Gatortavern - Archosaur's Abode

#fossil #crocodile #yeah baby give me more croc ancestors #that’s my jam

These crocodile ancestors lived a two-legged life

A set of 106-million year old footprints show a crocodile relative appears to have walked on two legs.

Modern day crocodiles are pretty impressive. Some even climb trees. But 106 million years ago, a crocodile ancestor had another trick: It walked on two legs.

That’s what scientists now think, based on fossil footprints in South Korea. They are the first footprint evidence that some ancient ancestors of modern crocodiles walked on two legs. The size and spacing of the tracks suggest the reptile’s length spanned 2 to 3 meters (6 to 12 feet). That would make it about the size of modern crocs.  

Explainer: Understanding geologic time

The ancient tracks appear in the Jinju Formation, a South Korean site full of fossils. Most of its fossils date to the Mesozoic, between 252 and 66 million years ago. The Mesozoic is sometimes called the Age of Dinosaurs, but plenty of other animals lived at that time, too.

Now scientists have found a set of footprints there. It’s tough to identify what species made them, says Martin Lockley. As a paleontologist, he studies ancient organisms. He works at the University of Colorado in Denver. “Short of finding the animal dead in its tracks, there’s always a little bit of uncertainty,” he explains.

Explainer: How a fossil forms

But footprints, like animals, can be classified by type. The scientists couldn’t tell what animal left the beautifully preserved prints. For that, they’d need fossils of its tissues. Instead, they sorted the ancient prints into a “footprint genus.” So while they couldn’t say what animal genus the prints belonged to, they were able to determine that they were in the footprint genus Batrachopus.

All prints in this group were made by crocodylomorphs (Krok-oh-DY-loh-morfs). The name means “crocodile-shaped.” This group includes modern crocodiles, alligators and their ancestors.

The tracks’ most surprising feature is that they only show hind feet. There’s no evidence of “hand” prints at all. That’s strong evidence that this creature was bipedal — walking on only its hind legs, Lockley says. “We have dozens of these things, and not one sign of a front footprint,” he says. “So we’re pretty convinced.”

ʀᴇᴍɪɴᴅᴇʀꜱ ꜰᴏʀ ᴡʀɪᴛᴇʀꜱ <3

it's okay to stray from your story. go write that short fic you can't take your mind off of! give you—and your characters—a break.

you! won't! always! make! your! word! count! -- you don't need to keep stretching sentences because the scene you finally got right is a hundred words too short. sometimes it's better that way.

the "rules" and "tips" are just ~guidelines~ (especially for people who like to swear by them) -- writing has no laws. especially first drafts. scrap the grammar, scrap the emotional tips, write it because it feels right, not because someone else says so.

every writer procrastinates. it's not easy being a writer.

take time off for yourself. the only thing harder than writing a story is to keep pushing it when you need a break the most. come back to it later. I promise there will be no dumpster fires when you're gone.

all writing is "real" writing. I don't think there's an explanation here?? fiction writers are writers. nonfiction writers are writers. fanfic writers are writers. (like how all reading is real reading!! in every format, too!)

it doesn't need to be perfect. honestly, it might never be. but it can be really close to it. if you're not satisfied with it, move on and come back when you're ready.

you are just as skilled as any bestselling author. remember that everything you read has been heavily edited by teams of people! their first draft could not even be as good as yours is now.

not using clichés is cliché. you will find one in any story. no one can bring you down for liking a certain trope. just because it's common doesn't mean it's bad!

no writer is fully well-rounded. dialogue will be easier to write for some, and description for others.

and, finally, no one knows what they're doing. trust me. we're all stumbling around blind here.

Do you have any advice for writing an intense, overwhelming chase scene?

So, this is a little unusual, in that it's something I haven't really thought a lot about.

For a real world situation, the process is to identify or create an opening, and escape. Usually this advice is more focused for situations for situations where someone's cornered you.

Also, the real world advice is to avoid a chase if at all possible. You don't want to get into a situation where you're directly testing your endurance against your enemy.

As for writing a chase scene. This is one of those times when you want to be efficient with your words, keep things as concise as possible. When you get more verbose it “slows down” the scene because it is literally slowing your reader's progress down.

Chases can be very logistically intensive for you, simply because you need a fairly coherent mental image of how the locations in your story fit together. Maps can be extremely helpful for this, whether you choose to share them or not.

I don't think I've talked about this on the blog, maps can be very helpful for getting a concrete image of how your world is put together, though, they can also, easily, start soaking up more time than the value they offer. That said, even pretty crude maps could be very useful in planning a chase scene. This is one of the times when your world needs to lock together into a unified space, instead of being able to move characters between loosely connected locations.

If you want the reader to have a detailed mental image for the locations, then you should probably have them in those spaces before the chase. Though, this is a situation where some, “stock locations,” could work for you. Liminal spaces can work pretty well for this, because most of your readers are going to have a preexisting basis for understanding what those areas look like. For example: even if their image of an airport causeway is different from yours, you'll both be close enough to the same space that you shouldn't run into many problems where you need to define the entire area.

It's also worth considering that as the chase progresses, it's possible to get gradually more verbose. As mentioned above, this will slow the reader, and as a result the scene, but it can convey the loss of inertia as your character tires or finds themselves having to slow down because they're now in unfamiliar (and possibly unsafe) territory, without being extremely direct about your character's exhaustion. This is an area that can benefit from some pretty careful word selection to hint at fatigue without outright stating it.

I do apologize that this is all pretty high level, concept advice, and a lot of this can be applied in other contexts. And, a lot of the above advice are things to keep in mind for all of your writing, but chases do stress these specific parts of your writing and world building.

Beyond that, it's the normal advice: Remember your world is a living place, so other people would be going about their daily lives while the chase rampages through. Remember persistence consequences, such as prior injuries, or injuries inflicted during the chase. Chases might lead into situations where other kinds of consequences might become unexpectedly relevant, such as your character being forced to run through the territory of a gang they angered earlier in the story. This is an opportunity to bring in unexpected consequences. Even if you don't stick to it, at least have an initial idea for what you want from the chase, then let the sequence play out as you go. (Cleaning this up is what rewrites are for, but it is important to let the chase flow, before you go back and worry about cleaning it up.)

Like I said at the beginning, this is something I don't generally think about, so it's been a bit before I could get back to this question, and I hope this helps.

-Starke

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CARNIVAL AU

I wanted to try my own take at a sort of "swap au " :3! though-- it's more a "role swap" than anything else, haha!

I give yall Zooble another time cuz I'm sleepyyy

GIMP too works as a great substitute for Photoshop! Also super vouching for LibreOffice, Writer is fantastic and I don't see much of a difference between it and microsoft word at all.

It used to be that when a company released hacky, closed-source, propriety software, those facts alone would make them an object of ridicule amongst mean nerds on the Internet for years. Now we just kinda performatively bitch about Adobe every couple of months.

holy wow, this is some amazing pixel art!

Would you play this version of mine? ~ Starting screen mockup for Pokemon Emerald, Me, Aseprite 230x330 px

barely reblog anything these days, but this is nice.

I added a Lotad (and some friends) to this drawing for 131 days! See if you can find everything I hid in here!

Spectober 2020: Day 13

Get ready for Spectober Day 13!

Art Prompt: Graveyard

Writing Prompt: A graveyard seems like the perfect place to search for spirits, but will Stephen get more than he bargained for?

Don’t forget to tag your submissions with #spectober2020 ! Away you go!

What are your favorite Crocodiles?

Oh that's an easy one!

African Dwarf Crocodiles (Osteolaemus tetraspis), family Crocodylidae, found in West-central Africa

This small crocodile species only grows to a length of up to 1.5 m (4.9 ft), on average.

photographs by San Diego Zoo Wildlife Alliance

Hooray! It's always a blast to discover more jurassic species! And this one's a crocodile ancestor!

Jurassic-Period Crocodile Ancestor Unearthed in Chile

http://www.sci-news.com/paleontology/burkesuchus-mallingrandensis-09929.html