their experiences than about any big crazy thing that happens to them. Stories like these are more emotional and are more about dealing with the inner conflict than an outer one. But even in stories like these, you’ll still have a similar structure to what I laid out above. It’s just a lot looser and tied up with an emotional journey rather than the physical one. Which isn’t to say they can’t have a parallel physical journey, but the important stuff is happening on the inside.
Whichever kind of story you’re writing, if you make sure you’re hitting the important points I’ve laid out above, whether they relate to an internal conflict, an external conflict, or a little of both, you can be sure you’re writing a story that is moving forward and will keep your audience engaged. Everything I’ve outlined above is the “something” that needs to happen to make your story interesting.
Good luck! :)
OHHHHH this is so cool! He looks absolutely amazing! Thank you so much!
@gatortavern
Hooray! It's always a blast to discover more jurassic species! And this one's a crocodile ancestor!
http://www.sci-news.com/paleontology/burkesuchus-mallingrandensis-09929.html
#crocodiles #cool shit!
https://sciencespies.com/news/new-evidence-suggests-ancient-crocodiles-swam-from-africa-to-america/
New Evidence Suggests Ancient Crocodiles Swam From Africa to America
Most American crocodiles don’t need to look far to find the feature that sets them apart from Nile crocodiles. The difference lies right between their eyes and their nostrils. Of crocodiles living today, only the four crocodile species that live in the Americas have a small bump in the middle of their snouts.
But about seven million years ago, a ten-foot-long crocodile living in what’s now Libya had the same tell-tale lump, according to research published in Scientific Reports last week. A fossil skull of the extinct Crocodylus checchiai provides more evidence that crocodiles spread across the world by migrating from Australia, through Africa and finally to South America.
The fossil “fills a gap between the Nile crocodile in Africa and the four extant American species,” University of Turin paleoherpetologist Massimo Delfino says to Science News’ Carolyn Wilke.
The fact that crocodiles live on both sides of the Atlantic Ocean has long puzzled biologists trying to figure out which direction the giant reptiles migrated. Genetic research in 2011 provided molecular evidence that crocodiles migrated from Africa to the Americas, but fossil evidence was scant.
“The main problem for palaeobiologists is the rarity and fragmentary nature of fossil remains,” Delfino and co-author David Iurino told the Agence France-Presse by email.
The seven million-year-old Crocodylus checchiai skull was first collected in 1939.
(Image by Bruno Mercurio)
The fossil described in the new paper is one of four that were first described in the 1930s. Three that were stored in the Natural History Museum in Tripoli, Libya, were lost or destroyed during World War II, according to the Scientific Reports paper. But the researchers found the fourth skull, originally collected in 1939, stored in the Sapienza University of Rome.
“This fossil is twice-old,” Delfino tells Nina Pullano at Inverse, referencing the fact that the skull is millions of years old and had then been forgotten for decades.The researchers used CT scanning to create a 3D model of the inside and outside of the skull for closer study and confirmed the presence of the American crocodile-like snout bump.
At seven million years old, the C. checchiai skull predates all known crocodile fossils in America, the oldest of which are about five million years old, Lucy Hicks reports for Science magazine. That means that the timeline checks out: it’s possible that C. checchiai may have made their way from Libya to the western coast of Africa, swam across the Atlantic and landed on the shores of South America.
The continents were about the same distance apart seven million years ago as they are today, making the journey across the ocean quite a feat—but not impossible. The researchers point out in a statement that the Australian marine crocodile has been recorded travelling more than 300 miles in a day. The prehistoric croc may have also bobbed along on one of the ocean’s surface currents that travel west from Africa to the Americas.
Crocodiles are also not the only flightless animal thought to have reached the New World by crossing the Atlantic. As the Inverse reports, a study published in April suggests that on two instances, monkeys made their way across the ocean on floating vegetation.
“If you think that the monkey can cross the Atlantic Ocean, very probably it’s much easier to accept that the crocodile can do it,” Delfino tells Inverse. Ancient crocodiles had the specialized glands necessary to swim and survive in saltwater and may have snacked on sea turtles along the way.
As a changing climate wiped out local species, crocodiles were well adapted to the late-Miocene environment and replaced them, the researchers write in the paper. The original crew of ocean-crossing crocs may have included many individuals or at least one pregnant female, Science News reports.
And after situating themselves in South America, they evolved and diversified into the four species found in the Americas today. (Only the American crocodile and American alligator are found in the United States.)
But whether or not the crocodilians mourn their C. checchiai ancestors is hard to tell—they might just be crocodile tears, after all.
#News
#crocodiles #science #cool stuff! #some crocs will totally still eat fruit #it’s rather fun to see them chomp down on a mango
Some extinct crocs may have been salad eaters.
Studies of fossil teeth suggest some ancient kin of modern crocodiles ate plants. These ancient plant-eating crocs evolved at least three times during the Mesozoic Era. This era stretched from about 252 million to 66 million years ago. Researchers reported their findings June 27, 2019 in Current Biology.
Today’s crocodiles eat mostly meat. Their simple, cone-shaped teeth are typical of meat eaters. Those teeth were different in certain of their ancient relatives. There was “tremendous diversity [in tooth shape] that we don’t see today,” says Keegan Melstrom. This paleontologist is a coauthor on the study. He works at the University of Utah and Natural History Museum of Utah. Both are in Salt Lake City.
Some of these are inviting, in their own odd way. Some of these faces seem as if the person is turning to you with the words "can you believe what's going on here?" about to leave their lips. The gentleman staring gives off a "sitting on the subway train longingly gazing out the window, thinking of love" vibe.
I fucking hate James Tissot’s paintings because in ALL OF THEM there is ALWAYS someone staring right at you, but it’s not always immediately visible. You just feel watched by this mf. Sometimes the little shit is right there at the centre, but others the bastard is just gazing from the distance, it is CREEPY, my guys
oh heyyy! It’s back baby!
A time for joy, the secret santa has run since 2015 (on two separate blogs), and this holiday season it comes with a new, fancy look. Sleeker, shinier, sexier, i-can’t-think-of-another-adjective—-!
I hope to welcome back some old participants again, it’s always a pleasure to work with y’all but for the uninitiated:
A secret santa is a gift exchanging event where you’re assigned a person to make a gift for, and another assigned to make a gift for you. Art, fic, edits, videos, playlists, we’ve had some music composition, anything you can make goes!
November 1st - November 22nd: Applications are open
November 23rd - November 25th: Applications close, Secret Santas are assigned.
November 26th - December 24th: Make Your Gifts!!
December 25th - January 1st: Posting span.
Still having some doubts? You’re unsure of some things? Check out the FAQ for all of the common questions. Don’t see your particular question? The askbox is always open, I’ll answer as quickly as possible.
I’ve gone on for long enough, so, have a nice day and stay safe!
Proteins and Enzymes: Catalysts of Molecular Reactions
Proteins are the central players in macromolecular interactions. Enzymes, a specialized class of proteins, catalyze biochemical reactions with remarkable specificity. They bind to substrates, facilitate reactions, and release products, ensuring that cellular processes occur with precision.
Protein-Protein Interactions: Orchestrating Cellular Functions
Proteins often interact with other proteins to form dynamic complexes. These interactions are pivotal in processes such as signal transduction, where cascades of protein-protein interactions transmit signals within cells, regulating diverse functions such as growth, metabolism, and immune responses.
Protein-Ligand Interactions: Molecular Recognition
Proteins can also interact with small molecules called ligands. Receptor proteins, for instance, bind to ligands such as hormones, neurotransmitters, or drugs, initiating cellular responses. These interactions rely on specific binding sites and molecular recognition.
Protein-DNA Interactions: Controlling Genetic Information
Transcription factors, a class of proteins, interact with DNA to regulate gene expression. They bind to specific DNA sequences, promoting or inhibiting transcription, thereby controlling RNA and protein synthesis.
Membrane Proteins: Regulating Cellular Transport
Integral membrane proteins participate in macromolecular interactions by regulating the transport of ions and molecules across cell membranes. Transport proteins, ion channels, and pumps interact precisely to maintain cellular homeostasis.
Cooperativity and Allosteric Regulation: Fine-Tuning Cellular Processes
Cooperativity and allosteric regulation are mechanisms that modulate protein function. In cooperativity, binding one ligand to a protein influences the binding of subsequent ligands, often amplifying the response. Allosteric regulation occurs when a molecule binds to a site other than the active site, altering the protein's conformation and activity.
Interactions in Signaling Pathways: Cellular Communication
Signal transduction pathways rely on cascades of macromolecular interactions to transmit extracellular signals into cellular responses. Kinases and phosphatases, enzymes that add or remove phosphate groups, play pivotal roles in these pathways.
Protein Folding and Misfolding: Disease Implications
Proteins must fold into specific three-dimensional shapes to function correctly. Misfolded proteins can lead to Alzheimer's, Parkinson's, and prion diseases. Chaperone proteins assist in proper protein folding and prevent aggregation.
References
Voet, D., Voet, J. G., & Pratt, C. W. (2016). Fundamentals of Biochemistry: Life at the Molecular Level. Wiley.
Lehninger, A. L., Nelson, D. L., & Cox, M. M. (2017). Lehninger Principles of Biochemistry. W. H. Freeman.
Berg, J. M., Tymoczko, J. L., & Stryer, L. (2002). Biochemistry. W. H. Freeman
So, you’ve read something that has resonated with you. It’s everything you’ve wanted in terms of characters, prose, plot and pace. It’s the best you’ve read in years. You reread your favourite lines. You have to take a break just to absorb every meticulously crafted line. You are in awe of how something so small can seem to take up so much space.
And in a perfect world, it would inspire you to go out and create. To work on that story that is languishing in your save files, to pick up that WIP you abandoned, to make you want to write something different and new and better.
Instead, it makes you feel inferior. The words are too good. You could never write like that. The characters are too perfect. You don’t have that insight. The story is too captivating. Your ideas are boring, cliche, plain. The insight is remarkable. You can barely string a thought together coherently.
Why even bother, you think.
Don’t fall into that trap. I have been there so many times. I have abandoned writing for years because of “why even bother”. I have let it destroy my confidence, only to patch it back up in a cheap imitation of what it once was, just to let it invade my thoughts again. I have questioned every thing I’ve written, every choice, every line, because why even bother if someone is so much better.
YOUR WRITING HAS MERIT. What you don’t realize is that it’s not in terms of better, but different. Different style, different story, different interpretation, different mind.
Someone out there will love the way you describe the night sky in poetry. Someone out there will love the way you describe the look on someone’s face when their heart breaks. Someone out there will love your idea, that strange one that seems impossible or already done, because it’s new and exciting or they love endless amounts of that same story. Someone out there will love your interpretation of that character, whether more gentle or bitter or broken or healed. Someone out there will love the words you write, the grandiose use of adverbs (my guilt) or the minimal scattering of dialogue. Someone out there will love your abundance or lack of something you saw in that story you so loved, the one that rendered you speechless and snuffed out your fire.
Someone out there will love your words. And you need to share them.
Speaking as a writer, no one sets out to create something to discourage others. No one wants to dominate their corner and be the only one there. No one wants to be alone in their craft. If they do, they are doing it for the wrong reasons. Speaking as a writer, I would never want you to read my writing and think, why bother.
I want you to think, why bother waiting?
Your story matters. Your writing matters. It’s beautiful and defined and gorgeous and a work in progress and growing and already there and insightful and mysterious: it all has merit.
Never stop. Never stop writing and practicing and doing and creating and learning and loving the words you weave.
You may think someone has done it more beautifully or better or too many times or never because who wants to read it?
They maybe have done all those things, but they lack one thing: they haven’t done it like you have.
Big-headed turtle Platysternon megacephalum (or big headed turtle) is a very odd-shaped turtle with a huge head and a long tail that are almost the same size as its body.
A Cozy Cabana for Crocodiles, Alligators and their ancestors. -fan of the webcomic Paranatural, Pokemon, Hideo Kojima titles -updates/posts infrequently
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