Yess A Bonus Vid! 🤩🤩 My Question Is, As A Discovery Writer, What Signals To You That A Chapter

Ecstatic to say that I’m in that particular writing flow state again. You know which I mean—the one where time and space do not exist.

That moment when you print out a chapter and what you’re doing suddenly feels very real and tangible and oh, I love reading on printed paper it’s so motivating

This is so interesting, please add me to your taglist! :o)

To find but morsels of what the world used to be spurs an odd feeling of nostalgia deep within your core; it surpasses your hard shell, delving until it tickles something gleaming, innocent, and something some would dare say is childish – hope. Hope for a future crafted with compassion but founded on destruction.

Funny, to experience nostalgia for a past that isn’t your own.

You live in Angelwood; a city like many others, yanked by the leash that is MERCY. You know about MERCY. Magnificent Emergency Relief and Care for Yourself, it stands for. It rose from the ashes of a worldwide epidemic of organ failures, constructing artificial organs which would ultimately save pockets of humanity from extinction – at a price. With the devastated economy and government, MERCY’s growing finances and following, MERCY soared to power. Then came the monopolisation of medical services – even if it was under a different name, you knew it was collared and walked by MERCY – and the subtle lacing of bodily modifications, or “augmentations”, into contemporary fashion and style. For those who still suffer from breakouts of organ failures, or for those who feel the stroke of MERCY’s marketing and manipulation warm on their cheek, they can pursue avenues paved by MERCY. Oh, but for those who cannot afford such grandiose costs? Well, need not worry, they offer simple contractual signups where you can pay back in smaller instalments. While this all seems lovely and altruistic when spoken with the honey-lathered words of MERCY agents, you know all too well that should someone miss one too many instalments, they’ll pay for it in more than just their money.

Will you conform and live a life that is shadowed by MERCY? Or will you fight? Both sides have their positives and negatives, yet death lurks at either door. Do you want to go out swinging, or go out plodding?  ―  THE ORGAN OPERA

OVERVIEW.

GENRE  ―  sci-fi (cyberpunk);  queer romance.

DEMOGRAPHIC  ―  (new) adult.

NARRATION  ―  third person;  past tense.

THEMES  ―  capitalism;  fascism;  anticapitalism + antifascism;  body augmentation;  human experimentation;  dystopian earth but struggling to make a better future.

STAGE  ―  revamping and plotting;  worldbuilding.

SUMMARY  ―  Years ago, a manmade virus raked its teeth against humanity  -  an epidemic of organ failures swept nations, devastating economies and governments alike. From the ashes of millions, select few megacorporations loomed over those who remained with malicious intent. Many of these megacorporations now control particular districts. Angelwood is controlled by the medical monster that is MERCY and is currently facing its latest threat  -  yet another uprising. And this time, they’re not going to stop until they burn MERCY to the ground.

MAIN CHARACTERS.

LEONARDO SONG  ―  Often referred to by his nickname of ‘Leo’, Leo is of mixed Korean and Filipino descent. He is the originator of the latest wave of rebellion against MERCY and his fire is something that can’t be quelled. He’s suffered severe facial disfiguration at the hands of a MERCY agent but wears it with mixed pride and anger.

CYRUS MERCER  ―  A black man who was one of many orphaned and taken underneath MERCY’s wing  -  under the condition that he partook in their PERSON program. On the surface, it seemed benevolent and altruistic… But MERCY never does anything nice without later ripping it to shreds. He’s now immune to the virus and wields more power than anyone in MERCY could’ve anticipated.

COCO DOOLEY  ―  A trans woman and close friend of Leo, she partakes in the uprising against MERCY and their control over Angelwood. She’s an expert hacker and has been steadily building her pool of information of and against MERCY.

MURDOCH MURRAY  ―  A trans man and close friend of Leo, like Coco, he too is part of the uprising against MERCY’s control over Angelwood. While Leo is fiery, Murdoch wields the cool charisma and allure akin to that of a skilled conman. He’s often the first to go into a situation, to procure or to defuse.

TAGLIST. if you’d liked to be added to the list, let me know via message, ask, or reblog! @mxxnwrites

“Start writing, no matter what. The water does not flow until the faucet is turned on.”

— Louis L'Amour

Made this mood board using Canva with some free images from Unsplash. Slapped on some snippets I wrote and shared a little while ago,,,,,and yeah.

By the way, one told me second drafts could be so brutal.

This sounds amazinggg, I would 100% watch :)

Church Mud - The Netflix Series

thank you @radwrites​ for the template!

Having both finally escaped the cult they were born in - and reunited after four years - twins Dorothy and Felix embrace their newfound freedom, navigate their trauma, and figure out who they are.

Y’all I cannot express how much this fake Netflix series lives! in my head! rent free! I think this story would be so cool as a series and if I weren’t a little terrified of screenwriting, I would 100% play with that as a form alongside the novel. 

The vibes of this came out a lot grittier than I imagine the story? That element is 100% there, but there’s also a very hazy, dreamy element to the story and I think it’d be very interesting to see how those intersect visually. My biggest fantasy for CM as a series is that it’d look like it was actually shot in the 80s and have an all 80s soundtrack (although there are some contemporary gems I’d be sad to cut out the OST). The only comparison I can really draw is Twin Peaks (which I’ve only seen like five episodes of oop) - but not in terms of content at all, rather the hazy vibe of floating between different stories with this growing unease and intensity - and perhaps some of the surreal elements too. Also this one shot is Major CM Vibes:

This isn’t structured exactly like the book - episode 2, Cadmium Yellow, is a combination of chapters 2-3 and also chapter 8, which is the first chapter in Dorothy’s POV. Because of the nature of writing split POV the split between Felix and Dorothy is obviously much “sharper”, but a TV series format would allow me to jump between them in one episode and still have clarity.

I also love the idea of a series for this story because it’d allow the POVs of the non-POV main characters (Beau, Jolie, Isaias) to also be included - hence the episode Pistachio Beach, which would be Beau centric and we’d actually get to directly see his backstory. As much as I love the twins as POVs and the story very much revolves around them, I’m definitely interested in the extra depth the story could get in this form. There are a lot of times when I wish I could add a chapter in Beau or Isaias’ POV but the idea of more than two POV characters is too much to handle lmao

I had so much fun with this, and I would 100% do another for episodes 6-10 when I write more content (ah discovery writer things)! I see my stories as movies playing out in my head and if anyone else does that you’ll know that not everything can be translated into words. So it’s really cool for me to imagine my stories in this format, because in a sense it’s the “truest” to what I see in my head.

Episodes 1-5

Everything Holy

Four years after his twin sister escaped the Christian cult they grew up in, nothing about Felix’s existence has changed. This is why he has to escape too.

Cadmium Yellow

Dorothy’s roommate, Jolie, returns to the city and brings all their repressed baggage with her. Felix struggles to adapt - but a new friend is eager to show him all of San Francisco’s colors.

Pistachio Beach 

Beau doesn’t sleep well. Troubled over a future he doesn’t know and a past he doesn’t understand, he has two coping mechanisms: call Felix; drive to the beach.

Cult Characteristics

The growing number of cults scattered across California is a growing cause for concern. When they hide in plain sight, it is crucial to know the red flags.

Revelations, Revelations

Felix hasn’t spoken to God in a month. Although he doesn’t find Him at the local Church, he does find someone with the same problem. Jolie has a proposal for Dorothy.

The next novel update should be coming soon! My goal is January 11th, because that’s Felix’s and Dorothy’s birthday so we have to celebrate ofc

church mud taglist - @kitblogsthings​​ / @bijouxs​​ / @ezrathings​​ / @isherwoodj​​ / @bookpacking​​ / @alicewestwater​​ / @svpphicwrites​​ / @avi-burton-writing​​ / @aetherwrites​​ / @radiomacbeth​​ / @sunwornpages​​ / @coffeeandcalligraphy​​ / @ladywithalamp​​ / @wolf-oak​​ / @keira-is-writing​​ / @jennawritesstories​​ / @cream-and-tea​​ / @bauliya​​ / @themillionthdraft​​ / @you-are-my-neverland​​ / @lasbrumas​​ / @occiidens​​ / @shaelinwrites​​ / @wri-tten​​ / @catgirlnya​​ / @nbnoyas​ / @oceancold​ / @august-iswriting​ / @write-like-babs​ / @hekat-ie​

What's your short story writing process?? I love your works <3!

hello anon + thank you so much!! it mainly happens in three stages. i’ll try and break this up so that it’s easy to read, i’d also recommend checking out this post where i talked about my titling process as that’s something that also plays into the way i write my short story.

NOTE: i’m a pantser and i pants all my work. this process is super intuitive and tends to differ slightly for each story. for me i learn more about the story as i go and i’m just as in the dark as the characters.

1. THE IDEA. this comes from literally anywhere, and can be of any form: the main concept, theme, or aesthetic, maybe an integral image or aesthetic, maybe a specific title or lexicon. i’ll be exampling here to make it make more sense:

for saltwater, the story came first. i’d had this initial idea of a couple drowning in the ocean after one of them drives them both into it.

for it’s gene magic and/or turpentine, it was a vague concept that formed the idea although it has zero impact on the plot since i veered away from said concept.

for geometry of the holy moon (1 am), it was the aesthetic, the setting and the lexicon [specifically the word ”yearning”]. i was inspired by a conversation i had about desi mythology and singing to the moon.

for cranium, i wanted to write something in second-person and wrote the first line, ten followed though with my instinct.

for helium throat [although this doesn't really count considering that this is a revamp of an older story] it was the exploration of a character relationship + dynamic.

getting the idea for me is very intuitive, and it happens at a pace i can't fully keep up with so for most of the time when i get an idea i put it into my ideas’ doc and save it for later. i’ve talked about this before but having an ideas’ doc is a lifesaver because you will have inspiration ready at hand and it can be super organised too! [mine is divided into plot, pov, form, theme, character, titles, verbs, concepts, etc.]

2. THE FIRST LINE / PARAGRAPH. once i get the idea, and i choose to draft the story immediately, i write out the first excerpt / line. this can be a hit or miss. sometimes [like with helium throat and gene magic], the first paragraph lets me understand the voice + tone, and i’m able to draft the rest of the story in it. sometimes, like with gothm, the first line doesn't fully explain it [this may be because it isn't where the story’s meant to start, sometimes because it just feels wrong] and in this case i either scrap the paragraph and start over, or i keep it to add to the story at a later point. this first excerpt is important to me as it helps determine how the rest of the story’s going to go, helps me get a slightly better understanding of the aesthetic and the voice, and at how rich / sparse the prose style will be. [so for gothm, i knew it would be a very thick and dreamy prose style while with gene magic it would end up being short and punchy]

3. THE DRAFTING. this one’s going to get so vague, but basically i then just,,, draft the story! i always keep a notebox kind of thing for each one where i put in anything related to the story [so scene ideas, the wordbank, particular aesthetics, etc]. i refer to this as i go on drafting. when i’m at the beginning, i still don’t fully know what the story will be about but the more i draft the clearer this becomes. most of the time, the ending clicks for me first, and then the rest of the writing process involves me building the gaps between the current scene and the final one. sometimes, i’ll get a scene idea that will completely shift the story from the point it was going. a lot of times, i’d start adding in a specific detail which i’d end up making much more plot relevant later on. i always refer to my general ideas’ list while drafting as sometimes a random, seemingly unrelated concept or word can help me in uncovering the short story. my drafting process is hard to pin down as it’s rather different for each short story but it usually involves me stumbling around a bit and trying to make out more of the story until something clicks or becomes clear and i finish the rest with an exact understanding in mind.

and this is the gist of how i write the first drafts of my short stories! i’ve only just started editing them, and in that department i have no insight [and i’m suffering there too yikes]. but i hope this was able to help!!

This thunderstorm cured my writing burnout.

Pinterest mood board I created for my wip short story, "Bud and Bunny".

The story takes place in New York during the 90s, exploring the toxic bond between a young girl and her older brother, who restricts her freedom from the world outside their cramped apartment complex.