The black endless abyss that are black cats
Reason?
Why not
My sister bribed me with $5 cause I saved all my school work for 5th-6th grade and she didn’t want to do her work :/
wait is this camping?
like when I hook someone I stay near them, but like, I treat it like they have kindred. I stay out of range like I go to gens near it but I stay close enough where I can still down the person or the previously hooked person.
like is that considered camping? I can understand it’s be annoying in the survivors POV but like-
• Character themes/motifs. I’ve heard of one writer who tries to give each character their own theme for similes, metaphors, descriptions, etc so there’s like a theme to the way they’re portrayed. You could use that to foreshadow notable secrets about the character that will later be revealed, or if at any point they’re disguised then you can use that to tip off the reader that they have the same motifs and so might be related/the same person
• Tiny details hidden in lists. Say the MC was trying to work out the identity of a bad guy, who we know was wearing a red shirt on the day of a big bad event. A few chapters later, MC is checking around their best friend’s room to find them, with the place its usual mess with discarded takeaway boxes, the bed unmade, a red shirt left on the floor that could use a good sweep. The red shirt might not click with all the readers, but those who register it upon their first read will eat it up
• Inconsistent behavioural patterns. Once we have a good idea of what a character is like, having them act out of character can set off alarm bells and make us question what’s occurred to make them act this way. Let the other characters register it too, if it’s reasonable that they would, but let them ultimately brush it off quite quickly to keep it subtle. Or just call it right out, whichever you prefer
• Unreliable narrators. Let one character say one thing and a second character say another, even if they both ultimately agree on the same thing but get one or two small details wrong. Ideally do this two or three times in order for the reader to know it’s not just a mistake in the plot but an intentional inconsistency, but even if it’s only done once and it’s taken as a mistake it’ll still slot together like puzzle pieces in the end and they’ll be kicking themself for dismissing it
• In-universe red herrings. If you’re going to add red herrings as foreshadowing, it’s helpful if the red herring aligns with the intentions of someone person aware of the upcoming plot twist who’s trying to control the narrative. Say the plot twist was the reveal of a mysterious character’s identity to be the best friend of the MC, the best friend might have deliberately thrown the MC off their scent by planting suspicions in the MC’s mind that a different character was the mysterious character’s identity all along. This is less about foreshadowing the actual reveal, of course, but rereads will be a punch to the gut when everyone realises that all this misinformation and red herring business came from someone trying to cover their own ass rather than coming from misunderstandings or multiple other random sources
rip to the haunted house workers cause I’m a awkward nightmare with no filter:
1. Throughout the whole 45 minute thing my friend help my arm in fear. Of course the scare actors noticed this and scared her first and THEN turned to me. Except each time I turned around to see what got her and I’d just give the actors(who were all like 5inches from my face) a full 2-3 seconds of eye contact before walking away calmly
2. There were break rooms where we’d be put into lines so the haunted house didn’t get over crowded in certain parts. In the first one one of them was in character(compared to the others in the stops after) and my friend and I were talking about my gay snails. So the guy comes up in between us and asks “anything you wanna share with the class?” And I just enthusiastically start telling him about my snails as he stands like this🧍♀️ before walking away
3. In the chainsaw room I would’ve not run(I did run because my friend pulled my sleeve and I got the memo she wasn’t letting go) because I figured the chainsaw guy(with what I think was a real chainsaw) couldn’t actually touch us. So I was just like “why are we running???” And my friend was like “HOLY SHIT RUN BITCH HES CHASING US”
I DONT AGEV ONE
Our lord and savior is connected to a string
What would you do if you were dating someone and they left you for an unknown reason when your relationship was great and they disappear for a month. The next month your mom says she getting married and you find out that your mom is getting married to the person you were dating and they were fucking behind you back
but I would reverse-parent trap. try to get them apart
what if that doesn't work and they trick you then your mom leaves for a vacation but during the vacation they actually got married and come back after a month long honeymoon from the Antarctic
after they come back from your honeymoon they have a orgy in your room with your ex-boyfriends mom. After confronting them about it they said they thought it was fine cause they were putting you up for adoption. A couple of years after you have been in the orphanage they come back but instead of coming back for you they adopt another kid who is a biter
make a blood pact with the biter to give them hell in exchange for whatever he wants
unfortunately the kid is not interested and has been wanting to be adopted for a year and won't give up this chance, also he is a furry
(Makes fursuit out of paper)
the child wakes to find his room a mess with his window open(he takes the fursuit) and alerts the parents. roll initiative to see if the parents find the note
(Rolls 18) ( I roll 20) *we are not playing accurate dnd*
unfortunately they find the note but because of the boys frantic movements they only find half*tells to write not that is not included for extensive swearing”
because of half the note being swears they skip through the important part(smh) Roll again to see if the boy finds the other half with your request
(Rolls 16) ( I roll 25)
the boy finds the other half of your note a month later And is slightly interested in your proposal if he gains something from it. Insight check to see what his ideals and wants are are
(Do I role for that?) *yes* (roles 17) **list is kept out**
what do you do now that you know this information?
hmm well, he can question his parents himself that's just asking a question. he's already been adopted, and he can bake in the kitchen. I'll buy him some candy and a fake medal that says "international furry" and get him a train ticket to the nearest farm. I have connections
*conversation on how she has connections as a child*
If you decide to wing it you will have to roll a persuasive check
I don't need permission im not the one fucking the horse??
the boy needs it
smh fine I'll roll(rolls 14)
how will you pass along the info to the boy?
break into his house again duh
He finds the note and decides to meet you at the train station. After arriving at the farm you try and convince the farmer, after little effort, he was an old man who had suffered a stroke the day before, you lead the boy to the horses and let him do his thing. do you stay and listen or go into the corn with eyes or do you go into the farm house with the dead farmer?
corn eyes
the corn eyes welcome you sensing your want for revenge. They offer you power in exchange for having a white persons sense of taste. What do you do?
(hey are you calling me white smh) I accept the offer
the corn eyes give you all their power, however it is too much in the moment and you let out a ear piercing scream. This shocks the boy in the barn who runs out without his clothes on to check out the noise. he finds you passed out in grass, eyes open and a vibrant glowing purple, also your tongue is now white and you can't handle spicy food.
roll to wake up
(Rolls 10) ( I roll 16)
the boy is unable to wake you up, he leaves you there and you want up in 6 hours. What do you do once you wake up?
Cartwheel
the power the corn eyes gives you courses through your veins and even you do a simple cartwheel you can feel the power. The power sends you flying cutting down everything in your path.*BEYBLADE LET IT RIP*
amazing(LMAO)
however the corn warn you that if you use the power with intent you will die, they offer to train you. do you accept the offer to train?
yes
the corn eyes hold out their blood covered hands, taking their hands they lead you to another dimension to train
*story pauses for the night*