I know the movie is about Eppy but a girl can dream
it’s so rare to see actors who FOR ONCE respectively resemble john lennon and paul mccartney, those two guys who play John and Paul in midas man really fit their vibe, can i slide some pound notes over the table so they can star in their own mclennon inspired film !!!!!! I’ll pay for their wigs!!!!!!
“John and Paul are essentially a legendary world-changing love affair that ends in heartbreak — like Burton and Taylor, but with no touching. They are the thing the other was looking for. A major part of their lives was settled the day they met at Woolton fair — they were completed, reborn and undone with each other.” (Caitlin Moran)
“Out of the mouth of anyone else, “John” is just a name, a mere monosyllable. But when the name is uttered by McCartney, the ghostlike presence of John Lennon suddenly descends on the evening. Lennon’s name, so simply invoked by McCartney, takes on the power of a talisman, conjuring up an entire shared cultural scrapbook of images defining musical collaboration and the purest of camaraderie. McCartney owns the pronunciation of “John” the way Katharine Hepburn made “Spensah” Tracy her own.” (Interview with Paul McCartney, 2001)
“I dream about him.”
[John] was so excited about Yoko’s arrival that he could not stop talking and the subject on his mind was sex. He said that working always made him very “horny” and that he could not wait to “jump Mother’s bones.” He told me that when he appeared on stage with the Beatles, he would often demand that a female fan be held in the wings so that he could have a “knee-trembler” – which was Liverpool slang for quick stand-up sex – before or after the performance (or, occasionally, even between songs). “I was always obsessed with sex,” John confessed. “I’d run after girls and feel them up, put them up against a wall, that sort of thing.” He said he lost his virginity at age fifteen with his first girlfriend, Barbara Baker, a buxom, buck-toothed beauty. John then described the deflowering. “Barb wasn’t wet and I had a hell of a time shoving it in,” he said nonchalantly. “I was frantic to get inside her, and when I couldn’t, I got so frustrated and angry that I started to curse her: ‘You dumb cow, what’s wrong with you? You’re tight as a rat’s ear!’” John paused, shook his head and smiled. “It wasn’t her fault, of course. But what did I know? I was just a weird, psychotic kid covering up my insecurity with a macho façade.” Ruminating about his clumsy, often violent approach to love-making, he said that he never used to engage in foreplay; he would immediately attempt penetration. “I had no idea you were supposed to take your time,” he laughed nervously. “I thought the idea was to get in and out as quickly as possible.” He also told me that he would sometimes write his girlfriends erotic letters. “I wouldn’t be surprised if they show up one of these days, hopefully after I’m dead.” John paused briefly to sip the beer a light a fresh Gitane. “I think after my mother was killed, I felt betrayed by all womankind,” he continued. “I used to have fantasies about torturing women to death. I still have a lot of violent fantasies, but I manage to keep them under control.” He said that if he let his imagination run wild, he would imagine crucifying women, actually nailing them to a cross, and then disemboweling them. “It wasn’t until I met Yoko that I realized that men didn’t have to be aggressive, didn’t have to be macho, that men could be gentle and tender. That’s the lesson Yoko taught me.”
John Lennon: Living on Borrowed Time, Frederic Seaman (1991)
Some things never change
Paul McCartney and his daughter Heather recorded a punk song together, where Heather reads the label of a baby formula can.
Cute Alert!
Rewatching Get Back over and over it makes you realize the true protagonist is Ringo