writeblr /// tangents about my wips It’s all lit-fic, mystery, and noir around here Project Istanbul
84 posts
Foreshadowing, agreed! But also—
Queue those random eating scenes and insufferable monologues. Can’t forget the matching character’s mood to an ornate object or cloud pattern.
I’ve come to realize that I’m an underwriter. Hbu?
I’ve come to realize that I’m an underwriter. Hbu?
Ecstatic to say that I’m in that particular writing flow state again. You know which I mean—the one where time and space do not exist.
“Start writing, no matter what. The water does not flow until the faucet is turned on.”
— Louis L'Amour
I’ve been saying “it’s been a rough chapter” for the past three chapters now.
We're all stuck in the perpetual hell of creating wips and then never writing them
i don't know who needs to hear this, but 'perfect' writing is a trap. all writing is subjective. what we create today, we may see as flawed tomorrow. what we see as flawed today, we may see as perfect tomorrow.
writing is the act of transmuting the human experience through words. and the human experience? it's a messy, chaotic thing filled with rough edges and uneven lines and mistakes and failures. you can erase all of that. you can. but then you're left with something sterile and artificial. you've effectively squeezed the soul out of your work, and i can think of nothing less appealing.
this isn't to say don't edit your work. please do. but keep it within reason, and make sure you're moving forward and not backward. momentum is key.
don't sit on an idea for three decades waiting for that dance with inspiration, or that dynamite first line, or that eureka plot twist, or the words to flow like magic from your fingertips. because it won't happen. and if it does, it'll strike like lightning and disappear twice as fast. the only surefire way to finish a story is to start.
so write. for the love of god, just write.
along the way, things will fall in line. i promise. and if they don't? then they already have. the magic of art is that everything we create is a snapshot of who we are at the time of creation. it's like a time capsule of human experience, and there's a beauty in that authenticity-- in the mistakes we make and the wrong turns we take. don't run from them. embrace them.
let their lessons flow through you and channel them into something tangible. if it's hard, then start with one word and keep going. don't erase it. don't start over. don't let yourself believe your story isn't worth telling because if you don't tell it, then no one else will. and that'd be a damn shame.
so one word a day. one sentence a week.
whatever it takes.
it might be tough letting go of the idea of perfect. silencing your inner editor. your inner critic. it might be tough realizing that your story will never meet your standards, not completely, but it won't be half as tough as looking back and wondering where all the days, weeks, and years went; that in the pursuit of perfection, you forgot to ever write a story at all.
so leave perfect behind. readers don't want it. why would they? they can't possibly relate to perfect-- none of us can.
instead, give readers a window to your imagination, stormclouds and all. you'll be surprised by how many stick around for the rain, how many relish the sound of your thunder, and how many cherish the worlds that only you could bring to life.
i should really do a proper intro
while you're reading this, go listen to Marche Slave by Tchaikovsky, so you get the vibe while reading the rest.
hold onto your tea and coffee -black, no sugar naturally- and delve into....
*enthusiastic cheering fills the air*
(jk i respect all types of coffee and tea)
I'm an aspiring teen writer and occasional anarchist. I started writing because I had developed 23 characters in my head and didn't know what to do with them.
Additionally, I've always read books (bibliophile from a young age) and I thought:
"wow, all these people express their worlds this way, let ME try it"
so i did. and I love it. It's the only thing keeping me together. I've gone clinically insane over people and worlds that don't exist.
more under the clip
5 random facts:
• I'm left handed!! so i use special pens which don't smudge!
• I acquire passports like America acquires oil.
• I like Polish stuff and patterns because Poland is COOL! I love the food and the folklore as well! If anyone wants to tell me anything about Poland, go ahead!
• My cat's name is hard to pronounce:
- Rudy (means ginger): [ɣoʊdi]
• I love PIGEONS
am open to asks and instructions on how to build a nuclear bomb (no joke I've had them before)
My favourite thing to do on a Sunday is to summon the ancient spirit of IKEA, and scream in Swedish🇸🇪 and watch the Grand Budapest hotel for the 51st time.
*cries in Eurovision ✨
I'm always open for tag games!
I am currently writing some sort of mystery, psychological steampunk thing? with an inkling of murder?? chocolate factories? I don't know where to begin.
also:
happy birthday!
About me
• Turkish/Kurdish
• English Major
• Introverted perfectionist
• Lover of art, classic literature and aesthetics, morally grey fictional characters, novels with lots of gloom and doom
Writerly Habits
• I write in the same font as most legal documents—Times New Roman (bland, I know)
• Single-spaced forever—I like big chunks of text
• Fountain pen enthusiast
• Could spend the rest of my life at the desk
Wips (some of which fill me with dread to continue)
• Yellow Houses /// adult lit-fic novel. Unhinged university students vandalize houses, painting them school-bus yellow, then write about wondering who did it in the local paper. Hmm...
• Liquor and Locusts /// adult modern fantasy novel. TW because this is a pandemic story! A squatter crashes at a countryside manor during a pandemic, befriending an elderly gardener and his very emo apprentice. There is somehow also a talking locust who loves brandy.
• Red Pleather /// lit short fiction. A teenage girl’s relationship with her older brother who constricts her from the world outside their crowded apartment complex. Warning: a lot of stair climbing and internal monologues in this one.
CURRENT PROJECT: PROJECT ISTANBUL
lit fic? Thriller? Noir Novel // Heavyyy dark academia aesthetics // Set in Istanbul, Turkey.
You would like this if you enjoy reading about morally grey journalists, secret clubs, etc.
***
Note: Wanted to say that this is an updated blog introduction— I’ve been away for some time,,,, but anyways! I’m back here now to share my current wips, writerly frustrations, and general artsy aesthetics.
That said, other writeblrs! Please interact so I can read all of your beautiful wips~
Also, I attached a random illustration I made for the Project Istanbul MCs, as well as a link to the wip intro. Hope you enjoy!
See link above for the wip intro!
It’s so hard being a writer sometimes because you can tell yourself over and over again that you’re writing for yourself, and yet you will always crave the interaction, you will always want to share, and for people to like the thing you put your heart and soul into. It’s just hard when you can see the numbers, and the constant comparing, having the self-doubt and wondering why you even bother trying when there are people much better than you.
All you can do is keep reminding yourself that it’s your story to tell, and no one else can tell it like you. You love it, and there are others out there who will love it, too, and the numbers absolutely do not reflect your worth or your storytelling.
You’re incredible, and you’ve got to keep writing because your story is worth telling.
Since I’ve essentially reset my blog, I decided I should also reset my general taglist! Those who wish to be on my general taglist will be tagged for:
❀ WIP Intros.
❀ Excerpts from WIPs and Short Stories.
❀ Snippets of poetry.
❀ General Blog Updates.
You will not be tagged in posts specific to certain WIPS. Those will feature their own taglists. You will also not be tagged in tag games. If you wish to be added to my general taglist, interact with this post (likes, rbs, and replies all count)!
Current Taglist: @42ndplace @catgirlnya @talesofsorrowandofruin @haldimilks @keira-is-writing @piyawrites @kitblogsthings @svpphicwrites @alexsidereus @rainbowcoloreddays @dahladahlabills @sunwornpages @bookphobe @writing-el @moonyspoon @oceancold @feverdreamwritings @ravens-and-rivers
What's your short story writing process?? I love your works <3!
hello anon + thank you so much!! it mainly happens in three stages. i’ll try and break this up so that it’s easy to read, i’d also recommend checking out this post where i talked about my titling process as that’s something that also plays into the way i write my short story.
NOTE: i’m a pantser and i pants all my work. this process is super intuitive and tends to differ slightly for each story. for me i learn more about the story as i go and i’m just as in the dark as the characters.
1. THE IDEA. this comes from literally anywhere, and can be of any form: the main concept, theme, or aesthetic, maybe an integral image or aesthetic, maybe a specific title or lexicon. i’ll be exampling here to make it make more sense:
for saltwater, the story came first. i’d had this initial idea of a couple drowning in the ocean after one of them drives them both into it.
for it’s gene magic and/or turpentine, it was a vague concept that formed the idea although it has zero impact on the plot since i veered away from said concept.
for geometry of the holy moon (1 am), it was the aesthetic, the setting and the lexicon [specifically the word ”yearning”]. i was inspired by a conversation i had about desi mythology and singing to the moon.
for cranium, i wanted to write something in second-person and wrote the first line, ten followed though with my instinct.
for helium throat [although this doesn't really count considering that this is a revamp of an older story] it was the exploration of a character relationship + dynamic.
getting the idea for me is very intuitive, and it happens at a pace i can't fully keep up with so for most of the time when i get an idea i put it into my ideas’ doc and save it for later. i’ve talked about this before but having an ideas’ doc is a lifesaver because you will have inspiration ready at hand and it can be super organised too! [mine is divided into plot, pov, form, theme, character, titles, verbs, concepts, etc.]
2. THE FIRST LINE / PARAGRAPH. once i get the idea, and i choose to draft the story immediately, i write out the first excerpt / line. this can be a hit or miss. sometimes [like with helium throat and gene magic], the first paragraph lets me understand the voice + tone, and i’m able to draft the rest of the story in it. sometimes, like with gothm, the first line doesn't fully explain it [this may be because it isn't where the story’s meant to start, sometimes because it just feels wrong] and in this case i either scrap the paragraph and start over, or i keep it to add to the story at a later point. this first excerpt is important to me as it helps determine how the rest of the story’s going to go, helps me get a slightly better understanding of the aesthetic and the voice, and at how rich / sparse the prose style will be. [so for gothm, i knew it would be a very thick and dreamy prose style while with gene magic it would end up being short and punchy]
3. THE DRAFTING. this one’s going to get so vague, but basically i then just,,, draft the story! i always keep a notebox kind of thing for each one where i put in anything related to the story [so scene ideas, the wordbank, particular aesthetics, etc]. i refer to this as i go on drafting. when i’m at the beginning, i still don’t fully know what the story will be about but the more i draft the clearer this becomes. most of the time, the ending clicks for me first, and then the rest of the writing process involves me building the gaps between the current scene and the final one. sometimes, i’ll get a scene idea that will completely shift the story from the point it was going. a lot of times, i’d start adding in a specific detail which i’d end up making much more plot relevant later on. i always refer to my general ideas’ list while drafting as sometimes a random, seemingly unrelated concept or word can help me in uncovering the short story. my drafting process is hard to pin down as it’s rather different for each short story but it usually involves me stumbling around a bit and trying to make out more of the story until something clicks or becomes clear and i finish the rest with an exact understanding in mind.
and this is the gist of how i write the first drafts of my short stories! i’ve only just started editing them, and in that department i have no insight [and i’m suffering there too yikes]. but i hope this was able to help!!
plz add me to your taglist, this is awesome!!! :oooo
BLUEBEARD by Yah Yah Scholfield / the shining ( dir. stanley kubrick ) / crimson peak ( dir. guillermo del torro ) / revenge horror / about 4.3k words
Wait, but I think this is actually one of the spiciest, most interesting short stories I’ve done! It’s a very tasty commission for @janeaustenwlw, and I’m super happy to have been given a chance to write it!
The plot is simple—a woman is confronted by a ghost; the ghost gives her a task. I really can’t say much else without spoiling the story for you all, and I desperately want you all to enjoy this!
Inspirations for this piece include; Crimson Peak, The Shining ( specifically the character of Wendy Torrance), and the entire genre of revenge-horror films I suppose.
general tag list under the cut! if you’d like to be on my tag list, just dm me!
Keep reading
I love this pov!! :oo Please add me to your taglist???
I N T R O D U C I N G: 996 CATHERINE CLOSE. this is a story about a house, which is to say my story, which is to say a story with walls, and doors, and people passing through them. they go and they do not stay. this seems unfair, at least to me. does it seem unfair to you?
GENRE: a ghost story minus ghosts. POV: mostly first person and some third person sections. THEMES: homes as monsters, memory, preservation and loss, good and bad families, letting go, holding on, abandonment, every house is haunted. CONTENT WARNING: abuse, mental illness, some horror elements.
All I could do was watch.
My voice was too low. I could barely even sing to myself, the walls creaking and shuddering the tiniest bit when I tried to create voice. Jonathan had built me too well. I fit together like one of those puzzle sets, all the edges aligned perfectly, no room for air to whistle through holes and for me to rattle the walls like percussion. I could whisper. I would soften the sounds of my floorboards when Marie was bedridden with one of her headaches, her body turned away from the light streaming through the windows. I couldn’t dim that light. But I could make everything around a little quieter and a little less. She was always dearer to me than Jonathan, so I did more for her.
There were many things I couldn’t do. I couldn’t scrub my floors for her. I couldn’t remove the tiny shards of glass stuck in lines of grout that she painstakingly scoured the kitchen floor for, on her hands and knees, wincing when her palm dragged across one that she hadn’t seen. I couldn’t stitch my walls back together where Jonathan’s fist had opened holes. I couldn’t save Marie.
I’m sorry. This isn’t a tragedy like that.
I have a flair for the dramatic now, from the stories that I’ve heard throughout the years. I have always been an eavesdropper, ever since I was born. But I used to tell things better. So allow me my confusion, and I will correct it. They didn’t die here. They simply left. Only one person has died here, and if they remained as a ghost, then it is not as one that I have ever personally known. When I say that I am haunted, I mean that I am haunting myself. I asked for them to stay, and they did not, but the images do.
I can hold onto those forever.
find out more.
TAG LIST: @phloxxiing / @nouveauweird / @pilipalea / @starrywritingg / @carnalbanshee/ @flynnswritings / @ohsugarfoot / @reya-writes / @onfablesandfiction / @reeseweston / @cohldhands / @klaythestoryteller / dm or reply to be added!
🍟 @/aetherwrites
Share a gif that represents your wip. What Mr. Sinclair sees in the checkered corridor in his nightmare in Bug Box. (gif is from The Wall, 1982)
🍿?
Share an out-of-context line from your wip. (this one’s from Yellow Houses!)
We didn’t have any pictures of him so they were all I had to stare at, which was rare, but when I did, I imagined him on a ferry crossing the Marmara Sea, nibbling on simit, dark hair flattened against his forehead from the breeze, contemplating the mess he’d made and regretting it immensely.
I want to read this :oo
[TRANSCRIPT/TAGLIST AT END OF POST]
TINY FLEA
[OLD INTRO]
GENRE/S: Speculative, horror, dystopian pandemic, soft elements of sci-fi & supernatural.
SETTING: The fictitous town of Tiny Flea, New South Wales, Australia; 2024.
AUDIENCE: Adult.
POV/TENSE: Third person limited (multi POV), past tense.
STATUS: First draft.
CONTENT WARNINGS: Horror themes (incl. psychological&body horror); violence and gore; bugs/parasites; murder/death; alcoholism/smoking; unreality; paranoia; religious themes; portrayals of bigoted beliefs; discussions/mentions of abuse; references to grooming & coercion. (Note: may be updated later).
CONCEPT: In the year 2024, a parasitic disease breaks out in Tiny Flea, a fictitious town in NSW, Australia. In an attempt to control the spread of the parasite, the town is closed off from the rest of the country. The story follows several perspectives, showcasing how each person deals with their newfound circumstance. Some band together in order to survive, to try and restore order and to discover the true nature of the parasite. Others, however, have more sinister intentions...
SYNOPSIS:
Returning to his hometown of Tiny Flea after serving a twelve-year prison sentence, thirty-six year old Gavin DeRossi is eager to redeem himself. However, any hopes Gavin had of going back to a normal life are dashed when he finds his hometown in the grips of a parasitic pandemic. Worse still, both of his parents, the people he considered to be his only allies left in the world, are dead—killed by the mysterious brain parasite which plagues the town.
Banding together with a ragtag group of survivors, Gavin is determined to save the town of Tiny Flea by learning more about the true nature of the parasite. The answers he finds, however, are far more bizarre than he ever could have anticipated...
TRANSCRIPT 1: In the eyes of Gavin DeRossi, Tiny Flea had been aptly named. Hovering somewhere between being classified as a town or a city, the place he had grown up was a blood-swollen parasite. It had latched onto the surface of his youth, sucking dry his aspirations and potential, leaving him nothing but a bloodless, lifeless host for the countless memories it had left him with. But oh, how he’d missed it.
TRANSCRIPT 2: Gregory wasn’t entirely sure what Graham’s condition was. Lying on his back on top of the bedcovers, he didn’t look obviously unwell. He wasn’t injured. He hadn’t thrown up. His face, however, was contorted in pain. He struggled and thrashed about in a pathetic sort of manner, like a weakened animal making a last-ditch effort to fight off its attackers. It was his eyes, however, which told Gregory that his father-in-law’s death was at hand. His eyes, normally a lively grey, were dull, staring lifelessly ahead at nothing. His body protested against his fate, but Gregory recognised that his eyes belonged to someone who knew that they were facing death head-on. He had seen those eyes once before.
TRANSCRIPT 3: He checked his wound one last time before going to sleep, and was satisfied. It no longer looked inflamed. Without a doubt, it would heal without much trouble at all. But the wound had already done its damage, regardless of whether it was infected or not, regardless of whether it healed cleanly or left a ragged scar. Unbeknownst to Craig, the larvae had already begun to move beneath the skin.
TAGLIST (ask to be added or removed): @aetherwrites @ljscrawls @chloeswords @avi-burton-writing @kitblogsthings @ravens-and-rivers @writerlywonders @alicewestwater @bookpacking @theelectricfactory @ryns-ramblings @alexsidereus @kowlazovdi @ezrathings @sunwornpages @bijouxs @pamsdrabbles @melpomeny @peepos-prose
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These all sound amazing and I'm in loveeee with the titles you chose :ooo
Hello!! I have successfully finished (1) semester in a poetry stream and am officially calling myself a ~poet, so let’s chat about some of the poems I’ve written recently! TW: A lot of my poems deal with difficult subject matter, such as suicide, animal abuse, death, sexism, murder, and captivity, so please tread with caution if these are sensitive topics for you.
1. the birds
About: After a woman’s suicide, birds flood from her neck.
I wrote this poem for a class, where our prof gave us 20 different prompts, and each line of the poem had to follow each prompt. In that order. You can read the prompts HERE if you’re so inclined to actually do this! This poem was originally called “Blessing of the Bird”, but in revisions, got knocked down to “the birds”. I actually prefer the original for its imagery, but it overall, was a horrific poem lol, and this version is certainly much better! It is a bit quirkier than the original, but I do like it!
Publication status: Currently seeking
2. TRANSCRIPT: orca’s coffin birth kills a man (2002)
About: An orca whale posthumously testifies on a recorded transcript, defending her innocence in the accidental killing of a man after she gave a coffin birth.
I also wrote this for my poetry class, and I really went wild on the concept! This poem arose quite bizarrely, but it is probably my favourite poem I’ve written to date. It is an incredibly sad, and I would say, disturbing poem, but it was fascinating writing a speaker who can’t possibly exist, but who feels so real at the same time. This poem was difficult because of the content, but I wrote it quickly because I was on a deadline. I think this poem has some of my favourite line breaks from my collection of work.
Publication status: Currently seeking
3. the drive-up microphone at burger king
About: A group of friends orders food at an underwater Burger King drive-thru with the body of a person they’ve (sort of?) murdered in the backseat.
This poem is so weird. :) I don’t even know what this poem is, but I love it. :) I wrote this in a night for a magazine’s very fast approaching deadline. I’m so happy I had that opportunity because this poem was born, and it’s so delightfully strange. I can’t wait for everyone to be able to read it!
Publication status: This poem is forthcoming in the next issue of carte blanche (I am SO excited and grateful)! Will post on here when it drops.
4. my body in the mirror of a gas station water bottle
About: A speaker watches her body in the reflection of a gas station mirror as it is scrutinized by men.
I started this poem back in July but didn’t finish it until November or so. It’s more lyrical in style, which is interesting to compare to my other work!
Publication status: Currently seeking
5. The last time I screamed I said water
About: A woman is held captive and bonds with her captor by eating salt.
I wrote this poem in 5-minutes in a desperate break from a really… boring take-home exam lol. It’s obviously very dark in content, but focuses really on this “salt ritual”, and is actually the name of the chapbook I am working on! This chapbook contains all of the poems I’ve written recently, including ones that have been published (at Grain and Augur ! <3) which means it’s very chaotic and varied but that’s how I roll! This poem actually stemmed from the title, which I’d had lying around in a document for a few weeks, and easily materialized from there!
6. we drink.
About: Champagne, the patriarchy, some murder & cannibalism vibes
I truly don’t know what this poem is about! But I wrote it tonight in 5-minute fashion like I apparently now do with poems! :) I actually really like it and wish I could explain what it is actually about but I :) do not know :) ! It’s very short, my shortest poem yet, but I really love her! Definitely works particularly with “the last time I screamed” !
Publication status: Currently seeking
That’s it for this update! When I write more poems, I will be back!
–Rachel
This sounds amazinggg, I would 100% watch :)
thank you @radwrites for the template!
Having both finally escaped the cult they were born in - and reunited after four years - twins Dorothy and Felix embrace their newfound freedom, navigate their trauma, and figure out who they are.
Y’all I cannot express how much this fake Netflix series lives! in my head! rent free! I think this story would be so cool as a series and if I weren’t a little terrified of screenwriting, I would 100% play with that as a form alongside the novel.
The vibes of this came out a lot grittier than I imagine the story? That element is 100% there, but there’s also a very hazy, dreamy element to the story and I think it’d be very interesting to see how those intersect visually. My biggest fantasy for CM as a series is that it’d look like it was actually shot in the 80s and have an all 80s soundtrack (although there are some contemporary gems I’d be sad to cut out the OST). The only comparison I can really draw is Twin Peaks (which I’ve only seen like five episodes of oop) - but not in terms of content at all, rather the hazy vibe of floating between different stories with this growing unease and intensity - and perhaps some of the surreal elements too. Also this one shot is Major CM Vibes:
This isn’t structured exactly like the book - episode 2, Cadmium Yellow, is a combination of chapters 2-3 and also chapter 8, which is the first chapter in Dorothy’s POV. Because of the nature of writing split POV the split between Felix and Dorothy is obviously much “sharper”, but a TV series format would allow me to jump between them in one episode and still have clarity.
I also love the idea of a series for this story because it’d allow the POVs of the non-POV main characters (Beau, Jolie, Isaias) to also be included - hence the episode Pistachio Beach, which would be Beau centric and we’d actually get to directly see his backstory. As much as I love the twins as POVs and the story very much revolves around them, I’m definitely interested in the extra depth the story could get in this form. There are a lot of times when I wish I could add a chapter in Beau or Isaias’ POV but the idea of more than two POV characters is too much to handle lmao
I had so much fun with this, and I would 100% do another for episodes 6-10 when I write more content (ah discovery writer things)! I see my stories as movies playing out in my head and if anyone else does that you’ll know that not everything can be translated into words. So it’s really cool for me to imagine my stories in this format, because in a sense it’s the “truest” to what I see in my head.
Everything Holy
Four years after his twin sister escaped the Christian cult they grew up in, nothing about Felix’s existence has changed. This is why he has to escape too.
Cadmium Yellow
Dorothy’s roommate, Jolie, returns to the city and brings all their repressed baggage with her. Felix struggles to adapt - but a new friend is eager to show him all of San Francisco’s colors.
Pistachio Beach
Beau doesn’t sleep well. Troubled over a future he doesn’t know and a past he doesn’t understand, he has two coping mechanisms: call Felix; drive to the beach.
Cult Characteristics
The growing number of cults scattered across California is a growing cause for concern. When they hide in plain sight, it is crucial to know the red flags.
Revelations, Revelations
Felix hasn’t spoken to God in a month. Although he doesn’t find Him at the local Church, he does find someone with the same problem. Jolie has a proposal for Dorothy.
The next novel update should be coming soon! My goal is January 11th, because that’s Felix’s and Dorothy’s birthday so we have to celebrate ofc
church mud taglist - @kitblogsthings / @bijouxs / @ezrathings / @isherwoodj / @bookpacking / @alicewestwater / @svpphicwrites / @avi-burton-writing / @aetherwrites / @radiomacbeth / @sunwornpages / @coffeeandcalligraphy / @ladywithalamp / @wolf-oak / @keira-is-writing / @jennawritesstories / @cream-and-tea / @bauliya / @themillionthdraft / @you-are-my-neverland / @lasbrumas / @occiidens / @shaelinwrites / @wri-tten / @catgirlnya / @nbnoyas / @oceancold / @august-iswriting / @write-like-babs / @hekat-ie
Yellow houses sounds so good 👀
tysm for your interest! I hope to pick up that project again one day 🙃
student writeblrs! what are your writing plans/goals for the rest of your break? my plan is to finish drafting/editing a climate change short story and submit it to some literary magazines and hopefully, hopefullyyyy.. draft chapter eight of my lit-fic novel which keeps. not. working. feel free to use this post for accountability! <33
This is beautiful, I'm obsessed??!!!!
In Tabby, a reclusive man who’d rather exist as a phantom than a human notices the neighbours aren’t feeding their cat, and is sucked into a world that breaks the stillness of his own.
Genre: literary fiction, “soft” noir (??)
POV: 1st person present, very observational and detached for most of the narrative
Setting: late 1940s/early 1950s, unnamed US city but implied to be Los Angeles
Atmosphere: a summer that’s sickly, orange juice, the smell of paint, shaky hands, peach skies, sunflowers, blood splatter, a cats purr, the gut feeling that something is very, very wrong
Literal Logline: this cat is my friend and he doesn’t judge me over silly little things like the murder i just committed (also i think he might be god??)
Hi I wrote a story about a cat and got way too into it and accidentally made it about murder and now it might be my favourite thing I’ve written! Lets talk about it! cw for murder and blood imagery!
general taglist ; @kowlazovdi @avi-burton-writing @ryns-ramblings @melpomeny @kitblogsthings @ezrathings @aetherwrites @bookphobe @haldimilks @alicewestwater @bookpacking @shaelinwrites @writingamongthecoloredroses @harehearts @zemnian @onlyganymede @theelectricfactory @write-like-babs @oceancold @notphilosopherstudentblog @veiliza @sidhewrites @wolf-oak @feverdreamwritings @oasis-of-you
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yess a bonus vid! 🤩🤩 my question is, as a discovery writer, what signals to you that a chapter isn't working? And do you rework them, store away in a doc--or scrap entirely? much luv, hope you're staying safe :)
Helloooo! I thought I’d do an end of year writing Q&A for a bonus vid in my YouTube channel. If anyone has questions, leave them as a reply on this post or send me an ask (make sure to indicate it’s for the Q&A)!
IT’S BACK! One of my favorite pieces and one of the first pieces of short fiction I’ve ever published! It’s Warm in Here is … ugh, it’s perfect, it’s got outerspace, it’s got intrigue and horror and fear, it’s reclaiming Lovecraftian horror from that racist white man, it’s written by a talented Black ingenue it’s so!
It’s Warm in Here, like all my stories, is about balance, familial and community bonds and the evening of scales. What makes something equal? How much blood is enough blood?
Like and reblog if you enjoy, and of course! Leave me messages and reviews!
dreamy/physcedelic atmospheres, descriptions of cake omg, unlikeable narrators, flowery af prose, sexy skies, gritty alleyways with prowling raccoons, platonic love, sisterhood, isolated individuals who ramble about vague philosphical concepts and art,,,,,
i’m very curious about this so reblog in the tags with the recurring things in your wips that make up your Writer Brand™
beforehand I'll do like a brainstorm/word vomit in my notebook to get ideas flowing. when actually writing I'll light essential oil candles, open pinterest, wordbook and google, and drink like a gallon?? of ginger tea and disapear for like 3 hrs.
do any of you have writing rituals? tell me about them!
hello world! you’ve severely disappointed me! i’d sound like my mother if i went on about your mistakes, but i’d rather spare you the grief! save room for me in my unlikely return, even if you’re a hard place to call home! ciao!
TO EVERYONE SAYING THEY'RE INSECURE ABOUT THEIR WRITTING:
I've been seeing a lot of people reposting their insecure about their writting and its really sad because ik for a FACT most of you write BEAUTIFULLY. So I just wanted to send some motivation because writting is hard, and writers deserve love. You guys are literally creating ENTIRE REALITIES with your imaginations . Wether it be fan ficts, short story writers, etc., You are giving us a key into experiencing the world from a different perspective. Your craft is an escape, your craft is inspiring. Its always good to want to be better, but please appreciate the work you're doing RIGHT NOW. It may not seem like much, but your stories are so much more than just words in a page. Its the adventure we never experienced, its the worlds we never got to see. Writers please, whatever you write, I want to assure you today it IS good enough. Because you bled your thoughts into the page, because you were brave enough to create. Writting doesnt have to be perfect, for perfection is nothing but a myth, writting just needs to exist. Insecurity is normal but let me tell you today, your writting is worth it, your ideas are worth it, your work is worth it.
Writers, keep your heads high, continue to poor your soul into your words and know you never have to punish yourself for creating
Much love for all of you