Throughout the 15 workshops I joined in college and grad school, I encountered two types of writing rules.
First, there were the best-practice guidelines we’ve all heard, like “show don’t tell.” And then there were workshop rules, which the professor put in place not because they’re universal, but because they help you grow within the context of the workshop.
My college’s intro writing course had 5 such rules:
No fantasy, supernatural, or sci-fi elements.
No guns.
No characters crying.
No conflict resolution through deus ex machina.
No deaths.
When I first saw the rules, I was baffled. They felt weirdly specific, and a bit unfair. But when our professor, Vinny, explained their purpose (and assured us he only wanted us to follow the rules during this intro workshop, not the others to come), I realized what I could learn from them.
Writers need to be able to craft round characters, with clear arcs. While you can hone those skills writing any type of story, it can be more difficult when juggling fantastical elements, because it’s easy to get caught up in the world, or the magic, or the technology, and to make that the focus instead of the characters. So Vinny encouraged us to exclude such elements for the time being, to keep us fully focused on developing strong, dynamic characters.
Weapons have a place in many stories, but when writers include a gun, they often use it to escalate the plot outside of the realm of personal experience and into what Vinny called “Hollywood experience.” He wanted us to learn how to draw from our own observations and perceptions of life, rather than the unrealistic action, violence, and drama we’d seen in movies, so he made this rule to keep us better grounded in our own experiences.
When trying to depict sadness, writers often default to making characters cry. While there’s nothing inherently wrong with that, tears are just one way to show grief, and they aren’t always the most subtle or emotionally compelling. That’s why Vinny challenged us to find other ways to convey sadness — through little gestures, strained words, fragile interactions, and more. It was difficult, but opened us up to depicting whole new gradients of grief and pain.
This is the only one of the rules I’d say is generally universal. Meaning “God from the machine,” deus ex machina is a plot device where a character’s seemingly insurmountable problem is abruptly resolved by an outside force, rather than their own efforts. These endings are bad for various reasons, but Vinny discouraged them because he wanted us to understand how important it was for our characters to confront their struggle and its consequences.
Death is inherently dramatic and can be used to good effect, but many writers use death as a crutch to create drama and impact. Writers should be able to craft engaging, meaningful stories, even without killing off their characters, so this rule challenged us to find other methods of giving weight to our stories (such as through internal conflict).
First things first, I’ll say it again: apart from #4 (deus ex machina), these rules were never meant to be universally applied. Instead, their purpose was to create temporary barriers and challenges to help us develop key skills and write in new, unfamiliar ways.
For me, the experience was invaluable. I liked the way the rules challenged and stretched my abilities, driving me to write stories I’d have never otherwise attempted. They made me more flexible as a writer, and while I don’t follow the rules anymore (I LOVE me some fantasy), I’ll always be thankful for how they shaped my writing.
Give some of these rules a shot! Follow them temporarily while writing 2-4 short stories — but remember to always keep their purpose in mind, because the rules themselves will only help if you understand what they’re trying to achieve.
Write with purpose, and you’ll always be growing.
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For more tips on how to craft meaning, build character-driven plots, and grow as a writer, follow my blog.
These all sound amazing and I'm in loveeee with the titles you chose :ooo
Hello!! I have successfully finished (1) semester in a poetry stream and am officially calling myself a ~poet, so let’s chat about some of the poems I’ve written recently! TW: A lot of my poems deal with difficult subject matter, such as suicide, animal abuse, death, sexism, murder, and captivity, so please tread with caution if these are sensitive topics for you.
1. the birds
About: After a woman’s suicide, birds flood from her neck.
I wrote this poem for a class, where our prof gave us 20 different prompts, and each line of the poem had to follow each prompt. In that order. You can read the prompts HERE if you’re so inclined to actually do this! This poem was originally called “Blessing of the Bird”, but in revisions, got knocked down to “the birds”. I actually prefer the original for its imagery, but it overall, was a horrific poem lol, and this version is certainly much better! It is a bit quirkier than the original, but I do like it!
Publication status: Currently seeking
2. TRANSCRIPT: orca’s coffin birth kills a man (2002)
About: An orca whale posthumously testifies on a recorded transcript, defending her innocence in the accidental killing of a man after she gave a coffin birth.
I also wrote this for my poetry class, and I really went wild on the concept! This poem arose quite bizarrely, but it is probably my favourite poem I’ve written to date. It is an incredibly sad, and I would say, disturbing poem, but it was fascinating writing a speaker who can’t possibly exist, but who feels so real at the same time. This poem was difficult because of the content, but I wrote it quickly because I was on a deadline. I think this poem has some of my favourite line breaks from my collection of work.
Publication status: Currently seeking
3. the drive-up microphone at burger king
About: A group of friends orders food at an underwater Burger King drive-thru with the body of a person they’ve (sort of?) murdered in the backseat.
This poem is so weird. :) I don’t even know what this poem is, but I love it. :) I wrote this in a night for a magazine’s very fast approaching deadline. I’m so happy I had that opportunity because this poem was born, and it’s so delightfully strange. I can’t wait for everyone to be able to read it!
Publication status: This poem is forthcoming in the next issue of carte blanche (I am SO excited and grateful)! Will post on here when it drops.
4. my body in the mirror of a gas station water bottle
About: A speaker watches her body in the reflection of a gas station mirror as it is scrutinized by men.
I started this poem back in July but didn’t finish it until November or so. It’s more lyrical in style, which is interesting to compare to my other work!
Publication status: Currently seeking
5. The last time I screamed I said water
About: A woman is held captive and bonds with her captor by eating salt.
I wrote this poem in 5-minutes in a desperate break from a really… boring take-home exam lol. It’s obviously very dark in content, but focuses really on this “salt ritual”, and is actually the name of the chapbook I am working on! This chapbook contains all of the poems I’ve written recently, including ones that have been published (at Grain and Augur ! <3) which means it’s very chaotic and varied but that’s how I roll! This poem actually stemmed from the title, which I’d had lying around in a document for a few weeks, and easily materialized from there!
6. we drink.
About: Champagne, the patriarchy, some murder & cannibalism vibes
I truly don’t know what this poem is about! But I wrote it tonight in 5-minute fashion like I apparently now do with poems! :) I actually really like it and wish I could explain what it is actually about but I :) do not know :) ! It’s very short, my shortest poem yet, but I really love her! Definitely works particularly with “the last time I screamed” !
Publication status: Currently seeking
That’s it for this update! When I write more poems, I will be back!
–Rachel
This thunderstorm cured my writing burnout.
What’s this?! “Hold Me Under Till I See the Light,” my most recently published short story, is available to read online in TNQ for free! I had no idea the story would be made available to everyone, but I was so excited to see it there today. If you want to give it a read, I don’t know how long the story will be available for non-subscribers (might only be around a week), but it is probably my favourite story I’ve ever written so if you want to read it, now is your chance!
–Shaelin
Thanks @glasshouses-and-stones for tagging me! I've been busy with my studies, but writing. Planning on making an intro post about Liquor and Locusts when I have time, oddly it's gotten some interest after years in my asks. But for now here's a random excerpt from a chapter I'm revising this afternoon.
Tagging: @orphanheirs @tildeathiwillwrite @defeatistwriter, and anyone else who wants to join. Happy Saturday :)
i don't know who needs to hear this, but 'perfect' writing is a trap. all writing is subjective. what we create today, we may see as flawed tomorrow. what we see as flawed today, we may see as perfect tomorrow.
writing is the act of transmuting the human experience through words. and the human experience? it's a messy, chaotic thing filled with rough edges and uneven lines and mistakes and failures. you can erase all of that. you can. but then you're left with something sterile and artificial. you've effectively squeezed the soul out of your work, and i can think of nothing less appealing.
this isn't to say don't edit your work. please do. but keep it within reason, and make sure you're moving forward and not backward. momentum is key.
don't sit on an idea for three decades waiting for that dance with inspiration, or that dynamite first line, or that eureka plot twist, or the words to flow like magic from your fingertips. because it won't happen. and if it does, it'll strike like lightning and disappear twice as fast. the only surefire way to finish a story is to start.
so write. for the love of god, just write.
along the way, things will fall in line. i promise. and if they don't? then they already have. the magic of art is that everything we create is a snapshot of who we are at the time of creation. it's like a time capsule of human experience, and there's a beauty in that authenticity-- in the mistakes we make and the wrong turns we take. don't run from them. embrace them.
let their lessons flow through you and channel them into something tangible. if it's hard, then start with one word and keep going. don't erase it. don't start over. don't let yourself believe your story isn't worth telling because if you don't tell it, then no one else will. and that'd be a damn shame.
so one word a day. one sentence a week.
whatever it takes.
it might be tough letting go of the idea of perfect. silencing your inner editor. your inner critic. it might be tough realizing that your story will never meet your standards, not completely, but it won't be half as tough as looking back and wondering where all the days, weeks, and years went; that in the pursuit of perfection, you forgot to ever write a story at all.
so leave perfect behind. readers don't want it. why would they? they can't possibly relate to perfect-- none of us can.
instead, give readers a window to your imagination, stormclouds and all. you'll be surprised by how many stick around for the rain, how many relish the sound of your thunder, and how many cherish the worlds that only you could bring to life.
yess a bonus vid! 🤩🤩 my question is, as a discovery writer, what signals to you that a chapter isn't working? And do you rework them, store away in a doc--or scrap entirely? much luv, hope you're staying safe :)
Helloooo! I thought I’d do an end of year writing Q&A for a bonus vid in my YouTube channel. If anyone has questions, leave them as a reply on this post or send me an ask (make sure to indicate it’s for the Q&A)!
I’ve come to realize that I’m an underwriter. Hbu?
ok but the murderyness makes this update so interesting?? I also loved the poetic excerpts, they're stunning !!
Hello! We are back for another Feeding Habits update, but this time we’re chatting chapter 8, aka Land Mammal.
Just a reminder: This is my original work and plagiarism of any form will not be tolerated.
Scene outline & excerpts under the cut because this one is a long one! If you missed previous updates or are new to the project, check out the novel intro page (which links all the updates) HERE!
Taglist (please ask to be added or removed): @if-one-of-us-falls @qatarcookie, @chloeswords, @alicewestwater, @laughtracksonata, @ev–writes , @jaydewritesfiction, @jennawritesstories , @august-iswriting, @berinswriting
Keep reading
I wrote this short story a while ago, intending to submit it to some magazines, leaving it to decay chill until I had time off from uni to edit it. Currently busy af w *shiny* new novel, but I wanted to share some of it on here to motivate me to work on it. Alors,,,,,,
genre: spooky lit-fic logline: Trudging through the barren Arizona desert after a night out partying, a group of friends come across a cupcake shop owned by a creepy old lady and her cannibal husband. TW: drug use, dead rats, disturbing cupcake ingredients, murdery elderly people.
The slope was 90 degrees and we were rock climbing, harnessed to a frayed string that tugged our shoulders. Desert on all sides, not a single car. One cactus, ten yards away, frilled with spines. When a café tiled with orange bricks sprouted above us, we first mistook it as a mirage. The sign read Cupcake Shoppe and assured us they were sustainably sourced and organic—probably made using soy milk or that green powder Julie mixed into milk with a golden spoon. I tried it once; it tasted like marbles.
Yellow houses sounds so good 👀
tysm for your interest! I hope to pick up that project again one day 🙃
writeblr /// tangents about my wips It’s all lit-fic, mystery, and noir around here Project Istanbul
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