[John] was so excited about Yoko’s arrival that he could not stop talking and the subject on his mind was sex. He said that working always made him very “horny” and that he could not wait to “jump Mother’s bones.” He told me that when he appeared on stage with the Beatles, he would often demand that a female fan be held in the wings so that he could have a “knee-trembler” – which was Liverpool slang for quick stand-up sex – before or after the performance (or, occasionally, even between songs). “I was always obsessed with sex,” John confessed. “I’d run after girls and feel them up, put them up against a wall, that sort of thing.” He said he lost his virginity at age fifteen with his first girlfriend, Barbara Baker, a buxom, buck-toothed beauty. John then described the deflowering. “Barb wasn’t wet and I had a hell of a time shoving it in,” he said nonchalantly. “I was frantic to get inside her, and when I couldn’t, I got so frustrated and angry that I started to curse her: ‘You dumb cow, what’s wrong with you? You’re tight as a rat’s ear!’” John paused, shook his head and smiled. “It wasn’t her fault, of course. But what did I know? I was just a weird, psychotic kid covering up my insecurity with a macho façade.” Ruminating about his clumsy, often violent approach to love-making, he said that he never used to engage in foreplay; he would immediately attempt penetration. “I had no idea you were supposed to take your time,” he laughed nervously. “I thought the idea was to get in and out as quickly as possible.” He also told me that he would sometimes write his girlfriends erotic letters. “I wouldn’t be surprised if they show up one of these days, hopefully after I’m dead.” John paused briefly to sip the beer a light a fresh Gitane. “I think after my mother was killed, I felt betrayed by all womankind,” he continued. “I used to have fantasies about torturing women to death. I still have a lot of violent fantasies, but I manage to keep them under control.” He said that if he let his imagination run wild, he would imagine crucifying women, actually nailing them to a cross, and then disemboweling them. “It wasn’t until I met Yoko that I realized that men didn’t have to be aggressive, didn’t have to be macho, that men could be gentle and tender. That’s the lesson Yoko taught me.”
John Lennon: Living on Borrowed Time, Frederic Seaman (1991)
fun doodles tonight of mmt wizards and some modern au musings........
now they're frightened of leaving it
everyone's weaving it
George staring in your soul The Office style since forever
He is so versatile he is even a dancer
middle aged man tries to dance. 100 injured 50 dead
obviuolsy if there is a Destiel in background is always accepted
BLUE JAY WAY
RICHARD!
I think this animation deserve a lot more attention the details are incredible
Guys new footage...
Brief opinion on Midas Man: it's a television movie that's it, not extremely bad but not good either, mediocrer at best. The script was unfortunately flat practically a wikipedia page without insight, I didn't expect they would explore really dark situation or the controverse relationship between Brian and John...but all the relationships Brian have in the movie with his family, friends, the Beatles are superficial not explored. The invented Tex guy was boring, their love story not build and in the first minutes it's so obvious he is using him and we don't particulary know what kind of person is. It's a pity for all the older actors involved because they are veterans british actors, talented people which is not given a good material. Jacob Fortune Lloyd is great in the role you can see how much effort, passion and subtlety put in hi work but the script is unfair to him, one of the only scenes I really liked was with George Martin (a really good casting), because it's possible to see the glimps of what kind of men they are, unfortunately after that scene the movie doesn't show us how they worked behind the scenes. The Beatles are reduced as funny extras again I am repetitive but the friendship he had with them is not explored, he was their manager, he created their image, he toured with them for years, he was protective and cared for them, it's a waste the actors reached a good energy vibe cheeky students who befriend their akward but cool young teacher. Blake Richardson is one of the best Paul McCartney, Jonah Lees as John I think he was too much critised I didn't find him stereotypical at all, yes he is short but I don't particulary care, I am much more focused on interpretation, John Lennon is a very difficult person to play and many older actors failed to play him right. He was a good young John Lennon, nuanced and he studied John expressions, he showed his silly side, his more pensive side, Jonah Lees deserved better. Leo Harvey-Elledge and Campbell Wallace they were in the scenes nothing more nothing less, I surprisingly liked Adam Lawrence as Pete Best, he is not painted as a bad guy you feel sorry for him, he has presence in the way you feel him different and disconnected from the group. Cilla Black I don't know how she was so I can't do a comparison, she is a nice presence in the movie but as said before she is flat as the others characters. It's not a terrible film, is not unwatchable nothing like that howevere fails in his intentions to tell Brian Epstein, as a beatles fan I advise you to watch him at least for Jacob Lylod, maybe when you are alone during lunch or dinner, the pace is smooth
The wigs were terrifying, the production problems are crystal just watching John hair: at the begin red, then brown and in the end red again. George's wig who is red for some reason and Paul's moustache are a litteral crime
Bullfight Arles France 1965
Pattie Boyd, George Harrison and Brian Epstein